Bravo, Bravo

One doesn’t think of fine dining in destinations established with other priorities in mind, particularly museums, but Bravo at the Museum of Fine Arts in Boston has been serving culinary excellence for a number of years. Ensconced in a corner oasis of the second floor, it functions as a jewel of elevated dining, a respite in the midst of all the art and beauty for those moments when you may want more than cafeteria trays and crowds. A comfy bar, and refined yet cozy banquettes in the seating area, provide rest for feet tired of standing. It’s a gorgeous space befitting a museum, and the food itself is its own work of art.

On my last visit, timed just as it opened on a busy Saturday afternoon in the aftermath of a snowstorm, the tomato bisque with a side of grilled cheese goodness was the only way to go. Creamy yet light, and topped with a decadent drizzle of basil oil, it arrived looking like some gorgeously-rendered abstract painting, all fanciful swirls and tiny bubbles bursting with flavor. The basil oil was the magical part of the bowl, lending a tangy note of elegance that makes it into something more than just a comfort food. The grilled cheese triangles are sharp enough to get noticed, made delicate by proportion and size. Despite such diminutive stature, they pack a punch of their own (but a couple more would not have been unappreciated).

For the main lunch dish on such a snowy day, I kept with the tried and comfortable, choosing an ample omelet that filled half a plate, accompanied by home fries and a toasted English muffin. Filled with the freshness of tomatoes and spinach, and exquisitely offset by the rich threads of cheese (to continue the comfort-food theme) the omelet was a balanced work of unpretentious brilliance.

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Memory Erosion

One of the more disturbing aspects of growing older (and into the dreaded middle-age) is a rapidly-encroaching inability to focus as well as I once did. To that end, I’ve been getting into anthologies and collections of short stories, where I can keep track of a plot or cast of characters without having to make a key with a list of names and descriptions so I won’t forget. (Yes, I have begun to do that.)

It’s strange how my memory works. I can recall events quite vividly from 1994, but ask me what I did two days ago and it’s gone with the wind. Luckily, there are plenty of collections that contain shorter tales and stories for the weaker of mind, including the one pictured here.

My friend Chris just sent me this great little book: ‘The Company They Kept: Writers on Unforgettable Friendships’ as edited by Robert B. Silvers and Barbara Epstein. It’s a fascinating, and often quite moving, series of memories of friendships between writers. Some focus more on the writing aspect, others more on the friendship, and together they comprise a rich and enthralling experience. That it was given to me by one of my dearest friends makes it all the more resonant, and perhaps one day I’ll tell that story of friendship (with disguised names to protect the guilt of the other party). And though my modern day memory may be fading, I remember every moment of those first few days of friendship, first planted on a trip to Puerto Rico, and cultivated with travels and talks from San Francisco to New York to Miami to Washington.

It may be time to make new memories.

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Happy Ass Wednesday

The gluteus maximus gets much of the glory on this website, and in honor of Ass Wednesday it gets another day in the sun (or in the flurry-flecked gray, as the case may be). Some may find something profane about the whole butt-play on a religious day like Ash Wednesday, some may cry foul at the mention of naked male booty just as the Lenten trudge to Easter begins, and some will just click on this post and scroll down to the nude male celebrity butts and links that follow. I know which camp I’m in…

We begin with the meaty backside of Tom Hardy, who recently had a full-frontal river romp splashed across these wireless frequencies. (Well, not these particular ones, as full-frontal male nudity is a frontier we have yet to conquer here.)

The aptly-named Stuart Reardon is proof that more male athletes need to pull down their drawers for photo shoots like these. (He’s also the butt-naked guy dunking the basketball in the featured photo for this salacious post.)

Click-bait warning: we move onto the ample assets of Ryan Reynolds, who reportedly has a naked wrestling match in his new ‘Deadpool’ movie opening this week. I was going to see it regardless, but this is a happy bonus. He’s only shirtless here, but his bottom is on flagrant show in this post.

Below is the beauteous backside of Simon Dunn, which can also be seen in all its glory in this post. (And a bit more of him can be found here.)

Two more words: Orlando Bloom. Who knew the elves had such hot asses?

Bringing up the tail-end of this post rather spectacularly is Matt Bomer, in full motion, and also seen in greater glory here, but not here.

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The Madonna Timeline: Song #120 ~ ‘Holy Water’ – Fall 2015

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

 

I CAN GIVE YOU EVERYTHING THAT YOU WANT

(BITCH GET OFF MY POLE! BITCH GET OFF MY POLE!)

YOU CAN’T BUY THIS AT NO LUXURY STORE

(BITCH GET OFF MY POLE! BITCH GET OFF MY POLE!)

One of the unexpected highlights of The Rebel Heart Tour has been Madonna’s performance of ‘Holy Water’ (yes, a proper tour review is still forthcoming). Previously, the song was a Prince-like throwaway from the otherwise iconic ‘Rebel Heart’ album, but as with most of her live performances, Madonna elevates the song into something much richer and more exciting than its original incarnation.

Cheeky and borderline-blasphemous, it’s classic Madonna, and the lyrics suggest a naughty simile comparing holy water with pussy juice. (Yeah, I said it, no need to wet it.) As I mentioned, I was not initially impressed with the track, but bring in some pole-dancing nuns and a phantasmagoric last-supper scene brought to life, along with that sneaky ‘Vogue’ mash moment, and suddenly I’m on board.

THERE’S A PLACE YOU GOTTA GO BEFORE I LET YOU TAKE IT ALL

IT’S LIKE A DRUG, IT SHOULD BE ILLEGAL

BABY YOU SHOULD GET DOWN LOW AND TASTE MY PRECIOUS ALCOHOL

YOU LOOK SO THIRSTY I THINK YOU NEED IT…

KISS IT BETTER, KISS IT BETTER, DON’T IT TASTE LIKE HOLY WATER?

MAKE IT WETTER, MAKE IT WETTER, DON’T IT TASTE LIKE HOLY WATER?

KISS IT BETTER, MAKE IT WETTER, DON’T IT TASTE LIKE HOLY WATER?

KISS IT BETTER, KISS IT BETTER…

It’s got a sinfully sinister bassline that worms its way into your ear, as well as lots of aural sex hiccups that burst like little orgasms along the trail to sexual salvation. Nobody melds sex and religion as masterfully as Madonna, and even if it’s been done before, it’s still a hoot and a half.

THERE’S SOMETHING YOU GOTTA HIT, IT’S SACRED AND IMMACULATE

I CAN LET YOU IN HEAVEN’S DOOR

I PROMISE YOU IT’S NOT A SIN, FIND SALVATION DEEP WITHIN

WE CAN DO IT HERE ON THE FLOOR…

SONG #120: ‘Holy Water’ – Fall 2015

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Lessons in Art Remembered in a Hot Shower

Whenever I take a long hot shower, I think of my seventh grade art teacher Mr. Griffith. (Not in any sort of salacious way, so if you’re looking for that kind of story, keep looking.) We called him Mr. Griff for short, per his instructions, and in truth he was a short, rather nerdy guy with glasses and a pocket protector that held his pens and pencils. As shocking as it might be, to myself perhaps most of all, I did not excel in his art course. At the time I was too timid to be considered creative enough for the work, too hesitant to step outside the boundaries in a way bold enough to glean the appreciation of the teacher. My methods were precise and exact, my technique measured and defined, and I didn’t allow room for error or experimentation. In other words, I was far too anal to let go; I wanted to get the theory and execution down perfectly before I played around. I don’t think he admired that, but such was my Virgo nature. We’re getting off track now, and this story isn’t about my failings as an art student, it’s about that hot shower.

When we worked on our projects, Mr. Griff would regale us with stories of students past, or incidents from his own life. It was far more interesting to me than the papier mache mannequin lady that another student was working on or the painting of a car that Mr. Griff fawned over. (A red sports car? Really? I knew then that my abstract pencil designs weren’t getting me anything over a solid ‘B’.) Once in a while, those stories touched me, especially the one he told on a cold winter morning.

He was stooping over the sink to wash his hands, and he paused as the water ran over them. Drying them off, he turned around to tell us about a girl in one of his classes. He said she was a nice enough girl, but very quiet. Kept to herself and did her work without making a fuss over anything. One day he watched as she stood at that sink, adjusting the water until it was warm. Once it was at the desired temperature, she didn’t move, simply stood there still, letting the water run over her hands. He puzzled over the scene for a moment, wondering at first if she was all right, then reached the point where he determined it was a wasteful pose, and was about to admonish her for taking so long. As he approached, she shut the water off. He decided to ask her why she just stood there letting the water run over her hands. She told him that she did not have hot water in her house, so whenever she had a chance to feel such warmth she enjoyed it.

That story changed my life more profoundly than any exercise in art class ever could, and it’s remained in my mind for those times when I take anything for granted. To this day, whenever I indulge in a long hot shower, I pause to remember the story, and the girl I never met, and I feel thankful and lucky, as if somewhere in that pause I’ve had a brush with grace.

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A Groundhog Recap

If it were any other week, I’d have a major problem with all this groundhog talk. The rodent has never been good to me or my sweet potato vines, but since he didn’t see his shadow, I’m thanking his lack of vision and counting on an early spring. Holding faith in such folkloric tales is as foolish as courting crows for a game of chess, but I’m not averse to a little blind check mating. Now I’m mixing metaphors and making a mess of things, so let’s look back before I forget what already happened.

Groundhog villainy notwithstanding, things began with this semi-faux pho, a cooking success by all accounts.

Gregory Maguire offered his enchanting take on ‘Alice in Wonderland’ in the equally-wondrous ‘After Alice.’

The Delusional Grandeur Tour was in stationary status when the week began, but by the weekend it returned with this hint of the woods, and then the first installment of the ‘Red Riding Wood’ section, and its immediate follow-up.

A voice within me keeps repeating you, you, you

A new fragrance for winter.

And the heat was on, thanks to Hunks like Ryan Tongia, Valerio Pino, Gary Taylor, Brendan Hansen, Tim Tebow, and Donnie Rust, the Naked Busker.

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Perfume 11 by BLK DNM

The doldrums of any winter, even a mild one, can only be broken up by certain jolts. A vacation, a good book, an amazing song, or a new fragrance. I’ve tried them all, but it’s the fragrance option that has always turned the winter around for me. On a recent trip to New York, I ambled about the gift shop at the Standard High Line and waited for my friend Chris to finish his look-see. At the time, I wasn’t scouting for a new cologne, but that’s always when you find a good one. I pulled the small square bottle of black from its shelf and opened the top. It was peppery and fresh, clean and light. A smoky underside fit into the border between fall and winter, and it was so instantly likable that I spritzed some on. (I’m a last-resort spritzer, in the event that I end up hating a scent, or if I might want to try one on later in the day. Entire vacation days can be ruined by a haphazard cologne try-out.)

This one was a safe choice. Perfume 11 by BLK DNM is unisex fragrance, named for its launch year of 2011, and it has some of my favorites in it, which is why I instantly loved it: black pepper, cardamom, musk, cedar, balsam fir, birch, amber and incense.

It begins in a soft way, and stays as such throughout its trajectory. Black pepper and incense are where it’s at, making this ideal for fall or winter. Despite its smokiness, it’s actually quite a clean fragrance, and that smoke will dissipate, leaving a woodiness that’s more than pleasant in these dimmer seasons.

Now for the super-secret, which the salesperson whispered almost apologetically to me in the cloistered confines of the shop: Perfume 11 by BLK DNM actually falls under the Levi company, which initially caused me to turn my nose up at the whole thing. “I can’t tell people I’m wearing Levi’s cologne!” I shrieked to my friend Chris. Yet another instance where I fell into the stupidity of labels and image over what is truly decent and enjoyable. At this point in our friendship, Chris wisely ignored the matter and moved on. I almost did the same, until a few weeks later, when I found myself pining and yearning for the elusive peppery scent and it was nowhere to be found online. Such exclusivity always lends things a bit more magic than they might inherently hold, but it also meant that no one else was likely to wear the scent in the environs of upstate New York. Chris was back at the Standard a few weeks later, so I asked him to procure a bottle, thus resolving the dilemma on a happy note.

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Night & Day, Winter-Style

It’s a song that features prominently in ‘Grey Gardens‘ but before that it was, and remains, a Cole Porter standard. Such a classic is in vogue for all seasons – as effervescent in summer as it is cozy and comforting in the winter. This is ‘Night and Day’ – illustrated by two photos from the vantage point of the Boston condo.

LIKE THE BEAT BEAT BEAT OF THE TOM-TOM WHEN THE JUNGLE SHADOWS FALL

LIKE THE TICK TICK TOCK OF THE STATELY CLOCK AS IT STANDS AGAINST THE WALL

LIKE THE DRIP DRIP DRIP OF THE RAINDROPS WHEN THE SUMMER SHOWER IS THROUGH

SO A VOICE WITHIN ME KEEPS REPEATING YOU, YOU, YOU

Aside from the ‘Grey Gardens’ soft spot I have, I also love this song for the brilliant multi-level meanings in the lyrics. The line between night and day is a tricky one – what a difference a day makes, indeed. Things somehow feel safer when the sun comes up, and at that time I think back on the darkness and sometimes I shudder.

NIGHT AND DAY, YOU ARE THE ONE, ONLY YOU BENEATH THE MOON OR UNDER THE SUN

WHETHER NEAR TO ME, OR FAR, IT’S NO MATTER DARLING WHERE YOU ARE, I THINK OF YOU

For many reasons, I feel safe in the condo, night and day, winter and summer, year after year. This song plays on the stereo in the morning or the evening, as a pot of tea starts whistling on the stove. A candle glows in front of the window. A book waits on the sofa, next to a soft blanket, and the world can be kept at bay for the duration of a night.

DAY AND NIGHT, NIGHT AND DAY, WHY IS IT SO THAT THIS LONGING FOR YOU FOLLOWS WHEREVER I GO

IN THE ROARING TRAFFIC’S BOOM, IN THE SILENCE OF MY LONELY ROOM I THINK OF YOU

DAY AND NIGHT, NIGHT AND DAY, UNDER THE HIDE OF ME

THERE’S AN OH SUCH A HUNGRY YEARNING BURNING INSIDE OF ME, AND THIS TORMENT WON’T BE THROUGH

UNTIL YOU LET ME SPEND MY LIFE MAKING LOVE TO YOU

DAY AND NIGHT, NIGHT AND DAY.

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The DG Tour: Red Riding Wood ~ Part 2

The one who dons the red cape is wanderer and warrior at once.

Cloaked in a blood-hued hood, a gleaming sword ensconced in folds of vermillion fabric, he trails the color of passion in his wake.

Surrounded by leaves and wood and water, but shielded from sky and sun, the realm is somewhere in-between heaven and hell. A purgatorial plane of prettiness, deceptively gentle, with poisonous flowers and slithering snakes, slowly descends to the sound of running water.

You cannot see it yet, it only mumbles vaguely in the distance, muffled by leafy undergrowth and lofty branches. The forest can hide a multitude of sins. Whole rivers of watery thieves drift through it, unheard and unseen.

On this day, the scarlet stranger stalks the winding foot path. What he seeks not even he knows, but some journeys are better when made without destination or goal. If you’re not looking for anything, you will never be disappointed. Still, something impels him onward. The path is a pretty one, the dappled sunlight shimmering somewhere ahead. Ever ahead, always forward, and by the time you look back you’ve forgotten from where you came.

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The DG Tour: Red Riding Wood ~ Part 1

Where field meets forest is an interesting place.

Presented with a choice, a line drawn in the land where the grass ends and the trees begin, the explorer is momentarily caught between two worlds. It’s a precarious position, coming from what you’ve known and approaching something unknown. (We always come from somewhere.)

In this case, the rise of a mostly-deciduous forest in the late spring is the unknown. A small meadow is where we’ve been.

At first it feels like a comfort.

Relief and respite from the beating sun.

A cooling balm within the leafy cloak of quietude.

Stands of ostrich and lady ferns line a path that beckons one deeper.

Touch-me-nots rise in mounds of celery green and undersides of silver.

Moss runs up the decaying bark of trees fallen long ago.

Here, at the forest’s edge, it is still light.

There is no hint of the darkness within.

Looking back, the field appears blindingly bright. Where once was a varied landscape of small meadow blooms and the early formation of grass seed heads, now seems like a single veneer of pale green, harsh in the eyes of one already grown accustomed to the forest light.

The path ahead is soft and cool, a welcome contrast from the brittle and the dry, and it slopes gently downward. Everything is pulling you down this path.

The forest quietly closes its verdant door.

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The Red Cape Rides

The Delusional Grandeur Tour Book is about to reach its meaty midsection – the ‘Red Riding Wood’ portion that forms the centerpiece of the whole affair. This is the part from which the cover art was selected. It’s a twist on Little Red Riding Hood, setting the fairy tale on its head and lending it a darkness and menace that goes beyond the original storyboard idea.

This red cape hides a sword in its crimson folds, shrouding a warrior intent on burning the past and cutting a vicious swath through the brush of the future. But that’s still a bit ahead. For now, the cape is just a pretty accent, the sword a fanciful accessory. The most epic of journeys sometimes begin with the silliest of trifles.

A Look Back at Previous Tour Book Entries:

01)  Intro/Curtain – Part One, Part Two, Part Three

02)  Sunset Pool – Part One, Part Two, Part Three, Part Four, Part Five

03)  On The Road Hotel – Part One, Part Two, Part Three

04)  Rock Star Addict – Part One, Part Two, Part Three

05)  Animal Demons – Part One, Part Two, Part Three, Part Four, Part Five

06)  Steam Punk Birdcage – Part One, Part Two, Part Three, Part Four

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Dusk Settling on New York

A Once and Future Tour Stop: alone for a brief spell at the Standard High Line, I step into the exposed shower set-up and wait for the water to get warm. Even with the sheer curtain drawn, a little bit of New York can peep in, but I have mustered the fortitude to remove the robe, and so I stand there in the tiny rivulets of liquid pouring forth from above. The Delusional Grandeur Tour has arrived in the city, and I’m preparing for an evening of dinner theater and debauchery with my pal Chris. A hot time in the brisk city, as I continue to battle a calamitous cough. The show must go on.

After a bout of hesitancy, I remember Judy Garland. Yes, that Judy. As I disrobe, I think of a story that has been relayed here and by others, of her waiting in the wings of the Palace Theatre in New York, just before she was set to go on. She would physically pump her arms, gearing herself up to face the sold-out crowd. Even though the thunderous applause was from adoration and love, she had trouble facing such a sold-out sea of people.

I face no such crowd, no such love, but sometimes it’s a struggle to face just a few. Strangers or acquaintances, family or friends, it’s not always easy, no matter who you are, no matter what you’ve pretended to be.

On this night, however, I muster all the make-believe I can manage, for on this final tour it’s all that I have left. It’s all I’ve ever had, and on the wings of this misguided and misbegotten belief, I must soar. Just because you have to invent your own legend, doesn’t mean it won’t one day come true. Not quite there yet, I still pretend.

As I shut the water off, I notice that the evening has arrived. The bright blue of the sky has deepened into a bolder shade, becoming richer even as the city lights blink on. Below, shadows swiftly dodge cars, and tree branches sway in a burgeoning breeze. As the day goes to sleep, the city begins to stir.

The whisper of wanderlust

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Another Literary Wonderland

There’s a literary wonderland that is conjured whenever Gregory Maguire releases a new book, and that wonderland is a literal thing in his latest work ‘After Alice’ – his enchantingly twisted take on Alice’s own Wonderland. Rather than give away any juicy plot-points or spoil any secrets with a shaky synopsis, I’ll simply highlight my favorite passage, the one that spoke most deeply to me, and the one that echoes the sentiments of certain folks who love books and try valiantly to share that love with others.

Only, sometimes, in the text of a book here and there, we tap the page with a finger and say, “This is what my lost days were like. Something like this.” But even as we turn to the fellow in the bed beside us to say, “Yes, this passage here,” whatever it is we recognized has already disguised itself, changed in that split instant. There is no hope that our companion can see what we, just for a moment, saw anew and hailed with a startled, glad heart. Literary pleasure, and a sense of recognition and identification, real though they are, burn off like alcohol in the flame of the next heated moment.” ~ Gregory Maguire, ‘After Alice’

Many are the books I’ve read and tried to press into the minds of others, and many are the unread books that friends have routinely and quietly ignored when I’ve brought them to their attention. Far from making me feel less alone, most great books leave me feeling an acute sense of loneliness – in the unshared resonance or recognition of some carefully-crafted passage of remarkable beauty, or some thread of a theme that they have no interest in pursuing. In reading a book that speaks to me, I mostly find friends and family falling by the wayside, and my only companion along the way being the author, ever unknown to me. I remain even more unknown to her or him.

And so I sit here and ponder what, if any, point these words serve, and on a greater more philosophical bent, what any of this website means. If not for some spark of recognition, some tenuous connection in the dark web in which we are both currently bound, why do it at all? At times like this, I find it best to pause and let the question come up again in the light of day. Things seem less dramatic and do-or-die in the morning. When faced with the machinations of greeting the day – the relief of a steaming stream of urine, the river of a bedside glass of water chasing the throat-lodged frog away, the simple cracking of the arms as you wrap a robe around yourself to hold onto some last remnant of bedded warmth (and we haven’t even touched upon breakfast yet) – it is enough simply to get going again.
Such is a Wednesday morning… after Alice.
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A Semi-Faux Pho

One of my favorite dishes in winter is a steaming bowl of Vietnamese pho. It’s like a spicy hug from a pocket of paradise. Usually, I leave the making of it to the pros, but decent Vietnamese restaurants are not a dime a dozen in upstate New York (hence frequent trips to Boston – and yes, I have made at least one trip solely for the purpose of procuring pho).

During a quiet weekend, while feeling slightly under-the-weather, I decided to be brave and try my hand at the broth, though naysayers had warned it was a tricky one. I didn’t find it to be such – it’s more about the long simmer time (6 to 10 hours) that gives it a bad cooking name. I happen to love long simmer times, so this was perfect for a chilly weekend project. What follows is my modified recipe and method. Purists will likely scoff at the many shortcuts and anomalies, but fuck ’em, this shit was good.

INGREDIENTS:

  • 3 pounds beef soup bones
  • 1 onion, sliced
  • 5 slices fresh ginger
  • 3 pods star anise
  • Dash cinnamon
  • 2 1/2 tablespoons fish sauce
  • 4 quarts water
  • 2 cans beef stock
  • 1 (8 ounce) package dried rice noodles
  • 1 1/2 pounds beef top sirloin, thinly sliced (or pounded into very thin slices)
  • 1/2 cup chopped cilantro
  • 1 tablespoon chopped green onion
  • 1 1/2 cups bean sprouts
  • 1 bunch Thai basil
  • 1 lime, cut into 4 wedges
  • 1/4 cup hoisin sauce (optional)
  • 1/4 cup chili-garlic sauce (such as Sriracha) (optional)

METHOD:

Many recipes called for roasting the beef bones and onion beforehand, but I’m a one pot, Andy-clean-up kind of guy, so I didn’t want to rev up the oven and ruin a baking sheet. Instead, I gave up that smoky stuff for a more intense broth in other ways, starting with the addition of 2 cans of beef broth to the 4 quarts of water. I also sprinkled a dash of cinnamon into the mix (it goes so well with the star anise) to add one more note of flavor. This is supposed to be a pungent and spicy dish.

The process was relatively simply: boil the bones in the water and stock for about three hours. Add the onion, ginger, star anise, cinnamon, and fish sauce and simmer for about six hours more. Obviously this can be adjusted for reality, but this is the best time-frame from which to elicit the most flavor (of course you can go longer if desired – you may have to add more water along the way so it doesn’t boil down too much).

Separately, soak the rice noodles in lukewarm water for about an hour. They should be malleable, yet somewhat firm (they will feel underdone even after an hour, but don’t worry because the boiling broth will finish the process beautifully).

As you near the end of the simmer period, add the green onion and cilantro to the broth (I also reserved a small bunch of cilantro for additional garnish later on). Traditionally, and if you have an excellent and reliable butcher, you would put the thin meat slices into the bowl and let the broth do the cooking. Failing such a supply, I dropped the meat into the broth on the stove and let it boil for a bit. (I’ll sacrifice some tenderness for safety when Price Chopper is involved.)

To plate up, drop a decent helping of the noodles into a large bowl. Spoon in the simmering broth until it covers them well, along with several pieces of beef. This will finish cooking the noodles nicely, and then it will be time for the real magic to begin.

As if after my own heart, it’s the accessories that really make this dish special – and if there’s one thing you can’t forego when having pho it’s this collection of fresh ingredients. In a restaurant, you’ll usually be served the dish of amendments first, piled high with bean sprouts, Thai basil, lime wedges and little bowls of hoisin and Sriracha. These accoutrements are vital for such a richly-flavored broth, lending a vivid contrast to the flavor at hand.

I simply tear the basil apart with my hands and drop it into the broth, along with a handful of sprouts. A few squeezes of lime is enough to spruce up the surface, then I stir in some hoisin and Sriracha. For my home-grown version, I tore up the additional cilantro since I love it so much. The end result was decent enough – and an almost-authentic approximation of the pho I’d only had at restaurants.

I’m not always great in the kitchen, but sometimes I’m pretty good. This was one of those happy times, and this is a dish I’ll make again.

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A Recap of Hope

The last full month of winter begins today, which is why the title of this post references hope. Even though February is a Pandora’s box of weather frights and frigid nights, there are usually a few moments of spring carrying on the wind, some small wisp of hope that manages to seep in among the frozen layers of ice and snow. In the midst of it all is the Hallmark holiday of love, Valentine’s Day. No word yet on whether I’m doing a Valentine’s Card. It certainly won’t be in print, but it may be online. Or it may be an Instagram post. No matter what, it probably won’t be spectacular, so move on if you want scandal. Now, about the previous week…

It marked the end of Mercury in retrograde, for the moment, though ramifications are still being felt.

Zac Efron stripped to his naked ass and shook it for the world to see.

A necklace of cherries.

The majesty of Edward Marler.

A single candle against the lot of winter.

A show of flowers, even if they’re false.

Tom Daley, back in his Speedo, where he belongs.

A bangin’ brunch at Boston Chops.

Season of citrus, scent of mandarin.

Davide Zongoli, Stephen James, Jarrod Scott, Oriol Elcacho & Ryan Rose made shirtless appearances as Hunks of the Day.

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