Category Archives: Gay Blog

Dazzler of the Day: Daniel W. Green

As the problematic world of AI artwork swirls around us, it’s good to re-enforce the idea that I and so many others hold, which is that the artwork produced by human hands and our greatest living artists will never be successfully duplicated by any program, no matter how advanced. Human passion cannot and will not be reproduced by artificial intelligence; it will always ring hollow, because humans innately recognize and resonate with the work of another human. That brings us to this Dazzler of the Day, which goes to Daniel W. Green, an artist whose work bleeds with the fiery passion and exuberance that can only be produced by a real person invigorated and inspired by real life. Green specializes in oil paintings, many of which focus on the male form. Witness his work progress as seen in one example below (there are many, as Green is wondrously prolific). Check out more on the Dan Green Male Art page as well as his eBay page to purchase his work

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A Shirtless Gay Brigade

Much like this gratuitously-shirtless post of male celebrities, this post narrows in on those shirtless male celebs who happen to identify as LGBTQ+. The gays came to slay, starting with Jim Verraros, whose recent renaissance has been sparked by the anthemic dance club knock-out ‘Take My Bow’ – a welcome return to the musical landscape by the ‘Do Not Disturb’ singer. 

Tom Daley’s armpits get an airing in this very knowing photo he released, proving he knows exactly what he’s doing.

 

Gus Kenworthy knows what he’s doing too, as this auto strip-tease reveals. Kenworthy bares even more here and here

Matt Bomer in shirtless motion could be a post unto itself and perhaps it will be again, as it was in the beginning. 

LGBTQ+ trailblazer and heart-throb Wilson Cruz has a body matched only by his winning smile. 

The preferred wardrobe of Luke Evans should be the Speedo (when it isn’t total bare-ass nudity), as he has illustrated time and happy time again

Matthew Camp knows how to give good face, and even better body

With vocals as appealing as his visuals, Tom Goss presents a perfect package yet again. 

Josh Sabarra dazzles with his good looks as much as for his witty way with words

Finally, Olympian Adam Rippon has put his physically-honed body to good use on this blog, here and here and here

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Summer Love Hangover

During my days and nights of drinking, it wasn’t the physical hangover that bummed me out from time to time (though those did hurt, especially the tail-whip ones, wherein just when you thought you were ok, a wave of nausea came on like the last minute tail-whip of that demon in ‘Lord of the Rings‘ that took Gandalf the Gray) it was the emotional hangovers that left me confused and scared and defeated. One of the things that made quitting drinking an easy choice was the determination to never again waste a morning – particularly a summer morning – lost in that hazy fog. One need not quit drinking entirely to avoid such a state – one just needs to avoid drinking to excess. My past was all about the excess, so I fell prey to losing many a morning. 

If there’s a cure for thisI don’t want it, I don’t want itIf there’s a remedyI’ll run from it, from it
Think about it all the timeNever let it out of my mind‘Cause I love you…

Turning this into a musical moment for summer involves injecting a bit of Diana Ross disco into the scene, which lends its own fabulousness with nary a drop of liquor. It begins in slow fashion, the way one typically wakes, with or without a hangover to be honest, and slowly insinuates the embrace of losing oneself to love, and the regret or recreation of falling in such a way. Reminiscent of sweaty fever-dreams, and the secretive desires that summer holds within the folds of her gossamer wardrobe, the song is a hypnotic exploration of the morning-after, whatever the night before might have been. 

To that end, it is magical – an extended musical trail that rises and falls, offering twists and turns and the ultimate disco-abandon of Ms. Ross at the dawn of the 1980’s. Summer is the best time to lose oneself to the decadence and debauchery that youth affords, and I have absolutely no regrets about digging deeply into that lavender haze

‘Cause, if there’s a cure for this, I don’t want itDon’t want it (love to love you, sweet)Love to love you, sweet
Sweet love, I love youSweet love, need loveBad love, sweet love hangoverI don’t want no cureSweet love, love hangoverLove hangover

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Top Twenty Madonna Timelines

You may have heard that this is the 20th year of ALANILAGAN.com, and as such I’m going to start culling a few ‘Top Twenty’ lists from the archives in celebration of such a milestone. (Who knows if I might make to another?) We’ll begin with one that is close to my musical heart: the Top Twenty Madonna Timelines. (These are not in any strict order, as it’s too difficult to rank that, they are just twenty notable timelines.)

The Madonna Timeline has been a regular installment here wherein I dissect a specific Madonna song (chosen randomly by the ‘Shuffle’ feature) and go into whatever memories or background I have of the song, when it was released, and/or what it has come to mean to me over the years. For a long time, I could date my life based on what Madonna era was happening, but failing memory and lack of indelible career moments have largely left that in the past. Here’s a reminder of some of my favorites.

1. Drowned World/Substitute for Love ~ This is my favorite Madonna song (with the caveat that such a preposterous proclamation is always subject to change – but this one has stayed at the top of my list since it came out in 1998, and as much as I adore her I don’t see Madonna topping this one anytime sooner or later). The opening track of her best album to date (the miraculous ‘Ray of Light’) this song ushered in one of the greatest Madonna eras ever. It was once again about the music, and this music came with layered nuance, lyrical poignance, and introspective grace. It was an emotional reckoning, highlighted by this compelling track, which seduces the listener with a calm and languid beginning then ruminates on the price of love and fame and the search for something more before culminating in one of the most powerful bridges she has ever written.

2. Vogue ~ Madonna has always been about fun and glamour, and nowhere is that more evident than in her classic anthem ‘Vogue’. From the opening command of ‘Strike a pose!’ to the quasi-rap litany of Hollywood royalty, this is Madonna at the crux of fabulous and campy in an ode and an invitation to the gay balls of the late 80’s. It also inspired a major timeline sprinkled with Oscar Wilde quotes and gay memories galore.

3. Like A Prayer ~ The rarefied upper-echelon of Madonna’s catalog contains many iconic moments and the crowning jewel of her musical oeuvre has to be ‘Like A Prayer’. For substance, style, and transformative musical transcendence, this remains Madonna’s most majestic move, and it has endured for decades with good reason.

4. Erotica ~ Sex and sin and seduction, oh my! A turning point in Madonna’s career formed a valuable and necessary life-lesson for me, laying the groundwork for my own creative expression. 

5. Turn Up the Radio ~ Losing oneself in a pop song is one of Madonna’s most enduring hat-tricks, and a large reason why some of us have never been able to quit her. ‘Turn Up the Radio’ starts off as a stellar slice of escapist pop music, until you realize by the bridge she is desperately doing all that she can to simply survive (“We gotta have fun, if that’s all that we do”).

6. Rain ~ Forging the heart of the gorgeously-icy ‘Erotica’ album, ‘Rain’ was part of a pivotal moment in my life – and may have actually saved it

7. Rebel Heart ~ At this stage in her career and life, Madonna has nothing left to prove, but an air of defiance imbues the title track of the under-appreciated-if-chaotic ‘Rebel Heart’ album. It’s a bit of a look-back and reassessment of “all the things I did just to be seen” while refusing to be anything other than the rebel she has always embodied.

8. Crazy For You ~ One of my very first crushes forms the narrative portion of this Madonna Timeline, and for that reason it holds a special place in my heart.

9. Secret ~ The Madonna song that will forever be linked with the memory of the first man I ever kissed, ‘Secret’ is heartbreaking on a personal level, and healing in the same way.

10. You Must Love Me ~ Though I was semi-stalking a young man at the time this song came out, ‘You Must Love Me’ eventually became the command that came true, as the object of my affection way back then ended up becoming a lifelong friend.

11. Music ~ When it comes to fun, nobody does a better bop than Madonna. From ‘Holiday’ to ‘Spotlight’ to her millennium-opener ‘Music’, she knows how to craft a catchy and infectious tune. Coupled with the first few months of dating Andy, this song informs one of the happiest times in my life.

12. Express Yourself ~  Another moment in Madonna history is also one of the most self-empowering songs ever written, and this take-charge anthem is a potent blast of pop perfection (cue the horny horn break).

13. Ray of Light ~ Exploding out of the spring and summer of 1998, the lead track to Madonna’s greatest album ‘Ray of Light’ is a roaring revelation of celebratory abandon and realization – the zenith of Madonna’s dance-pop evolution, even if she had no hand in actually writing the song. The timeline is always a fun memory, as it brings me back to a night in Boston when, fueled by a cocktail of something called ‘Liquid Cocaine’, I sped through Copley Square on roller-blades with a long black cloak flowing in my wake.

14. Messiah ~ Despite her ‘Something to Remember’ collection, Madonna has never truly been appreciated for her ballads, which is criminal, as they form the compelling contrast and anchors of so many of her albums. This selection from the somewhat-messy ‘Rebel Heart’ opus echoes other brilliant balladry such as ‘Falling Free’, ‘Promise to Try’, ‘I’ll Remember’ and ‘I Want You’.

15. True Blue – An ode to old-fashioned romance and sweet, hopeful innocence, this frothy confection of ear candy goes down easy and rekindles a simpler time in life.

16. Live to Tell ~ The best songs of Madonna transcend the limitations of pop music, allowing multiple readings and layers of interpretation. ‘Live to Tell’ hints at secrets and betrayals, survival and destruction, and is one of Madonna’s most serious and powerful ballads.

17. Secret Garden ~ Closing out the sexual kaleidoscope of ‘Erotica’, this glorious glimpse of a metaphorical musical garden found flowering and fruition and little to nothing to do with fucking. A precursor to cocky clickbait.

18. You’ll See ~ Turning romantic tragedy to independent triumph, ‘You’ll See’ was pegged as the ‘I Will Survive’ of its day, and it came at a time when my own romantic adventures were just beginning.

19. Survival – Opening her deceptively-soft-focused ‘Bedtime Stories’ album (one of the most unexpectedly-pivotal albums in her career, lowering expectations as it repositioned her as an artist who would endure rather than burn-out in a blaze of glory) this track and timeline found both Madonna and myself in a fascinating state of flux.

20. Material Girl ~ Where it all began for me.

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The Shirtless Jogger Looking for Love Will Never Do

Taking a picture of a picture and playing with reflections can reveal a portal into the past. The young man in the forefront is all of 18 years old, while the older, grayer man in shadow, looking like he is peering amusedly over his shoulder, is heading toward 48. Three decades of difference and wondering at the world around them is revealed in this single shot. It’s easy to say that with age comes wisdom, and largely that may prove to be true, but when I look back at myself at that time, there was a certain wisdom inherent in innocence and not knowing things that carried its own weight and import. Of course, that was often overshadowed by the misguided pride and exuberance of youth, and the unabashed revelry one finds upon returning home for the summer after a year at college. 

On my headphones, and originating from a walkman we once had to carry in our hands, this Janet Jackson song, ‘Love Will Never Do (Without You)’ played its booming melody and Jimmy Jam and Terry Lewis magnificence. With a video gorgeously directed by Herb Ritts, complete with more than a few erotic undertones (and some homoerotic ones for those looking really hard) this song became a summer anthem for me, and still brings me back to those carefree days… 

Our friends think we’re oppositesFalling in and out of loveThey’ve all said we’d never lastStill, we manage to stay together

May had arrived in all its heady glory. Faced with the luxurious prospect of three summer months of freedom, my Virgo nature also understood it needed some sort of structure and plan to feel completely comfortable, and so I started a daily jogging regime, followed by a swim in the pool. It kept track of the days,  provided a basic blueprint around which to organize a day, and kept me in shape. 

While I would never quite be devastatingly cute enough to be a proper twink, I teetered on the brink of twinkdom on my best days, and in the warped, overcompensating method of finding self-confidence through faking it, I flagrantly began to revel in my youth in the way everyone should during its brief years of dominance. The robust confidence that came after a single year away at school left me feeling undeservedly superior and slightly smug, and I’m just thankful I didn’t turn into a total monster. 

Pounding the pavement as delicately as I could muster while jogging (and doing my best to avoid shin splints) I embraced the warm days and looked forward to traveling around my small hometown, which felt even smaller after a year’s glimpse at more expansive places. Halfway through these runs I’d doff my shirt, as much for pleasure as it was for comfort – the sun felt wonderful, especially when I recalled practically crying when the 20th snowstorm of the year barreled across the campus of Brandeis just a few short, and cold, months earlier. It was also a relief to be freed from sweaty clothing – nipple-chafing is a very real and painful thing – I don’t care how deeply one might enjoy some nipple-play. There was also something vain in it – the body and mind wanting to reveal themselves for reasons that went back centuries, and it felt as primal as it did imposed by a society that celebrated sex for all its selling points. 

There’s no easy explanation for itBut whenever there’s a problemWe always work it out somehowWork it out somehow
They said it wouldn’t lastWe had to prove them wrong‘Cause I’ve learned in the pastThat love would never do without you

Sprinting into the final days of my teenage years, I yearned for adulthood before realizing I had already entered it – the body advancing so much sooner than the mind. In-between girlfriends, and not quite having arrived at boyfriends yet, my love for this song was questionable given my relative inexperience in all things having to do with romance. Yet it spoke to me, and in a powerful way, and every summer that followed I would return to its spell, happily entranced by the notion of love, even if I had no love affair of my own to set to its music. 
Other guys have tried beforeTo replace you as my loverNever did I have a doubtBoy, it’s you I can’t do without
I feel better when I have you near me‘Cause no other love aroundHas quite the same, ooh, oohLike you do, do, do, do babe

Winding my way back home, I slowed as I neared our block, beginning the cool down that would culminate with a dip in the pool, dousing the fire that burned all about the body – a delicious denouement to the only work I had to do that summer. It was an indulgence – a harmless decadence that took place mostly in my mind because all of this happened in solitude. After years of doubting myself, and having others doubt me, it felt like a beginning of something else – a more genuine sort of self-love, of learning that I could be ok on my own. I didn’t see it then, but this song would not end up being the soundtrack to some great romance with anyone else – it would be the giddy and surprisingly reliable accompaniment to the love affair we should all be having with ourselves

They said it wouldn’t lastWe had to prove them wrong‘Cause I’ve learned in the pastThat love would never do without you

And so that May passed all too quickly – and that brief time in which I thought I was hot shit, and maybe I was, would prove to wither like so many spring blossoms that weren’t designed to last in the heat. Did I make the most of it? For the most part, yes. Do I wish I had realized more fully what a lovely thing it was to be young? Yes. That too. Do I miss the underlying wonder, panic and worry at not knowing what I should be doing and not knowing what I wanted to be doing? Not a bit, because it still fuels me to this day. 

As for this song, it’s still a bop, still a summer dream, still a portal to the lusty month of May, when a young man once ran away from his youth, on the hunt for love.

(They said it wouldn’t last)(They said) hey(They said it wouldn’t) what do you want?(They said it wouldn’t last)
If you believe in love, sing(Love will never do)(Love will never do without you)
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The Second Man I Kissed…

{…Continued from here.}

The May sweeps period of television used to be when the shows put out their best rating-grabbers, often ending with a dramatic cliffhanger to keep people talking and guessing for the rest of the summer, hopefully enough to insist that they return in the fall. I loved the drama of it all, and I have no shame in aging myself to say that I was just coming into childhood cognizance when the big cliffhanger of the 80’s left everyone wondering ‘Who killed J.R.?’ on ‘Dallas’. In fact, that whole scenario informed a substantial part of what I would later do in life in that I would do my damndest to be the person who was on everyone’s lips, the guy who, if knocked off, would inspire a frenzy of suspects too numerous to narrow down because he’d created such a stir his entire life. It’s not easy to cull that kind of broad and sustained hatred, not the kind that makes people actively want to kill you – but that didn’t stop me from trying, whether intentionally or subconsciously. All these years later, I remember J.R., but not the would-be killer, because sometimes that’s how life works. The villains get all the glory, even when they become the victims; I learned that dangerous lesson and ran with it the wrong way.

The cliffhanger from this previous post found my much-younger self having just procured the phone number of a gentleman who was the first person to show any interest one following the fallout from the first man who kissed me. That fallout was more damaging than originally understood, and if there is any excuse to offer for my bratty behavior, it’s that. And it still won’t exonerate my guilt at how I treated another human being. Back then, I simply didn’t care. Not about him, and certainly not about myself. 

Once upon there was light in my life
Now there’s only love in the dark
Nothing I can say 
A total eclipse of the heart…

Back to that train platform on a glorious spring afternoon, where I stared down at the name and phone number written by a man I’d not even exchanged a word with on the train. In neat block figures, it was such a simple and seemingly-insignificant thing, but at that pre-internet time it was the only way I would have of finding out who he might be, the only way of making a tenuous connection. Fate and destiny and luck and coincidence informed so much of our lives before it was all so readily available online. It made things more difficult in many ways, but oh so much richer and more meaningful. It was as if the stars guided us rather than manipulated keystrokes to research and become who we thought someone might want us to be. All I had to go on was his smile, already fading in my mind’s memory, a name and a phone number. And somehow it was enough. 

Never one to indulge in playing the hard-to-get games (as later suitors would unfortunately discover) I only waited a few hours to call him, because there was never any question on whether I would call. (Cliffhanger my ass.) The question was what I would say or do when I did call.

Without deliberately intending to do so, I kept my aloofness and distance, mainly from habit but also from the recent wounds that part of me realized hadn’t even started to heal. When I dialed the number from my dorm room, it was more of a dare to myself, a challenge to get back into the dating pool, and a gauntlet to see how bad I might be. 

That spring and summer I was completely channeling Linda Fiorentino’s ferocious character in ‘The Last Seduction’ (not at all a worthy romantic aspiration by any stretch of the imagination) – my heart was on guard and safely barricaded from the previous fall’s romantic fiasco, and this gentleman, sweet as he might be, would pay the price of stumbling into such wayward behavior. 

I don’t remember much about that first phone call. He had a deep voice and sounded slightly nervous. He still lived at home with his parents and was in Boston for an interview I think. He was also apparently not out yet, and in the debilitating way I had back then of comparing anything and everything, I realized that I had the upper hand there. I would give him his first book of gay literature, bring him to his first Broadway play, and introduce him to a world of pants entirely bereft of pleats. More than that, I would rain down emotional hell-fire, mental manipulation, and just plain meanness and cruelty. It would amaze me how much a young man could get away with when someone was taken with his beauty, especially when he never felt beautiful. 

With just a few scant weeks before the end of that spring semester, it seemed futile to me to start a new relationship, especially when I’d be away for the entire summer, but somehow we managed to meet at least once or twice, taking a couple of steamy car-rides and pausing for parking-lot make-out sessions where I felt keenly that he was way more into me than I would ever be into him. That was good though, in the warped way my mind was processing romance at the time. Better to be the object of desire and have some say in the way things went. At the end of it all, I gave him my home phone number, and throughout the ensuing spring and summer we’d share sporadic phone calls. I remember visiting friends in Rochester and sneaking out to the car on a rainy May night to call him. It was raining and ‘Total Eclipse of the Heart’ came on the radio and I wondered at what I was doing. Every call was a dangled promise, a dare to keep thinking of me – of us, if we could fathom such a term at sun an early point – and he held on, seemingly as lonely as I would never admit myself to be. 

I’d told him about a gay novel I’d just read and he sought it out and read it, and the idea that I might have such influence on another person made him suddenly repellant to me. His pronouncement that he might be falling in love, pulled forcefully from his lips with the blunt  lack of precision by my immature guile, only emboldened me to be cold and dismissive. Not seeing myself as worthy of being loved, I derided anyone else who saw the opposite. Yes, I was that far lost, that fucked-up. And the more I pushed him away, the crueler I could be, the more we both inadvertently played into ‘The Rules’. By the time I returned in the fall, torturing him by phone felt like a cozy habit, and when he presented me with a poster of the cover of the book I’d suggested to him, his earnest hope of pleasing me carried the whiff of everything repulsive to me. I hated myself instantly for feeling that, but knew no other way around it, or any way to hide it. 

When met with such disdain, he didn’t fight or flee, but rather tried to wrap his head around it. I could see him sometimes trying to work it out in his head, and feel even more contemptuous annoyance toward him for that. Far from my finest moment, this wasn’t helping me heal, or helping me move on, and rather than be honest and cut it all off, I kept it going, trying to be sweet and kind when I saw his hurt, trying to temper and reconcile the lack of respect I had for him with the genuine kindness he tried to show me. To my detriment and shame, I strung him along as a plaything rather than anyone serious, discarding his feelings in a way strikingly similar to how I’d been treated a year or so before. It was so obvious I made myself sick seeing it all play out, and so I treated him even worse, seeing what horrendous things I could say and get away with, defiling and degrading him in and out of the bedroom. There was nothing precious about such a power play, and something in me knew it would harden my heart in ways that might not be undoable, but I didn’t care.

I’ll write about the rest some other night, later in spring, when the dander is up again – when I don’t need to sleep for the start of another week…

Once upon a time I was falling in love
Now I’m only falling apart
Nothing I can do
a total eclipse of the heart…

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Total Eclipse of the Heart

It was only a partial eclipse, but it was enough to cast a spell of shadow across my afternoon walk back to the dorm. Near the end of my first year at Brandeis, we were in the midst of a celebrated annual eclipse – I looked it up, and it happened on May 10, 1994. I remember it distinctly; I was under the newly-leafed-out maple trees near Hassenfeld – my dorm building – when the event was happening, and while I noticed a slight dimming of the day, what I saw more vividly were the shadows of crescents on the path before me. It struck me how frightening such a phenomenon might have appeared to centuries of people before me. Knowing what was happening rendered it more intriguing than frightening, and I took a few photos of the shadows. Somewhere those photos are in an old shoe box, waiting to be excavated on a day when there’s time for such boredom. 

(Turn around)
Every now and then
I get a little bit lonely
And you’re never coming ’round

It would be a year later when a thumping dance cover of ‘Total Eclipse of the Heart’ by Nicki French would take the gay scene by spring storm, and it formed the soundtrack to the adventures with the second man I ever kissed. That’s the memory at work here, and it’s fitting that an actual eclipse kicked it off. 

(Turn around)
Every now and then
I get a little bit tired
Of listening to the sound of my tears

At the tail end of my sophomore year at Brandeis, I’d mostly given up on men before I even really started. The first guy who ever kissed me had proven to be more damaging than I realized at the time; his harrowing and haunting hold on me, no matter how much I disputed and denied it, was dangerously informing all the kisses that followed. And maybe I was a little more reckless than I should have been. Whatever the case, it was a warm spring afternoon as I waited for the commuter rail at Porter Square, which would take me back to my dorm room at Brandeis.

I don’t recall what I’d done in Boston that day, but I do remember the tall, blonde-haired gentleman who stood across from me in pleated olive pants (two hapless strikes in one bad pair of trousers). He’d noticed me too – I was keenly aware of such things – and I saw he held his gaze a little longer than necessary. In an age before Grinder and social media, this was how gay men met. It was a veiled world of codes and subtle cadences – entire histories and desires could be read in a few furtive glances, interest gleaned from the slightest nod or hesitation. 

(Turn around)
Every now and then
I get a little bit nervous
That the best of all the years have gone by

After Tom, I wasn’t really looking for men, in spite of how I talked and carried myself. It was easier to be saucy and sordid than genuine and vulnerable. Safer too. When he watched me my gaze was anywhere other than back at him. Nobody played aloof better than me and already it felt less like playing and more like the life I was actively and desperately carving out for myself.  With practiced sighs of boredom, I wanted to appear as though I wanted to be anywhere other than where I was – mostly people left you alone that way.

(Whenever I indulge in looking back, the closest I come to regret is in thinking of how disdainful I could be to the world, and how much I pushed myself to being alone when it was the last thing I really wanted.)

(Turn around)
Every now and then
I get a little bit terrified
And then I see the look in your eyes

We were both early for the train, and there were only a few other people around, so this went on for some time. Feeling his eyes on me was a different sensation than the usual notice I would garner from my sartorial arsenal. It wasn’t interest in a coat or a bag or a pair of shoes – it was interest in my person, in the physical shell of my body. I felt him size up my hair and face, my chest, the spread of my thighs as I sat on a rigid bench across from him. I felt him notice every motion of my hands, every shuffle of my feet. A few times I would pause and deliberately catch him staring to which he averted his eyes, pretending it wasn’t happening. Such games we once played, such silly wastes of time. 

The advance of commuters was upon us, and more people filled the little waiting area. I shifted my backpack onto my lap as people squeezed onto the bench beside me. He continued to stare and study, drinking me up as I drank up his interest, until it was finally apparent what was happening. At last I looked into his eyes for a moment, holding on a little longer than almost any other man would have done for another man. He broke first, and smiled broadly before a quick chuckle that shook his shoulders slightly. I smiled back, but briefly, not quite willing, or, quite frankly, knowing, what to do next, other than keep my distance. 

A flashback of the metallic taint of blood on my lips mingled in memory with the razor-like sharpness of the movement of a grown-man’s stubble across my face … 

(Turn around, bright eyes)
Every now and then I fall apart
(Turn around, bright eyes)
Every now and then
I fall apart

Pushing the memory of that first kiss from my mind, I let the smile leave my face and took out a book. It struck me that the man had nothing with him – not a bag or briefcase, not a coat or jacket – only the billowy pockets of his pleated pants, and perhaps one on the front of his white baggy button-down shirt. What brought him to Boston on such a day, what had he done to land him at Porter Square, and where might he be going? Despite the fear, despite the past, I was suddenly interested, piqued by his surreptitious engagement with the college-age young man I was then. 

The rumbling of the commuter rail left us scrambling up to the platform, and I followed him at a distance – keeping him just far enough away to not appear overly-zealous. He sat near the front of the car, and lots of seats were available for the taking. I took one a few rows back, where I could see him still but he couldn’t see me. I would be in control this time – if this ended up being a time. 

(Turn around)
Every now and then
I get a little bit restless
And I dream of something wild

He turned around to look at me, then beyond me, just once. And then I saw him take out a scrap of paper from his pocket, and a pen, and scribble something down. 

The conductor called out Belmont, as the train tilted to its side – the memorable mark of Belmont in my mind – then we righted and resumed our journey. Next stop was Waverley, then Waltham, and as we neared the Brandeis/Roberts stop I wondered if this was all in my mind. I would have to walk by the man on my way out, and my brain was scrambling how to play it – and whether to bother playing it at all. Equally enchanted and exhausted by how humans seemed to have to work to connect, I felt a flash of utter defeat and hopelessness, and a relief at a life of solitude. And then something came over me as I slung my backpack over my shoulder and marched down the aisle.

And I need you now tonight
And I need you more than ever
And if you only hold me tight
We’ll be holding on forever
And we’ll only be making it right
‘Cause we’ll never be wrong

I can’t describe what was happening as I walked toward the exit before the train had even come to its Brandeis/Roberts stop – whether it was a surge of adrenaline as I felt my heart thumping in my chest, or a last grasp at what might be something romantic. He was directly to my right, sitting by himself in a double-seat, and he looked up at me – the first time he would ever look up at me given his height – and I was about to let it all go when my body abruptly stopped. I turned to face him, and in one smooth, deft motion I unfurled the palm of my hand, into which he placed the piece of paper with his phone number on it. Closing my hand around it, I continued to the exit without saying a word. All these years later, it’s still probably the smoothest, scariest, and best-executed move of any of my romantic endeavors. 

Clutching it madly, I walked away from the train platform without looking up at any of the passing windows, and only when it was gone entirely from view did I hurriedly open it up and gaze down upon his name and number. 

Together we can take it to the end of the line
Your love is like a shadow on me all of the time (all of the time)
I don’t know what to do and I’m always in the dark
We’re living in a powder keg and giving off sparks
I really need you tonight
Forever’s gonna start tonight
(Forever’s gonna start tonight)
Once upon a time I was falling in love
But now I’m only falling apart
There’s nothing I can do
A total eclipse of the heart

Did I call him? That’s a story for another post, as this has gone entirely more moody than a Saturday blog post should ever be. I promise to tell the rest when the dander isn’t up… 

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A Double Decade of Revelations

Entering my twentieth year of ALANILAGAN.com, I’m feeling my age. Sad case in point: I spent Saturday evening scoping out heating pads for a strained neck (which is much better today, so the heat hit just right). I’m also in need of a pill box, as a number of my friends are, to keep track of everything. My hair is finally more salt than pepper, and my body is continually telling me that salt is so much worse than pepper (hence the blood pressure meds that I need in a pic box so I don’t forget to take one, or, perhaps worse, forget that I’ve already taken one). So yeah, that’s where we are in our fabulous progression toward death

That said, I’m embracing the brighter side of getting older, and I see it in the progression of posts over the last twenty years. I don’t usually go back further than a couple of years, as some of the shit I’ve written is, well, shit. But every one of those cringe-worthy moments brought us to this point, and I’m not all that unhappy about it. Regret is a waste of emotional space, and I’d rather fill that place with hope and promise. After all, it’s Easter Fucking Sunday, and despite scary bunnies shrouded in purple tulle, I’m filed with the reason for the season. Nobody beats the Riz!

For all those with extra Easter time on their hands, here are a few posts that might jingle the memory bells. Now I’m mixing Christian holidays and making a muck of this place again…

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Touch Me (This Is The Night!)

TOUCH ME
This is the night!
TOUCH ME
I wanna feel your body…

Back when I was on the cusp of becoming a teenager, this cheeky song by Samantha Fox battled Madonna’s ‘Crazy For You’ on the Top Ten at Ten on our local radio station. I’m not sure how that happened, as they were released at such different times, but things worked differently in the 80’s. I was very much an 80’s child, for better and mostly worse, and I was just coming into my own, waking to the world around me and my place and presence in it. On the radio every other song was about sex, and while I had no idea what sex was, what a virgin might be, and how love did and didn’t always fit into the equation, I was fascinated by the forbidden aspect of it, the way it made the adults squirm whenever I would bring it up. 

Full moon in the city and the night was youngI was hungry for love, I was hungry for funI was hunting you down, and I was the baitWhen I saw you there, I didn’t need to hesitate

The rainy month of March when this song first came out was filled with the usual paradoxes of this time of the year. Easter and Lent collided with the coming of spring, and all the birds and bees and dirty deeds that the less-spiritual part of the world got up into whenever spring arrived. On the windows of my bedroom, or the windows of the backseat of the car, I watched water droplets shape and warp the world. This song spoke to me with its over-the-top cheesiness, appealing to my love of the dramatic and histrionic, with more than a touch of sleaze. If Madonna’s ‘Crazy For You’ was the sweet little sister, innocently opining about a kiss and no more, ‘Touch Me’ was the sexier, raunchier cousin leading me into the night. Just a tween, I had no idea what any of it meant, nor any desire to learn. Instead, I felt the pangs of longing and yearning, the ache of a first crush on a boy who lived several streets away, and I had no idea why. 

This is the night, this is the nightThis is the time, we’ve got to get it right…
Touch me, touch me, I want to feel your bodyYour heartbeat next to mine(this is the night)Touch me, touch me now…Touch me, touch me now…

When Samantha Fox sang this song, and whispers of her topless poses in certain scandalous magazines reached the boys, they felt something I simply didn’t. Immune to the charms of her ample cleavage, I had no desire to get into her ripped jeans either, but I watched other boys as they watched her, and I envied her transfixing hold on them. How could I cast such a spell? How to craft and conjure such rapt enchantment? 

Hot and cold emotion, confusing my brainI could not decide between pleasure and painLike a tramp in the night, I was begging for youTo treat my body like you wanted to
This is the night, this is the nightThis is the time, we’ve got to get it right…
Touch me, touch me, I want to feel your bodyYour heartbeat next to mine(this is the night)Touch me, touch me now…Touch me, touch me now…

Later, years later, I would re-listen to this song and be horrified at the thought of me blaring it in the car while my parents gamely alternated between this and ‘Crazy For You’. It was just music and melody to me – the words meant nothing – but there was something primal and raw in it that appealed to my barely-burgeoning nature. As a tween, it wasn’t in any way sexual to me, just a bop on the radio that elicited thrills because I could see the reaction to it, not because I felt anything myself. 

As a young gay man, that certainly changed over the years, but that’s another story for another song and blog post. This is just a quaint memory of S-S-S-S-Samantha Fox… because naughty girls need love (DUH-DUH-DUH-DUH) too. 

Touch me, touch me now…Touch me, touch me now, yeah…
Touch me, touch me, I want to feel your bodyYour heartbeat next to mine(this is the night)‘Cause I want your body, all the time…

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20 Years & Counting… & Still in My Underwear

For the past twenty years, I’ve been exposing myself literally and figuratively on my personal website, ALANILAGAN.com, spilling the proverbial tea for all the world to see. When I started off, I was a twenty-something gay, half-Filipino guy who loved cocktails, Madonna, and posing naked – now I’m a forty-something guncle and godfather who stopped drinking, started meditating, and married the retired police officer I’d been dating for decades. Throughout it all, I’ve been documenting every step of the way on this blog.

I grew up in a world where I couldn’t see myself or anyone like me anywhere in my little/large world. There were no other bi-racial kids in my classes at McNulty Elementary School. There were no gay couples in the books I read or the television shows we were allowed to watch. There were no other boys who loved gardening and Madonna and ‘The Facts of Life‘. Having grown up in the 80’s and 90’s, I didn’t have the internet as news source or creative outlet. Two decades ago the world looked and felt like a very different place. It was a time before FaceBook or Instagram or Twitter or social media as we now know it.

This website became a daily diary, framed by the confines and freedom of being in a public all-access format. It became a place to bare the body and the soul – both equally terrifying and thrilling, and both in the service of attempting to find some greater meaning at work. As the years progressed, it became less about me and more about the process of finding oneself, and what had been working in my life. I went from cocktails to mocktails, from naked and nude to a contemplative mood, and from loathing kids to doting on my niece and nephew and godson. My friends and family, along with the people who were going along for the online ride, became this little community of characters which in turn became part of the story of ALANILAGAN.com. 

Twenty years later, I’m still finding joy and fulfillment in telling our stories. 

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Twenty Years of Titillation

“If in my youth I had realized that the sustaining splendour of beauty of with which I was in love would one day flood back into my heart, there to ignite a flame that would torture me without end, how gladly would I have put out the light in my eyes.” ~ Michelangelo

Mythology is rife with imaginative portraits of humans whose quest for glory leads them to dire ends – Icarus, Narcissus and Prometheus come to mind. There are also Biblical stories where humans’ ingenuity and intelligence sparks an unexpected triumph, such as in David and Goliath. (Figures that sort of hubris would come from the Bible. Are we deities or not? Are we divine or merely human?) I’ve been happy to be merely mortal – a human with hubris, haughtiness, and hell sometimes in my heart – and I contain all the folly that every human has contained since we were created. That means I’ve had the vanity and self-deception to assume that a personal blog could become a work of art. 

“If people knew how hard I worked to get my mastery, it wouldn’t seem so wonderful at all.” ~ Michelangelo

Making a blog into a work of art is perhaps a silly notion. When I consider the great works of art that have survived the centuries, a blog is unlikely to ever be counted as one of them. To that end, I have failed miserably, and will continue to fail in that quest. Making myself into a living work of art is also a ridiculous endeavor. I will fail at that too. 

Yet in the effort, I hope you will find some shred of nobility. In the trying, may you see the striving. In the attempt, may you find the hope. If Icarus never fell, how would we know we could fly? If Prometheus hadn’t dared to capture fire, how would we learn to burn? If David hadn’t stepped forward to face Goliath, how would we muster the nerve to try?

“Every block of stone has a statue inside it and it is the task of the sculptor to discover it. ” ~ Michelangelo

For all of the twenty years this website has been in existence, I have striven to find myself – the man I truly was, the one beneath all of the fluster and bluster. Chipping away at our own thick stone to reveal the tender interior is not only the province of sculptors and artists, but the quest of every human being remotely interested in getting to know themselves. In certain ways, that is the purpose of life. Some may call it vanity, some may call it self-obsession, some might deride it as ego – and all of those play their necessary part – but only when we discover and know ourselves can we look into the soul of another human and possibly hope to see what is truly there. 

“The promises of this world are, for the most part, vain phantoms; and to confide in one’s self, and become something of worth and value is the best and safest course.” ~ Michelangelo

Admittedly, I am no David. Nor am I Goliath, or Prometheus, or Icarus. Far too afraid for far too often to be any of those characters, and far too flawed to have achieved what they did in spite of their folly, I’m only beginning to learn to be comfortable in my own skin. Such a lesson takes longer than twenty years, and the few things I know now at 47 wouldn’t have been dreamed or designed when I was 27. That’s why I’m still doing this. There is so much more to know. The two decades encapsulated on this website are the merest wisp of my life. You think I’ve revealed everything? You haven’t seen anything. We’re just getting started. 

“To know each other is the best way to understand each other. To understand each other is the only way to love each other.” ~ Michelangelo

And so we journey onward – and I use ‘we’ with deliberate care and import. Somewhere along the way of the last twenty years I understood that this adventure would never, could never, and should never be done entirely on one’s own. My most thrilling moments here – the ones I enjoy reading even after I’ve written them – are those which involve my friends and family. Their stories are the often-invisible threads that hold this narrative together, weaving a life’s work into something that approaches art

That which we love is always beautiful, and that which is beautiful is always art. 

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Boston Love on the Blog

Boston has played a major part in this website over the past twenty years, forming the backdrop for many a documented excursion, and the inspiration for many blog posts. It’s still my favorite city in the world, and it’s the place where I can find peace, happiness, excitement, glamour, stillness, calm, joy and adventure. I was scheduled to revisit it this past weekend, but plans were changed due to a stomach flu, so a re-do is in the works. Until then, this linky look back at some enjoyable Boston stays will have to sustain us. 

Boston has always been home to me – even when we were just visiting as children, its size and streets and charm felt cozy and comfortable, thanks mostly to the guiding force of Mom, who took us around and showed us how manageable a city could be. Back then, we stayed mostly to Copley Square, and the safe confines of our hotel. Eventually, I grew out of that sheltered space, and ventured forth into the city on my own. It’s been one beautiful journey after another, and I wouldn’t change a single step. 

Boston was the first place where I ever kissed a man, and despite how that all turned out, I have found a way to cherish that memory

Boston was where I met and forged a friendship with Alissa. We returned there to meet again and again over the years, and whenever I tread the South End streets near where she used to live, she comes back to life

Boston is where I found my first real job, in retail of course, which was the start of a beautiful romance

Boston is where I met JoAnn, which sparked one of the most hilarious moments in my life, right on the steps of Trinity Church. 

Boston was where I reconnected with Kira, who formed a major part of my days at John Hancock, along with JoAnn and the whole OG Hancock crew. She is entwined with my Boston history, happily so, no matter life may bring to us. She also helped me start the Boston Holiday Stroll tradition, something we kept going for quite a few years. Andy has picked up where she left off, and it’s still one of my favorite holiday traditions

Boston is home to several happy holiday traditions, highlighted by the Boston Children’s Holiday Hour, which is one of the more uncharacteristic events I’ve hosted in my Boston home. Thankfully, I’m a pro around the kiddies these days, and I can handle however many hours it might run

Boston was where I was supposed to be on the day of the Marathon Bombing. I was literally about to get in the car to start the drive when messages started coming in asking if I was ok; I unpacked my bags to the news of the lockdown and manhunt for the bombers. 

Boston is the home of the Red Sox, the only sports team that has ever inspired any sort of passion in me, thanks to the way my Dad raised me and my brother. We were a Red Sox household, and that allegiance has never wavered (even when I was the lone sixth-grader in upstate New York rooting for them against the Mets in that bummer of a 1986 season – yeah, I still remember). That played the historical backbone to the BroSox Adventures that Skip and I have enjoyed for many years, a tradition that forms what is always one of the most fun weekends of our summer season

Boston is also a place for drama, and as we get older I find myself in more, and less, of it. Lessons have been learned, and lessons have had to be re-learned, and still the city provides a backdrop and balm for whatever is going on in the tumult of all our hearts and heads. 

Boston is where I love to rendezvous with an old friend, such as this salty old man who has been along for the rollercoaster of friendship with me since 1995. We blame Suzie for introducing us, and Suzie has been in Boston numerous times, lending her own quirky enchantment to the city and finding new ways to dream. 

Boston is a home I’ve had for almost three decades, standing solidly within the brick walls of our condo, obliterating the attacks of every winter storm or stifling summer day, providing respite and reprieve from an ever-frightening outside world

Perhaps most happily of all, Boston is where Andy and I got married – on a bright sunny May day in the Public Garden, surrounded by all the spring blooms and swans and love that anyone could want. We return there year after year – sometimes it rains, sometimes the sun shines, and often it does a bit of both – and it grounds us again, reminding us of that day, that year, and all the years that we’ve had together. 

Boston is Love. 

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Empty Rooms of a Young Heart

It should have felt cold and empty because that’s literally what it was. Not a couch or a bed or even a chair offered a place to sit, and the little cot I’d hastily assembled had already fallen apart, leaving only the thin mattress on the floor. Our newly-purchased Boston condo was entirely unfurnished – not even a log left in the fire-place, as if we were visiting some place the Grinch had just ransacked – yet in this sparse space of echoes and emptiness I couldn’t have felt warmer or more at home. It was December 1995, and I was finishing up the last few days of retail work before returning home for Christmas. Finals had been completed the week before, and as I stood at the kitchen counter looking up at the then-John Hancock tower trinkling in the distance, I’d realized that the dream of me living in Boston – the one I’d had since visiting Quincy Market a decade prior – had finally come true. 

Dinner, and breakfast alike for that matter, consisted of the bagels procured from Finagle-A-Bagel, and a carton of orange juice. There weren’t even glasses in the kitchen, so I drank straight from the carton like some heathenish bachelor, tearing off bits of bagel since there weren’t knives or forks or plates either. A roll of paper towels stood on the counter, while a plastic shopping bag served as the makeshift garbage. It sounds ridiculous, but I was happy and, looking back on the moment, full of hope. Life hadn’t really happened to me yet; the heartaches I tended were largely of my own making, and I leaned into them, hungry for something to feel, hungry for something to signify that I had arrived. That something was ill-fittingly placed on somebody – and his name was George. 

When I set up the general theme of fire for this fall season on the blog, I thought I’d be burning up all the demons and ghosts that had been haunting me from years past – those who had done me wrong, and those from whom I couldn’t break free. Yet when I looked back and re-read my journals from then, and faced my part in things without trying to salvage an image or reputation, I realized that some of the fires I started would have to consume me. This may be one of those stories. 

It had been about one year since I met the first man I ever kissed, and in that year the entire experience had worked to harden my heart against any other men, or women, who happened to cross my path. My defenses were up, as much as I wanted someone to walk beside. I couldn’t see then that I was in desperately in love with the idea of being in love, obsessed with the whole artifice and atmosphere of being in a couple. At such a young age, that betrayed itself in wildly-vacillating mood swings, where I would push people away as badly as I wanted them near me. Figuring that if love was meant to be, anyone who was worthy would see through it and accept me for the wounded little porcupine I was, prickly spikes and all. As a nineteen-year-old young man in Boston, I was also aware of the power that youth held, the sway and swagger it could command, and I was not above using this as leverage whenever the opportunity presented itself. If that meant playing the twink card in situations where gay men might offer something of value, why wouldn’t I work every available angle?

On this brilliant fall day, practically hours after getting confirmation from my parents that I could begin looking for a place to call our own in Boston, I found myself in the South End, traipsing along Tremont to the cluster of real estate offices that were suddenly hustling and bustling with the bubble that was just beginning to grow. It was early afternoon, and the receptionist looked at who was available, casually saying they would call someone. So it wasn’t fate or destiny that brought George into my life, it was his unfortunate availability at being the only agent on duty for my questionably-fortuitous arrival. 

With the know-it-all swagger of a college student, coupled with the unearned pride and power of being able to seek out a new home, I followed him into his office and sat down across from him, his desk between us. 

(When I thought back to our meeting later that first week, I would want it to mean something more than a mere transactional set of unfeeling circumstances. I wanted it to have the alignment of stars and planetary symbols, I wanted it to be the beginning of a romance that would change my life. I didn’t want it to be such a casual and nonchalant nod from a receptionist who said you were the first available and then you appearing as some secondary haphazard quirk. Certainly not the stuff of destiny or dreams coming true. It wasn’t the way I wanted a great romance to unfold. But that’s the whole point isn’t it? It wasn’t what I wanted. In those days my relationships, or non-relationships as they too often were, were solely about what I wanted.)

He had a sign for Tea Dance which I looked at a little too long. He watched me and gave me a quizzical look, as if to say ‘What do you know about tea dance?’ I looked at him differently after that, wondering immediately whether he was gay. I couldn’t tell then, not anymore than I can tell now, whether certain people were gay, and since it never really mattered unless I was interested in them, it’s never really mattered. On that day, at that moment, with this man who gave off a charming smile whose intent I could never quite determine, it suddenly and intensely mattered. 

It was a little lifting of the veil, a parting of the curtain that let us both know the other knew: the secret codes of gay life in certain places back in the 90’s. He winked at me then, and rather than return it with a smile or a laugh for a nod, I snarled. Wolf-like, menacing, and more than an eye-roll, it was the look of disgust, perfected with the smug cruelty of someone who thought he could not be touched, who would simply and outright refuse to be touched. If only I’d known how well it would work…

We talked price range and location and ideas, and my sarcastic quips and testy tone, not entirely-uninspired by Linda Fiorentino’s wondrous anti-heroine in ‘The Last Seduction’, seemed to keep him slightly off his seductive real estate banter. I was not to be charmed or had for the price of a peanut. Still, there was something charming that went beyond the sale before us, and he unexpectedly jumped up and said, “Let’s go look at some places!”

I was not dressed or prepared or ready for such an outing – my backpack and sneakers were not what I envisioned wearing when seeking out our future Boston residence, but George didn’t notice or mind. He said we weren’t going far, just a block or two away, and after crossing Tremont, he wrangled a set of keys out of his pocket, and brought us into a little place on a nearby side street. We ascended to the second floor, and after the dim hallway, the light of early afternoon flooded the place in shocking relief. A small place, indeed, it had some charm to it – an exposed brick wall in the little kitchen, where a depressing bouquet of dried flowers hung desiccated from a string. He walked through the space, pausing to let me take it in, and I made a few cutting comments, as was my wont for so many years of my life. He was alternately puzzled and amused, and as was my other wont in life, I assumed he totally knew it was an act. Break through it, kind sir, break through it. Break through to me…

I said we could keep this in mind, and the only thing I started thinking was how nice it might be to live so close to this guy who was starting to warm to me, and starting to turn on his real estate agent charm, but I hadn’t fallen so foolishly or deeply under a spell that I would say yes to a home without seeing our other options. 

We made a date to set up viewing some other places, and a few days later I returned to Boston. It was further into the afternoon than the day we first met, an hour after most people had finished work and school. The days were getting darker earlier, and there was a chill in the air. I entered his office in a slightly better wardrobe, while he was in jeans and sneakers. I must have made some critical commentary, as he surveyed the moment and asked if I was always so… and here he paused to struggle with the best word… snippy

I’d been called many things in my life up to that moment, and as my brow instantly furrowed, a smile also formed at the same time. Taking it in, I balked a bit, saying I preferred the term ‘prickly’, and he quickly tried to explain himself. It wasn’t necessarily bad, and then he said he was going to start calling me Snippy. 

Is there anything more endearing that being nicknamed by someone you secretly adore? It didn’t matter what the nickname was – it was a moment of intimacy, a little shared something that no one else had to know. Without hesitation, I wore the badge of Snippy as proudly as I wore Aloof and Arrogant and Asshole. Underneath both our stances was another wink, as if we were both playing a game now, and having some element of fun. We walked to his car and he brought us to the second property – a large, labyrinthine floor-through that had been divided into a number of smaller sections and rooms. While it had the most space of any place we would see, it was parceled off so much that it felt claustrophobic. Interior rooms with no windows were not for me. Snippy reared his head again. 

The onset of evening. The cold air. The second fall in which I was falling for some guy I barely knew. Our final place to look at was located right on the beautiful border between Copley and the South End, looking onto the Southwest Corridor Park and up at the John Hancock Tower. This was Braddock Park, he explained, and we climbed the stairs into a stalwart Boston building that had stood there for far longer than the two of us had cumulatively been alive. What history had such a place seen? I thrilled at the notion. 

We walked up to the second floor, and he unlocked the door, switching on the overhead lights as we entered. The hardwood floors instantly warmed the place with their amber hues, and a marble fireplace mantle held pride of place in the middle of the room. Walking to the front pair of windows, he showed me the view, then took a few short steps into the little kitchen area and its window that perfectly framed the Hancock Tower. I don’t know why, or whether this is just rose-tinted hindsight, but it felt like home. That part had nothing to do with George, who was ambling into the bedroom.

He struggled to find the light, but once he did he said this room, and its lovely bay window, was probably one of the main selling points of the place: a floor-through with windows in front and back was not as common as one would think. The bathroom was there, with a half-wall of exposed brick, lending a rustic warmth to the suddenly cold evening. At all turns, I felt a coziness here, a sense of refuge from the wilderness of the city. 

We went back into the main room to discuss the merits of this place, the chief one being its location. In close proximity to the Green and Orange lines, and right near Copley Square, it was as near as I could get to where my Mom had taken us on trips as kids. And throughout it all, the main rule of real estate repeated itself in the back of my mind: location, location, location. George was in agreement as well, and whether he had intentionally saved the best for last, I wouldn’t know, but Braddock Park was the chosen one, at least for me. My parents would have to visit for the final say, and then it was a done deal. A few weeks later we closed on it, and George left us a gift basket with pasta and tomato sauce and breadsticks. For something that would come to mean so much, it all felt like it happened too easily and flippantly, as though we weren’t making a decision that would be grandly fortuitous for us, as though I hadn’t just found a home. 

It also felt vaguely anti-climactic when George invited me to his office Christmas party a few weeks later. I honestly don’t remember how that came to be – whether it was a casual comment he made the last time we saw him, or whether some generic postcard from his agency arrived at the condo a few days later. It didn’t matter – I took it to heart, and with a new place in Boston to call home, I wondered if I couldn’t somehow get a partner out of the deal too. I mean, he did leave a gift basket – do all real estate agents do that for their clients? (Spoiler alert for idiots like me: yes.)

Looking back, I don’t know why I should have been so affected by George. He was affable and decent and cute enough – but what was exceptional about selling someone some property? I think it was just the excitement and glamour of being in that city, at the ripe age of 21, and wanting to taste all of it, all at once, with such passion and intensity that anyone in my periphery would have been subject to such burning desire. Luckily for all involved, I was too chicken-shit to do anything, other than giving him a copy of ‘The God in Flight‘ as a Christmas gift at that office party at which I drank too much and was summarily dismissed (which was entirely appropriate). It took me a few weeks to get over him – this man who really didn’t deserve my love, any more than he deserved my harsh jabs and vicious barbs – and a few years to see my folly and nonsense in the whole situation. Chalk it up to the silliness of youth. I vowed to do better. If I wanted to find someone to share a life with, I couldn’t afford to be Snippy anymore. My heart understood; my head would not be so quick to set down its weapons. 

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A Last Letter to the First Man Who Ever Kissed Me

Dear Tom – 

I don’t think I’ve ever written out your name here. I don’t think I’ve even written you a letter. You were always just the first man who ever kissed me, the first man I ever dated, and the first man who tried to break my heart. I didn’t give you a name because I didn’t want to give you anything. Yet in that very act of attempting to silence you, and everything that you were, I began to realize it granted you more power and sway than you deserved. Without a name, you were this omnipotent force – unbeatable, unattainable and unassailable – when all along you’ve only ever been a man. 

Now that I’m well past the age you were when our lives intersected in that tumultuous fall in Boston, I can see you a little better, and I think I understand you a little more. Though it’s been almost thirty years, in some ways I feel closer to our moments together, because they make more sense to me now in a way they couldn’t back then. It has softened my stance toward what we experienced, without in any way exonerating you. 

I remember the September day we met. It’s embedded in a memory palace like the piano music here. It’s been fading and decaying over the years, from lack of use and occupants, as well as from the physical degradation of my brain. But it’s there, as prevalent and potent as any other formative memory. Beneath the dark gaze of Trinity Church in Copley Square, we passed each other in the dappled light of a Boston afternoon. We both turned around in the way that gay men did before cel phones or social media, at a time when losing sight of someone who instantly tugged at your heart could mean losing everything. And so we held on, both of us, playing some game you already knew so well, a game that I didn’t know at all, though that twinkle in your blue eyes was a signal I still somehow knew things that neither of us were ready to admit. 

When you invited me to walk back to your place, we both understood that I would accept, even if our understanding differed slightly. I could never speak for you, and I won’t make a guess as to what you wanted at that moment. For me, I wanted to experience something. I wanted life to open up like a novel and start my adventures in the world. I wanted to quiet the hunger, indulge in the desire, and be open to whatever might ravenously ravage me, and I wanted to be left like I was ripped inside out. Not that I’d ever tell you that. Not that I even knew enough to put that into words. I was a nineteen year old guy, barely a man, who wanted all of life to chew me up, spit me out, and swallow me all over again. I was insatiable, and would be that way for years. It was something my friends would never quite understand, and, more problematically, something that would frighten away any would-be-paramours, of which you were one of the first. 

To be so nakedly insatiable was to be dangerously vulnerable to the ways of that world I wanted so badly to taste, even if I could never fully fathom its poisonous risks. My heart wanted to bite into the apple, even as my head worried over what might result. A tug-of-war that waged battle for most of my life – and you weren’t even the first casualty. 

In the same way that we burn wishes and letters that we want only to write but never deliver, I’ve spent the last couple of decades trying to burn down our short, shared past. Not the mechanics of it, not the experience of it, and not the differing ways we might view it, but everything that has since ensued – all the drama and hurt and pain I’ve allowed myself to feel because of you. Because for the most part it wasn’t because of you. You were just the one in the way. It would have happened to anyone else who so engagingly bumped into me on that September day, and though anyone else would likely have been much better for me, we don’t always have a strong say in what the universe deals us. Back then, I certainly didn’t feel like I had a say, or a voice, despite all histrionic actions to the contrary. 

Could you have behaved better, been a more helpful guide to someone who so clearly needed it? I think so… I believe so… but I don’t know for sure. The whispers of your own secret world were darker than what I could have imagined at such a young age – and I had a vividly dark imagination. There was also some sadistic attraction to danger and depravity that thrilled my younger self, a need to brush up against someone or something that might at any minute annihilate me. So enamored was I of self-destruction that to put it into the hands of another was merely a self-serving quest. I sensed something in you that would, or could, ruin me, and in my impetuous haste to reach that space, I allowed you to wreak the havoc that you likely never meant to wreak. If you hurt me, I can’t say I didn’t want to be hurt. 

I write this letter to you now, Tom – a first and last letter all in one – to absolve and forgive, not just you, but myself too. We were both innocent in many ways, but both culpable as well. I understand that you didn’t mean to be deliberately cruel, and that is something I cannot say for myself. Even if my machinations were false, the end result was the same, and for my cutting edge, I take full responsibility. A pre-emptive strike to stave off certain heartbreak… and perhaps I protected myself too well.

These sorts of letters are supposed to offer some closure, a sense of finality and acknowledgment that ultimately frees the heart and head to move on with genuine forgiveness or resolution. If that no longer feels possible, if there’s no realistic manner of acceptance I can muster, then at the very least I no longer feel conflicted or angry about you. Initially I wanted only to burn this all down, to set these feelings and memories and everything that happened between us on fire, and let it rage like an inferno. You would have deserved that once upon a time. Looking back on what we were, and knowing the things I know today, I can’t say you deserve it now.

You were an alcoholic fighting to stay sober, and when you failed I didn’t know how to get out of your way. You were an actor supporting yourself as a restaurant server, perhaps sensing that your path in life was narrowing as you approached the age of 40. You were a man living alone in the city of Boston, in a tiny apartment near Beacon Hill, struggling to keep your life together, struggling to stay afloat, struggling like we all have to struggle at the wicked and wretched things that the world throws in our path. I was nineteen and had the whole world ahead of me. How could I have possibly understood you?

Years after that fall, I would find myself searching for your face when I was in Boston. It didn’t happen all the time, and as the years passed I found myself doing it less and less to the point where I can’t remember the last time I looked for you – it was long before Andy. I used to want to meet you again, to show you how well I survived what I once perceived as your callous thoughtlessness, to show you what you threw away. Time, and humility, gradually erased those thoughts. The one weekend that brought me back to the place where you used to work turned out to have nothing to do with you, and a few years later I realized it wasn’t you at all who haunted some of my Boston visits – it was only me. 

And so I am setting the torch down. There will be other fires I need to start this fall, but none of them concern you. For you, and for this one last time, I light a candle. It’s for that September day when we met, when two men came together beneath a beautiful blue sky, and walked along the Charles River. There was beauty in that simple act, and the gentle, tentative motion of two people beginning to make the space for love, of carving out the possibility for it. Even if that’s not the way it turned out, I can honor it. More importantly, I finally and genuinely realize it cannot hurt me anymore. I hope you have found your peace somewhere too, that you have found your happiness, and that you can still marvel at the world you never wanted to teach me about, but wound up doing so in spite of yourself. 

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Dazzler of the Day: Leslie Jordan

He’s been sober for 25 years, and that’s more than enough to merit this Dazzler of the Day, but in addition to that footnote, Leslie Jordan has been entertaining the world for decades. He’s finally come into his own social media prominence, thanks to his surprising success on Instagram – which was no surprise to anyone who’s followed his hilarious antics. Known by many from his turn on ‘Will & Grace’, Jordan has made appearances on about a bazillion shows over the years, thanks to his wit, hilarity and natural charm and charisma. 

Actor Leslie Jordan poses for a portrait at Pan Pacific Park in the Fairfax district of Los Angeles on Thursday, April 8, 2021 to promote his new book “How Y’all Doing?: Misadventures and Mischief from a Life Well Lived.” (AP Photo/Damian Dovarganes)

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