This post is for my friend Diana, who once coaxed a moonflower to the brink of bloom last year only to have it wither on the vine a day or two before blossoming. That kind of heartache is a blow to even the most seasoned of gardeners, but I’m happy to see that this year she’s had several big blooms to make up for it.

I happened upon this particularly robust moonflower vine the last time I was in Boston. Paired with a traditional old-fashioned morning glory, it makes for a full day of flowers: there are early blue blooms at the break of day, and these wonderful white beacons in the afternoon and evening.

They have a very delicate fragrance that becomes slightly more pronounced in the evening, but this is one flower that doesn’t shout its presence out with vulgar lily-like bombast. It whispers. Evokes. Sighs.
This is how we say goodbye to summer.





There’s something to be said for the simplicity of a single-flower-style arrangement, especially when the blooms are super-saturated in these rich pigments. I appreciate the elegance of the notion, the way form and architecture come to greater light through repetition and symmetry. Almost anything can be made more impressive when en masse.
Sometimes, though, you need a little extra pizzazz. Something that
The first hard frost will instantly fell such delicate foliage; this is one way of prolonging the beauty if the weather forecasters give warning.






















When one needs inspiration on how best to make use of an ingredient, one cannot do any better than taking the advice of the guy who runs


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