Monthly Archives:

March 2014

He’d Like To Put You In A Trance

Erotica‘ – the new collection of stories by Brian Centrone – is being released as an e-book today (paper version to come.) It’s a special thrill to see a work that combines words and images. Having been bombarded with gay porn and videos since the advent of the internet, it’s a welcome throwback to something that’s somehow more engaging, more meaningful, and in many ways more of a turn-on. There is nothing sexier than one’s own imagination, and that’s exactly what comes into play when words are involved.

Published by New Lit Salon Press, this is a compilation of gay erotic short stories penned by Mr. Centrone. The seven scintillating tales, one for every deadly sin, are accompanied by artwork from Terry Blas, luke kurtis, Rob Ordonez, and the name-sake for this very blog. As amazing as the work of my fellow art contributors is (and it is pretty damn amazing, handily putting my photos to slight shame,) it has always been the words that resonate most deeply, as noted in the press release:

Brian Centrone has been publishing erotic literary fiction since 2007. “Mates,” “Lost,” and “Team Player” are the three works Centrone published with Alyson Books. “These three stories were the start of my writing career,” claims Centrone. “They were my first major published pieces of fiction, and my first paid writing gig.” Erotica also features the previously published “Making the Grade,” Centrone’s only story with Cleis Press, and the online-only story, “Boracay,” which was featured in the now defunct THIS Literary Magazine. Rounding out this collection are two new stories, never before published: “Getting What He Wants” and “Chubstr.”

Beyond the sexy stories, Centrone’s works showcase that erotica can be literary. These stories are written with the same attention to detail, construction, and quality which readers have come to expect from traditional short stories. Centrone is a writer at heart, and whether he’s writing about a religious zealot who decides to run for small town political office (“The Life and Times of Biddy Schumacher,” I Voted for Biddy Schumacher: Mismatched Tales from the Mind of Brian Centrone) or a young man seeking to mend his broken heart and broken sex life all the way around the world (“Boracay,” Erotica), he does so with such honesty, depth, and understanding that every reader can appreciate and relate.

New Lit Salon Press is an independent publisher that subscribes to the belief that Words and Art can and should coexist. NLSP injects new life into an old-world ideal by publishing essays, stories, poems, novels and art in digital format.

‘Erotica’ by Brian Centrone is available in e-book form starting today, with a hard copy version being release at a later date. Mr. Centrone has a website, and can be found on FaceBook and Twitter as well.

Continue reading ...

Hot(el) Flowers

A favorite past-time of mine is to peruse the flower displays at various hotels. If there’s one quick and simple way to judge the quality of prospective lodging, it’s in their floral lay-out. Here you see the impeccable collection of blossoms currently brightening up the lobby of the Mandarin Oriental in Boston. They always have an intriguing display, and this simple grouping of protea and floating cherry blossoms is elegant and refined, with enough exotic elements to make for a show-stopping scene.

The architectural aspect of the blooms is shown off to greatest effect in these simple yet striking globular vases. Most of the time, it’s best to let the floral form dictate the design. A mass of spray roses would be required to make half the statement that a single protea stem can accomplish, so these are wisely given a stand-out base, some flattering lighting, and little else so as to allow their own natural show-off status to truly shine.

I tend to favor one or two kinds of flowers, either en masse or sparingly used, rather than those giant Lisa Vanderpump bouquets that fill in every single possible space with foliage or flower, the end result of which is usually a big clump that ends up being quickly forgotten. In such cases, more is actually less.

Most flowers are interesting enough on their own to not require any sort of further embellishments or accents. It’s difficult to improve on nature, and those who attempt such tricky maneuvering do so at the peril of taste and refinement. A jumbled mash of roses, carnations, and Alstroemeria is always more garish than any of its components taken singly and simply.

One of the most striking flower arrangements I ever saw was at a friend’s summer wedding. It was an elegantly casual affair, and on the tables were simple groupings of circular bowls, low and not interfering with sightlines or conversation. In each was a single dahlia or zinnia, sometimes one of each, floating on the water. Simple. Elegant. Classy. And so much easier than dealing with frogs or oasis or baby’s fucking breath.

Continue reading ...

The Great & Gratuitous Ginger Post

In honor of this Irish-themed day, here we have a collection of red-heads to get your ginger groove going. Gingers have long been a favorite feature here, with the likes of Prince Harry, Sean Patrick Davey, Greg Rutherford, and Ricky Schroeder.

In a new photo exhibition by Thomas Knights, ‘Red Hot,’ the ginger takes pride of place as an object of affection and desire. These photos more than prove that. Happy Ginger Ogling!

Continue reading ...

St. Patrick’s Day Recap

This is a holiday in which I play no part. As much as I like green, it’s overdone on this day, and done horribly wrong (plastic shamrock necklaces anyone?) Beer, green or otherwise, has never appealed to me. And kegs and eggs? A more gross combination does not come immediately, or with pause, to mind. So let’s look back over the week that came before this ridiculous day, and then fast-forward to Tuesday. (Come back later for a super ginger post, if you like redheads.)

I’ll be back in Boston soon, because I miss the scones and the banana bread at the South End Buttery just too much.

The whimsical wonder of Boston was in evidence in the charming shops along Tremont Street, where the enchanting Niche and the exquisite Olives & Grace kept the South End rife with magic and beauty.

There can never be enough of Tom Ford.

Locally, at least Capital District-wise, a few friends were doing what they do best: Kevin Bruce, GioExpressions, and the Cohoes Music Hall.

Despite all frigid signs to the contrary, this is officially the week we move into spring. To keep things hot, a few sexy gentlemen were featured in most of their glory, including Louis Smith (naked Olympian), Jake Gyllenhaal (naked actor), Anton Hysen (naked soccer player), Ryan Carnes (almost-naked actor), and Paddy O’Brian (naked gay porn star.)

Continue reading ...

Vanity Forever

How could I not love an establishment whose slogan is ‘Vanity Forever’? GioExpressions is a Private Spa owned and run by Gio Falciano, offering a full line of services for both women and men. While there are a number of spas in the area that focus on the ladies, GioExpressions has found a niche among the gentlemen (while still providing a wide array of treatments for all genders). Single-handedly overseeing the operation, Mr. Falciano displays a drive and focused determination belying his young age, and the schooling and professionalism to back it up. He takes some well-earned pride in that:

“Two years ago when I was eighteen graduating high school all I really wanted to do was be a makeup artist, after being known as a makeup artist for photo shoots and branding myself in freelance modeling, I went to school to go into aesthetics and essentially was going to just be a professional makeup artist who would also practice aesthetics. But after being invited to share a building with “Jackson’s Barber Shop” based off my talents I felt I needed to open my own company. I guess the thing that I really do respect about myself is I didn’t have parents that bought my way to opening a business; I worked very hard from scratch to grow my day spa. It’s very hard for me to believe that I’m one of the youngest day spa entrepreneurs in my field of study.”

His services include facials, body scrubs, enzyme and chemical peels, microdermabrasion resurfacing, hard and soft waxing, light therapy and spray tanning. As his only staff member, Falciano can offer the personal attention and one-on-one care that make an experience tailor-made and individually-pertinent, offering an intimacy not afforded by larger cookie-cutter spas. His grass-roots endeavor is growing by word-of-mouth and social media, with glowing testimonials from satisfied clients and returning customers.

“My entire life I have always been obsessed with beauty, science, and perfection,” Falciano explains. “I feel very happy to know I can fix problems instead of masking them for both skin care and makeup. It feels good to know people have so much faith in me based off how highly I take care of myself. I guess my passion of learning to love and respect myself has helped me to project self love to people through being able to take care of yourself and feel good about your appearance, I guess that’s why “vanity forever” is a quote that is on my company logo. But also I think me being knowledgeable on a science and medical level increased my passion dramatically.”

As for his largely male clientele base, Falciano considers it part of the evolution of his business. According to him, “When I opened my spa I thought I might get a few men because my building is shared with a barber shop. But after so many men discovered me, I guess they felt comfort in my spa based off it being personal sized and having only one professional who would constantly work on them. I guess in a nutshell I feel men overall are threatened or uncomfortable when they walk in a typical day spa with tons of aestheticians, woman, products and a big atmosphere that is generally always center focused for females. Out of all my clients 90% of them are men which is not really known by any other day spa in the upstate New York area.”

If his current growing success is any indication, Falciano appears poised on the brink of meeting even greater career goals, even if he feels he’s only just begun: “Well, honestly, after just turning twenty last week, I’m not satisfied with myself at all! I tend to be very multifaceted with what I want to do that I don’t want to ever hold back on living life to the fullest.” To that end he’s working on expanding his business with a new line of shirts, a larger piece of property, and possibly a second company coming in the next year.

 GioExpressions Private Spa is located at 113 Everett Road, Albany, NY. 

Continue reading ...

A Pot to Piss In

Taking the piss out of traditional Broadway conceits, ‘Urinetown’ is currently making a splash at the Cohoes Music Hall. Despite its topic and title, and somewhat sinister plot line, this is, at its heart, a pretty standard musical, with a pastiche of jazz-inflected music and the occasional gospel rouser. When it opened on Broadway it won 4 Tony Awards, for its sharp satirization of topics weighty and light.

This version retains that wild spirit, adding its own exuberance with energetic performances, and a rollicking band under the masterful hand of Musical Director Shoshana Seid-Green. The show itself turns typical Broadway expectations on their heads while honoring and surpassing them – such as in the Act One Finale, which manages to be both earnest and cynical at once, and it’s here where the strength and genius of the show resides. That’s a razor-sharp line on which to teeter, and this production hinges on the performances of its stellar company. Helmed by a wonderfully smarmy but beguiling Evan Teich as Officer Lockstock, a robust Jon McHatton as Bobby Strong, and the bright and beautiful Elizabeth Doyle as Hope Cladwell, the show has a winning trio of leads. Shawn Morgan gives fine voice to Hope’s booming father, and equally-powerful vocals are supplied by Kayley Alissa Hinen as Penelope Pennywise, while Taylor Lane Ross all but steals the show as Little Sally.

Despite its pee-go-centric themes, ‘Urinetown’ offers some timely commentary on humanity and class (particularly the recent people vs. corporations cultural war,) but also on the traditional versus non-traditional notions of musical theater. It posits its criticisms of a feel-good Broadway show within an almost-feel-good Broadway show, and the result is as entertaining as it is enlightening.

‘Urinetown’ runs at the Cohoes Music Hall until March 23, 2014. Don’t piss away the opportunity to see it. (And that’s my last pee-pun for at least a day, I promise.)

Continue reading ...

Bare-assed & Blue

What did men do before the advent of the boxer brief? You were either a brief guy or a boxers guy, with nary wiggle room for anything in-between. Thankfully, today there are more choices than ever for men’s underwear – and I tend to enjoy all of them for different reasons (with the exception of the thong ~ there’s nothing more frightening than flossing your ass.)

Thanks in large part to the pioneering efforts of Marky Mark and Calvin Klein, my generation seems to prefer the boxer brief above all other styles, and for form and function it’s hard to argue with such a selection.

Bare-assed and blue ~ the best of both worlds ~ brooding in a Boston window ~ the story of my life.

Continue reading ...

Prada By Way of Wes Anderson

Despite the glowing admiration of my pal Parley, I’ve never been all that enamored of Wes Anderson’s films. In fact, the only one I tried to get through – ‘Rushmore’ – left me unimpressed and stopping it before it took hold. That’s not usually like me. (I even sat through the wretched ‘Jerry Maguire’ when every fiber of my being was impelling me to walk out of the theater and save a few minutes of otherwise-wasted time. God I hated that film. Show me the money my ass.)

From that ‘Rushmore’ experience, I’ve unfairly avoided Mr. Anderson’s movies, with the exception of ‘Fantastic Mr. Fox’ – because I’m a sucker for talking animals. That may change with ‘The Grand Budapest Hotel’ which looks visually compelling, and features the work of an actor I’ve long admired – Ralph Fiennes (who, when I initially noticed him in ‘Quiz Show’ looked eerily similar to the first man I ever kissed.)

Being that I generally enjoy a quirky take on life, I may need to re-examine Anderson’s oeuvre. It’s never good to be a party-pooper without first having attended the party. And what better way to get back into the World of Anderson than with this short he did for Prada, “Castello Cavalcanti?” If anything’s going to convince me of someone’s impeccable taste, it’s Prada.

)

Continue reading ...

The Art of Debris: Take Two

This is a companion piece to a previous post that espoused the hidden objets d’art that can be found on the street. I wasn’t planning on following up with a similar post so soon, but when you see a razor entwined in a chain-link fence, you stop and take notice. Or, in this case, you take a photograph.

The stories one could spin about this have no limit. The first one my mind entertained was a girl bringing this razor to school for a friend who was going to shave her legs for the first time, and trying to hide that fact from her mother. Strange that that should be the first possibility that comes to mind, over a boy who might be shaving his face for the first time, but I suppose relating to girls has always been my province.

Some cheap purses belong on the street. I’m hoping that the person to whom this once belonged suddenly came to his or her senses, threw it down in a fit of sudden fashion-sense, and never looked back. More people with bad accessories should be so bold.

Finally, this dirty yet shiny lollipop spoke to me in a David Lynchian whisper. It wasn’t quite a severed ear, or the blue-tinged body of Laura Palmer, but it carried its own eerie mysteries.

Continue reading ...

Cheerio

The main thing I’ve always wondered about the raising of children is this: what’s with all the fucking Cheerios?

Having had more experience with my niece and nephew in recent years, however, along with the explanations of helpful friends who are now parents themselves, it seems that Cheerios are an ideal snack: not too heavy on sugar, not too messy (though kids will find a way to pulverize anything and make a disaster area), and convenient enough to stuff into any plastic baggie. (Yes, I just wrote the word ‘baggie’ for perhaps the first time in my life.)

Personally, though, I like the Cheerios were utilized in these home-made bird-feeders, seen around the corner from my place in Boston. Ingeniously constructed by some geometrically-shaped pipe cleaners, this looks to be the work of the day-care on Columbus Avenue.

I have no idea if the birds actually like Cheerios, or if such processed food is all that healthy for them, but the sentiment is pure, and the design is simple yet effective.

I’d employ the technique and give these a whirl in my own backyard, but it’s more than likely that the squirrels would get to them first, then go around wearing pipe-cleaner necklaces and mocking me from afar. I get enough abuse without giving them additional cause for ridicule.

Continue reading ...

Olives & Grace: Or, A Little Glimpse of Heaven on Pembroke

The sign on Tremont alerts passers-by to something special down Pembroke Street. A couple doors down, the windows of the store-front offer tantalizing glimpses of overflowing gift baskets in various states of filling, and all sorts of mouth-watering objects. This is the world of Olives & Grace {A Curtsy to the Makers} ~  a small artisan shop that sells a variety of goods, from the culinary to the pretty, and everything in between. The first thing that catches my eyes is a tall, colorful stack of cooking salts – everything from an elusive Fennel Thyme Salt (for which I’d been searching over the past several months) to an Aleppo Chile Salt. A bottle of Honey Chamomile Bitters is ripe for winter cocktailing, and containers of tea and cocoa stand ready to banish what remains of the frigid season.

Not limited to the savory, there are an equal number of scintillating sweets, including a stack of flavored sugars to rival the stack of salts. Chocolates of all sorts, honey, and several interesting syrups – along with canisters of cocoa – mean that  there is something for every sweet tooth as well.

There are non-edibles that are meant to be worn and seen, such as some intricate metallic jewelry for the ladies or a few softly-hued pocket squares for the gentlemen. Everything is carefully crafted with pristine care, the time and effort apparent in each stitch of fabric, every curve of metal.

The emphasis is on what is local, ensuring a continually rotating stock of specialty items, worthy of frequent stops and regular browsing. While the unique stock alone is worth the stop, it’s the customer service that stands above and beyond any mainstream chain, and Olives & Grace boasts some of the friendliest and most helpful staff in the South End (which is saying something substantial.) I only wanted one of the salt blends (a chicken recipe has been calling for fennel salt for a while now), so the woman helping me looked up the supplier online, and saw that it was available in a fennel version. She wrote the name on a card, in case I wanted to order it on my own. That’s what keeps a business in good standing, and the customers coming back for more.

Olives & Grace is right off Tremont, at 81 Pembroke Street. 

Continue reading ...

The Heart of an Artist, And A Friend

He was, at first, the friendly guy who worked at the Dunkin Donuts in downtown Albany. Known to many of us downtown workers, he was perhaps best-recognized for his boisterous and infectious laugh – a bright, booming, glorious laugh – often accompanied by a slight throw-back of his head. It was one of those laughs that could veer from an insinuating chuckle to a full-blown guffaw, transforming into a lilting, musical peel or a gentle re-assuring cadence of bonhomie and grace. As a lonely worker in a new job, I found solace in that laugh, even if I didn’t frequent Dunkin Donuts on a regular basis.

I didn’t know who that mirthful creature was until a couple of years later, when I walked up the stairs to the Romaine Brooks Gallery of the Capital Pride Center, just off of Lark Street, and he stood there towering over all of us with a box of doughnuts, and a magnificent painting he had done of his work-place. This was the artist Kevin Bruce. Freed from behind the doughnut counter, he was even more grand than the larger-than-life person I had only watched from afar.

This was Mr. Bruce in his element – out and about at a gallery, hosting a solo exhibition of his paintings, and putting on a show as only he could. The box of colorfully-frosted doughnuts echoed the painting of people from the doughnut shop. It was quintessential Kevin Bruce – eye-popping and saturated with color and movement, shot through with humor, wit, and whimsy, and brimming with life, love, and a respectful nod toward community. Looking at that painting, one felt a little better about the world. Happier. Giddier. And more hopeful.

It was indicative of much of his work. Some artists have the enviable ability to perfectly translate their own exuberance for life into their work. You can tell instantly who did it, because it speaks in such a unique voice it could come from no one else. In Kevin’s case it comes across as a gregarious passion for the human condition. While there is humor and camp in much of his work, there are other elements as well. A sense of cunning and playfulness balances an edge of sexy naughtiness. More contemplative pieces feature somber pathos or the exploration of simpler, quieter moments. His body of work runs the gamut from laugh-out-loud hilarious to tear-inducing, thought-provoking reflection. It was this latter aspect that informed the piece I purchased a couple of years ago, seen here.

At the time, I was managing the Romaine Brooks Gallery, and wanted Kevin to do another solo show. He mentioned he’d be interested, and soon set about to cultivating a collection for which he’d recently been inspired. It would have a sexy harlequin theme – artistically fertile ground and perfectly suited to his style. It was as fantastic as most of us expected – a gorgeously-executed exhibition that expounded upon a familiar theme, yet turned it gleefully on its head a number of times. A few of the pieces were created in honor of those gallery managers who had come before me (of which Mr. Bruce was one of the first.) He managed to work our names into those pieces in whimsical ways, fitting into the harlequin theme of the show. On mine, a stack of blocks spelled out my last name, while a small jester sat on a pile of books. The figure is pensive and solitary, looking off to the side. Below, a ball emblazoned with a striking yellow star steals most of the focus. It is a bright spot in a dimmer, brick-backed microcosm, and marked the first piece of Mr. Bruce’s that I purchased.

I finally found the perfect space for it in the Boston condo last week. I’m guessing I’m not the first person to have Kevin Bruce in my bedroom, but I may just be the most excited.

Continue reading ...

A Shirtless Siesta

This country needs to bring back the siesta, that break in the early afternoon where you nap or replenish your energy for another stretch of work. American wisdom is that it would zap the day, and make anything that follows a wash. There’s wisdom in that analysis, I suppose. (I’ll regale you with stories of lunch siestas during my John Hancock stint another day. Let’s just say that they were fun, and leave it at that.)

Continue reading ...

I Love Bois

The tricky transition from February into March has traditionally been difficult to navigate as far as fragrance goes. It’s still winter, but I’m dying to break into something lighter, so the scents that worked in the fall don’t fare as well now. The heavier ones that saw us through the holidays and early winter (‘Amber Absolute,’ ‘Japon Noir’ and ‘Santal Blush’) are simply too much. We are almost, but not quite, into the early spring forest of ‘Oud Wood’ and I confess I’ve already spritzed some because I just couldn’t wait. Yet before that we have ‘Bois Marocain’. The latest addition to my Private Blend Collection, it forms the perfect bridge from the weightier winter musks to a less oppressive olfactory experience, and would also work well in fall.

Because the Private Blends are made from essential oils, many are perfectly suited to mixing and matching – something that should rarely be done with most colognes, even by the most experienced hands. In this instance, given its woody, cedar base, I like to pair ‘Bois Marocain’ with the aforementioned ‘Oud Wood’. Both have aspects that blend nicely together. Mr. Ford seems to be on an Oud overload of late, but I happen to love it, and I still want to more fully explore ‘Oud Fleur’ and ‘Tobacco Oud’.

While I’m looking forward to the new ‘London’ Private Blend, I’ve also heard whispers that there are other things to do with Tom Ford coming down the line. Now that is something that takes away the most trying of winter blahs.

Continue reading ...

Signs, Signs, Everywhere Signs

In a world full of ‘No’s and ‘Do Not’s, sometimes there’s only one thing to say: ‘Yes.’

Someone once wrote that the most pleasing word in the English language was ‘yes’ and I think there’s some validity to that. Especially when bombarded with signs telling us otherwise.

It turns out that while hearing ‘yes’ may be most pleasing, saying ‘no’ seems to be much easier.

The proof is in the writing on the wall.

Everybody says don’t…

Continue reading ...