An Eclectic Collection ~ 1

Every now and then I like to veer away from Madonna and Ben Cohen and even David Beckham to post something strange and, in my opinion, wonderful to share with you. (I’ll never have enough Tom Ford.) I consider these one-off posts the spices that go into making this blog a little more flavorful and unexpected. There’s nothing better than a third act surprise. Sometimes whimsical, sometimes funny, and sometimes touching, these entries are just different enough to keep people guessing. Here are a few of my favorites:

The first girl I almost married.

Correspondence with my niece and nephew.

A trip to the ballet.

6th Grade S&M. (I started early.)

It separates us from the animals.

The horse whinnies.

Every once in a while you need a little smudge.

Confessions of a Former Twink.

The moon in spring (and I don’t mean my naked ass).

Rainy day activities.

Campy!

Going commando, semi-inadvertently.

More to come… so come back.

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The Madonna Timeline: Song #115 ~ ‘Unapologetic Bitch’ – Late Summer 2015

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Woke up this morning feeling good that you were gone
Hurt for a while, but I’m finally moving on
Said it, did it, hit it, quit it
Then you let it go
See you tryin’ to call me, but I blocked you on my phone
It took a minute, but now I’m feeling strong
It almost killed me, but I’m better off alone
Now you’re saying that you’re sorry, I don’t wanna know
Better face the fact you had to go

Saucy, sassy, brash, and brilliant, this is Madonna giving a grand fuck-off to those paramours who have done her wrong. With a reggae-inspired beat, it’s a departure from almost every other song she’s done. (Though a bit of the feel did make it into the ‘Erotica’ save-the-world anomaly ‘Why’s It So Hard’.)

This wasn’t a particular highlight of the ‘Rebel Heart‘ album for me, but to each their own. It has since grown on me after enjoying Madonna’s rendition of it on her current tour. As the penultimate song, it carries the weight of a finale, even if it falls a bit flat in the end.

I know you’d like it if I sat at home and cried
But that ain’t gonna happen, here’s the reason why
When we did it, I’ll admit it, wasn’t satisfied
When the gun was loaded you were never on the side
I’m popping bottles that you can’t even afford
I’m throwing parties and you won’t get in the door
Said it, get it, love it, hate it
I don’t care no more
Tell me how it feels to be ignored

For that performance, Madonna has been bringing up a special co-dancer for the last portion of it. She spanks them, kicks them in the ass, and presents them with a surprise gift (usually a banana). Guests so far have included Amy Schumer, Anderson Cooper, and, when I saw her in Boston, her ten-year-old son David who was celebrating a birthday that night. Some raised eyebrows at a kid being named the ‘Unapologetic Bitch’ but when Madonna’s your mother, well, it works.

The song itself carries a classic Madonna mantra: she’s not sorry, and she never will be. In this instance, such a stance seems justified, and the seething anger of the lyrics is tempered only by the ability of Madonna to move forward without giving her wrong-doer a second thought. Cold, brutal, and the best method of survival, it masks hidden hurt and regret, something much of Madonna’s work manages to convey. A complex notion from a complex woman, and all the more compelling because of it.

It might sound like I’m an unapologetic bitch
But sometimes you know I gotta call it like it is
It might sound like I’m an unapologetic bitch
But sometimes you know I gotta call it like it is

You know you never really knew how much you loved me, till you lost me
Did you?
You know you never knew how much your selfish bullshit cost me
Well, fuck you

SONG #115: ‘Unapologetic Bitch’ – Late Summer 2015

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Boston Before Twilight

October in Boston can be both beautiful and brutal. If a hurricane manages to make land, it’s a nightmare. To this day, I can remember a storm that hit on a Sunday I was scheduled to do inventory at Structure. (Ahh, the days of retail.) It was so bad I had to take a cab to Faneuil Hall, effectively using up any time-and-a-half pay I would earn that day, but it was so worth it. Looking at the wet bedraggled messes of people that came in the store, I didn’t envy anyone who had to be outside for however short a period. I stayed until the work, and the day, was done, and the storm had subsided.

These past few weeks in Boston have been pretty glorious. The turn of the screw into fall has been a crisp and gorgeous affair, but such beauty will eventually be balanced with the bad, and that’s all part of the wonder of the weather. I’m a bit behind on posting the fun stuff of my latest Madonna adventure at the former Boston Garden, but it will be here eventually. For now, a brief glimpse into the descent of evening in the city I love so much. Sometimes a photo makes the heart soar higher than any multitude of words ever could.

Fly, my pretty, fly.

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A Chilly Recap

This was the week in which the tide turned. Temperatures plummeted and fall was indisputably at hand. A Super Blood Moon kept things interesting, and I laid low to avoid the insanity and moodiness that sometimes accompanies such a lunar event. (End result: little to no sparring.) I’m embracing the shift, getting back into the kitchen for some roasted spaghetti squash, and perhaps frying up some sage leaves for a butternut pasta dish later. For now, our weekly look-back.

It began by the wrap-up of my Seattle Tour Stop. Shopping played an integral role in that visit (duh) but so did Snowqualmie Falls. It was Laura Palmer and Dale Cooper country, and it did not disappoint. Neither did Seattle.

It was Ally Week, and I gave a few shout-outs to some of my favorites.

It was a week in which I went true blue, literally, going back to my Manic Panic roots, but with a professional (and permanent) twist.

Speaking of favorites, there were a few new Hunks of the Day to enter internet immortality, as ephemeral and fleeting as that may be. Say hello to the shirtless shots of Nico Tortorella, Jack Mason and Jacek Jelonek.

Nick Jonas took his shirt off as well, and flexed his muscles, but he’s already been a Hunk of the Day, so until he does something more he only gets a minor post. Justin Bieber did NOT get naked, and has never been a Hunk of the Day.

This butt-shot got banned from FaceBook, but I reaped the benefits of the ban as always.

A life in motion.

A much-needed break.

The Madonna Timeline returned with ‘Ghosttown.’

A major clean-up of my social media pages, and a new way of utilizing those sites, was put into effect. I feel more joyous already. (Don’t take any of it personally.)

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Sparking Joy: Forewarned is Fairwarned

The latest clean-up craze sweeping the world is based on Marie Kondo’s ‘The Life-Changing Magic of Tidying Up.’ From what I’ve gathered, the general idea is to whittle your possessions down to those objects that truly make you happy – or those that “spark joy.” Strangely enough, or expectedly for one as seemingly frivolous as me, I’ve only ever owned things that give me joy. (You won’t find a vacuum on my wish-list.) So utilizing that clean-up method won’t really change my living situation. Besides, I’m pretty good at discarding things that have passed their usefulness or joy dates.

The one area where I’ve let things get out of control is social media. Up until now, I’ve allowed all sorts of nonsense to go on my FaceBook, Twitter, and Instagram pages. While I can control what goes up here, those pages are open to all sorts of public interaction and comment, and my page is also filled with the views and photos and links of anyone whom I’ve friended or followed.

For some reason, I’ve always erred on the side of allowing just about everyone’s comments to stay up. When they criticize my clothes or hair or body, I let it stand because, hey, this is America, and part of me felt it was more cowardly to delete them or take them down. (The only times I’ve removed comments were when they were about others.) I also remained friends/followers with those people whose posts regularly pissed me off. Whether it was their political stance (there are no reasonable Republicans left, and certainly not any in this Presidential race) or their racist/homophobic tendencies, or their ridicule of Madonna. I let it go because, well, I felt it was only fair to give them their say.

I’ve since changed my mind. While everyone is certainly entitled to their opinions and beliefs, I no longer have to have it on my page. I’m not a celebrity, I’m not a politician, I don’t need to give equal face-time to opposing viewpoints. – FaceBook, Twitter or otherwise. So from this point forward, if I don’t like something on social media, I’m probably going to unfriend, unfollow, or block. This is my way of keeping only those things that spark joy in my life. Of late, much of what I’ve been seeing online is depressing and upsetting, and I want to have fun when I’m delving into social media fluff. It’s escapism for me.

I don’t want to see or hear about political battles from anyone who seriously considers Donald Trump one of its top contenders. I don’t want to see videos about aborted fetuses. I don’t want to hear someone like Kim Davis say sanctimonious bullshit. I don’t want to read ageist or hateful comments about Madonna. Newsflash: I love Madonna. In what way does your joking about her being in a wheelchair or looking like a granny seem like it would be enjoyable or funny to me? So from this point forward, nasty comments about anything I post (especially Madonna) will get deleted, and repeated offenders will be dropped without notice or fanfare. (I also don’t want to see any more horoscope posts. I don’t give a fuck what the day has in store for an Aquarius – I’m not a fucking Aquarius.)

This is less a warning or threat, and more of a simple explanation, without spite or anger (ok, maybe a little horoscope anger). In the new tradition of sparking joy, my social media pages are going to be about what I like and love, and anything that goes against that will be deleted or blocked. (And you are free to do the same to my naked ass as well.)

In the words of a wise woman, “I’m sorry, but this is not a democracy.”

Welcome, Joy. Bring your Happiness.

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THE MADONNA TIMELINE: SONG #114 – ‘GHOSTTOWN’ ~ LATE WINTER/EARLY SPRING 2015

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

It’s only fitting that the Madonna Timeline is shifting to songs from the current ‘Rebel Heart’ era, as Madonna is out and about on her ‘Rebel Heart’ tour. A thorough review of the show I saw in Boston is forthcoming, but for now a Madonna Timeline to whet the appetite.

Originally released at the tail end of 2014 in the midst of the disastrous leak that saw most of the ‘Rebel Heart’ album exposed well before its time, ‘Ghosttown’ received universal praise, a magnificently haunting video, but little promotion. In the tumultuous scramble for how best to salvage Madonna’s greatest album since ‘Ray of Light’ it seems the powers-that-be jetted from one song (‘Living For Love‘) to another (‘Ghosttown’) to another (‘Bitch I’m Madonna‘) hoping one would instantly ignite. Of course, without any sort of singular sustained or focused promo push on a single one, each made little impact. That’s a damn shame, as ‘Ghosttown’ is easily one of the most moving songs of her last three albums.

MAYBE IT WAS ALL TOO MUCH

TOO MUCH FOR A MAN TO TAKE

EVERYTHING’S BOUND TO BREAK

SOONER OR LATER, SOONER OR LATER

 

YOU’RE ALL THAT I CAN TRUST

FACING THE DARKEST DAYS

EVERYONE RAN AWAY

WE’RE GONNA STAY HERE, WE’RE GONNA STAY HERE

 

I KNOW YOU’RE SCARED TONIGHT

I’LL NEVER LEAVE YOUR SIDE

 

WHEN IT ALL FALLS, WHEN IT ALL FALLS DOWN

I’LL BE YOUR FIRE WHEN THE LIGHTS GO OUT

WHEN THERE’S NO ONE, NO ONE ELSE AROUND

WE’LL BE TWO SOULS IN A GHOSTTOWN

 

WHEN THE WORLD GETS COLD, I’LL BE YOUR COVER

LET’S JUST HOLD ONTO EACH OTHER

WHEN IT ALL FALLS, WHEN IT ALL FALLS DOWN

WE’LL BE TWO SOULS IN A GHOSTTOWN

A post-apocalyptic love song, it touched on a timely theme that the entire ‘˜Rebel Heart’ album expounded upon: the survival of the soul through the act of love. Having just made it through the god-awful winter of 2015, where snow covered and ravaged the Northeast for a good four months straight, many of us could relate to what it was like having to hold onto each other to get us through the dark times.

I would sit in the dim gray rooms of early morning, typing away on my lap-top, its glowing screen the only portal to light, and I remember feeling like that winter would never stop. Storm after snow-storm left us shut in, my regular trips to Boston canceled over and over again. It was the longest I’d been away from that favorite city in over a decade. I felt isolated, removed.

I listened to this song like a mantra. When tears threatened, it quelled them. When anger arose, it calmed me. Some songs were made for helping us get through things.

TELL ME HOW WE GOT THIS FAR

EVERY MAN FOR HIMSELF

EVERYTHING’S GONE TO HELL

WE GOTTA STAY STRONG, WE’RE GONNA HOLD ON

 

THIS WORLD HAS TURNED TO DUST

ALL WE’VE GOT LEFT IS LOVE

MIGHT AS WELL START WITH US

SINGING A NEW SONG, SOMETHING TO BUILD ON

 

I KNOW YOU’RE SCARED TONIGHT

I’LL NEVER LEAVE YOUR SIDE

 

WHEN IT ALL FALLS, WHEN IT ALL FALLS DOWN

I’LL BE YOUR FIRE WHEN THE LIGHTS GO OUT

WHEN THERE’S NO ONE, NO ONE ELSE AROUND

WE’LL BE TWO SOULS IN A GHOSTTOWN

 

WHEN THE WORLD GETS COLD, I’LL BE YOUR COVER

LET’S JUST HOLD ONTO EACH OTHER

WHEN IT ALL FALLS, WHEN IT ALL FALLS DOWN

WE’LL BE TWO SOULS IN A GHOSTTOWN

How did we get through it? Andy was here. And JoAnn made a visit. And even in the midst of snow, my work pal Ginny and I would brave the road to Starbucks for a mid-day escape of laughter and fun and vital escape. Pumping gas or shopping for groceries, I’d look into the eyes of strangers and feel a sympathetic understanding, some sense of ‘we’re-all-in-this-together’ that made things better. I’m not usually so attuned to others, so willing to let down my guard and shared in an experience, but sometimes it gets you through the day – and a terrible winter.

Madonna was reaching out too, in her music was a new warmth and vulnerability not quite there on her otherwise-scorching ‘MDNA’ album and its predecessor ‘Hard Candy’. The ‘Rebel Heart’ era was ushering in a red-hot yet heartfelt woman who seemed to feel rather keenly the need to connect again. We were all ready for it.

I KNOW WE’RE ALRIGHT

‘CAUSE WE’LL NEVER BE ALONE IN THIS MAD MAD, IN THIS MAD MAD WORLD

EVEN WITH NO LIGHT

WE’RE GONNA SHINE LIKE GOLD IN THIS MAD MAD, IN THIS MAD MAD WORLD

 

WHEN IT ALL FALLS, WHEN IT ALL FALLS DOWN

I’LL BE YOUR FIRE WHEN THE LIGHTS GO OUT

WHEN THERE’S NO ONE, NO ONE ELSE AROUND

WE’LL BE TWO SOULS IN A GHOSTTOWN

 

WHEN IT ALL FALLS, WHEN IT ALL FALLS DOWN

I’LL BE YOUR FIRE WHEN THE LIGHTS GO OUT

WHEN THERE’S NO ONE, NO ONE ELSE AROUND

WE’LL BE TWO SOULS IN A GHOSTTOWN

 

WHEN THE WORLD GETS COLD, I’LL BE YOUR COVER

LET’S JUST HOLD ONTO EACH OTHER

WHEN IT ALL FALLS, WHEN IT ALL FALLS DOWN

WE’LL BE TWO SOULS IN A GHOSTTOWN

WHEN IT ALL FALLS, WHEN IT ALL FALLS DOWN

WE’LL BE TWO SOULS IN A GHOSTTOWN 

Though the song made the aforementioned lack of impact, it came with one of the most beautiful videos of Madonna’s career, featuring Terrence Howard and telling a hopeful story of being the last few people left standing, and coming together in the midst of a ruined world.

Madonna has made a life of rising from the ashes of any burnt-out shell of destruction – whether said doom was of her own making or someone else’s. She’s rebounded from all sorts of calamitous scandals, from caustic relationships, from failed marriages, and from personal and professional failures. That resiliency is at the core of ‘Ghosttown’ – it’s raw, it’s romantic, and it’s the only road to salvation she’s ever known.

SONG #114 – ‘Ghosttown’ ~ Late Winter/Early Spring 2015

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The Booty Pic That Got Banned from FaceBook

Every time a photo of mine gets banned from FaceBook (and it’s only happened on two or three occasions) I see a surge in traffic on this website, so while on some level it’s annoying that an anonymous nobody can report a photo (doesn’t the basic tenet of being accused of something require that you know your accuser?) on every other level it’s a win.

Here is the offending photograph, a cheeky shout-out to show my excitement regarding the release of Matthew Rettenmund’s fantastic ‘Encyclopedia Madonnica 20’ (which will get a proper write-up in a bit). It’s hard to see this as anything more than a risqué bit of artful nudity, but in the world we live in I guess people would rather see pictures of bloody fetuses or murdered students than any artistic depiction of the unadorned human body. No matter.

Given the quick turn-around of this post, one might think it was just a ploy for precisely this reason, and that I was just waiting/baiting for someone to report it. I can assure you from my ever-loving heart that nothing could be further from the truth. [Wink-wink.] What do you think this is, ‘Justify My Love‘? I’m not making any money off of this.

But I do welcome any and all reports of nudity, because it makes this site what it is. Now kiss my ass!

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For Those That Prefer Justin Bieber Naked…

… this post is probably not for you. It’s merely a moving vehicle to showcase the video of a segway dance that’s steamrolling the internet right now, set to Justin Bieber’s new song. Personally, I’m not a fan of Mr. Bieber, even when he gets nude, nor am I a huge fan of this video. It’s being posted here to see if anyone can change my mind. I just don’t get what the fuss is about. Yes, it’s kind of neat, and no, I could never be half as facile with a segway (I’ve always found them stupid), but what is the big deal? It’s another instance of being let down by the incredible amount of hype and “you-MUST-see-this” hyperbole of the online world. And once again, I fell prey and wasted three minutes of my life watching it, and another four typing about it and copying the link and embedding the bullshit. In other words, I’m just as much a part of the problem. But this remains my blog, and until it changes to FillInYourNameHere.com, you’ll have to deal with it, or leave.

Wow, I guess I’m ornery on weekends too. [Shrugs.] I blame the Bieber.

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Give Me A Break

After several weekends of non-stop traveling for The Delusional Grandeur Tour, I’m taking a break this weekend to gear up for the next stop. Before that, however, there are some posts that need to go up – namely a few Boston stops – including my latest run-in with Madonna. There may be a new Madonna Timeline entry to honor the occasion too (though that has yet to be written).  In other words, I’m just buying some time with this post.

The featured photo here is a scary nod to the bunny that gets exorcized in the new tour book… but that is also to come. For now, the waiting, the anticipating, and the celebrating. Fall is here. My attention turns to the kitchen. My focus shifts slightly inward. My gaze is on the distant horizon of the holiday season. Still, I won’t turn down a few more sunny and warm days if October would be so kind.

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Snapshot

This is one of my favorite photos from my recent trip to Seattle. I don’t know anyone in it, I don’t know what street it’s on, and I don’t even think there’s all that much going on, but for some reason it speaks to me more than any picture-perfect composition of the Space Needle ever could. There are a multitude of stories that could be told here, in a single instant in the lives of several people.

There’s a violin, a messenger bag, a back-pack and a baby.

There’s a leather jacket, a Zara, and a Rack.

There is motion and stillness, movement and pause.

Above all else, there is humanity – waking and walking, wandering and wondering.

It is a beautiful, heartbreaking world, and while not always sure of my place in it, I’m grateful to be part of it.

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Shirtless Nick Jonas: Fit For A (Scream) Queen

Ryan Murphy can always be counted on for piquing interest in a tired television idea, such as he did with his latest ‘Scream Queens.’ Enlisting some of the hottest young stars of the moment (and horror-movie matriarch Jamie Lee Curtis) he manages to do it again (hey Arianna Grande!), but like many of Murphy’s endeavors, (‘Glee’, ‘Nip/Tuck’, the second and fourth season of ‘American Horror Story’) this one looks inconsistent at best.

It has, however, already made its mark in the superficial hunk-obsessed landscape of this blog, with the following GIFs of Nick Jonas flexing and posing and showing off his shirtless body because that’s what you do when there’s a murderer on the loose and you’re a hot guy. No stranger to on-screen shirtlessness, or magazine almost-nudity, or sweaty sex scenes, Mr. Jonas pumps his biceps gamely for this one. Of course, in the second episode he is nowhere to be found, and that sort of strip-bait-and-tease is why I don’t watch much television anymore.

(It’s so much easier to wait for the shirtless screen grabs, and it saves an inordinate amount of time to booty.)

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True Blue, Baby

‘Hey!’

‘What?’

Listen…’

When you’re 40, sometimes you have to do something to jolt your complacent, if contented, life into an exciting new realm. Or, in the case of coloring my hair, an old realm, from long ago (the 90’s to be exact).

Once upon a time, I was big on the hair dye. In a single summer, I went from purple to red to blonde to brown to orange and back to black, so I’ve never been afraid to try a new do. In fact, changing up my hair has been an easy way to reinvigorate my spirit when things start to feel too stagnant. So when the merman craze began sweeping the nation this summer, I was both captivated and challenged by the notion that I might return to such a colorful carriage. Since I’ve never been blue, or aqua, I decided that might be the route to go. No, I decided that it was the ONLY way to go.

The plan went into motion as summer was at its zenith. That meant pool play was at its wettest too, and chlorine and sun are not the friends of freshly-dyed hair, so I made plans for the tail end of the season. I also got in touch with Mike at Complexions, who helped design the color, the cut, and the appointment to make it all happen.

There was only one moment of hesitation on my part: after dying the top of my hair light blond, Mike had to dry it before applying the blue, and as it puffed up like the silken top of a corn cob, I wondered what on earth I had done. But like all moments that have simultaneously thrilled and terrified me, I bristled with the excitement of a new adventure, the wonderful sensation of still being able to surprise and scare myself, even at this mid-to-late stage of the game.

Fortunately, I was in good hands with Mike, and after the blue went on, and then the aqua, my merman dream was soon realized. I looked in the mirror, still myself, but with a tinge of blue, a tinge of new, a tinge of something that reminded me of the guy once mistaken for a clown at Ponderosa. But no more tears.

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Ally Week

It’s been a while since I’ve done a ‘Straight Ally‘ feature, and that’s my fault for being lazy. Well, busy and lazy. And it turns out this isn’t a new ‘Straight Ally’ post, but rather a recap of those that came before in honor of Ally Week. Let it also serve as a call-out for any allies you might have in mind that are worthy of a feature post. I’d like to get back into my interview/profile pieces.

It all began with my friend Skip Montross, who was an important impetus for getting the series started. As such, it was a natural, easy, and fun way to document a singular friendship, as well as looking into its universal components, and the way we operated in a society where gay male/straight male friendships were becoming increasingly common, and interesting.

Next up was fitness superstar Scott Herman, who added some hunkiness to the ally factor. I’m all about a pretty poster boy, especially if the sauce he’s shelling is for equality and acceptance.

Founder of Athlete Ally, Hudson Taylor was an obvious and exemplary choice for a Straight Ally. He’s been dedicating his life to forging the way for equality, especially in the realm of sports.

Along those sporty lines, Ben Cohen has been one of the staunchest straight allies the world has known. His rugby roots paved the way for his social activism, and his very personal tragedy involving bullying has given him a touching credence that makes his work all the more meaningful.

A very big round of thanks needs to go out to all of my friends who have proven to be straight allies over the years. Being an ally doesn’t necessarily mean making a public spectacle of yourself or instituting grand sweeping reform – sometimes being a friend is all you need to do.

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Seattle Post Script

My trip to Seattle began with an octopus dish, so it’s only fitting that it close with the same. This opener at my closing meal at Bar Sajor featured the tender tentacles of that familiar cephalopod, and a tomato salad that made striking use of the purple blooms of borage and orange marigolds as dazzling accents in flavor and appearance (not that such delicious heirloom tomatoes needed any help in looks or flavor).

It would be difficult to say farewell to such a wonderful city, where verdant stretches of beauty expanded ever-outward, where meals were sumptuously simple and fresh, where forests rose and cyclamen bloomed, where whales sang and soared, and where things sometimes felt too dreamy to be true. It was a glorious final pause of summer, and a highlight of The Delusional Grandeur Tour thus far.

Like most places that have been a home to me when I’ve been far from home, Seattle will now occupy a portion of my wanderlusting heart ~ a place that helped me kick off my final tour, and the beginning of my 40th year.

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Seattle Dreamy: Snowqualmie Falls

For any ‘Twin Peaks’ fanatic (as I was in the very questionable 90’s), a trip to the Seattle region would not be complete without a glimpse at Snowqualmie Falls, that iconic waterfall that opened the credits for the David Lynch television series. Regardless of the Lynch love, this waterfall is impressive in its own right, falling 268 feet in astonishingly beautiful form. While no monster by any means, there’s something magical about this scene, particularly in the fall when so much change is afoot, when you’re no longer so sure of your stance in the world.

Standing there watching the water fall, I was transfixed by the scene. It was hypnotic, holding me transfixed, almost pulling me down along with it as I followed the droplets as they plummeted the length of the 268-foot drop. I thought of sleepwalkers and cults and pied-pipers, and wondered how far we all were from surrendering to the lull and easiness of such enchantments. If you start at the top of the running water, finding a spot of river and carefully watching it run from top to bottom, your eyes follow it at first, then your head goes down, and, were it not for the high wall and guard rail, the rest of your body just might fall along with the water. How many of us would have given in without the guard rails of others?

On this day, I manage to catch myself from falling. Above and slightly to the right of the falls, a train blows its low moan of a horn, where it would have been chugging along unseen if it hadn’t drifted its tell-tale column of smoke in its wake. It’s a scene I’ve seen before – either in book or movie or imagination: the mist of the falls echoed by the passing train – two layers of ethereal fog, and all of us watchers and dreamers caught somewhere between two worlds.

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