Category Archives: Madonna

A Queen Poised for the Dance

Madonna’s super-long-awaited studio album, ‘Confessions 2’, kicks off its promotional-storming tomorrow as the first single is supposedly going to be released. Her first album since 2019’s ‘Madame X’, this is also a return to the promising dance-floor arena where she has always executed her greatest flexes. Reportedly a sequel of sorts to 2005’s ‘Confessions on a Dance Floor’, possibly her last near-perfect album in its entirety. At this point I’ve mostly given up on her matching the other-worldly brilliance that was the ‘Ray of Light’ masterpiece, but the original ‘Confessions’ was a genius move in its own way, and if ‘Confessions 2’ approaches such glory, the queen will handily regain her throne (again).

Initial looks at the visuals for this one are scintillatingly enthralling – the color scheme, the art direction by those who did LUX and BRAT, and the throwback references to the first ‘Confessions’ comprise a release by her original Warner Brothers label that finds her coming home in more than one way.

This lilac spring was in need of a jolt, and this springboard is precisely what the disco ball spins for: escapism through the dance. With its projected release date of July 3, we’re going to have an epic, hot, solid gold summer, rife with confessions and filled with the sort of sweaty passion that can only be found on the dance floor.

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The Madonna Timeline #181: ‘Pretender’ ~ 1985

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

He’s a pretender, he knows just what to say
He’s a pretender, you meet him every day
He’s a pretender, that fish that got away
he’s a pretender, why’d I fall in love?

Pure 80’s synth pop prettiness, ‘Pretender’ is a relic that doesn’t completely stand the test of time, but we all seem to be in an 80’s celebration, and it’s good to have a reminder that not every Madonna song is going to be everlasting. This one still has its charms, and it brings me indelibly back to the days of 1985, when we rose around in a station wagon and the ‘Like A Virgin‘ album sang of things we’d never known at the ripe age of ten.

It was so strange, the way he held my hand
I wanted more than just a one night stand
He had a way of making me believe
that he was mine and that he’d never leave.
I know that I should take my friend’s advice
Cause if it happens once, you know it happens twice
If there’s chance then I know I’ve got to try
I’ll make him dance with me, I’ll make him tell me why.

The betrayal of the protagonist of ‘Pretender’ was very much one of those things, but Madonna sang with such forlorn bitterness and convincing hurt that I felt I already knew that brutal sting. Maybe it was a presentiment of rocky romances to come? Maybe just a shared love of the dramatic? Or maybe just a hooky pop tune of the 80’s, with a bombastic bridge crafted as deftly as anything Taylor Swift has ever erected.

I’m not afraid to fall a hundred times
And I’ll believe in all your silly lies
I’d like to think that I could change your mind
Don’t say that I am blind, I know all about your kind.

When I was all of ten years old, I thankfully had no idea what a song like ‘Pretender’ might be about – my romantic trials and tribulations wouldn’t start wrecking me for another decadeAnd maybe it does stand up to the test of time – betrayal still being very much a part of the mess we call humanity.

SONG: #181: ‘Pretender’ – 1985

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The Madonna Timeline #180: ‘Love Song’ ~ 1991

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

The Queen of Pop’s very first official duet was fittingly with a man named Prince. At the time of the ‘Like A Prayer’ album’s release, Prince and Michael Jackson were probably the only two musical icons who could match Madonna’s own pop-culture stardom. Prince was a more avant-garde choice, and in the end more fitting. Michael was fine for arm candy at the Oscars, but for musical legacy and credibility, Prince was far more prolific. His quirky and unmistakable musical style was all over his duet with Madonna, entitled ‘Love Song’ in questionably stultifying fashion. As unimaginative as the title was, the song itself also fell a little short of expectations from two pop superstars arguably at their apex in 1989.

It begins with Madonna speaking coquettishly in French: “Je suis prête? Vous êtes prêt aussi?

Are you wasting my time?
Are you just being kind?
Oh no baby
My love isn’t blind
Are you wasting my time?
Are you just being kind?
Don’t give me one of your line
s

If it sounds slightly disjointed, as if the two aren’t quite connecting, that’s reportedly because they recorded their parts separately, somewhat diminishing the duet aspect of the whole affair, and wasn’t that the whole point? Still, it grows on you if you let it, and Madonna steps up to the Prince-like musical environment, almost making it her own.

Say what you mean, mean what you say
Don’t go and throw our love away
God strike me down if I did you wrong
This is not a love song

Are you just being kind? No
Am I losing my mind?
Losing your mind
Oh no baby… Yeah

Strangely enough, given their pop-culture status at the time, ‘Love Song’ didn’t make much of an impact or impression. That said, it actually fits in the kaleidoscopic/psychedelic 60’s undertone of the tapestry that was the ‘Like A Prayer’ album – Madonna and Prince melding their personae like patchouli and lavender – and it works well as an album-cut.

Are you wasting my time?
Wasting my time
Are you just being kind?
Oh no baby, my love isn’t blind
Are you wasting my time?
Time, time, time
Are you just being kind?
Don’t go give me one of your lines

While I was busy hiding the ‘Like A Prayer’ album in the back of my desk drawer out of Catholic fear and guilt, ‘Love Song’ and all the other brilliant album deep cuts (‘Til Death Do Us Part‘, ‘Promise to Try‘, ‘Dear Jessie‘ and ‘Pray for Spanish Eyes‘ to name a few) went unheard for a bit. It wasn’t until my super-fandom began in earnest around 1991 that I returned to the album and discovered ‘Love Song’ again.

Say what you mean, mean what you say
Don’t go and throw our love away
God strike me down if I did you wrong
This is not a love song

Ooh, are you just being kind?
What?
Am I losing my mind?
Don’t… Wait

There was muted genius here, and a brilliant foreshadowing of a classic line that would come into great prominence many years later:

Time goes by so slow for those who wait
And those who run seem to have all the fun
But am I wasting my time?
She’s so fine
Are you just being kind?
No

My high school life had settled into a bit of a funk by the time I came to the whole ‘Like A Prayer’ album, and the darkness that was part of that journey was a welcome companion. The push-and-pull ambivalence of this track did nothing to allay my concerns of romance at the time, or the mixed emotions that handsome men elicited in my hidden heart.

Don’t try to tell me what your enemies taught you
Show them now how I didn’t do you wrong

This is not a love song

Despite its spring 1989 release, the Like A Prayer’ album was speaking to me most pointedly in the desolate fall of 1991. In the way that music has of meaning and mattering the most during adolescence, ‘Love Song’ was part of my romantic formation, for better or worse. I wasn’t even infatuated with anyone at the moment, but I knew those days would come, and if Madonna and Prince were finding love to be so maddening, I wondered how the rest of us mere mortals would navigate it. I could easily wait to fall in love if that was the case.

Are you wasting my time?
Wasting my time
Are you just being kind?
Oh no baby, my love isn’t blind
Are you wasting my time?
Time, time, time
Are you just being kind?
Don’t go give me one of your lines

‘Love Song’ is the final song from ‘Like A Prayer’ to get the Madonna Timeline treatment (you’ll see its missing link here). It’s a reminder that time ticks on, and this timeline is in the winter of its seasonal lifespan. Enjoy each entry as we approach the end – and be reassured that with a new album on the way that end will be extended like only Madonna could.

Nowhere to run, Nowhere to hide
That’s how I feel, Don’t fog my mind
Mean what you say or baby I am gone
This is not a love song

Don’t try to tell me what your enemies taught you
I’m gone but I just want you to know
That this is not a love song that I want to sing.

SONG #180: ‘LOVE SONG’ – 1991

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My Favorite Madonna Anniversary

This is my favorite Madonna anniversary as it marks the release of her greatest album to date: ‘Ray of Light’. While others come close and hold sacred spots in memory for varying reasons (‘Like A Prayer‘, ‘Erotica‘, and ‘Confessions On A Dance Floor‘ come to the forefront of my mind) it is ‘Ray of Light’ that still means the most. Going back in time to that delirious almost-spring release is an exercise in memory that been repeated almost annually, and rather than do all the work I’ve done before, here is a list of some of those posts:

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The Madonna Timeline #179: ‘Me Against the Music’ ~ Fall 2003

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Back in 2003, some saw the teaming up of these two pop icons as the passing of the Pop Goddess baton from Madonna to Britney Spears, but I knew only one of them would/could last, and with a new album on the more immediate horizon, that looks to be Madonna. Nothing against Britney, or the music, just a reflection on longevity, and Brit’s got a long way to go before she surpasses Madonna on that front.

Here was their first and thus far only collaboration, the lead single from Britney’s fourth album ‘In the Zone’ – and a strange little blip on Madonna’s musical timeline.

Hey Britney, you say you wanna lose control
Come over here I got something to show ya
Sexy lady, I’d rather see you bare your soul
If you think you’re so hot
Better show me what you got 

https://www.youtube.com/watch?v=clwLKJ294u4

Like almost all of Madonna’s collaborations with other superstar artists, this one suffers slightly from overwhelming expectations and an oddly-muted production. For all their effort, and all the hype of being released in the white-hot aftermath of their infamous and incendiary MTV Video Awards performance smooch, it falls just a little flat. While Britney gets top billing, this is just as much a duet as Madonna’s ‘4 Minutes’ splash with Justin Timberlake (which make be her strongest collaboration with another renowned celebrity/singer).

The video keeps them tantalizingly apart until the very end – a lengthy tease that is emblematic of the song as a whole. All tease, little action, and not much lasting resonance. Madonna’s greatest strength will always and forever be as a solo artist.

Song #179 – ‘Me Against the Music’ ~ Fall 2003

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A Madgical Moment

Aside from whatever airbrushing miracles that were performed for these pics (I want whatever filter she’s using), Madonna’s latest promotional efforts for Dolce & Gabbana is a thing of beauty. It reminds me of her work with Versace in the mid 90’s, when she was softening the hard-edge of her ‘Erotica’ era. Here she sets the stage for her new album due this year with a sumptuous nod to her Italian roots.

We are long overdue for a new Madonna Timeline (the last one came almost an entire year ago), and it’s coming, I promise, just give me a minute to catch up on some things. I’m still behind from a lost week of sickness and exhaustion. In the meantime, let’s revisit some Madonna songs that are spinning on my playlist now, in tribute to the perfumed drama of the moment.

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Smells Like Madonna

Madonna’s love affair with Dolce & Gabbana goes back decades, and finds further expression in her lending them a song for their promotional push for ‘The One’ fragrances. It’s her first musical release since 2019’s ‘Madame X’, and acts as an amuse-bouche for her upcoming return to dance-floor form in a long-hinted-at sequel to ‘Confessions On A Dancefloor‘.

A respectable cover of Patty Pravo’s ‘La Bombola’, sung in its original Italian, this Madonna is moody, mature, and understandably a little worn and worse for wear. At moments, it doesn’t even really sound like her, which is a bold move, as she’s not the chirpy girl of ‘Like A Virgin‘ or ‘Material Girl‘ anymore, and this is an accomplished effort. It’s not going to climb the charts, as if that even mattered at this point in her career, and it really speaks more to her commitment to creatively expansive artistry, and a wonderful evocative companion to her perfume ad visuals.

I wish she’d done something like this for her own fragrance releases for ‘Truth or Dare’ and ‘Truth or Dare: Naked’ – both of which are exquisite scents, and worth more than Madonna’s relatively lackluster promotional push at the time. A song by the lady herself would have possibly made these flagons immortal in the style of Elizabeth Taylor rather than a one-two-off adored by a selective niche.

That said, perhaps I should be glad not more have embraced these, as they can still be found if you know where to look. Like the music here, the mood is sensual, spicy, slightly carnal. If anyone knows how to whet the appetite for what is about to come, it’s Madonna. This is a gorgeous start to a year that may find her deservedly back in the pop spotlight.

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Promising in Pink

Madonna is on the move – at long last for those of us fans who recall the album-every-two-years pace of her earlier work. It’s been an eternity (in Madonna years) since her last studio album ‘Madame X’ – which came out way back in the summer of pre-COVID 2019. This stretch marks the longest span between original albums in her entire career.

Anticipation is running high for her long-ago-announced upcoming (2026) album – which she has been billing as a sequel to the smash fan-favorite ‘Confessions on a Dance Floor’ from 2005. Two decades is a long time for a follow-up, but if anyone can conjure magic no matter how much time has passed, it’s Madonna.

These recent shots are spectacular – and a step up from the heavily-filtered Instagram nonsense she seems to have favored of late, so I’m hopeful about this new era. Pink goes well with more than you think it will.

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A Madonna Birthday Post

Muse of my muses and Queen of Our Popdom, Madonna celebrates her birthday today. As a tribute, here’s a list of some of my favorite songs from each of her albums. Her musical legacy is set in stone, even if it’s been six long years since her last proper album. Here’s hoping the whispers about the next one are true, and that it comes out sooner rather than later.

Madonna ~ ‘Borderline‘ is the song that spoke to me most, even if everybody else loved ‘Lucky Star‘.

Like A Virgin ~ ‘Material Girl‘ and ‘Dress You Up‘ were the very first songs by Madonna that I loved. Not gonna hate on title track ‘Like A Virgin‘ though, especially given all its vast and varied interpretations over the years.

True Blue ~ ‘Open Your Heart‘ is the stand-out track for this one, followed closely by ‘Live To Tell‘.

Like A Prayer ~ I mean, it’s ‘Like A Prayer‘ and ‘Express Yourself‘. (But if you’re the kind of fan who favors ‘Promise To Try‘, then you’re my kind of fan.)

I’m Breathless ~ Hell yes this is a proper Madonna album – and ‘Vogue’ is proof of that.

Erotica ~ “Bottomless with potential hit singles”, this spawned the delightfully-demonic title track, wondrous ‘Bad Girl‘ and stirring ‘Rain‘, but it is ‘Deeper and Deeper‘ that still gets me up out of my seat.

Bedtime Stories ~ There’s no ‘Secret’ that the lead single is probably my fave song from this underrated musical moment, though ‘Take A Bow‘ has more than its merits too.

Ray of Light ~ My favorite Madonna song of all-time, ‘Drowned World/Substitute for Love‘ opens this opus, arguably her greatest work to date, and title track ‘Ray of Light‘ illuminates the fact that it still shines.

Music ~ A fun bop, ‘Music‘ takes the favorite track crown, but I’m always up for an ‘Impressive Instant‘ too.

American Life ~ The unfairly-maligned collection of perhaps-poorly-timed truth-to-power musical statements made here contained jewels like ‘X-static Process‘ and ‘Mother and Father‘.

Confessions on a Dance Floor ~ Another musical resurrection, Confessions brought us opening banger ‘Hung Up‘ but my favorite remains the equally-thrilling ‘Sorry‘. (Shout out to ‘Jump‘ for inspiration.)

Hard Candy ~ Thought this album was a slow-burner, it gave us ‘Give It 2 Me‘ and that will have to be enough.

MDNA ~ This was an under-appreciated ‘Masterpiece‘ in my mind, with cuts like ‘Girl Gone Wild’ and ‘I’m a Sinner‘ being sweet aural candy.

Rebel Heart ~ It is easily the title track ‘Rebel Heart’ that is my absolute favorite from this Madonna era.

Madame X ~ Her most recent proper album (all the way back in 2019!) this one brought us ‘God Control‘ and ‘Come Alive‘.

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A Madonna Meditation Moment

While the Madonna Timeline has yet to hit ‘Has To Be’ – the B-side to Madonna’s ‘Ray of Light’ single – I’m including the instrumental version of this underrated track in this post for its tranquil properties. In my opinion, it could have easily slipped onto the ‘Ray of Light’ album, perhaps elongating the last section’s slowed-down meditative vibe. (It’s certainly superior to the currently-hyped ‘Gone, Gone, Gone’ demo that is part of the messy ‘Veronica Electronica’ release – that one feels decidedly unfinished, even if it’s exceptionally intriguing as a product of this artistically-fertile point in Madonna’s career.)

I’ve written about its pull previously in this post, and there will be a more comprehensive meditation on it for when the Madonna timeline makes its way there. For now, breathe in, breathe out, and say a little prayer.

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Where is the new music already? What do you mean it’s not in the computer?!?

Dear Madonna,

Please hurry up with the new album – the world needs some joy right now, and nothing is more joyous than new Madonna music. You’ve been hinting at a sequel to ‘Confessions on a Dance Floor‘ with new collaborations with Stuart Price – we are here for it, we are queer for it, and we need it yesterday. Thank you so much.

Signed,

~ A.

 

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A Pose that’s Lasted for 35 Years

From the moment she demanded us to “Strike a pose!” I have been enthralled and recaptured by Madonna’s song ‘Vogue’. Released thirty five years ago (sweet baby Jesus how old does that put us?!) it remains an epochal and iconic song that has stood the test of time, surviving and thriving in the various iterations Madonna has performed on tours and halftime shows. For me, and for many gay men of a certain age, it has always meant a little bit more than meets the superficial eye

Thirty-five years ago I was a freshman in high school. In our small town in upstate New York, the closest I could get to any sort of gay culture or lifestyle was Madonna, and ‘Vogue’ offered a glimpse of a world in which I sensed I might belong – a world of beauty, glamour, freedom, and dance-floor abandon. At a time when the AIDS epidemic raged and eradicated great swaths of the gay community, this was a space and a place to get away, even if the fabulousness and fantasy existed solely in our minds. Sometimes that had to be enough to get us through. 

A great pop song won’t ever save the world, but once in a while one comes along to save a moment and even a life

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The Spark of Light Come Again

Today is a holiday for any proper Madonna fan, as it marks the anniversary of her US release of ‘Ray of Light’, which remains my favorite Madonna album. Here’s a partial track listing of all the songs that the Madonna Timeline has recounted:

The release of the album came at a tender time in my life when I was examining similar themes of love and loss and finding meaning in the moment. Musically, it managed to be entirely of its time, while forging a futuristic sound, and grounding itself in timeless songs and melodies. A triumphant hat-trick she has yet, in my opinion, to match.

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The Madonna Timeline: Song #178 – ‘I Love New York’ ~ 2005

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Gearing up for her first major return to the music scene since 2019’s ‘Madame X’ (by far the longest stretch of time between Madonna albums since she first appeared on the scene in 1983), Madonna is set to release what she has described as ‘Confessions on a Dance Floor Part 2’, which makes this Madonna Timeline particularly timely, as it centers around ‘I Love New York’ from the original ‘Confessions on a Dance Floor’ album.

Personally, I always found this one of the weaker tracks of the album (I’m not even going to include the lyrics as I usually do – let just say “I don’t like cities but I like New York/ Other places make me feel like a dork” will not be remembered as one of her finer couplets), but as an emotional homage to her adopted hometown, the sentiment carries the song, and it worked as one of the more rock-like moments of the Confessions Tour. That’s the memory I have of this song – watching it being performed live at Madison Square Garden as the NY crowd ate it up.

As proof of her enduring relevance, the photos here are from her recent spread in CR Magazine, hinting at what might come with the next album. We are more than ready for the Confessions to land again.

Song #178 – ‘I Love New York’ ~ 2005

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