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Author Archives: Alan Ilagan

An Intimate Venue, A Living Icon

Following her fantastically-life-affirming turn as Dolly Levi in ‘Hello, Dolly!’, Betty Buckley took only the briefest of breaks at her beloved Texas ranch, where horses and sunsets and family offered a much-needed balm for restoration and rebuilding. Not that Ms. Buckley was ever idle. She hatched her plans for concerts and teaching dates almost as soon as she said goodbye to Dolly, and her upcoming stint at Cafe Carlysle (March 10-21) looks to be another jewel in her performing crown. Ever since being bowled over by her portrayal of Norma Desmond in ‘Sunset Boulevard’ I’ve been a fan of Ms. Buckley’s. Her stage work is the stuff of studied genius, and her gloriously extensive catalog of recordings is a road-map of a singer’s journey. Not content to express herself solely through music, her acting prowess (a stunning turn in ‘Split’ recently) was honed by her stage work, as well as numerous appearances on television and film. Taken together, all those talents and skills are put to exquisite use in her live performances.

I had the privilege of attending one of her shows during the release of the ‘Hope’ album and it was just as wondrous as expected. In between some of her upcoming shows, Ms. Buckley will be offering several classes, and it struck me that the mark of a great artist is whether or not they share their knowledge and giftswith the world, allowing others to learn and grow from the choices and paths they have taken. Buckley has been roundly praised for the way she instructs – honoring and challenging her students while respecting the task at hand. In addition to respecting her students, she has always honored her audience. She once explained that instead of putting either artist or audience on a pedestal, she prefers to see them as equals, which opens up an entirely new dialogue. So much of a powerful performance depends on the investment of the viewer, and Buckley has been one of the artists who manages to completely engage the audience, whether it’s by transforming so magnificently into an indelible character like Dolly Levi or Norma Desmond, or by so personally attending to every nuance of a story song in her concert work.

There is an element of respect to Ms. Buckley that has always fascinated me. In a business where so much is based on egomania and self-promotion and relentless ambition, she’s made a career – a wildly-varied and successful career – without falling prey to such vainglory, bringing a timeless beauty that resonates within and without. That’s not easy to do in our culture of instant and unforgiving cancellation, or in an environment where youth is valued over all else. Ms. Buckley continues to defy is the world’s ageist notion that relevance and success is a thing of youth – simply by doing what she does, over and over again, and reinventing the ways in which an artist expresses themselves. It is a feat of majestic strength and power. She’s been doing that for her entire career, touching upon Broadway, television, singing, film and teaching. Her concert work may be seen as the most personal form of artistic expression, as the entire show is a journey of her own making. I’m looking forward to taking that journey with her once again.

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On the Right Path, Baby

When I first started meditating a month or so ago, I found it quite a challenge. Even the brief ten-minute window I allowed myself seemed interminably long and despairingly bleak. It was also the first time I allowed my darkest thoughts and emotions to have their time in the spotlight of my mind, and all their ugliness and awfulness was on gross if necessary display. I wasn’t proud of all the things that came rushing to the surface: the anger, resentment, bitterness, jealousy, fear, sorrow, anguish, cruelty, and rage. Each reared its head, but instead of pretending them away, instead of faking that everything was good and I was not bothered by it, I sat beside them, taking in their grotesque nature, acknowledging and honoring the place they had taken up in my mind, respecting that they had been a part of me for all this time. One by one, I allowed them their say, their existence. No longer was I trying to snuff them out, for they each had their purpose. They each had a reason for existing. I sat with them, and then I let them go. Every meditation gave them a chance to be heard and acknowledged. As the days and nights passed, the thoughts and emotions that came up gradually changed and shifted. The heaviness and darkness that seemed relentless slowly lifted. Other thoughts took their place – healing, resignation, acceptance, forgiveness, and even hope.

Still at the start of my meditative experiment, I’m not sure which way it will take me, but I’m feeling much better, so I hope it continues. Enraptured by this trajectory, I’ve taken to expounding upon and promoting meditation for my friends, explaining to Suzie and Kira how I go about it, subtly suggesting ways they might make a practice of it. Suzie asked if I ever cried at the emotions dredged up during a session, and I had to admit that I had in the very beginning. Not so much for what I was feeling at that specific moment, but for the fact that, while I’d made my life all about me for over four decades, I’d never really taken care of myself. There was something very sorrowful about that distinction. It clues me into a profound realization that in all these years of putting forth a self-centered image in the hopes of making some sense of self-worth stick, I’d failed at simply taking care of myself. And in the last few months, when I understood in heartbreaking fashion that no one – not my husband, not my parents, not my family, not my friends – could ever help if I didn’t help myself, the simple act of focusing on my own breath, my own life, became the most tender, kind and compassionate thing I could do.

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Fig Life

Andy pointed it out a few weeks ago – the smallest ray of hope in a dark winter – when the buds of our fig tree began swelling. On the bare branches of the dormant plant I overwintered in the garage, the first signs of life were becoming apparent. While the brown turkey fig was reportedly hardy as far north as Zone 5, our specimen had done so well last summer that I didn’t want to risk it. Some winters are more brutal than others. Without a proper snowcover, and considering the roller-coaster of temperature extremes we’ve had, it was a wise decision. Within the unheated garage, our little fig tree got its necessary period of dormancy – a rest period to recharge and rejuvenate for another season of fig-producing glory. As we neared the end of winter, it suddenly leafed out with the warm spells we’ve had of late.

That dormant period, in which a plant rests, is like a resetting of its mission. Many errors and mistakes can be forgiven with enough time and contemplation. Yes, this was an early start, maybe too early. With the celebration comes a warning – a tease filled with tension. Global warming, brutal summer, decaying winter. Still, there is no prettier shade of green than the delicate chartreuse that first greets the burgeoning light, and at a time when we are so desperate for spring, my heart jumped at the new signs of life.

If our little fig tree could survive our winter of neglect (I barely bothered to water it, afraid it might rot) then perhaps another spring might reinvigorate all sorts of malaise. I studied the beautiful tiny leaves that reached for the lone window in our garage, admiring the plant’s resilience, the way it drew upon the reserve of its roots and branches, bare though they be. There was still life here, it was only slumbering until the necessary nourishment and coddling brought it back to its former glory. Hope remained. Spring waited. Beauty rested.

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A Gratuitous Daniel Newman Moment

Actor Daniel Newman has been making a thirst-trap splash on his Instagram account of late, so it seems an opportune moment to remind everyone of the first time he was Hunk of the Day here. He also recently honored his 6thanniversary of sober living, an inspiration for anyone struggling with addiction or just wanting to better themselves. We need to celebrate more of this in the world. The goodness, the betterment, the encouragement. There is darkness enough – let us have a bit of light. (And here’s his second crowning as HOD, because one simply wasn’t enough. Depending on what’s coming on Instagram, two might not be enough either.)

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From Rage to Power: The M-Empowerment Mix

No one has had a better handle on the bittersweet and heartbroken anger that fuels empowerment better than Madonna. For all her steely nerve and breathtaking independence, she’s always been a romantic at heart, and she’s been hurt playing the game of love as much as anyone else. Maybe even more-so if we are to judge from her musical response to heartbreak. While some of her post-break-up songs are sorrowful (‘Take A Bow‘, ‘The Power of Good-bye‘, ‘Frozen‘, ‘You’ll See‘) there are others that simply rage, forming the jumping-off point to a whole new realm of empowerment, which always feels unlikely at such difficult times, but which has to happen in order to move ahead.

Here’s a little empowerment mix for anyone that needs to rage before moving on.

  • Living For Love– It’s all about getting back up again, literally and figuratively. “I found freedom in the ugly truth/I deserve the best and it’s not you.”
  • Devil Wouldn’t Recognize You– “Now that it’s over you can lie to me right through your smile/I see behind your eyes/now I’m sober, no more intoxicating my mind/Even the devil wouldn’t recognize you, but I do.”
  • Gang Bang– Madonna at her most bitter and pageful, ‘Gang Bang’ is a hyperbolized jaunt through a little bit of the old ultra-violence, but it’s her whispered delivery of barely-veiled vitriol that gives this track its lethal bite: “You were building my coffin, you were driving my hearse.”
  • Unapologetic Bitch– A barbed gem from the ‘Rebel Heart’ opus, this finds Madonna unapologetically ticking off a list of offenses from a former lover: “Tell me how it feels to be ignored.”
  • I Don’t Give A…– Blunt, brutal, and brash, this exhaustive rendering of all that’s required when moving on cloaks some potent heartache: “I tried to be a good girl, I tried to be your wife/ Diminished myself and I swallowed my light/ I tried to become all that you expect of me/ And if it was a failure/ I don’t give a…”
  • Best Friend– How this bonus track from the ‘MDNA‘ period got lost in the shuffle is anyone’s guess, and it’s an eternal shame, as it’s one of the most devastatingly personal examinations of a failed relationship that Madonna has ever written: “I lost my very best friend/ Not gonna candy-coat it and I don’t want to pretend/I put away your letters, saved the best ones that I had/ It wasn’t always perfect but it wasn’t always bad.” It’s her most pointed and powerful take on divorce since ‘Til Death Do Us Part‘ from the ‘Like A Prayer’ album.

  • Sorry– This dance-floor tantrum was thrown in the face of wrong-doing, when saying sorry simply isn’t enough anymore: “You’re not half the man you think you are.”
  • Jump In every romantic bust-up, there comes a turning point when the anger and rage turn to resolve and betterment, when a person finally realizes the only thing to do is move on, starting at the jumping point. Are you ready?
  • Express Yourself– Continuing on with Madonna’s perhaps-greatest rallying cry for empowerment, this classic song demands nothing but the best for its protagonist, wisely leaving wimps and wannabes in the dust: “And when you’re gone he might regret it, think about the love he once had/Try to carry on but he just won’t get it.”
  • Falling Free– The final song on the brutal ‘MDNA’ break-up album, this finds the ambivalent abstraction of setting someone free, and finding freedom of your own in the process: “I let loose the need to know, and we’re both free, free to go.”

  • Messiah– A warning as much as a bittersweet resignation: “I am the promise that you cannot keep/ Reap what you sow, find what you seek.”
  • I Fucked Up– Madonna never fessed up to being wrong for the bulk of her career, and we loved her all the more for it. By the time the divorce album of ‘MDNA’ came along, however, she had to admit her part in the proceedings, and did so in this blunt apology song. Like ‘Best Friend’, this one got lost in the bonus track shuffle, and its heartbreaking and almost unnoticed final line is tellingly ambivalent: “I’m sorry, I’m not afraid to say, I wish I could have you back, maybe one day… or not.”
  • I’ll Remember– One should always end on a hopeful note, or at least a note of reconciliation. Maybe even redemption. Love is always worth the pain. 

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The Sweetness of Silence

“Solitude is independence. It had been my wish and with the years I had attained it. It was cold. Oh, cold enough! But it was also still, wonderfully still and vast like the cold stillness of space in which the stars revolve.” ~ Hermann Hesse

Quiet and stillness and silence. These are the things I find myself craving as the world grows louder, and the possibility for being alone becomes more scarce. On any given day, I am surrounded by a barrage of sounds and noise. The radio playing classical music. The television and its 24-hour news cycle. The washing machine and dryer. The beeps of the microwave and dishwasher, the beeps of the refrigerator, the beeps of the coffee maker. The drone of co-workers, punctuated by the occasional squeal of laughter. The incessant talk of meetings. The roar of traffic. The rumble of a garage door. The buzz of a phone call. The ping of a text message. Even when I make it home, and everything is turned off, there are still noises ~ the hum of the heater, the ticking of a clock, the sporadic drips of a diffuser. Such is the modern world.

We have become accustomed to such noise, and for some people total silence is more jarring and disturbing than a wall of sound. I used to be that way. A trip to Sharon Springs and its accompanying quiet was a jolt to my system a number of years ago. It was then that I realized I was losing an important aspect of life: silence. Since that time, I’ve worked to regain the moments of aural respite that quiet affords. It’s become more important as I’ve been implementing it as part of my daily meditation. Whereas I once meditated with Tibetan flute music or background yoga chants, I now do so in complete silence, and it makes a grand difference.

To start, it allows one to focus on the breathing, the most important part of meditation. By isolating the internal gaze to the primal function of life, I’m more able to push distractions to the side and allow the more prominent emotions and feelings to enter, be acknowledged, and pass on.

Second, silence allows for rejuvenation. Whether I was realizing it or not, being surrounded by a constant barrage of sound and noise was draining. Like the subtle scratch of an underwear label that doesn’t sit quite right, you may not even be aware of the discomfort until it’s removed. The same holds true for quiet: if you haven’t had it in a while, its appearance may be a marked relief. In the simplest terms, it allows your ears to rest, and in turn your brain to become calm. The cessation of an auditory assault is always a relief to me, especially now that I’ve accustomed myself to equate silence with peace and contemplation.

Finally, an atmosphere of quiet and stillness makes for an environment in which it is possible, and almost fostered, to examine yourself. Rather than raising the volume of those inner voices that most of us entertain during the day, it somehow works to quiet them, as if they too want to join in the hushed reverence of the moment at hand.

“How much better is silence; the coffee cup, the table. How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. Let me sit here forever with bare things, this coffee cup, this knife, this fork, things in themselves, myself being myself.” ~ Virginia Woolf

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A Breath of Brightness, A Crash of Color

A strong dose of color can change the world, especially a world mired in winter greys, chaos, and Mercury in retrograde. Charging into that battle with his #MakeYouSmileStyle and lifestyle blog (currently undergoing an exciting revamping), Will Taylor has been bringing color back into our lives, literally and figuratively, and I’m here for all of it.

His Instagram feed is a steady stream of inspiration, one that highlights his uncanny knack for impeccably matching his outfits to his surroundings, and offering helpful information on which products and techniques work best for him. Nothing is a hard sell, and his enthusiasm is as genuine as it is contagious. In other words, he’s the best sort of social influencer.

Lately I’ve been getting a kick out of his Twitter feed as well, as he opines his relative age in a world of youngsters who don’t remember what it was like being charged per text message. (Taylor’s a generation younger than me, so you can imagine how my dinosaur ass feels. He’s been blogging since 2009; I’ve been doing this since 2003.)

Above all else, it is his infectious spirit and unflagging optimism that has captured the fickle attention of style-watchers and design aficionados the world over. Ever-ready with a smile or a supportive response, he injects a badly-needed dose of colorful glamour into a mundane universe. Whether it’s his unabashed excitement over the new Lady Gaga song, or perennial reverence to a classic Madonna moment, he straddles the past and the future, while boldly living in the present. He bridges a clean, bright, modern aesthetic with a classic celebration of color and vibrancy, crafting a style that is at once accessible, functional and impossibly fabulous.

As evidenced by cheeky glimpses into bare-chested glory, he also knows his audience clamors as much for him to don colorful garb as they are to see him slip out of it. (A preference for briefs has endeared him to a whole new audience.)

More impressive than that pretty package is his relentless drive to better the world around him, starting with the outside and gradually and ingeniously working within. He isn’t afraid to share his personal stories and setbacks, and today we demand that from our social media stars. He’s also one of the most responsive Instagrammers out there, so if you say hello he’s likely to reply with a smile or quick word of thanks.

It’s a welcome breath of brightness in our dour and drab social media timelines, and whenever I see a new post of his pop up, it’s the first thing I click. We need more color in our lives. We need more color in the world.

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A Gratuitous Glimpse of Max in Motion

Some post titles speak for themselves. 

Others speak through the universal language of the GIF. 

Hard G or ginger G, whichever G you like, Max Emerson brings it beautifully. 

Feast your eyes upon his form here

And if you still find yourself starved for links, try this one. Anything to get us over Hump Day.

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Madonna’s Ray Day

In my most humble opinion, ‘Ray of Light’ remains Madonna’s best album to date. It was released on this day in 1998, and every year I mark the occasion with a link-filled post to all things ‘Ray of Light’ and that tradition continues with the track listing and links to all the songs we’ve reached on the Madonna Timeline. 

March 1998 was a special time in my life. In your early twenties, every year seems to be pretty special. That’s the magic of being young. Just be wary: it’s gone too soon, disappearing quicker than a ray of light. 

The ‘Ray of Light Album:
  1. Drowned World: Substitute for Love
  2. Swim
  3. Ray of Light
  4. Candy Perfume Girl
  5. Skin
  6. Nothing Really Matters
  7. Sky Fits Heaven 
  8. Shanti/Ashtangi
  9. Frozen
  10. The Power of Goodbye
  11. To Have and Not To Hold
  12. Little Star
  13. Mer Girl

Bonus Track: Has To Be

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Objects in a Childhood Home

Bits of wreckage strewn haphazardly about the house hinted at childhood and the wonders of youth. None of it made much sense to me as an adult, which was sad, as I pondered where I might have lost the path I once knew so well – a path of pure imagination, of whimsy and fantasy and make-believe. It was a path that led to woodland fairies perched among polka-dotted toadstools, where miniature cows moved and mooed on mounds of verdant moss, and dolls poked their heads up from frazzled piles and demanded finer frocks.

Today, there is little room or time for such happy frivolity, unless I’m spending time with my niece and nephew. Perhaps this is why people love children so much – they remind them of being young. Even though part of me feels I’ve lost my way, I still hold onto an active imagination, an appreciation of the whimsical, a respect of the power of make-believe. There is a magic that only exists in the mind. The fact that it isn’t real only makes it more potent. It cannot be stopped or limited or killed. It lives with all the creatures we conjure in our heads – in another, unreachable land, a place to which only a dreamer might gain entrance.

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Brief Capsule of Sexy Gents

I haven’t been posting as much smut as I once did, and I’m told some people miss that. Here’s a bit of a bone then, with some gentlemen who have been featured here previously but deserve another look just because they’re still pretty – oh so pretty. 

We begin with Aaron Renfree, who takes it all off for this stunning photograph. He knows his way around an underwear selfie too, as seen in this post, and is no stranger to being part of a sexy gent round-up

Jeremiah Buoni and Eyal Booker make beautiful bookends. 

Luke Evans has been a particular favorite in these parts thanks to his multi-faceted collection of talents. Singing, acting, dancing, posing in a Speedo, and most spectacularly posing out of a Speedo, he’s got a lot on display.

Brian Justin Crum made a splash in his Hunk of the Day crowning, so much so that he earned the honor twice. Meanwhile, that is Andrew Garfield’s tush, bereft of any pesky Spiderman suit and web-work. Somehow he has escaped being named Hunk of the Day, so look ahead to when that happens. 

Adam Peaty gives us a peek of summer Speedo glory in this goggles-bound photo. Who is ready for the Summer Olympics Speedo Edition?

Bringing up the bouncing bottom of this post is one of the greatest: Chris Evans. I can’t begin to list his links, so I propose doing a search in the little search box below, and don’t stop at Mr. Evans. Type your favorite hunk’s name in and see what comes up. 

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The Lion Returns with a Roar

The royal return of the king of beasts marks the start of March, and such thunderous entrance and cacophonous fanfare seems fitting as we continue on our not-so-merry march of Mercury in retrograde. We have entered the month in which spring officially begins, and though that’s not for a few weeks, hope is on the horizon.

I have a soft spot for lions, as evidenced by this dreamy song, and this summer memory. As for their connection with the start of March, I’m all for it, and if history is any indication they’ll see us through the entire month. Lambs don’t get their meteorological match until May usually. March is much more volatile, and the first days have Mercury behind them, leading to the kind of war I’d much rather avoid. To that end, I will maintain my schedule of meditation. It isn’t much, just fifteen minutes a day, but those fifteen minutes matter and make a world of difference. Silence and stillness are undervalued in today’s world, which means carving out a time and place for both can be difficult. It’s not something you can do in the car on your daily commute, or in the shower, or even lying in bed. It takes concentration and work ~ it’s not just lounging and chanting and ommmmm. But I’ve never been one to shy away from a challenge, particularly if tranquility and serenity might be one of the outcomes. They will be especially important as the lion rages and March rears its hot-blooded head. We must also remember that lions can be peaceable creatures as well, so long as we don’t interrupt the hunt.

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When the Sun Burns and the Universe Gives Warning

When the sun begins its late winter burn, that’s when it might be at its most dangerous. After a winter of darkness and gloom, the days have been growing longer. It began almost imperceptibly, right after the winter solstice, and only now, with the benefit of hindsight, can we see the progress. The brilliant bookend of a Thanksgiving/Christmas/Easter cactus, which had its initial flush of blooms when the light first leaked from the sky at the end of fall, recently started its re-blooming period, indicating that the light had returned.

As lovely as that may be, I feel we need to slow down and take the universe’s gradual progression to heart. At this point in life, I can step back and not rush into anything. That’s for the young and foolish, and there’s a time when that’s right. I’ve passed that point. Luckily, the universe has its own way of doling out lessons and warnings, and it’s powerfully effective at slowly but persistently making sure we heed its signs. Like the slow trudge to spring, it warns with almost unseen form. In fact, it may dangle something tempting or exciting in front of you even if it’s not right. Or maybe we simply ignore such warnings when we want something. At those times, the universe steps in with small signs and blips – maybe a recurring cold or other issue. If you fail to listen, or if you don’t want to listen, you might be able to ignore it a little longer. Fear not, the universe will continue to work to correct the path.

It may knock a little louder, and things may get a little rockier. Perhaps other systems fail, perhaps everything else seems to go wrong. That’s the universe nudging a little more forcefully. If you still don’t heed its signs, it shines its sunlight of truth with relentless intensity. It’s the kind of sunlight that only comes in late winter, before the leaves are on the trees, before the haze of warmth and humidity. It’s this sunlight that can burn, and the universe bangs on your front door, waking you from whatever spell holds you blind to the path you should be on, to right the wayward turns you may have taken.

One must have faith at such times. It’s possible for the world to be both too bright and too dark to see clearly. 

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The Madonna Timeline: Song #160 ~ ‘Dark Ballet’ – Spring 2019/Now

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

This particular story must begin not with a Madonna song but a selection from ‘Swan Lake’ by Tchaikovsky. It rises slowly from a mist, just above some tremulous body of midnight water sparkling beneath a mysterious moon, in the darkness of winter on the edge of glassy-eyed solitude. There is beauty here, and there is danger ~ the razor-thin line between love and betrayal. In so many ways, one wouldn’t exist without the possibility or reality of the other. When men dance with men, there is a whole new set of rules and mores. Rarely does the dance end without injury; sometimes it only ends with death.

IT’S A BEAUTIFUL LIFE, BUT I’M NOT CONCERNED
IT’S A BEAUTIFUL DREAM, BUT A DREAM IS EARNED
I CAN DRESS LIKE A BOY, I CAN DRESS LIKE A GIRL
KEEP YOUR BEAUTIFUL WORDS, ‘CAUSE I’M NOT CONCERNED
‘CAUSE YOUR WORLD IS SUCH A SHAME
‘CAUSE YOUR WORLD’S OBSESSED WITH FAME
‘CAUSE YOUR WORLD’S IN SO MUCH PAIN
‘CAUSE YOUR WORLD IS
‘CAUSE YOUR WORLD IS
UP IN FLAMES

We are in New York City for a production of ‘Matthew Bourne’s Swan Lake’, the pseudo-ballet that turns the classic tale into a coming of age homosexual love story of sorts, while touching on all sorts of emotional mayhem and compelling visuals along the way, including a cadre of shirtless male swans that are feral, ferocious, exquisite and enchanting. I’d taken Andy to see it many years ago, and tonight I was gifting it to Suzie, along with the same pre-theatre dinner stop at the Russian Tea Room – for Tchaikovsky, of course. 

The evening is threatening rain, which is actually rather benign for a January night. Even so, I brought the wrong coat for rain. After our dinner, and mocktails at The Plaza, we have an hour or so before the show, so we duck into a teahouse called Radiance. Warm wooden surroundings echo the heat of the teapots. We consider a turmeric blend but opt for something called Serenity with chamomile and lavender. When Serenity is an option, one should always choose Serenity. There, in the midst of a dark gray night, and before the curtain rises on ‘Swan Lake’, we nestle into a secret nook hidden in a non-descript stretch of street across from the theater. It is a jewel-box of a teahouse that perfectly cradles us within its curving carved wood. My necklace of black feathers, a last-minute find while waiting for Suzie to arrive, and just the thing for an evening of dramatic swans, is mostly concealed by an ornate silk scarf scented with Tom Ford’s ‘Oud Fleur’.

IT’S A BEAUTIFUL PLAN (HMM), BUT I’M NOT CONCERNED (OH YEAH)
IT’S A BEAUTIFUL GAME (HMM) THAT I NEVER LEARNED
PEOPLE TELL ME TO SHUT MY MOUTH (SHUT YOUR MOUTH)
THAT I MIGHT GET BURNED
KEEP YOUR BEAUTIFUL LIES (HMM) ‘CAUSE I’M NOT CONCERNED
‘CAUSE YOUR WORLD IS SUCH A SHAME
‘CAUSE YOUR WORLD’S OBSESSED WITH FAME
‘CAUSE YOUR WORLD’S IN SO MUCH PAIN
‘CAUSE YOUR WORLD IS
‘CAUSE YOUR WORLD IS

A twist on the typical take of this balletic tale, this version always brings out new sensations and emotions depending on where one is in their life. The first time I saw it I was touched by the familial relations and the way image and outward appearance of a family unit was more important than what went on behind closed doors.  It was a brilliant rendering of that space where what people saw of your back as you sat down in the front pew of church with your family mattered more than what was in a little boy’s heart, where appearance counted for more than substance, because what happened behind the walls of your childhood house could better be hidden and explained or unexplained away all that much easier. Distant parental figures unskilled at unconditional love, particularly for a child who didn’t behave or desire the way most other children did.

That first time I was also moved with the way the show illustrated the first flush of romantic love, that feeling of being both wanted and protected, loved and desired, cared for and completed. When the protagonist arrives at the edge of a lake and finds the beauty of the swans, it was a transcendent experience for anyone who has spent any amount of time hiding and then discovering who they were. For a gay man of a certain age, it was powerful stuff.

For this evening’s performance, those moments touched me again, but I was most moved by what happens when it appears there may be a happily ever after, when man and swan dance together while the world of swans and humans looks on, and then attacks, because at some point every couple comes under attack. Most of the time the attacks come from the inside – occasionally they come from an outside source, and only the lucky ones get out without an element of destruction. The final scenes were heartbreaking, as the very essence of love and companionship was torn violently asunder, and the envy and vindictiveness of others intrudes, ripping any remnants of innocence apart. The swan troop swoops in and attacks the one swan who saved the young man, because not everyone can be happy in the happiness of others. They killed him, but they could not kill love. The young man dies too, but not his love. For its time, it existed – like a little fire, providing warmth and haven from a cruel, frigid world – and it lasted for as long as it lasted. In such a sense, love can be both finite and forever.

The curtain fell. The show was over. We exited the theater.

Another ballet was about to begin… a Dark Ballet.

Beauty.

Darkness.

Dance.

Sacrifice.

Storm.

All of it fits within the realm of Art, that all-encompassing way that humans have developed of dealing with the world as we know it. How to interpret and shape a vision, how to reflect upon and expound upon the particular time at hand, how to express a way out when one needs to escape. Art, in its most desperate state, is survival.

It was at the Metropolitan Museum of Art during the Met Gala when Madonna premiered a snippet of this song during her magnificent performance, paving the way for the dark beauty that would be her ‘Madame X’ album. It was theatrical, and the ‘Dark Ballet’ bit incorporated classical piano riffs and some balletic dancing recalling Madonna’s own storied beginnings as a dancer, where she was supposedly christened ‘Madame X’ by none other than Martha Graham.

I WILL NOT DENOUNCE THE THINGS THAT I HAVE SAID
I WILL NOT RENOUNCE MY FAITH IN MY SWEET LORD
HE HAS CHOSEN ME TO FIGHT AGAINST THE ENGLISH
I AM NOT AFRAID AT ALL TO DIE ‘CAUSE I BELIEVE YOU
GOD IS ON MY SIDE AND I’LL BE FINE
I AM NOT AFRAID ‘CAUSE I HAVE FAITH IN HIM
YOU CAN CUT MY HAIR AND THROW ME IN A JAIL CELL
SAY THAT I’M A WITCH AND BURN ME AT THE STAKE
IT’S ALL A BIG MISTAKE
DON’T YOU KNOW TO DOUBT HIM IS A SIN?
I WON’T GIVE IN

By far one of Madonna’s most experimental works, this song joins a largely-unrecognized canon of astounding aural adventures (see also ‘Gang Bang‘, ‘Mer Girl‘, ‘Act of Contrition‘ and ‘Secret Garden‘ – not all of which work, but none of which are dull or boring). It’s also a reminder of the darker fare of her later work output after 2001 or so, such as ‘Beautiful Killer‘, ‘American Life‘, ‘Killers Who Are Partying‘, ‘Revolver‘ or’Messiah‘.

Tchaikovsky is sampled here in a nod to the genius and insanity of ‘A Clockwork Orange’, and it’s brilliant and mad and utterly exhilarating. Her voice digitally distorted beyond recognition, and past the point where words can even be understood outside of the printed lyrics here, she warps the human sound into a computerized entity at once remote and commanding. There is a chill to the proceedings, in spite of the bouncy ballet music, and the juxtaposition is one of the most thrilling moments on the entire ‘Madame X’ opus. Three decades into her career, to find Madonna still experimenting and daring us to hear new things is quite a remarkable feat, one that should not go unnoticed in this era of play-it-safe stars and ultra-careful celebrities. The chance to get canceled for one kooky mis-step looms terrifyingly on the landscape of any burgeoning starlet; that Madonna dances boldly on in the presence of such landmines is testament to what I’ve always admired about her.

She ends the magnificent journey with a spoken warning as Tchaikovsky spins giddily on behind her:

THEY ARE SO NAIVE
THEY THINK WE ARE NOT AWARE OF THEIR CRIMES
WE KNOW, BUT WE ARE JUST NOT READY TO ACT
THE STORM ISN’T IN THE AIR, IT’S INSIDE OF US
I WANT TO TELL YOU ABOUT LOVE AND LONELINESS
BUT IT’S GETTING LATE NOW
CAN’T YOU HEAR OUTSIDE OF YOUR SUPREME HOODIE,
THE WIND THAT’S BEGINNING TO HOWL?

The electronic classical interim fades as the simple piano melody and its dour minor key returns. There is one last line, sung plainly, as much a wish as a sneer. It contains all the hope and poison of the world, and the unspoken notion that if everything was always beautiful, we might never recognize beauty. How sad, when you think too much about it, when you really dig into the philosophy of the idea. How glorious too, that we have the opportunity to live in this world right now. To live in the world at any time, really. We are afforded such scant joy in the grand scheme of the universe.

IT’S A BEAUTIFUL LIFE.
SONG #160: ‘Dark Ballet’ – Spring 2019

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