Category Archives: Cologne

A Perfect Read (And It Smells Good Too)

A vacation can be made or broken based on the books one brings along. For my recent excursion to Florida, I was lucky enough to have a great one: ‘The Perfect Scent’ by Chandler Burr. It’s a compelling comparison of the way two fragrances were made, and an inside study of the perfume industry. Aside from the subject matter (of which I am admittedly obsessed), Mr. Burr has a way of making the most complex molecular equations come to life, as he goes about the scientific and emotional pull of the making and wearing of perfume.

Since my first brush with Calvin Klein’s ‘Eternity’ in the early 90’s, I’ve always had an arsenal of fragrances on hand, ready for any olfactorial battle. I’d like to think my tastes have evolved and refined over the ensuing years. (Yes, I had my ‘Cool Water’ and ‘Curve’ moments, but there’s an easy rule of thumb when deciding on which cologne is right: if you can get it in CVS you probably shouldn’t get it at all.)

Of late, my obsession has been the Amouage line. Several years ago I tried my first sample, but I think it was too soon. I’d just gotten into the Private Blends of Tom Ford, and I was still finding my way in the fragrance world. Such development doesn’t happen overnight, and in much the same way that tastes for food evolve and change (for some of us), so too did my preference for certain scents. Now, I’m ready to give Amouage another whirl. For winter, I need something more substantial than Jo Malone, something deeper than citrus, and more resonant than a wispy floral. A Chypre or Oriental perhaps, and from the descriptions I’ve read that’s what Amouage does best.

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Not-So-Dirty Diana

The only real elegance is in the mind; if you’ve got that, the rest really comes from it. ~ Diana Vreeland

Believe it or not, I don’t pamper myself that often. It seems like I do, because those are the moments I like to write about and play up here, but for the most part my paycheck goes to the mortgage and car payments (I’m a bit behind) and food (ok, and clothing.) As for things like my Tom Ford Private Blends collection, those are mostly the generous special-occasion gifts from my husband. But every once in a while I treat myself, especially when something as pretty as this calls out my name. (Considering that no one seems to know what to get me from my Christmas Wish List, I have to take things into my own hands. It makes moving on that much easier. Besides, no one got me this, so it was a safe purchase – not that I was worried. No one on this earth knows me.)

Diana Vreeland was the arbiter of style during her famed reign as Editor of Vogue, and she had her own bold sense of fashion that went beyond what she wore and bled into how she lived. Her legacy lives on today, one of the rare fashion icons whose presence is still felt, particularly when a new line of fragrances carries her name.

I finally got to try the line at Neiman Marcus, and though a few had the requisite floral aspect that I was expecting, two carried a more masculine slant – ‘Extravagance Russe’ and ‘Absolutely Vital’. Both of those spoke to me, and I could hear the whispers of Ms. Vreeland daring me to wear one of her perfumes. I took the dare and chose the ‘Absolutely Vital’ (created by perfumer Yves Cassar.) Steeped in sandalwood, with just a shade of smoky sweetness, it’s somewhat similar to Tom Ford’s ‘Santal Blush’ but without the cloying floral aspect that Ford’s confection veers toward. Like its namesake, ‘Absolutely Vital’ is a little over the top, but that’s precisely the sort of scent I like for the holiday season.

You don’t have to be born beautiful to be wildly attractive. ~ Diana Vreeland

It matches the sparkle and sequins and holiday lights, and its sillage manages to be powerful yet elegantly restrained. It’s got flair and poise, but is well-behaved. Drying down into the mystical incense-like remains that the best sandalwood leaves behind, it is practically a religious experience. The packaging and the color of the bottles is exquisite – as bold and brazen as her infamous red drawing room in New York – each with a colorful tassel to set off additional brashness. In short, they are the perfect representation of the spirit of Ms. Vreeland: potent, vital, and with just enough power to pack a pretty punch.

“I loathe narcissism, but I approve of vanity.” ~ Diana Vreeland

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Of Fruit & Fragrance

Behold the pomegranate. I never really noticed any prominent scent from it (and I’ve done my share of de-seeding them in recent months) but the notion forms the base of Jo Malone’s ‘Pomegranate Noir’ fragrance. I have a feeling the House of Malone used the name for its image and connotation rather than any inherent perfume from its fruit, but when the resulting concoction is this good, it doesn’t really matter.

This scent is one of Malone’s stronger creations – far more substantial than the light wisps of beauty she usually conjures. That said, it’s still somewhat fleeting, requiring repeated applications, or a base of accompanying lotion to boost the lasting power. It’s gorgeous though – more rounded and fruity than I traditionally wear, but perfect for the holidays. I’m also enamored of the way the fruitiness subdues the noir aspects (I’m not a noir fan when it comes to colognes – even Tom Ford‘s ‘Noir et Noir’ doesn’t impress me much).

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Tom Ford Remixed

When one’s funds have depleted to the point where one can’t afford a new Private Blend from Tom Ford, one mixes and matches and comes up with a hybrid from what is already on hand. In this instance, I was seeking out some of his delicious ‘Oud Fleur’ without the $225 price tag, so I perused the cologne cabinet and came up with a comparable pair of Private Blends: ‘Oud Wood‘ and ‘Santal Blush’. The Oud is a classic Ford component, but I wanted to sweeten it up for the holiday season, so I added some of the ‘Santal Blush’ – and the result is pretty fantastic.

For the most part I frown upon mixing colognes. There’s too much possibility for disaster, and one never knows how those molecules are going to mingle or fight. It’s much safer not to mix and match. Some fragrances, however, are meant to intertwine, and this includes a number of Ford’s Private Blends. Being that they’re supposedly based in essential oils, they have a better chance at being compatible, and that was certainly the case with this poor-man’s facsimile of ‘Oud Fleur.’

As we get closer to Christmas, I’ll phase out the ‘Oud’ portion and stick with a few pure spritzes of ‘Santal Blush.’ It’s a perfect scent for those evenings when all is calm and all is bright.

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I’ll Tell You What I Want, What I Really Really Want

Every year I make the same vow: to finish my holiday gift shopping before December so I can simply enjoy the season and focus on family and friends. This year, I am determined to make that goal. To that end, I’ve already secured my main family gifts. Yes, I’m that organized and anal, and it’s always served me well. You may lament  or resent such fastidiousness and planning, but it makes my world a happier one.

To aid those in similar pursuits, particularly when it comes to gift giving for myself, I’m already working on this year’s Christmas wish list. To get your engines revving, and your bank account swelling, here are a few initial ideas as seen on my Amazon Wish List. Could I have made it any easier for you? Hardly. Thus far they are ranked in order of desire, but that is subject to change. In fact, this very weekend I’ll be out scoping a few of the listed fragrances to make a few final selections. Right now, Tom Ford is in the lead with his all-but-impossible-to-procure ‘London’ fragrance (to accompany a future honeymoon), but I’ve been favoring lighter scents of late, including the most recent scrumptious offering of ‘Wood Sage and Sea Salt’ by Jo Malone. Byredo Parfums have also been tickling my fancy, and I’m anxiously awaiting a session to sample their ‘Gypsy Water’ (which has so far eluded me) as well as their ‘Black Saffron‘ and ‘Bal D’Afrique.’

Wherever we may end up, it’s going to smell delightful getting there.

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The Devil May Wear It, And So Do I

When Prada introduced one of its first colognes onto the market, I drove breathlessly into Boston to purchase it. I was ready to buy it scent unsniffed, but this was my first lesson that no matter how much you may admire a brand, it doesn’t always automatically register into a love of its fragrance. As I sprayed a generous spritz onto my wrist, I instantly recoiled: it was awful. Well, maybe not awful, but awful on me, and awful to my olfactory receptors. At the time, I wasn’t ready for the complexity of such a fragrance. There is a learning curve involved in developing one’s appreciation for cologne, and at that point Prada was too much.

I revisited every new launch, but for some reason the magic of Prada always eluded me. There was something too floral about it, tinged with a chemical note that I found slightly repellant. I’m not saying they were bad, simply not suited to my taste. Yet times, and tastes, change, and the challenge of Prada that I could not quite answer years ago can be taken up and conquered now.

Pictured here is Luna Rossa – one of the new Prada fragrances. If my years of Latin are recalled correctly, I think it roughly translates as Red Moon. Perfect for a fragrance to bridge the gap between summer and fall, when the nights turn cold, and only a red moon is there to remind you of the heat that came just days before.

Part of my prior Prada reluctance was due to the fact that I was making quick decisions based on sample sticks and hasty dry-downs. This time around I boldly spritzed some on and let it linger on me for a while, and that’s when the transformation took hold. Those chemical aspects dissipated quickly, replaced by warmer shades of something richer and earthier. Spicy notes crept into the mid-section, and the evolution of this cologne on the skin restored my faith in the Prada name. Patience and perseverance are often rewarded, particularly when it comes to fragrance. For that reason, Luna Rossa may not be for everyone, but if carefully employed can be an elegant addition to a gentleman’s cologne arsenal.

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A Belated Happy Birthday to Tom Ford

In the fast-paced whirlwind of the end of August, I missed a post celebrating the birthday of one of the men I most admire: Tom Ford. My obsession with his Private Blend fragrance collection has been well-documented in these pages, and since a few have asked which ones I like best, I present my current inventory, with links to those which have been featured here:

Among these are a few extra-special favorites: I adore ‘Amber Absolute’ for its smoky amber richness, ‘Plum Japonais’ for its fruity exotic sweetness, and ‘Mandarino di Amalfi’ for its summery citrus freshness. I usually save ‘Santal Blush’ for the holidays, as it’s almost over-the-top in decadence (yes, I try to rein things in at quieter times of the year.) The more woodsy options – ‘Oud Wood’ and ‘Bois Marocain’ are more suitable for day-to-day wear, but make no mistake: Tom Ford’s Private Blends are special, so I only wear them on important days.

As for the man himself, he recently did the ALS Ice Bucket Challenge, and managed to make even that messy bit of waterlogged madness look sexy. See here:

Happy (Belated) Birthday to a master of style and scent.

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A Summer Frag

Our anniversary snuck up on us this year, so I barely have time to make a last-minute gift idea, but if my husband is reading this I’d like to direct his attention to a reasonable request found in the local Sephora. This is ‘L’Eau d’ Issey Pour Homme Yuzu’ by Issey Miyake. About a third the price of a Tom Ford Private Blend, this is more in keeping with our budget these days, and more in line with an anniversary that falls in a quieter way.

I tried it on a few weeks ago, and was going to pick up a bottle when I was in Boston last, but the Prudential Center Sephora was sold out of it. I’m not saying that folks in Boston have better taste than those in the Capital District, but Colonie Center still has it in supply. Just saying.

As for its scent, this one owes its origins and opening notes to the yuzu – an Asian citrus that formed the basis of a summer party we threw a couple of years ago. It’s the perfect accompaniment for a summer that’s still fresh.

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Tom Ford’s Mandarino di Amalfi

As much as I love Tom Ford (and clearly I do, much to my bank account’s distress) I have not found most of his fragrances befitting the lighter touch needed for summer (with the possible exceptions of ‘Neroli Portofino’ and ‘Azure Lime’ – and maybe ‘Lavender Palm‘ on cooler days.) Mr. Ford’s Private Blends are usually too strong and dark to work well in the hotter months. Luckily, he just released two cousins to the Neroli collection, one of which I purchased on the first day of our recent family vacation, just in time to wear it to the beach.

‘Mandarino di Amalfi’ retains a strong thread of Neroli, but adds notes of tarragon, bergamot, and citrus. It is refreshing and effervescent, and manages to maintain a decent sillage – no easy feat for the lighter frags of summer. Citrus is notorious for disappearing soon after it is applied, and while this does simmer down to a skin scent with a couple of hours, that’s what I look for in the heat of the season.

So enamored of this scent am I that I’m already seriously considering its second cousin, ‘Costa Azzurra’. I tried that one out as well, and it has a slightly smokier shade to it, something perfect or the end of the summer. That’s a long way off, and I am in no way going to rush through the sun and warmth, so for now I’m basking in the sparkle and glow of ‘Mandarino di Amalfi’. It’s perfect for the beach, and the aquamarine shades of an undulating ocean. In fact, those are the memories already embedded in my heart from just a few short days on the Cape Cod shore, and Tom Ford wafting through the sea breeze.

Fragrance is one of the strongest memory-triggers. One day in the future I will spray a bit of this Mandarino, and be instantly transported back to that magical time and place when I watched my niece and nephew bounding across the beach, kicking up sand, carrying seaweed, and playing in the sunshine.

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Summer by Tom Ford

If there’s one fault I’ve found in Tom Ford’s Private Blends (and there are, actually, a few – but most of them are a matter of taste) it’s that with the notable exception of the exquisite Neroli Portofino, and possibly Azure Lime, there are none that are truly summer fragrances. His touch is simply too potent, his essence too powerful. The Private Blends are a lot of bang for the buck (and given their hefty price-point, that’s saying quite a bit.) The problem comes in the heat of the season, when heavy scents are the last thing I want on my body. I want light and crisp, effervescent and airy – and that is decidedly not Mr. Ford’s way with fragrance.

That may change with the arrival of two new Private Blends that are whispered to be cousins of Neroli Portofino. As he did with his Oud collection, he will be offering two new blends in the same vein as the Neroli, and the bottles alone look worthy of purchase (in shades ricocheting off the original Neroli bottle, imitating the aqua ocean and mesmerizing like the Mediterranean sea.)

Mandarino di Amalfi sounds like the more promising of the two, featuring tarragon, mandarin orange, mint and lemon. Tom Ford finally delves deeper into the citrus grove, and I like the possibilities at hand. Costa Azzurra is the second blend, said to focus on oak, driftwood, lavender and vanilla. As with most Ford items, what’s on paper is often quite different when sampled in person, so I will be anxiously awaiting the arrival of these two lovelies, one of which may be my new summer scent. Get your olfactory engines running.

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Turning The Fragrance Clock Forward

Tomorrow marks the unofficial kick-off to the summer season, even if it has yet to feel that way. As such, it’s time to turn the fragrance clock to something lighter and sweeter – usually in the way of citrus and neroli – such as in the grapefruit-based Eau de pamplemousse rose by Hermes, or the Palermo by Byredo Parfums. I also like the lighter juniper notes of Angeliques Sous La Pluie by Jean-Claude Ellena or another Hermes classic, Eau de gentiane blanche. Tom Ford is, for the most part, too much for this heated season, but his Neroli Portofino is a summer standard, and the Azure Lime of his Private Blends line is perfectly in keeping with the citrusy softness of this time of year.

Personally, I don’t like a lasting cologne when the heat is on, but if the evening calls for it (such as Ford’s ‘Lavender Palm’ for a certain Lavender party) I’ll make exceptions. In fact, I’m providing that proviso for precisely the use of Mr. Ford’s ‘Black Orchid‘ – a fragrance that is almost too much for a summer spritz. Almost. Sometimes you need to go overboard to make a proper splash. The heat is on.

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You Smell Differently At Night

Some fragrances, like their wearers, are too moody for the daylight hours. They require a cloak of darkness to mask their sexy sillage, relying on the blackest of night to tone down their dramatic power. Such is the case with Tom Ford’s ‘Black Orchid.’ This is a dark and deep fragrance that, while originally created as a perfume geared mostly to women, has over the years become more popular with men for its musky heaviness.

Unlike the fragrances of his Private Blend line, ‘Black Orchid’ is available at most larger department stores, as well as Sephora, which makes it much more convenient for the masses. It retains Ford’s trademark edginess, however, and as such its potency may prove too much for casual cologne-wearers. This is strong stuff, not for the weak of constitution or the shy of heart. ‘Black Orchid’ blooms intensely, has a substantial longevity, and is as over-the-top as everything that Tom Ford touches. Of course, I can’t help but love it.

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An Orchid for an Anniversary

I’m a big-ticket boy when it comes to gifts. Flowers and chocolates are nice, but they’re not sufficient. However, for our upcoming wedding anniversary (May 7!) I’m going to go easy on Andy and his pocketbook – well, easy in Alan-land. Typically, I’ll drag him into Neiman Marcus or  Hermès and politely pick out a bottle of a Tom Ford Private Blend or the latest Hermès cologne.

This time around, I’m pleading for Tom Ford, but not one of the pricey Private Blends – I’m requesting one of the, ahem, mainstream fragrances: Black Orchid (which clocks in at a much more reasonable price point, and is not to be confused with Black Violet.) Up until this time, I’d ignored this one, being that it was over in the perfume section, and while I’m not averse to wearing perfume now and then, I tend to find most of them too sweet and floral for my liking. The last time I was in Sephora, however, I noticed that they had put it in the men’s fragrance section (Andy, you walk in and turn to the left wall, then go about three-quarters of the way into the store). I knew it was likely a store decision based on who was buying it, as the fragrance had been in the women’s section since it came out a number of years ago, so I gave it a try and fell in love. Maybe all these years of wearing Mr. Ford’s scents had finely attuned my sense of smell to better appreciate what I had hitherto ignored. Either way, I fell in love with Black Orchid, despite its questionable name. (I don’t know of a single orchid that’s very fragrant.)

It also has a sweet-enough aspect to make it palatable for spring – and I’m big on being seasonally appropriate when it comes to fragrance. I’ll grant you your white pants before Memorial Day nonsense if you must, but when it comes to scent, please show some sense of decency. Even with that sweetness, however, Black Orchid may be too much for many, and that’s precisely why I like it. The nights in spring are just as dark as the nights in fall.

{Available at Sephora in Colonie Center, first floor. I’ll supply a map if necessary.}

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I Love Bois

The tricky transition from February into March has traditionally been difficult to navigate as far as fragrance goes. It’s still winter, but I’m dying to break into something lighter, so the scents that worked in the fall don’t fare as well now. The heavier ones that saw us through the holidays and early winter (‘Amber Absolute,’ ‘Japon Noir’ and ‘Santal Blush’) are simply too much. We are almost, but not quite, into the early spring forest of ‘Oud Wood’ and I confess I’ve already spritzed some because I just couldn’t wait. Yet before that we have ‘Bois Marocain’. The latest addition to my Private Blend Collection, it forms the perfect bridge from the weightier winter musks to a less oppressive olfactory experience, and would also work well in fall.

Because the Private Blends are made from essential oils, many are perfectly suited to mixing and matching – something that should rarely be done with most colognes, even by the most experienced hands. In this instance, given its woody, cedar base, I like to pair ‘Bois Marocain’ with the aforementioned ‘Oud Wood’. Both have aspects that blend nicely together. Mr. Ford seems to be on an Oud overload of late, but I happen to love it, and I still want to more fully explore ‘Oud Fleur’ and ‘Tobacco Oud’.

While I’m looking forward to the new ‘London’ Private Blend, I’ve also heard whispers that there are other things to do with Tom Ford coming down the line. Now that is something that takes away the most trying of winter blahs.

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Tom Ford – London… and Beyond

Attention: Tom Ford’s latest Private Blend ‘London’ is now available in Terminals 3, 4, 5 at Heathrow Airport. Just a short while ago it was only available at his Knightsbridge store. Now, it seems to be on the slow-move across the world, and it’s only a matter of time before it reaches these shores (fingers crossed). It definitely sounds like an intriguing scent, a bit darker and less feminine than his Jardin series, and more similar to his recent Oud infatuation. As should be apparent by this third post on ‘London’,  I simply can’t wait to try this one out. Tom Ford rocks.

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