Sounding a clarion for beauty and perfume, the tropical angel’s trumpet plant (Brugmansia) was once a stalwart presence on our summer patio. After a few years, however, I got tired of lugging the large pots up and down the attic staircase, so they fell out of favor and have been missing for the last several seasons. This year, I found a large robust specimen at Faddegon’s for a relatively reasonable price (they’ve gotten way too expensive for such an easily-propagated species) and brought them back into our summer fold.
Luckily, they bloomed, which isn’t always the case with this plant. (It usually takes a year or two to get them going.) Their lemony fragrance is a delight, particularly as it ripens and becomes most pronounced as the evening progresses. It’s a magical thing when perched beside the pool on a hot summer night, emitting its lovely perfume and filling the area with sweetness. The pendulous dangling form of its flowers are just as enchanting as its scent, enthralling with their trumpet-like form, beckoning for a closer inspection like most objects of mystery and beauty do.
Their care is simple – lots of sun and heat, lots of water and regular fertilizing, and then over-wintering indoors if you’re in the brutal Northeast. I’m pretty sure they’re only hardy to about zone 8 or warmer, but I’ve heard tales of plants surviving in unheated garages. That’s too risky for a grand specimen like this, so I’ll bring it in to the basement for a change. I can usually get two or three years out of a plant this size without needed to repot – just a top dressing of new soil and some additional fertilizer throughout the year usually suffices. After three or four years, you’ll need to repot or start over again with cuttings. The latter is often easier.
The ever-eloquent Steve Barnes may have put it best: “You’d be hard-pressed to explain it to someone else, because you’re not quite sure what you’ve seen, but you know you’ve seen something worthwhile.â€
Indeed, that may be the best way to encapsulate the raw yet carefully-calibrated brunt of ‘This Is Not A Test’ – the current theatrical event put forth by Marquise Productions and running until October 8, 2017 at the Arts Center of the Capital Region. A one-clown show starring Aaron Marquise, it may be impossible to explain, and it’s one of those things that must be seen and experienced first-hand to be appreciated.
Don’t be fooled by the lack of a clear-cut narrative – this is about more than that. It’s an immersive, occasionally-interactive piece of powerful performance art. It rests squarely, and quite luckily, on the ultra-expressive shoulders of Mr. Marquise, whose physicality manages to convey trepidation, glee, anxiety, and longing in the span of a single minute. Somehow, despite the odds, he conjures the emotional heft of a full-blown show, bringing that non-descript narrative into a keenly-focused emotional pinpoint with the simple donning of a mother shoe and a father shoe, and this universal touchstone rings with pathos and funny fury.
At a time of conflict, when the threat of worldwide apocalypse hangs a little closer than anyone thought possible, this may be the only way out. Sanity through removed reality. Comfort through discomforting entertainment. As Billie Holiday coos plaintively over the scratchy victrola, our clown fades into blackness, bringing with him the light, the energy, and the magnificent madness of a world not for long. The best works of art leave the audience in wonderment – enthralled and perplexed, and always questioning what the hell happened. See ‘This Is Not A Test’ and decide for yourself – you will not go away unmoved.
With all the fucking hubbub over his ‘Fucking Fabulous’ fragrance, a new mainstream Tom Ford fragrance snuck in the back door in chic and sleek fashion. ‘Anthracite’ is the latest of his Noir line – one which has, up until this moment, failed to capture my adoration. I’m not even a fan of his ‘Noir de Noir’ from the boutique Private Blend collection, so another Noir sounded fatally bland. Still, something about ‘Anthracite’ and its relatively quiet entrance appealed to me, and since I’m in need of an office fragrance, I gave it a spritz.
Surprisingly, I liked what I smelled. There’s nothing edgy or extreme about this one, but it wisely veers clear of being too sporty and citrusy. There’s an opening of bergamot, but that quickly dissipates into pepper and woody ginger. The cedar is strong in this one, which works for the transitional fall-to-winter months. It’s got a deliciously dry midsection, which I like, befitting a martini or a vesper. It’s professional, with just the slightest hint of intrigue to set it apart from more standard fare. I also detected a pinch of patchouli that contributes a nice accent without screaming like some 60’s banshee. After a couple of hours, the spicy edge is subdued by the cedar, in the same way that the woods can be elegant in their coming austerity. The perfect set-up for the onslaught of winter.
The Boo-jolais Vampire Ball, to benefit the Alliance for Positive Health, is set to take place on Friday, October 27, 2017 – at the new Albany Capital Center. Last year brought about a reinvention of this event, in which the date was moved up to Halloween time, and the party was given a costumed spin. While I’ve always worn a costume for this event, it’s nice to not be the only one looking silly for a change. That also means I’ll have to up my sartorial game, but I’m already working on that…
On a serious note, proceeds from this event support the Alliance for Positive Health’s local services to people living with or affected by HIV/AIDS and other serious medical and social conditions. Tickets may be purchased here, and costumes are suggested. Come and see what I’m wearing! You show me yours, I’ll show you mine.
This post is for my friend Diana, who once coaxed a moonflower to the brink of bloom last year only to have it wither on the vine a day or two before blossoming. That kind of heartache is a blow to even the most seasoned of gardeners, but I’m happy to see that this year she’s had several big blooms to make up for it.
I happened upon this particularly robust moonflower vine the last time I was in Boston. Paired with a traditional old-fashioned morning glory, it makes for a full day of flowers: there are early blue blooms at the break of day, and these wonderful white beacons in the afternoon and evening.
They have a very delicate fragrance that becomes slightly more pronounced in the evening, but this is one flower that doesn’t shout its presence out with vulgar lily-like bombast. It whispers. Evokes. Sighs.
It’s difficult to upstage two dozen roses, particularly when they’re in fiery shades of orange and salmon in the hues that Ina Garten so favors. The only way is to shock and awe your way into new realms of wonderful by complementing them with an equally-striking shade of chartreuse, as seen in the pair of sweet potato vines I added to this already-remarkable bouquet.
There’s something to be said for the simplicity of a single-flower-style arrangement, especially when the blooms are super-saturated in these rich pigments. I appreciate the elegance of the notion, the way form and architecture come to greater light through repetition and symmetry. Almost anything can be made more impressive when en masse. Sometimes, though, you need a little extra pizzazz. Something that adds a sparkle and pop, the glittering cherry on a sundae dripping with sweet goodness. That finds form in the humble sweet potato vine, which winds its way through those rosy environs to set off its lime-green leaves in striking contrast. The first hard frost will instantly fell such delicate foliage; this is one way of prolonging the beauty if the weather forecasters give warning.
It was the early-to-mid-nineties. My Adult-Contemporary side was shining in full-effect. Tina Turner was singing ‘I Don’t Wanna Fight’ and I was wishing for a relationship to salvage – hell, I just wanted a relationship to begin. Billy Joel was singing about mid-life dreams too, and though I was too young at the time to get all the layers of meaning, I knew the hook of a good pop song, and the universal search for meaning in the middle of the night.
As a teenager, I used to walk at all hours of the night, traipsing through the neighborhoods of Amsterdam and seeking out solace in the comfort of strangers I never saw. I could feel them though. I felt their presence. In the glowing reflections of a television set. The shadows passing through empty rooms. The lamp on the bedside table blinking good-night.
IN THE MIDDLE OF THE NIGHT, I GO WALKING IN MY SLEEP
FROM THE MOUNTAINS OF FAITH TO A RIVER SO DEEP
I MUST BE LOOKING FOR SOMETHING, SOMETHING SACRED I LOST
BUT THE RIVER IS WIDE, AND IT’S TOO HARD TO CROSS
All those early fall nights, the sticky and hazy evenings that still sometimes held heat and wetness – through which I passed like thick syrup – wove themselves into a fading ephemeral summer blanket that I would later pick up when the wind turned colder. At the time, when the heat stuck around well past the midnight hour, I walked with the easy freedom of a northeastern summer, in shorts and a shirt-sleeved shirt, padding quietly along the sidewalks and seeking out some kind of connection.
AND EVEN THOUGH I KNOW THE RIVER IS WIDE
I WALK DOWN EVERY EVENING AND I STAND ON THE SHORE
AND TRY TO CROSS TO THE OPPOSITE SIDE
SO I CAN FINALLY FIND WHAT I’VE BEEN LOOKING FOR
The memory that accompanies this song must have occurred in my last summer at home, before going away to college. A bundle of nerves and apprehension, thrilling anticipation and vague dread, my heart was a riot. We hold such tumult in every year of our youth, and if we don’t even realize that, so much the better. I was uneasily more aware of such matters than most of my contemporaries. More serious and solemn about life. It made me as popular as it sounds.
IN THE MIDDLE OF THE NIGHT, I GO WALKING IN MY SLEEP
FROM THE MOUNTAINS OF FAITH TO A RIVER SO DEEP
I MUST BE LOOKING FOR SOMETHING, SOMETHING SACRED I LOST
BUT THE RIVER IS WIDE, AND IT’S TOO HARD TO CROSS
Thus I walked alone, and while never terribly bothered by it I sometimes wished for more. The sweet late-spring scents of perfumed trees had passed. All that remained was the ripe smell of leathery leaves, decomposing grass, and the heavy dour air that would soon be split by the first cold spell of fall.
I DON’T KNOW WHY I GO WALKING AT NIGHT
BUT NOW I’M TIRED AND I DON’T WANT TO WALK ANYMORE
I HOPE IT DOESN’T TAKE THE REST OF MY LIFE
UNTIL I FIND WHAT IT IS THAT I’VE BEEN LOOKING FOR…
Mother Nature has taught us some valuable, and brutal, lessons this year. The first of which is rather simple: don’t fuck with her. I was psychologically ready to turn the page to fall and snuggle into some cozy nights with cool air, but she wasn’t having any of it. Not yet. She doesn’t care what the calendar says or where your mind might be at – she was going to pump up the temperatures like it was July. Yet she did throw us a tantalizing preview, and as I drove through a rainy band of hurricane remnants, I felt the faint thrill of a fall chill last weekend in Boston.
With schedules that don’t quite seem to align, Kira and I haven’t been able to spend as much time as we usually do together, so this marked the first chance to see her in a couple of months, and the last (based on the filled calendar for the next two months). We made the most of it, starting with a late night meal at The Elephant Walk (Boston, you still go to sleep much too early for a Friday). The night felt like fall, and I’d neglected to look at anything other than the 80 degree sunny weather set for Saturday and Sunday. The sky was filled with moisture, as if we were caught in a cloud. Mist and rain swirled around us in the wind, making umbrellas useless (had we thought to bring one along). I embraced it. I will never complain about summer lingering, but I also love the first cozy jolt of fall. We had that, and after we made our way back through the seasonally-appropriate night, we brought out the sumptuous winter blanket to stave off the chill.
The best atmosphere for sleeping is a night of coolness with a wind whipping about to rustle the curtains a little. There was still enough warmth to leave the windows open but on this first day of fall the new season was poised to pounce.
That never happened. We awoke to a bright day. The early chill of the morning quickly dissipated, but not until we stopped for the first pho of the season. I’d only brought shorts, so I was ready for the bowl of spicy goodness. By the time we finished, the sun was out and the sky was blue. It felt like summer again. Downtown Crossing has come a long way in the past year or so, and new hotels and restaurants and simple sitting spaces were on beautiful display. We vowed to make it a prominent part of our Holiday Stroll this year, if we could ever find a time to do a Holiday Stroll. Life impedes on so much fun these days.
I’m rambling on, and running ahead like I usually do, and that’s not good. Fall has only just begun, and Mother Nature reminded me that she will not be rushed. The day turned hot and humid. It was the exact lesson I needed, and a perfect extension of a summer in which I didn’t get to spend much time in Boston. We embraced the heat, leisurely strolling to a late dinner at Aquitaine. (Their Saturday Boeuf Bourguignon special is divine – meat so tender it melts in your mouth after you slice through it with the dullest fork.) Walking back, we took our time, basking in the balmy weather. I paused a few times to stand beneath the shimmering leaves of trees that will be bare the next time we pass under them. There was a certain sadness to that, but the fullness of the moment was enough to see us through.
Don’t hate me for the profanity-laced title of this post, nor for any of the ‘fucking’s that are about to follow. Blame it on Tom Ford, whose latest limited-edition Private Blend just stomped all over his recent fashion show with its none-too-subtle name: Fucking Fabulous.
If ever there was a fragrance to buy without sniffing the contents first, it would be this one, but I’ve already tempted fate with his exquisite ‘Oud Minerale’. While that worked out well, one doesn’t risk it a second time – not for $310 a bottle. For that price point, I need to try it on and see how well it lasts, what the dry-down might be, and whether my Private Blend shelf can handle one more bottle (no matter how stunning the black matte flagon and brazen name might appear).
The reviews I’d seen early on were not for the fragrance itself, but for the name, and such hype is what has driven Tom Ford from the beginning. Ever since that groundbreaking first full-frontal male nudity ad for his stint at Yves St. Laurent through to his sweaty crotch-nestling work for his own cologne, Ford is a master of straddling the border between tasteless and tasteful. Some folks are crying vulgar foul, some are crying marketing gimmick, and some are crying for sheer joy over the tonka bean opening. I need to try it on to form my own opinion, and then I need to sell a newborn or something.
There’s nervousness and excitement in the air – it’s like the first day of school and the opening credits of ‘The Devil Wears Prada‘ all in one – and as tribute to that anticipation, let’s put a proper soundtrack into the background of this post: ‘Suddenly I See’.
Every new school year was a chance to premiere a new persona. Back then I cared less for such opportunities for transformation; I was more worried about whether I’d get the same lunch hour as my friends, or whether somebody would scream out “faggot” as I walked by. The chance to be someone new and start all over again was something I wouldn’t appreciate until much later, but the nervousness of being the new guy is something that we all experience at one point or another.
That’s also when I tend to make the most lasting memories. Trauma does that. In a heightened state of awareness, the minutes seem to elongate and stretch out into a first-day-of-forever. I can recall almost every first day of a new job, even if I can’t remember the last.
I still remember the first day of my New York State career. It was at the Department of State, and I was hired as a Grade 5 Data Entry Machine Operator. I had no idea what it meant to be a state worker (some days I still don’t). All I knew was that I needed a job that had benefits and retirement and all sorts of accompanying bells and whistles, so I took the first one that was offered and found myself in the elevator of 40 State Street, riding up to the fifth floor. It was August of 2001, just a few weeks before 9/11 would change all of our lives, and all my worries pooled in that single elevator ride. I did what I always do in times of worry and doubt: I took a deep breath, squared my shoulders, and channeled Madonna, picturing her entrance to the ‘Drowned World Tour’ in which she greeted a hungry audience that hadn’t seen her perform live in eight long years. Raising my chin and erecting my posture, I stood tall in that elevator – at least as tall as my short frame could stand – and when I stepped onto the floor of my new job, I put on the guise of self-confidence, forced a smile, and faked it until I made it.
On all my first days, I’d invariably have a moment of doubt, when I freaked out a little and wonder if I’d ever make friends or be at ease simply walking through the office. And I would do the same calculation in my head – the comfort calculation – when I’d try to remember how long it took me to feel at home in each new position. It averaged out to about eight weeks. If you can last eight weeks, you can last any number of years. That was always the turning point – by then I’d have made a few friends or at least people around whom I could be myself and not worry about being ridiculed or ostracized. Isn’t that everyone’s worry underneath it all – the notion that we might not be accepted? Some of us are more frightened of it than others. I pretended not to care, and eventually it came to be. But not in those early days.
At the end of my first day, sitting at my desk, I examined the stark little cubicle. A corner of dusty wires hid behind the computer screen. A container of pens stood beside the phone. The calendar marked the end of August and the start of my state career. I would only stay at that department for a few months before taking a promotion, and I would do that over and over until settling into a career in Human Resources. Every time I took a new job, I felt the same doubt, fear, hesitancy, and excitement – along with the promise of something new. Every fall the feeling returns – and a chance to start over again is born.
Good evening! Welcome to the first night recap of the previous week of posts – truncated since we only just returned to blogging this past Friday. I’ll keep things short and sweet before breaking for a couple of days, as explained in this trying bit of logistical dreariness. Sweet dreams until Thursday…
I suppose we should go back to the last post of the summer, just to offer a bridge to where we are now. My return to blogging was bookended by ‘Dear Evan Hansen’, which I have yet to see, but the music speaks volumes for itself, particularly its take on friendship.
“The hardest thing to govern is the heart.” ~ Queen Elizabeth
There was only one thing that really made me want to break my blog silence of the summer, and that was this animated short of blossoming love. Oh how I wish I’d seen this when I was a kid. It gives perfect representation to all the heartaches and heartbreaks I’d put myself through, but it gives a glimpse of hope and a slightly happy ending that was mostly missing from my younger years.
Most of us, if we’ve been lucky and brave, have experienced the kind of fear, exultation, joy, and terror involved in falling for someone. That they may or may not feel the same is one of life’s great thrills. No matter which way it’s gone in my past, I’ve never regretted any of it. I would give my heart willingly all over again because there is something noble about loving another person. It is one of the gifts of being human, of being in this world, of being part of something.
After enjoying this summer’s sabbatical from everyday blogging, I realized the importance and need of a break from such an incessant posting schedule. We used to do a Monday morning recap of the week that came before, but come Monday afternoon I was already posting a new set of entries without a moment to breathe. My life takes place largely off-line, believe it or not, and I want to get back to that, so I’m establishing a new posting schedule – to which I may or may not adhere (depending on any number of moods).
The first change will be shifting the Monday morning recap of the previous week’s posts to Monday night. Second, and more importantly, I’m incorporating my own little “weekend†break on Tuesday and Wednesday – which means this blog will go dark for both those days. (Absence makes the heart grow fonder.) It also affords me some recharge time to keep things interesting; I abhor filler posts, and I’d rather not say anything at all than fill this space with nonsense simply for the sake of routine. Besides, the moment something becomes an obligation is the moment it loses much of its charm. I’m not quite ready to erase that kind of enchantment. This is a labor of love.
For those who have missed the cheekiness that this site once afforded so abundantly, here’s a glimpse-filled post featuring some nude male celebrities in motion, with the naked likes of Chris Evans, Russell Tovey, and Colton Haynes.