Author Archives: Alan Ilagan

Finding Beauty in New York – Part 2

Even on a subway ride, there is beauty to be found, as seen in the artwork featured above. These are the pockets of peace I find in the crush of people in Times Square – a necessary evil when you’re going to a Broadway show. With my impending attendance at ‘Sunset Boulevard’ the second day in New York dawns with promise and purpose. Having toyed with the idea of ordering a massage at the Muse, I opt instead for an activity that brings me almost as much peace and tranquility: shopping.

For some, that is the antithesis of a calming moment, but for me it is a little glimpse of heaven. Yesterday’s brief stop at Tom Ford was the perfect illustration of how one can step off of a New York City street, climb a winding staircase, and enter nirvana. That’s one of the greatest tricks of New York – the way that each doorway can be a portal to another world. It applies to hotel rooms and shop-fronts, apartments and mansions, theaters and museums – and it’s one of the most charming aspects of the city. It’s the promise of possibility.

On this day, I try to go easy on my American Express card, selecting a polka-dot tie in orange and lavender, and a couple of bracelets with beaded tassels, but nothing more. I don’t know if it’s a more mature restraint, or laziness in not wanting to carry another bag to the train the next day. Regardless, it’s a wise decision, and I return to my hotel to prepare for an evening that was twenty years in the making…

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Finding Beauty in New York – Part 1

A beautiful weekend in New York City has often proven elusive for me. A perfect weekend in the city was the thing of dreams and movie fantasy. Yet somehow both happened the last time I visited that mixed bag of a place.

It began in rather inauspicious form. My train was on the edge of Penn Station, when it paused in the dark of a tunnel. That usually happens right before it enters and the doors open. This time, the pause lasted fifteen minutes before the conductor came on the shoddy sound system and announced there was an issue in Penn Station and we’d be staying there for a bit. Knowing I’d get more news from Twitter than Amtrak, I went on and saw that there was derailment at Penn, and all trains were stopped from going in or coming out. Instead of moving ahead the fifty needed to drop us at a platform, we began going backward. For an hour. Eventually we reached Spuyten Dievil station and were told to wait on an outside platform for the next train that would take us into Grand Central Station. Though two hours later than scheduled, Grand Central was much closer to the Muse Hotel, so I shook off the inconvenience as I walked the couple of blocks to my glorious accommodations.

A Kimpton hotel always makes me happy, and the friendly young lady at the front desk welcomed me in good spirits and bonhomie. There was hope for this weekend after all. I had a quick lunch at the hotel restaurant while my room was readied, then unpacked and was ready to shop. I made my way up Fifth Avenue, loosely planning to wind my way all the way up to the Tom Ford store and see the Neue Galerie near the Met. I skirted the edge of Central Park by the Plaza, peeking in at Bergdorf Goodman (and sampling some decadent Kilian cologne).

The day had started out in overcast fashion, but the clouds were burning away. The end of March can be a bear, but on this day, and on this weekend, things were softening. Hints of blue sky struggled to appear. The breeze was strong but not cold. My mohair coat, lined with chartreuse (and a steal from H&M over a decade ago) proved an ample barrier, and a sequin-accented scarf was large enough to wrap around my neck a couple of times. The walk along the park was a pleasant one, and I took my time. Though I often brush up against Central Park during stays in New York, I seldom think of the city as a place filled with nature and green beauty, which is odd since I tend to get acutely philosophical here, struggling to make sense of it all – mostly the people, the hordes of hapless people in such a place as Times Square. My social anxiety invariably kicks in and I become almost crippled at the thought of so many of us, bumping and milling past one another, oblivious to everyone else’s story out of a need to survive and make our own way. For anyone who has issues with being around people, it’s a crushing feeling, so I seek out spaces of beauty where I might breathe again. Like the Neue Galerie.

Though there are people here, it does not feel crowded. I walked up a grand staircase to where all the Klimts are hung, and they do not disappoint. I hadn’t expected them to loom so large. The massiveness of their size is matched by their magnificence. Such golden richness is splendor and grace and bombast all at once. I have yet to find a more soul-calming experience than seeing an original work of art for the first time.

Photography is strictly forbidden on the second floor, so I had to make do with this rather sorry framed facsimile in the basement, where they welcome selfies and Instagram tags. A charming little gift shop offered ways to bring home some of the magic of Gustav Klimt, but I didn’t need anything. The memory had been made. The beauty now hung in my heart.

There was more beauty to be found down the street, however, and it was the sort of beauty that didn’t just hang on a wall – it surrounded and imbued the air all around you. But first, an afternoon cocktail at the Café Carlyle. Hosting such greats as Elaine Stritch and Betty Buckley, this was a place I’d always wanted to visit, and before the evening crowds could arrive I snuck in for a negroni. With its handsome bar and whimsical Madeleine mural, it is, like most New York landmarks, smaller in person. Though the drink was ridiculously, and expectedly, exorbitant, the expert service and surroundings were worth it. I’ll pay for ambiance and history any day.

What I wouldn’t pay for this trip was the new Tom Ford Private Blend that they had at Mr. Ford’s New York store. The handsome property was as gorgeous as I remembered it – I could live on the second floor and be a very happy (and finely turned out) man. Alas, the new addition to the Portofino collection, ‘Sole di Positano’ was simply too close to the exquisite ‘Mandarino di Amalfi’ – and as much as I love the latter, a strikingly-similar cousin just isn’t worth the $225. Better bargains were to be found at a vintage store further along the street. For the weekend’s main purpose – a return to ‘Sunset Boulevard’ – I needed one more bit of pizzazz, and found it in an over-the-top crystal broach, which went with my mohair coat perfectly. Everything was as it should be, and this was one of the rare occasions in my life when I felt profoundly and movingly that I was exactly where I was meant to be.

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A Sexy Rabbit Shot, and a Scary Rabbit Shot

Let’s get the frightening one out of the way first thing: Sean Spicer as the White House Easter bunny (and long before he transformed into the Mouthpiece of the Anti-Christ.) I’ve read reports that this year’s White House Easter egg hunt is being bogged down in confusion and ineptitude – the perfect embodiment of this joke of an administration.

Far more preferable to the devil in the bunny suit is the sexy shot below of a shirtless Andy Cohen getting chummy with an anonymous Easter bunny. This is still the stuff of nightmares (or fantasies, depending on your kink-level preference). Mr. Cohen makes a fine companion to that lucky bunny. Here comes Peter Cottontail indeed.

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The Bunny Trail

Hippity hoppity Easter’s on its way!

The holiday I dread, with all its accompanying images of fright, is almost upon us.

Here we have a bunny from Arizona hopping down the bunny trail.

Stayed tuned for far scarier variations on this theme.

(And I don’t like it any more than you do.)

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Daffy

This happy little daffodil (the name of which some may find objection at, but as long as they’re bright and lightly-scented, I don’t care what you call them) was part of a bouquet of blooms I picked up a couple of weeks ago. We’re just starting to see their outside cousins rise up from the chilly ground. I’m still hesitant to give everything over to spring just yet (too great a chance for a snowstorm) and part of me has halted any celebratory sigh of relief, especially when I think back to last year’s banner crop of lilac blooms that was instantly decimated by a late-season freeze. Mother Nature is to be honored, but never trusted. Unless you’re placing trust in fickleness and unpredictability.

Tom Ford did a few floral scents in his Jardin series, inspired by these spring blooms, none of which was very impressive. While some flowers lend themselves to lasting scents (jasmine, tuberose, gardenia) these early bloomers don’t give it up as easily. His jonquil and hyacinth attempts did not connect for me – spring is about something lighter, and Ford’s private Blends (with the possible exception of the summer-based Portofino collection) have too much oomph and headiness to translate the delicacy of the spring bulbs.

For me, the only way to smell these properly is to take an early season stroll and feel the soft dampness of a spring earth beneath your feet. The air should be almost as wet as the ground, and as you approach a swath of narcissus, you will smell their delicate sweetness. You should get your knees wet as you kneel beside their fragrant beauty, and it will always be worth it. Forever after, that memory will be conjured -in every passing grocery market bucket, in every fancy hotel lobby that serves up seasonal blooms, you will be brought back to the happiest time of the year when you sniff them again: spring.

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I Hate A Wedge

In certain specific circumstances, a wedge of fruit is appropriate. A small one to slip into a bottle of Corona. A chunkier one for squeezing into a gin and tonic. But for instances where it’s mainly a garnish, and even when it’s used for fragrance and flavor, a wedge is simply too much. It’s obnoxious. Overbearing. Rude. The worst sort of look for an elegant cocktail.

A twist is much preferable.

A twist makes all the difference.

A twist can change your life.

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Cool Hued Lava

Once upon a time I had a lava lamp. It was in the basement, in our little make-do recreation room where I’d watch soap operas and paint hieroglyphics on the walls. A brown vinyl beanbag provided a malleable surface for marble mazes. A tattered set of plaid furniture from upstairs formed the seating area, and we covered a lightweight wooden storage crate with a small blanket to make a coffee-table. A throwaway coffeemaker stood on a pedestal; I would put potpourri into it and the hot water would spread the scent throughout the small space. The gay boy in me would always find a way. (I’m not sure that my Uncle, who lived on black coffee and cigarettes, was as impressed by the double-duty of said coffeemaker, but he never said anything about the floral coffee that would later result.)

The lava lamp of my youth was a standard red and yellow version, glowing warmly on its stand, unlike the modern-day version you see here. I’m not sure which appeals to me more – each has its merits, each conjures and conveys a different mood. I’ve seen riveting purple versions, and if I were to get a new one, it would probably be that. Not that I’m getting a lava lamp. Some ships are better off not returning to port.

Yet they remind me of that crazy childhood basement room, where extra pieces of unused carpet made for a patchwork floor, and a fold-up cot was mounted on a former kitchen cabinet, rising almost to the ceiling in fun, if slightly dangerous, fashion. We were kids then, and my brother and I didn’t care about cohesive design or sensible furniture. Instead, I worked to create little pools of beauty – in a bouquet of dried flowers, a swath of colorful fabric, or the psychedelic bubbles of a lava lamp.

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Peeks & Tweaks

A few posts in the works: my recent trips to New York and Chicago, reviews of ‘Sunset ‘Boulevard‘ and ‘Hamilton’, and all kinds of closure and emotional mayhem. Somehow, I also need to begin the spring cleaning of the yard, a task that usually requires 40 lawn bags by the time it’s done. Spring is technically here. The air is warm, for now. Excitement is in the atmosphere.

The bad news? Mercury is once again in retrograde. Hang on to your hats.

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Aprils Gone By

Tricky month you are, April. Trying us with your incessant showers, keeping us hanging on with your promise of future flowers, why do you tease and displease so? All we want is some sun and fun, and maybe we’ll find some sooner rather than later. I’m due back from Chicago, so this post is a tidy little place-stopper until I resume real-time blogging. Hang on, little tomatoes.

Last April, not unlike this April, was all about The Delusional Grandeur Tour.

April 2015 was all about the Hunks (and a nearly-nude Zac Efron).

Minneapolis provided the backdrop for the bulk of posts from April 2014.

Cocktails, flowers, and shirtless guys – all the usual for April 2013.

April 2012 was more of the same – Madonna and bulges and the like.

Finally, all that remains from April 2011 are Madonna and Tom Ford. The way it should be.

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Southwestern Fare Flare

Though they were all over my TripAdvisor account, I neglected putting food stories up during my desert postings, so here’s a quick visual feast for anyone needing a dose of goodies. Needless to say, as one can easily see here, I ate quite well during my desert sojourn, and will bring some inspiration back for a couple of May meals. After all, May is for margaritas.

 

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Praying for a Sunny Recap

Our first full week of April has come and gone, and if early predictions of temperatures today are correct, we seem to be skipping straight to summer. Ahh, the roller-coaster ride of the Northeast. And they wonder why I’m moody as fuck sometimes… On with the recap!

Simon Dunn exposed his naked ass to get things off to a rollicking start.

The Madonna Timeline returned with a whimper at first, with this unimpressive ditty.

4…4.

#KimptonLove.

Call me.

Zac Efron and the dreaded camel toe.

Nyle DiMarco exposed his naked ass too. (I’m sensing a theme…)

Spring in a single photograph.

Seth Fornea churned butter in nothing but an apron, and it must have simply melted.

My shirt was on, but my pants were off for a new profile pic.

Say a little prayer.

A few final tour stops.

Holding onto the delusions a little while longer.

The Madonna Timeline returned again, this time in good, old ‘American Pie’ fashion.

The ivy without the poison.

Hunks of the Day included Aaron Lee Smith, Fabio Fognini, Braeden Wright, Guillaume Cizeron, Andrew Harris and Jake Jensen.

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All Ivy, No Poison

When pressed for a tablescape for a recent dinner (an admittedly first-world problem, but since I don’t live in the third-world we’ll just have to make do), I bypassed the traditional flower bouquets and went with two small pots of ivy. We need green more than ever right now, as winter refuses to limp away. There are dirty patches of snow everywhere, and even with all the rain nothing is getting those eyesores to budge. This was a bandage on that, and it lasts longer than any ten-dollar bunch of flowers.

Soon I will see if I can force some cherry branches, or possibly a dogwood, to hasten spring along. Some things are better rushed.

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The Madonna Timeline: Song #139 ~ ‘American Pie’- Spring 2000

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

A LONG, LONG TIME AGO

I CAN STILL REMEMBER HOW THAT MUSIC USED TO MAKE ME SMILE

AND I KNEW THAT IF I HAD MY CHANCE, I COULD MAKE THOSE PEOPLE DANCE

AND MAYBE THEY’D BE HAPPY FOR A WHILE…

Chicago: April 2000

A new millennium had broken, and now my heart was following suit.

At the tail-end of my most serious relationship to date, I found myself about to depart Chicago, where I’d moved to make a life with my boyfriend. We’d been there almost a year ~ arriving at the end of summer, kicking leaves through that bright burning fall, and breaking up like patches of ice at the end of a difficult winter ~ but as I packed to leave one final time, I felt a tug at my heart at leaving the sprawling city where I hadn’t quite put down roots. Mostly, though, I felt the pinch of having to leave a man I still loved, even if I knew it would never work.

DID YOU WRITE THE BOOK OF LOVE

AND DO YOU HAVE FAITH IN GOD ABOVE?

IF THE BIBLE TELLS YOU SO…

NOW DO YOU BELIEVE IN ROCK ‘N’ ROLL,

AND CAN MUSIC SAVE YOUR MORTAL SOUL

AND CAN YOU TEACH ME HOW TO DANCE REAL SLOW?

He had started sleeping in his own bed. There’s nothing lonelier than having someone sleep in another bed in the same house. Even being alone is less lonely than that.

I knew he’d made the right decision. In my heart of hearts I knew. But that didn’t make the hurt any less. That didn’t offer much consolation. Being right isn’t the best way to feel better about yourself.

I would hear him weeping quietly some nights after the decision was made. It made me feel better, that I wasn’t the only one in pain. ‘Good,’ I thought to my eternal shame. ‘Good.’

Would it have been better if there had been someone else?

I wondered.

Once, a couple of weeks after we’d already broken up, I caught him looking back at a guy on the street and smiling. Filled with a rage I’d never known, and simultaneously shot through with the knowledge that this was really over, I almost fell to the ground, paralyzed by the sudden sting of it. Instead, I calmly said I’d see him later, then ducked into a store to collect myself. I never let on. He never noticed. We might have gone through life that way if he hadn’t been brave.

WELL, I KNOW THAT YOU’RE IN LOVE WITH HIM CAUSE I SAW YOU DANCIN’ IN THE GYM

YOU BOTH KICKED OFF YOUR SHOES, MAN, I DIG THOSE RHYTHM AND BLUES

I WAS A LONELY TEENAGE BRONCIN’ BUCK WITH A PINK CARNATION AND A PICK-UP TRUCK

BUT I KNEW THAT I WAS OUT OF LUCK THE DAY THE MUSIC DIED

I STARTED SINGING…

BYE, BYE, MISS AMERICAN PIE

DROVE MY CHEVY TO THE LEVEE BUT THE LEVEE WAS DRY

AND GOOD OLD BOYS WERE DRINKIN’ WHISKEY AND RYE

SINGING THIS’LL BE THE DAY THAT I DIE… THIS’LL BE THE DAY THAT I DIE

This was a death for me. This would be the last time I’d ever give my heart so completely, the last time I’d ever enter into anything without a fortress strong, and a barricade. That time of innocence, that beautifully tender time of optimism and hopeful belief ~ I let it die. Maybe all my tears and sorrow were for that, and not just for him. Sadly, pain is pain, no matter what the reason or source, no matter how much one tries to talk or rationalize a way out of it.

Even today, I retain sole rights to the innermost chambers of my heart. Just in case.

I MET A GIRL WHO SANG THE BLUES

AND I ASKED HER FOR SOME HAPPY NEWS

BUT SHE JUST SMILED AND TURNED AWAY

I WENT DOWN TO THE SACRED STORE

WHERE I’D HEARD THE MUSIC YEARS BEFORE

BUT THE MAN THERE SAID THE MUSIC WOULDN’T PLAY

Suzie picked me up to drive all my stuff back to Boston. I showed her around Chicago briefly, but my heart wasn’t in it. There was nothing happy about this visit. As I brought her to various landmarks, I remembered how I had visited them myself, mostly alone, but sometimes with him. We had once watched the beluga whales at the aquarium, right after the break-up, and I remember wanting to cry in the blue-aqua light, peering in at such sadly-captive creatures, ghost-like in beauty and longing. Their perpetual smiles were the cruel masks of nature, and I remember reading something that said the corresponding alchemy of laughing and crying were quite similar in make-up. Again, understanding something does not always make it easier. If anything, you’re at a greater loss.

WELL NOW, IN THE STREETS THE CHILDREN SCREAMED

THE LOVERS CRIED, AND THE POETS DREAMED

BUT NOT A WORD WAS SPOKEN

THO CHURCH BELLS ALL WERE BROKEN

AND THE THREE MEN I ADMIRE THE MOST

THE FATHER, SON AND THE HOLY GHOST

THEY CAUGHT THE LAST TRAIN FOR THE COAST

THE DAY THE MUSIC DIED

We rented a truck and somehow found our way back to the apartment in the days prior to GPS and cel phones. I ran up and down the three flights of stairs a number of times with Suzie and him, and when the last item was loaded Suzie got into the truck and waited. I went back one final time. There was nothing much to say. It had been my longest and most serious relationship. It had been the one I thought would last. It had been… the one. I had no contingency plan, no other way to go.

We hugged. He said we did good. In the kitchen by the back door, we stood beside one another. I had made him dinner there. On chilly nights when the heat wasn’t enough I’d stood in front of the oven trying to get warm. Nothing very momentous had happened in that spot. Until now.

Somehow, by the grace of MapQuest or Suzie, we found our way out. Chicago was entering my rear-view mirror, a vestige of the past, and I didn’t look back until we were well beyond me being able to see anything.

WE STARTED SINGIN’

BYE, BYE, MISS AMERICAN PIE

DROVE MY CHEVY TO THE LEVEE BUT THE LEVEE WAS DRY

AND GOOD OLD BOYS WERE DRINKIN’ WHISKEY AND RYE

SINGING THIS’LL BE THE DAY THAT I DIE

THIS’LL BE THE DAY THAT I DIE

As for this cover of the classic Don McLean song (reportedly written in nearby Saratoga Springs, NY) Madonna did reasonably well at least according to some critics (and McLean himself, who gave her version glowing remarks). It didn’t catch on with the public, but the beautiful video, William Orbit’s luscious production work, and Madonna’s own creamy vocals (backed by Rupert Everett no less, when they were still on speaking terms) worked to create a reprise of musical Americana. The second of her movie-music bridge songs between ‘Ray of Light‘ and ‘Music‘ (the first being ‘Beautiful Stranger’), ‘American Pie’ was a rare non-event in Madonna’s lexicon. Intended to cross-promote her appearance in ‘The Next Best Thing’ (whose brilliant soundtrack had her prints ~ and two songs ~ all over it) ‘Pie’ found her biding her time until Mirwais arrived on the scene.

I was waiting for something else.

Sadness to pass…

Forgiveness to come…

Healing to happen.

BYE, BYE, MISS AMERICAN PIE

DROVE MY CHEVY TO THE LEVEE

BUT THE LEVEE WAS DRY

AND GOOD OLD BOYS WERE DRINKIN’ WHISKEY AND RYE

SINGING THIS’LL BE THE DAY THAT I DIE

THIS’LL BE THE DAY THAT I DIE

WE STARTED SINGIN’

WE STARTED SINGIN’

WE STARTED SINGIN’

WE STARTED SINGIN’

SONG #139: ‘American Pie’ ~ Spring 2000

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Delusional Tour Floral Interlude

A sigh, then, before the very last entries for The Delusional Grandeur Tour.

A pause, if you will, before we careen into the final plunge of this ride.

A moment, tucked into the end, and saved just for us.

For the ones who remain.

You know who you are.

THE DELUSIONAL GRANDEUR TOUR: LAST STAND OF A ROCK STAR

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The Delusions Resume in Chicago

It’s been a while since we last posted a proper Delusional Grandeur Tour Book entry, and as we’re down to the final pages, each one brings us a little closer to the end of all ends. I’m not unhappy about that – to be honest, it will be a relief to definitively put a cap on my touring days, and all my delusions. One cannot live on fantasy alone. Even Peter Pan had to grow up, and it all happened off-stage. Still, this boy’s got a few more flights left in him, and while I’m in Chicago this weekend, I invite you to soar in other ways.

First, however, a quick look back at the first eight parts of this final chapter, because they’re each pretty and beautiful and gorgeous in their own way, and the world needs more of that sort of thing now.

Flower Bomb Balm ~ Part One

Flower Bomb Balm ~ Part Two

Flower Bomb Balm ~ Part Three

Flower Bomb Balm ~ Part Four

Flower Bomb Balm ~ Part Five

Flower Bomb Balm ~ Part Six

Flower Bomb Balm ~ Part Seven

Flower Bomb Balm ~ Part Eight

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