Category Archives: Music

The Modern-Day Valentine Mix – Side Two

The relatively dark ending of Side One now over (there should always be a dramatic finish to the first act) we turn now to a Valentine’s reprieve in the form of fantasy. When real life doesn’t work out, and more often than not it doesn’t (at least not to the perfect extent that some of us would like) there’s only one thing to do: escape. I’m not talking the well-practiced acceptance speech after winning an Oscar/Grammy/Tony/Emmy award, or the imagined thunderous applause after performing a sell-out concert in Madison Square Garden, or even the perfectly-executed dance routine at a wedding that has all guests gasping in thrilled adoration and awe, I’m talking something more subtle yet just as seemingly unattainable: the perfect guy.

Track #4: LOST IN YOUR EYES

 

I get lost in your eyes, then I feel my spirit rise

And soar like the wind, is it love that I am in?

I get weak in a glance, isn’t this what’s called romance?

And now I know, cause when I’m lost I can’t let go…

He watches me in the brief moments between classes. Our lockers are across from each other, and out of the corner of my eye I can tell he is pausing, waiting until I catch him staring, at which point he’ll look away or rush off or, on those happiest of days, look back and give a brief smile. He is older than me, but I like that. There is something protective about the way he behaves toward me, something I never felt even from my own parents. His protection was absolute, unwavering, and unconditional. It was simply in his nature.

After school one day he found me sitting by the curb, waiting for my ride. He sat down next to me. The brush of his denim was soft but firm, and he smelled vaguely of warmth – of toast on a cold morning, of apple pie on a cold night, of hot chocolate on a winter day – and of something dirtier.

He makes a bit of small talk, asks about a class I’m in that he took a couple of years ago, then squeezes my shoulder as a way of saying good-bye. I look up at him as he rises, and he has that smile again. And those eyes. And suddenly I am lost.

That night, I lie in bed unable to sleep. The feel of his hand on my shoulder had thrilled me, and I put my own hand on the bony area trying to determine what he might have felt. It is thin and slight beneath my hand, and I wonder at how it would compare to his own broadness and muscles. I feel embarrassed and ashamed, and my heart is in riot and rapture. I try to conjure his scent, try to recall the brief brush of his leg against mine, and only end up pulling a pillow close to myself for comfort. I want to cry.

I don’t mind not knowing what I’m headed for

You can take me to the skies

It’s like being lost in heaven

when I’m lost in your eyes. 

I just fell…

The days pass slowly, filled with the agonizing distractions of school work and classes between which I live in the brief moments that I’m near him. I write his name on scraps of paper that I quickly tear into tiny pieces with less than a letter on each lest anyone piece together the secret wishes of my heart. Alone in my bedroom, I write more than his name.

Love letters and dreams and fantasies of a life together. I write him my darkest fears, tell him my most daring desires, and explain how in the moment he touched my shoulder my whole world changed. I fold it up, seal and date it, and hide it deep in the bottom drawer of my desk. One day I will present it to him ~ maybe when we get married, maybe when we buy our first home, maybe when we celebrate our 50th anniversary – but some way and somehow he must know.

 

Track #5: I’LL BE YOUR EVERYTHING

 

I’ll lift you up when you’re feeling down

Make your whole world turn around

Give my heart and soul to you

Let you know this love is true…

He says hello to me in the hallway, whenever we pass. Sometimes it seems like he goes out of his way to do so, pushing through a throng of students just to get closer to me, then I think it’s all in my head. Why would anyone bother, especially someone as beautiful as him? But then I’m sure of it, certain that he looks frustrated if he can’t reach me before the sea of classmates swirls me away from him. On those days when we both linger after classes are done, I wonder if he too feels shy and excited and reluctant to leave. We begin walking out together, and I admit that I wait if he’s running late, or hurry if some teacher keeps class a little longer than usual. After a few days, it feels like old habit, and soon it is my favorite part of the day. There is a decent trek from our lockers to the parking lot where his car is and where my ride arrives, and I want to believe we both slow a bit near the end, anything to prolong our time together.

One day he tells me he should just drop me off to save my parents the drive. I’m not far out of his way. The excitement of the prospect of being alone in a car with him is matched only by the realization that he knows where I live. In those pre-internet days, before FaceBook and social media left us all transparently visible on a Google map, he managed to find out something about me. That someone cared enough to research where I lived, or at least to ask, touched me more than anything. Most of the time the world – at least my world – didn’t bother to care. Then, just like that, he was driving me home every day. Away from the prying eyes of classmates and the boundaries of school, he was different.

It’s hard to explain – he was a little less guarded, more ready to laugh, and somehow happier. I thought it was just being out of school that produced the giddiness, but a small part of me – the part that struggled to believe whether I was worthy of love – peeked out from years of hiding and allowed myself the possible realization that he was happier because I was with him. No amount of therapy or self-help books would ever surpass what that single moment accomplished. There is nothing quite as nourishing as feeling loved.

One day he doesn’t stop at my house, but glides past and around the block again. I challenge him with a quizzical glare, but his look and subsequent tone are so serious I don’t make a sarcastic comment. He tells me that he has something for me but that it’s not a big deal, just something he made because he saw how I liked certain songs on our rides home. With a trembling hand, he reaches into the glove compartment and pulls out a cassette tape. On the side he has written, “Alan’s Melancholy Mix” and then a listing of all the songs. Most are ones we’d listened to on our brief rides, when he’d briefly sing along and give me a side smile, knowing I was too shy to ever join in.

There were a couple of classic rock songs, some power ballads from the likes of Journey and Chicago, and a few New Wave dance ditties that we both guiltily admired. The smile-inducing if infuriating inclusion of ‘You Can Call Me Al’ (because he knows that you absolutely can’t) rounds out the tape, but the best part is what he writes within the liner notes:

“For a guy who always seems a little sadder than he should be.”

 

Track #6: FAITHFULLY 

 

Highway run into the midnight sun,

Wheels go round and round

You’re on my mind

Restless hearts sleep alone tonight

Sending all my love along the wire…

I wear the tape out, getting out of bed multiple times in the night to flip it over and begin it again. I replay the moment he gave it to me, the way his hand touched mine and lingered, as if there was more to be done. Years later, I would reassemble that mix of songs into a playlist and present it to him on an iPod. His eyes would light up as he played each song and we remembered those rides together. Our first kiss, the way he held my hand before it, and the ensuing lifetime of love played out amid the pop songs of the 80’s. We were in a different car, in a different city, and a completely different world, but we’d managed to stay together.

I’m still yours…

Faithfully.

You don’t need the whole world to love you, you just need the one.

{PS – None of this fantasy ever happened. No guy ever rescued me from the doldrums and terrors of school. I had to rescue myself, and I did, and if I’m a little bitter about it, well, that’s what Valentine’s Day is sometimes for.}

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The Modern-Day Valentine Mix – Side One

There is no cheesier “holiday” than Valentine’s Day, and while I have no horrible V-Day memories to conjure, neither have I any overtly romantic ones that come to mind. Every day with Andy is like Valentine’s Day. (Awwwww…) This has always been a Hallmark-perpetuated celebration of the hollow and trite, and traditionally I wear black to mark the occasion. It wasn’t always this way. When I was a boy the sweeping grand possibility of romance blasted from the horns of golden cherubs, and I fervently believed that one day my prince would come. As a throwback to that innocent time, to the moments when my jadedness had not yet hardened into its current implacable state, I present to you this modern-day version of a mix tape.

Back when I was a wee youngster, we had cassette tapes. They were small plastic rectangles that slid into a stereo or Walkman and played music from the slow turning of a fine, shiny brown filament. They could hold anywhere from 60 to 120 minutes of music – most clocking in at the 90 minute range. That’s a lot of space to fill with sound, but there never seemed to be a dearth of things to say though music. I won’t put you through anything as torturous or time-consuming as that – in fact, this is more of a super-brief EP than a proper mix tape, but the sentiment is the same. Happy Valentine’s Day.

Track #1: YOU’RE THE INSPIRATION

 

You know our love was meant to be

The kind of love that lasts forever

And I want you here with me

From tonight until the end of time…

In the scant few years before the boys would square off against the girls, my best friends were mostly of the female persuasion. While any burgeoning physical attraction was leaning toward the guys, I had much more in common with the girls. They found me funny, and I found them more interesting than boys. They cared about pretty things, like hair and shoes and jewelry, and they were less rambunctious and violent than boys. We were not quite to the age where the lines were drawn in the sand though, so my friendships with girls in the class went relatively unridiculed. Such safety and freedom were more fleeting than I realized, and soon enough it would be forbidden to sit at a table of girls until high school. I didn’t know this then, so went about blissfully unaware of the impending end to such easy and sexless camaraderie.

For Valentine’s Day we would create our own Valentine receptacles out of brown paper bags, decorated with construction paper and glitter and doilies – the only time it would be ok for boys to dabble with doilies. I poured my heart into it, making the prettiest bag I could, hoping to attract the most Valentines  ~ not just because of who I was but because of how pretty I could make my bag. In truth, none of this really crossed my conscious mind. I loved a good craft project as much as the next person, but when given free reign I always felt a shiver of panic, particularly when no guidelines or rules were established. A little freedom is a good thing; too much makes me uncomfortable. Chalk it up to my Virgo birthdate.

Looking back, I can see now that I was never as despised as I sometimes felt I was. In fact, my bag was one of the heavier ones. This was a time before we were really hardened by the world, a time before any serious divisive differences. When left to their own devices, most children are pretty accepting of each other. It’s when parental and adult prejudices and influences start coming into play that kids get ruined or enriched.

For those few Valentine’s Days when boys and girls could give loving cards to each other without care or concern, I felt happy and adored. There was a purity in that exchange, something that would be missing after a certain age. We gave our hearts to one another, without reserve, without fear, without judgment.

You’re the meaning in my life, you’re the inspiration.

You bring feeling to my life, you’re the inspiration.

When you love somebody til the end of time…

 

Track #2: OPEN ARMS

 

Lying beside you here in the dark

Feeling your heart beat with mine

Softly you whisper, you’re so sincere

How could our love be so blind?

By the last years of our time at R.J. McNulty Elementary School, we were beginning to galvanize into adolescents. The change was sometimes sudden, sometimes slow, and always irreversible. Boys didn’t much socialize with girls except to torment and antagonize. It was playful teasing for the most part, the set-up for more serious flirtations to come. Yet my heart sang a different tune. The sirens that called to me weren’t female, and the attractions I felt toward girls in my class were platonic and comforting, not dangerous or tinged with desire.

At night, the glowing red digital colon of my alarm clock blinked on and off its steady count of seconds. Staring idly at the shaft of hallway light that came in through the cracked door, I listened as Journey’s ‘Open Arms’ came on over the radio. At such a young age, I couldn’t have had the first clue about romantic love, but something in me had always understood longing. The unrequited fancies of a boy too often get lost in the assumed toughness that comes from being a boy. I never had that toughness, so I’d have to craft a cage for my heart for my own protection. I didn’t know that then, and I’m sort of glad.

I opened my heart to every silly crush and foolish infatuation, and fell head-first into the giddy swirling notion of what I thought was love. I pined silently and relentlessly for a camp counselor, a class-mate, and the blonde guy on ‘CHiPs.’ It would be my major downfall in life: to want the ones who didn’t want me back. My heart would never learn. My heart would never quiet. And my heart would never stop… longing… wanting… loving.

So now I come to you with open arms

Nothing to hide, believe what I say

So here I am with open arms

Hoping you’ll see what your love means to me…

 

Track #3: THE SEARCH IS OVER

 

How can I convince you

what you see is real?

Who am I to blame you

for doubting what you feel?

I was always reaching…

Shards of ice amid a crazy state of mind. Disconcerting winter thaws and restless summer nights. The shifting of seasons across the mine-field of my heart. The ongoing search for a match. The quest for a partner. The fear of being alone. Such thoughts marred the mind as it tried to empty itself for sleep.

A love song on the radio. Lovers listening on the ride home. And me, not giving a fuck. Not even trying. In black and gray, damning the day of St. Valentine with a vehemence reserved for the bitter and the bereft, I spit out emotional vitriol and the carrion of trampled hearts in my wake.

I was living for a dream,

Loving for a moment.

Taking on the world,

That was just my style…

The random act of violence upon an innocent bystander is somehow easier to take than the sweet stab of veiled aggression by a lover or a family member. The former may leave you with a sickening lack of faith in the world, but the latter always leaves you with a sickening lack of faith in yourself. It is invariably destructive.

A shattered heart can never quite be put back together again.

All these silly love songs, all the cards and flowers and candy, all the jewelry and perfume and cologne – are but masks to disguise the utter emptiness of this holiday. If you’re lucky enough to get to this point in your life relatively unscathed, and if your heart has never been broken, hold onto that. For the rest of us, we’ll just keep looking for a way back to the day our school desks were littered with the innocent love notes of classmates, to a time when love was given without hesitation or reluctance or question, and to the last moment our hearts were full.

 

[I bet you can’t wait to flip the tape to get to Side Two…]

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Living for This Video

The last few videos Madonna has made have largely been, gasp, lackluster – and for the woman who practically invented the music video, this was simply unacceptable. Don’t get me wrong, fluffy escapist trifles like ‘Turn Up the Radio‘ and ‘Give Me All Your Luvin‘ provided passing interest, and were devoured by a Madonna-hungry public because of the piss-poor promotional efforts for her last record, MDNA, but they paled in comparison to former glories like ‘Like A Prayer‘ or ‘Bad Girl.’

Her latest video for ‘Living For Love’ doesn’t quite return her to the apex of video artistry, but it comes damn close, and carries with it enough powerful imagery to turn a relatively standard song into something more meaningful, something more galvanizing, something more, well, Madonna. As noted, I found the ‘Living For Love’ song nice enough, but wasn’t convinced it was lead-off single material. Yes, it brought her back to those 90’s-nostalgic house beats and piano chords, and the injection of gospel elements lifted it to a higher ground, but it still felt a bit like a filler track, a throw-away song that could be taken away without leaving a hole in my heart. The video changes things a bit, more succinctly bringing the song into focus as a self-empowerment anthem, as Madonna vanquishes a circle of encroaching minotaurs like so many fallen chess pieces.

As someone who’s been under his fair share of attacks, both deserved and unfounded, I like the metaphors and the dazzling imagery. Most of all, I like the classic Madonna theme of exorcising the ghosts of those who have wronged her in such a cathartic and spellbinding way. We go to battle with our demons every day, be they family or foe (or any combination of the two), ex-lovers or longstanding-obsessions, former flames or future fucks – but rather than indulging in the bitter she exults in the sweet, rising above and leaving the past behind. It’s what Madonna has always done best: never looked back. There’s a cost to it, but you’re not about to see her emotional bank account.

The video is notable for the impossible way it manages to reinvent Madonna for the bazillionth time, repositioning her as toreador, and showing off several camera moves and angles and dance moves that she’s never tried out before – that in itself is a pretty substantial accomplishment for a woman who’s done practically everything on video by this point (witness the incredible fall and rise close-up that begins at 0:41 and the stunning jump at 1:48.)

Most thrilling for those of us die-hard fans who notice every subtle nuance, intended or not, are the references that Madonna makes to her own body of work. The matador outfit brings back the days of ‘You Can Dance‘, and the bolero might even have been reclaimed from 1987 itself. She steps into the male bull-fighter role she so elegantly paired off with in ‘Take A Bow’ and ‘You’ll See‘ – and executes a snippet of the ‘Papa Don’t Preach‘ strut that originally ended with the first sanctioned peek-a-boo of nipple back in 1986.

Madonna’s come a long way since that epochal decade in which she rose to the pinnacle of the pop heap. She still hovers in that rarefied air, and really, no one else can quite touch her when it comes to history and legacy and modern-day currency. If she isn’t as pervasive as she once was, she still holds incredible sway and power, and the readily-admitted worship of almost every current pop star, and quite a few who have come and gone over the incredible ongoing span of her career.

“Man is the cruelest animal. At tragedies, bullfights, and crucifixions he has so far felt best on earth; and when he invented hell for himself, behold, that was his very heaven.” ― Friedrich Nietzsche

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The Madonna Timeline: Song #110- ‘Into the Groove’ ~ 1985/1987

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Music can be such a revelation
Dancing around you feel the sweet sensation
We might be lovers if the rhythm’s right
I hope this feeling never ends tonight…

It was a hot and happening Saturday night in my bedroom. The girls from ‘The Facts of Life’ had just departed, leaving me alone in the bright lights of the neon-clad 80’s, and we were headed into the lateness of the nine o’clock hour. Fly 92 was probably playing its Saturday night dance jam, but I had a cassette tape of non-stop Madonna mixes, and I didn’t need Shadoe Stevens clogging up my head with his smoother-than-Black-Velvet voice.

While it was originally released in 1985, I had my head in the sand at that time, as I don’t quite recall the initial chart-storming that Madonna made with ‘Into the Groove’ – instead, my memory is of the re-release it got on 1987’s ‘You Can Dance’ remix EP. On those Saturday nights when I was freed from the chains of school, I found safety and salvation in the meanderings of my bedroom. A childhood bedroom holds wonders that no parent or guardian could ever fully understand.

Yet as much as I wanted safety and security, I yearned for escape. Even then I knew I had to create my own world and forge my own way because the things I thought were secure were about to come tumbling down. And the only constant in any gay boy’s world at the time was Madonna. The rest of the world, and sometimes our own families, wanted to quiet us with shame and silence, but Madonna embraced all – gay, straight, black, white, Catholic, Jewish, Muslim – it did not matter to the Material Girl. Everyone was invited to her party ~ hell, that’s how you made the money. Not by excluding or silencing, but by celebrating. We didn’t know how deep she went then, we only cared that she knew her way around a proper pop song. She was always one step ahead of the rest of us.

And so, on Saturday nights I’d lock the door where no one else could see, and dance my worries away. Escapism was the only way out. They could belt me, they could hate me, they could shame me, but they couldn’t take away what was inside my head. They couldn’t take away what was in my heart. That’s where the groove was. That’s where freedom would be found.

Only when I’m dancing can I feel this free
At night I lock the doors, where no one else can see
I’m tired of dancing here all by myself 
Tonight I wanna dance with someone else…

Regarding ‘Into the Groove’ – The Song – I actually never loved it. It’s sacrilege to say so to certain Madonna fans, but I just never connected to this one, which is odd because so many consider it a seminal piece of the Madonna mythology. The most fun I had with it was her Reinvention incarnation with bagpipes and drums. I was touched that she was making such an overt nod to her then-husband Guy Ritchie. Love makes us do odd things – and it’s always touching to see that. I guess I just needed that incongruous Scottish mash-up – kilts solve a multitude of problems. (Oh, and put this into your blasphemous files: I’ve never seen ‘Desperately Seeking Susan’ in its entirety. Yeah, I know. Kenneth in the 212 can shoot me now.)

SONG #110 – ‘Into the Groove’ ~ 1985/1987

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When Snowflakes Fall…

Most of us complain when a snowstorm wreaks havoc with our plans, but lately I’ve learned to embrace them. For a few hours, or as long as the snow keeps us inside, we are bound in one place. A favorite place to ride out a winter storm is at the condo in Boston, where I can watch the falling snow from the cozy environs of that stalwart structure.

A cup of hot tea in hand, a book waiting to be opened on the table, and a slow song like this one on the stereo.

Goodbye, no use leading with our chins
This is where our story ends
Never lovers ever friends
Goodbye, let our hearts call it a day
But before you walk away
I sincerely want to say
I wish you bluebirds in the spring
To give your heart a song to sing
And then a kiss, but more than this, I wish you love

And in July, a lemonade
To cool you in some leafy glade
I wish you health, and more than wealth, I wish you love
My breaking heart and I agree
That you and I could never be
So with my best, my very best, I set you free
I wish you shelter from the storm
A cozy fire to keep you warm
But most of all, when snowflakes fall, I wish you love
But most of all, when snowflakes fall, I wish you love.

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Ice Castles: My First Graduation

Please, don’t let this feeling end
It’s everything I am, everything I want to be
I can see what’s mine now
Finding out what’s true since I found you
Looking through the eyes of love

Now, I can take the time, I can see my life
As it comes up shining now
Reaching out to touch you
I can feel so much since I found you
Looking through the eyes of love

The year was 1986.

The scene was the gymnasium at R.J. McNulty Elementary School.

We were in sixth grade – our last day of sixth grade – and those of us in the band were playing the ‘Theme from Ice Castles’ – in likely rather-sad fashion. Yet the melody came through, and as I read the lyrics that went along with the song, I wondered if our band conductor/football coach Mr. Pangburn had chosen the song for its sentiment or sound. Did he know that some of us were realizing that our childhoods were coming to an end?

And now I do believe
That even in a storm
We’ll find some light
Knowing you’re beside me
I’m all right…

Like most kids, I didn’t fully fathom that the last years of childhood were in fact the last years of childhood. Turning into a young adult always seemed far away, just out of reach and tantalizingly unavailable. While most of me couldn’t wait to get there (I found kids to be, for the most part, tiresome and foolish) there was a small portion of my heart that held onto my youth, that didn’t want to grow up. That little boy was the one playing the oboe in the hot, stuffy gym of McNulty School, during his sixth grade graduation, in the only school he’d ever known since kindergarten.

He thought back to that first day, when his mother set him free all those years ago. He sobbed at the ankles of his teacher, Miss Delamater, so sad and terrified was he at being left alone in a room of strangers. It took a few days before he would talk. But eventually he found his way. He made friends, and was especially popular with the girls. He survived the usual battles of childhood – chicken pox and forgotten homework and being sent to the back of the class for laughing too much (as if he could control that!) – and less-than-usual battles as well – a lactose intolerance that left his stomach in such pain he missed weeks at a time, a strange fear of being away from home that made him look up at the fluorescent lights to dry the tears that came suddenly from seemingly nowhere, and the nagging, gnawing suspicion that the difference he felt in himself from his classmates was indeed very different from the difference that most kids feel. Now, at the end of his elementary journey, he understood that he didn’t want it to be over. All the pain and the sadness was coupled with such joy and happiness, and the whole path was so rich and wonderful and varied that he wasn’t ready to let it go. But the band played on…

Please, don’t let this feeling end
It might not come again and I want to remember
How it feels to touch you
How I feel so much since I found you
Looking through the eyes of love

And now I do believe
That even in a storm
We’ll find some light
Knowing you’re beside me
I’m all right

My eyes turned watery. I looked around at my classmates, at my friends, and I knew it would never be the same. They didn’t seem to notice. The song ended with a spattering of applause. The ceremony continued. At the end, we had some refreshments, said a few good-byes, and headed off into the summer.

Now, I can take the time, I can see my life
As it comes up shining now
Reaching out to touch you
I can feel so much since I found you
Looking through the eyes of love.
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Friend Like You

The only way I can get through winter in upstate New York is by seeking out friends to share the misery – and the light. It was my friend JoAnn who introduced me to Joshua Radin – the singer-songwriter responsible for this musical gem of solace and comfort. JoJo and I go back over sixteen years, and winters in Cape Cod, Boston, and Albany have all been made a little easier when we’re together. Frigid walks in the South End to find a basenji, snowy hikes and parking lot doughnuts in Cape Cod, and cozy dinners in Albany have all been part of our winter repertoire.

I like the way you’re not afraid
You got the world planned in your mind
People say you cannot do well
They don’t know a friend like you.

The girl you love has gone away

 

Still too young to know her heart

 

She’ll return her love renewed

 

‘Cause she’ll never find a friend like you

 

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Going Home

Home, I’m making my way home.
My mind’s already there.
Yes, my mind is
Light, you’re with me in the dark.
Light my way at night.
Let your light shine

Oh sweet melancholy, how you dwell in these winter months, even as I try to sweep you out with the dust and dirt. Too early, too soon, I know. The heart wants what it wants, and it wants spring now. That’s an impossible request. The heart, though, still wants. It is, perhaps, the saddest and most hopeful part of us, this heart that keeps on wanting, that spends its energies longing, that never stops until the day we die.

Now, this burden weighs me down.
The heaviest of weights
knocks me to the ground,
right down to the
Dew that sparkles on the ground.
Blue mountains loom above.
Blue mountains loom

This is winter music. This is a winter song. It makes one pause. It leaves space for listening to the fall of snow. It eases the muffled roar of the snow plow. It calms the rioting heart which launches brazenly into the winter madness, trying to rush through it all before it’s had its time. The music is languid. The sounds are soft. This is Ásgeir.

And I walk alone; one wish
won’t be forgotten,
never forget that
Long, is the path ahead.
And though my body tires,
and I have far to go,
I know I’m going home.
Know I’m going home.

Maybe it’s this winter, maybe it’s some recent event, or maybe it’s just getting older, but home feels very far away. Once upon a time that might have bothered me. No, it would have frightened me, so terrifying had it been to think of such an unmoored state, such a little-boy-lost scenario. Yet I’m no longer afraid. I’ll make myself a different home. A better home. A home where I’ll always belong.

Home, I’m making my way home.
My mind’s already there.
Yes, my mind is
Light, you’re with me in the dark.
Light my way at night.
Let your light shine
Now, this burden weighs me down.
The heaviest of weights
knocks me to the ground.
This burden weighs me down.
Burden weighs me down.
Burden weighs me down.
Burden weighs me down.
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Gay Anime And A Little Bit of Death

My pal Alexander fronts antirockstars, and he asked that I share this video. I get a few requests to share things, most of which are not my cup of tea, and while the music is decidedly not Madonna or Ella Fitzgerald, there’s room enough for some diversity here (and I never claimed to have any musical taste), so give this a whirl. More compelling, and surprisingly moving, was the accompanying video. Give me a teddy bear as a supporting player and I’m all over that shit. Give me a cute cuddly couple in the first flush of love, and I’m even more entranced. But give me an interlude of death and a baby scythe, well, it’s all over. Sign me up and call it a day.

For more of antirockstars and Alex, check out his website here. This is, in his words, what antirockstars is all about:

You may be wondering, what does antirockstars mean and why am I going by that name?   It’s my opposition to the vulgar excesses and disingenuousness that all too often accompany rock music.  It’s a chance for me to be me and to do what I want musically.  I have no handlers, no image-makers, no men in suits marketing me to kids in jeans.  I’m not doing this to get rich or to get girls.  I’m an artist who wants to share his art with those who are receptive to it and who are touched by it.

That’s the kind of artist I like, and the artists I’ve always admired are those who have a drive and determination to create not for money or fame or fortune, but because it makes them feel alive.

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A Madgestic Surprise

When an album’s worth of Madonna demos leaked last week, all eyes were on the woman herself as to how she would handle the mess. (I’m sure someone got the worst rim job of their life if she found the culprit behind the leak.) Some have said it’s all a marketing ploy, but I’m not sure – this was just a little too messy to be more than unintentional. Regardless, the solution that Madonna shrewdly took was to offer six of the finished songs on iTunes, and the EP immediately went to Number One around the world.

The general consensus is that the new music is Madonna’s best in at least a decade. (Personally, I’m still entranced by many of the ‘MDNA’ cuts, but a lot of fans gave up after ‘Hard Candy‘.) Of the new songs, planned single ‘Living For Love’ is getting a lot of talk, but I’m less impressed by that than the shimmering brilliance of ‘Ghosttown’ and the sing-and-clap-along genius of ‘Devil Pray.’

More interesting and compelling yet may be tracks like ‘Illuminati’ and ‘Unapologetic Bitch.’ Whether or not she intended to make it an early Christmas, Madonna’s given us a glorious glimpse of the new sonic territory she’s staking out for a triumphant return to the pop fold next year. As always I’m chomping at the bit to hear more.

“When it all falls, when it all falls down, We’ll be two souls in a ghost town…”

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Misty Water-colored Memories

Having recently declared my non-fandom of Barbra Streisand, I’ll backtrack a bit to give it up for this song from ‘The Way We Were.’ It inspires a snowy memory, a warm and happy memory, a memory of solitude tinged with family ghosts…

It was a night in January. My parents were out of town, so I stopped by Amsterdam to see my brother (who then lived a few blocks away) and to check on the house. We would do similar nights in the future, but for now I was alone in the house in which I grew up.

As evening fell, ghosts from the past entered timidly, whispering friendly words of forgotten scenes – those departed family members who stayed with me through the years, whenever things got quiet, whenever the world let up on me, and sometimes when it felt like everything was crashing down. On this night, it was peaceful and still. A thin layer of snow fell from the sky as I turned on the lights in my parents’ bedroom and searched for something comforting on the television. A Barbra Streisand film – ‘The Way We Were’ – had just begun, so I let it play for a while, as the saccharine melody of Marvin Hamlisch filled the empty room.

In a large dark house, even if you grew up within, it’s easy to get spooked. The wind can make things creak, the floor can make things moan, and if you’re not careful your head has suddenly wrapped itself in terrors that would be unthinkable in the light of day. Thankfully, that didn’t happen on this night. I had the silly curls and serious nails of Ms. Streisand to take my mind off other frights.

Memories,
Light the corners of my mind
Misty water-colored memories
Of the way we were
Scattered pictures,
Of the smiles we left behind
Smiles we gave to one another
For the way we were.

I watched the unlikely love story between Streisand and a very youthful Robert Redford, looking golden and in his prime, and I was drawn in as the night progressed. It wasn’t what I expected – it was actually much more enjoyable – and I settled onto the bed from which I used to watch ‘Santa Barbara’ if I could get home from school in time.

Can it be that it was all so simple then?
Or has time re-written every line?
If we had the chance to do it all again
Tell me, would we? Could we?

You can never go back. No matter how wonderful or awful it was. All we can do is move forward, keep going, keep trying to be better. Streisand’s Katie Morosky fought for the world to be a better place. Redford’s Hubbell did it in his own way too. I don’t quite have that drive, or that star power. What started out as a comfort left me feeling deflated, as if every endeavor on my plate was an exercise in futility, in simply stalling, or trying to recapture days that were more fun, more vibrant, more alive. Time marched on, leaving the good memories dusty and forlorn.

Memories, may be beautiful and yet
What’s too painful to remember
We simply choose to forget
So it’s the laughter
We will remember
Whenever we remember…
The way we were…
The way we were.
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Barbra Streisand Goes Back to Brooklyn…

… and I just couldn’t be bothered. Just kidding. I have friends who adore Ms. Streisand, and I’ve always admired her work and her legacy. I just haven’t been a fan. However, when her last concert – ‘Back to Brooklyn’ – aired on Great Performances, I took a moment to watch this icon in all her adulation.

She wore some kooky outfits (as much as I love sequins, they can be trite on, say… Barbra Streisand), and she did some kooky dancing (does she know any other kind?) Yet unlike other icons (ahem), Ms. Streisand’s enduring appeal is due to her most valuable asset – that voice. Like buttah indeed. Studied, nuanced, pure and powerful, it has lasted all these decades, and remains one of the world’s most astounding natural gifts. Youngsters may want to note the complete lack of auto-tune madness, and take a lesson from the sheer presence this woman commands with a few delicate notes held in just the right manner.

Yet for all the perfection and passion, part of me simply doesn’t connect with her, and that’s all right. Different strokes for different folks, and in the way that not everyone has to love Madonna, I don’t quite love Barbra. I do, however, have the utmost respect for her, and she’s a powerhouse and institution worthy of honor and accolades.

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A Christmas Waltz

Fulfilling a promise made in this Christmas kick-off post, here is ‘The Christmas Waltz’ as interpreted by Doris Day herself. A fitting performance from a woman who epitomized the sugar-coating in which we’d all like to believe. With a voice soft as warm butter, an earnest wish for a happy holiday season, and a wholesome throwback to an era that exists only in pictures and dreams, it’s a saccharine treat with an underlying bit of wistfulness that cuts it just enough to be deadly.

Frosted window-panes, candles gleaming inside, painted candy canes on the tree
Santa’s on his way, he’s filled his sleigh with things, things for you and for me.
It’s the time of year when the world falls in love,
Every song you hear seems to say, ‘Merry Christmas, may your New Year dreams come true.’
And this song of mine, in three-quarter time wishes you and yours the same thing too.

It’s the perfect song to go with a Christmas cocktail. Not with a loud and boisterous crew, not with a gaggle of gregarious friends, but alone, on your own, surrounded by the dull drone of strangers, the few friendly words of a bartender, the solitude and sadness of Christmas, no matter how loved you are by the masses. Because if you’re not loved by the one person you want to love you back, the rest of it doesn’t seem to matter.

I’ve often wondered at the happiness that everyone else seems to feel at Christmas. Don’t get me wrong, I feel it too, in my niece and nephew, in my friends and family, in my husband and parents – but there’s always been something intrinsically sad to this time of the year. Maybe because it’s so close to the end of it, so near the darkest and shortest days of the season. No one wants to talk about that. It’s easier to turn your face to the sparkling lights, the bombast, the glitter and the drums. Better to hear the dulcet tones of Doris Day than the throbbing ticking of the time clock, running out for another year, reminding you of everything you never got to do.

And so we waltz along on a holiday breeze, we raise a glass and a toast to the season. The violins swell, the chimes charm, and it’s simple to get swept away with the voice of Miss Day. How can you resist? Why would you try?

It’s that time of year when the world falls in love,
Every song you hear seems to say, ‘Merry Christmas, may your New Year dreams come true.’
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A Thirty-Year-Old Virgin

Yes, they do exist – in this case it’s Madonna’s ‘Like A Virgin’ album, which was released three decades ago this week. Hard to believe that such a long time has gone by since she first preened a la Marilyn in ‘Material Girl’ or acted anything-but-like-a-virgin in the titular track, but time waits for no woman, virgin or not. ‘Like A Virgin’ was the first Madonna album that entered our home, and for all the supposedly titillating fodder, it made for harmless background music as we went on family vacations. Clearly my brother and I didn’t know what ‘virgin’ even meant, but we knew a good hook and a catchy pop song, and that’s all that mattered to my ears at the time. Here’s a quick look back at those LAV songs that have made it onto the Madonna Timeline.

We’ll begin with lead-off track ‘Material Girl’ – since this is where it all started for me. I loved it. I could dance to it all night long (and often did). Fueling the greed-obsessed 80s, the materialistic song was turned on its head with Madonna’s video for the single. In the end, she chooses love over material possessions – something everyone seemed to miss.

Angel‘ was a fluffy bit of day-dreamy swooning, as Madonna literally sighs and laughs over someone who’d caught her fancy. Harmless, escapist pop at its best, it was sugar for the ears, and nothing sounded sweeter.

Title track ‘Like A Virgin‘ is arguably her best-known and most classic work. Whereas ‘Like A Prayer’ was spectacular in a different way, ‘Virgin’ was Madonna’s first entry into the pop stratosphere – and you never forget your first time. The numerous subsequent interpretations she’s given the song are a testament to its staying power and eternal themes.

It was on ‘Kids Incorporated’ when I first heard ‘Over and Over‘ – as rendered by a Madonna-wanna-be Martika. In spite of that, I still loved the song.

As far as my favorite ‘Virgin’ cut goes, I’d have to give the edge to ‘Dress You Up‘ – this is the song that had me jumping up and down on my brothers bed and squealing with absolute excitement at how good a song could sound at ear-throttling volume.

The album closed with a plea to ‘Stay‘ – a request I would not understand for a few more years, but something called out to me even back then – a longing, a wish, a prayer – and Madonna gave it all a voice.

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The Moon & The Fag

Apart from my first and last semesters of college, I didn’t socialize much on campus during my years at Brandeis. I didn’t relate to much of what college-age kids were talking about or going through – I wanted out, and I wanted out as quickly as possible. For such a supposedly progressive group of people, so many were so immature. Yet there were glimmers of hope, along with the possibility of friendship in that first semester, so when I started hanging out with my next door dorm mate I thought I might have made a friend.

He was from the south – New Orleans I believe – and he had a smooth Southern drawl and a bit of charm that matched his earnestness. Don’t misunderstandI did not have a crush, I did not have an infatuation, and it was clear that he was very straight. At that time I was still pretending to be too, with a girlfriend from high school still in the picture. He didn’t have anyone other than a semi-casual girlfriend, and he also wasn’t confident or courageous enough to ask anyone out, even if he was rakishly handsome in his way. So that left us alone, and together.

There’s no set way for how a friendship develops, particularly between two young men. A few shared walks to class, a couple of shared dinners, and the usual freshman dorm ice-breakers and monthly meetings are sometimes enough to spark it if it’s ever going to happen. Living next door aided in that too – so much of life occurs due to sheer proximity. We passed each other first thing in the morning, and last thing in the evening. In boxers and t-shirts, in glasses and mussed hair, in hope and in dread. He also had a dick of a roommate whom we all pretty much disliked, and I had a roommate who was hardly ever there (and whom I loved for it.) In some ways it was only natural that we’d become friends.

He also had a fondness for pop music and for guessing which songs would hit the top of the charts. At the time, Ace of Base was big, but the latest entry from Mariah Carey was also about to begin its Billboard climb. He was thrilled with ‘Hero’ and proclaimed it the next big smash. While never a big Mariah fan, I did enjoy the song, though I wondered if it would make it to Number One. Of course, it did. (To this day that and her Christmas song are about all I can stand.) ‘Hero’ brings me instantly back to that late fall at Brandeis, when I was first starting to awaken to the fact that I’d made a new friend. And it was a guy – a straight guy – something rather rare in my female-centric cloistered world.

 

There’s a hero
If you look inside your heart
you don’t have to be afraid
of what you are…

Now, it sounds like he could very well have stood on the gay side of the Kinsey scale (Ace of Base? Mariah Carey?) but believe me, he most certainly was not. There was incessant talk of hot girls and breasts and butts and sometimes it was all I could do to hold my tongue to stop the flow of objectification that spilled from his southern mouth. It was never mean-spirited though, and never degrading – it was simply child-like and unrefined. In short, it was the stuff of straight guys – and it fascinated me. More than that, though, it taught me that I could be friends with someone who didn’t share all my politically-correct beliefs. No one was perfect, as I was finding, and you had to take the bad with the good because sometimes it was worth it. We challenged each other, and those challenges often led right to the verge of real arguments, but in the end we could agree to disagree and still walk back to the dorm together and meet up the next morning. This was new for me.

There’s an answer
If you reach into your soul
And the sorrow that you know
Will melt away…

By November of that year, I was finally getting the hang of college life after a couple of questionable months. I’d whittled my class-load down from an initial overly-ambitious schedule to just four courses (one of which was Water Aerobics – much more inviting at the end of August than in the first chill of November). I also had two difficult science courses, the first being Astronomy (which I also took with the hope it would be an easy pass of looking at the stars, not counting on all the physics and equations involved). In addition to the math, however, we did get to go outside and look up at the night sky from the roof of the observatory building.

Around us, the campus laid in quiet wait, and in the distance the glow of Boston once again beckoned to my desire. Above, the sky opened up and revealed more of itself as our eyes adjusted to the darkness. The moon, brilliant if only halfway in light floated in a corner, while the belt and sword of Orion stood at an angle. There was a brisk wind, and we hurriedly plotted things out on paper, took some measurements, and soon were set free by the professor. I walked down the stairs and back to my dorm. The hissing of the radiator was the only thing that greeted me in the darkened room. That hiss could be the loneliest sound in the world. Outside, the branches of a pine tree shifted shadows from a streetlight. I popped down the hall to see if he was around. There was no answer to my knock, and I went back to my room. The mark of a friendship is the dejection you feel when they’re not around. I put on the stupid Mariah Carey song and smiled. Maybe a guy could be a friend and a hero and I didn’t have to fall in love with him.

And then a hero comes along
With the strength to carry on
And you cast your fears aside
And you know you can survive

So when you feel like hope is gone
Look inside you and be strong
And you’ll finally see the truth
That a hero lies in you.

For his part,  I’d like to believe that he felt similarly about me. Neither of us had a large circle of friends, and his southern friendliness was somewhat shocked by our cold northeastern indifference. We were both outsiders for vastly different reasons. He was on a pre-law track, and I was about to default to a degree in English and American Literature (hence all the science and water aerobics courses [?]) While we didn’t share any classes or interests, we had started sharing dinners at Sherman Hall, and spirited conversations that ranged in topic from Madonna to racial divides. I think each of us thought that he had the upper hand, and when that happens you sometimes create an unintended equality between friends that results in a mutual admiration. It’s so much easier to think better of someone if you actually believe that you’re better than that someone. Yet as misguided as we both may have been, that didn’t mean the burgeoning affection wasn’t real. Of course, I don’t know that for sure. I haven’t seen him in about eighteen years. Maybe he just didn’t want to eat dinner alone.

It’s a long road
When you face the world alone
No one reaches out a hand for you to hold.
You can find love
If you search within yourself
And the emptiness you felt will disappear.

In the way that it has often happened in my life, all it takes is one person – one friend – to galvanize me into confidence and serenity. Just knowing that another person out there cares, and is willing to come up to you across campus to say hello and have a chat about the day – it eases any loneliness in a way that no other source of strength can match. This was in the time before the bromance was an acknowledged part of life, a time when guys kept their distance for fear of being thought gay. It was only 1993, and it feels like a world away.

As November ripened, and we neared the Thanksgiving break, it was dark when we headed out to dinner. The first brisk days and nights that hint of winter to come are not always unwelcome, and I wrapped my arms around each other, pulling my coat close. We sat down to a warm dinner and talked of holiday plans. My drive in Thanksgiving Eve traffic would likely be just as long as his flight south. I realized then that I might miss him. I was just getting into a new way of life when suddenly I’d be whisked back to Amsterdam, to the past, to the town I’d tried to escape. He was excited to be going home, though, and I was happy for him. He missed Louisiana, he said. His friends and family. Even when it’s less than ideal, there’s no place like home. We finished our meal and dropped our trays off near the exit. Pulling our coats on, we met the night and the cold and hurried up the hill back to our dorm.

As we neared Usdan Center, the moon appeared from behind a stand of pine trees. It was glorious, almost full, and I said innocently, my recent Astronomy class still in my mind, “Hey, look at the moon,” as I pointed to the sky.

He paused in his stride and looked at me quizzically, in the way he sometimes cocked his head and questioned something I said. “You’re not going fag on me, are you?” he asked, rather seriously, and without a laugh or a smile.

Somewhere, the joy and hope I’d thought I was finding in another person froze. Something shifted right then for me, not only in our friendship, but in the rest of my world, and for the rest of my life. Something died in me. The little amount of faith I held in humanity diminished just a little bit more. And I felt someone I trusted – someone who was, or had already become, a friend – slip away. I waited for him to qualify the remark, to offer a joke or something to take away the sting of what he had said. I’d been called a fag before, and I would be again, but never by someone I considered a friend. Never someone so close.

I’m not one who usually cries, but at that moment, in the instant the words came out of his mouth, I wanted to cry. I swallowed hard instead, and then insisted of course I was not a fag, even managing to embolden the lie with a convincing laugh. I explained that I was merely commenting on the moon and what I’d learned in Astronomy that week. We were quiet for a few moments, then separated and went our ways. I think we both knew then.

The Lord knows dreams are hard to follow
But don’t let anyone tear them away
Hold on, here will be tomorrow
In time, you’ll find the way.

We had a few more dinners after that, and carried on outwardly in much the same way as before. But after Thanksgiving break, I mostly stopped going to dinner with Tony. I wanted to be alone then anyway. I was coming to terms with the fact that I was gay, and even if I wasn’t, I knew I couldn’t be friends with someone who could use the word ‘fag’ so flippantly even if it he didn’t mean it, even if it didn’t mean anything. Words matter – at least they did to me.

After winter break, when snow was on the ground and trudging through campus proved both depressing and difficult, it would have been nice to have someone to bear the burden, shoulder to shoulder, but when he knocked on my door and asked if I wanted to grab dinner, I repeatedly bowed out. He stopped knocking soon enough. When our first year was over, and my parents had loaded the last of my things into the station wagon for the ride home, I didn’t say good-bye to him. I’m not even sure where he was that day, because I had honestly stopped caring.

And then a hero comes along
With the strength to carry on
And you cast your fears aside
And you know you can survive
So when you feel like hope is gone
Look inside you and be strong
And you’ll finally see the truth
That a hero lies in you.

Somehow, I never saw him for the next two years. It’s strange, as Brandeis is a relatively small college, but I was keeping to myself, lying in wait until I could get into Boston and away from college guys who equated looking at the moon with being a fag. He may have nudged my closet door closed completely, but in the ensuing months it only made me want to kick it down more.

In my last semester, I saw him for the last time. It was at this time of the year again – November or December – and I was waiting for the commuter rail to go into Boston – where I had just moved. He was getting off the outgoing train, and I remember watching him walk down the steps and thinking I knew him from somewhere. He flashed the same puzzled recognition before we realized and recognized. We exchanged hurried pleasantries and caught up a bit. I noticed how his eyes traveled down my outfit: a velvet scarf tied around my neck, and a top coat in black wool. His gaze focused on the velvet.

“That’s an interesting… scarf,” he said with the slightest bit of derision. It looked like he wanted to say more, but he didn’t. I wanted to say more too, but I followed his lead. It was almost dark, and the wind was picking up. We said our good-byes, and when the train pulled away I watched him cross the tracks as I stood there waiting for the next train to Boston. The velvet scarf fluttered behind me as I stood facing the wind.

There comes a time when you have to be your own hero.

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