Category Archives: Tom Ford

A true classic never goes out of style, and Tom Ford’s first mainstream cologne (named, simply, ‘Tom Ford for Men’) remains one of the few fragrances I’ve ever brought more than once. I returned to it again recently, after running low on ‘Tom Ford Extreme’ – and even though I do prefer the latter for its richer and deeper resonance, the original is perfect for everyday office wear, or a casual Sunday brunch in the fall.

As sacrilegious as it may be to say, there’s something in it that reminds me of my Dad’s Old Spice. In its porcelain white bottle and old-school stopper, Old Spice was the first cologne I ever smelled. It barely influenced me one way or another as far as colognes went, so harmless and generally inoffensive was its tried and true formula. My mother’s perfumes were more interesting to my budding olfactory senses.

Ford employs a similarly spicy theme, then elevates it as one would expect from such a master of style. It’s got a slightly brighter opening, with elements of citrus that lead the charge, then settles into a spicy but light musk. Elements of Black Orchid emerge and carry it through the day, yet it’s not quite as loud as that infamous stomper. Never overbearing, but never completely silent, it makes its presence known without having to shout. Many of us, myself included, could learn from such quiet command.

While his exquisite Private Blend Collection is something I save for special days, sometimes you just want a simple, low-key fragrance for those in-between moments that comprise the bulk of daily life. Tom Ford consistently proves that the daily doesn’t need to be the mundane.

Whispers had it that upon the launch of his Private Blend series, Tom Ford favored the dark and decadent thrill known as Japon Noir, and that he regularly wore it himself. It’s very much a head-turner, and as one of the most hyper-masculine entries in that original PB series, it stood on its own at that end of the fragrance spectrum.

Japon Noir opens with a bang- an oriental with deeper elements of leather and pine resin – but calms down after an hour or so into something slightly sweeter. An edge of incense runs through its trajectory, lending warmth and a slight smokiness to the proceedings. It holds onto this to the end, which comes a little sooner than I’d like, but for such a powerhouse opening it would be all but impossible to sustain.

This one has been discontinued for a while now, but I was lucky enough to grab a bottle before it disappeared completely. It’s the perfect fragrance for the month of November, when things suddenly go dark and gray, and the only thing that gets us through the doldrums is an inspired spritz of something sophisticated and somewhat smoky.

If I have an obsession, it’s with fragrance, but compared to other obsessions (crack, heroin, luxury cars, gambling, Louis Vuitton) my cologne fixation has yet to ruin any lives. If anything, it improves things ~ our bathroom smells sweetly at all times. Still, seeing the long list of fragrances which I have amassed over the years does give me pause, and for now I’m doing just that: taking a pause in the cologne collection, and a look at what currently resides on the Tom Ford shelf of my cologne cabinet.

• Amber Absolute ~ A favorite that was mysteriously discontinued before being brought back when someone realized the mistake. I’m told the second version is slightly weaker than the first, so I’m glad I got part of the first batch because it’s a whopping stomper of incense and warmth and all the best parts of fall.
• Arabian Wood ~ An Oriental wood that smolders with old-world elegance.
• Bois Marocain ~ Dry and decadent, with the faintest wisp of the woods.
• Costa Azzurra ~ Offspring of the Neroli collection, this slightly smoky citrus is ideal for summer nights.
• Japon Noir ~ Sadly discontinued, this is a dark and slightly spicy oriental that burns with masculine elegance. Ideal for late fall nights.
• Lavender Palm ~ The dryness of this lavender-based floral is what keeps things interesting, with just enough edge to lift it out of the musty verge.
• Mandarino di Amalfi ~ Another off-shoot of the Neroli collection, Mandarino is a bright citrus that sparkles with memories of the sun and the sea. (I purchased it while en route to a Cape Cod summer vacation, and it remains heartwarmingly wed to that sunny beach memory.)
• Neroli Portofino ~ The original summer scent for the Private Blend collection, this remains a bright classic, spawning several cousins (as seen above). It’s all about the Neroli here, but that’s one single-note scent that I don’t mind.
• Oud Fleur ~ As he did with the Neroli line, Ford saw fit to take the seminal ‘Oud Wood’ (seen below) and craft a couple of variations, including this gorgeous rose-tinted floral, whose smokiness lends it the gravitas to put over an otherwise-traditional rose.
• Oud Wood ~ A classic oud fragrance ~ woody and intoxicating with more than a little wordly sophistication ~ it’s a rare cologne that works at almost all times of the year, perfect for the office but equally adept at strutting itself in fancy form for evening events at the turn of a shoe.
• Plum Japonais ~ Ford’s Orient line was hit or miss with me, with two of the four being big winners, and two not so much. My favorite, perhaps of all Private Blends thus far, is the Plum Japonais, which gives a sultry glow to the tempered sweetness of the plum.
• Rive d’Ambre ~ A golden orange orb of spicy, fruity lusciousness, it’s a deep summer bit of enchantment.
• Santal Blush ~ Another fragrance bound to a happy memory ~ the holidays at home. It was a Christmas present from Andy, and I only wear it around the holidays, so it retains that special sheen. Ford’s glittering voyage of sandalwood is a soapy treat of smooth sweetness.
• Soleil Blanc ~ An impulse buy for a summer beach jaunt, Soleil Blanc turned out to be one of my least favorite Private Blends, perhaps because of such limited wearing options. It’s a floral coconut that basically turns into the (very expensive) remnants of a standard suntan lotion.
• Venetian Bergamot ~ I love bergamot in any way, shape or form, but this gives it a subtle twist that makes for a perfect late summer/early fall bridge fragrance. The freshness is subdued here, even with a floral tweaking that almost sends it into perfume mode.
• Vert D’Encens ~ My latest acquisition, I simply couldn’t resist this delicious green take on incense from his Vert line. It begins in bold fashion, but calms down like a pile of burning embers. A second pulse of grassy green breathes life into the trajectory, and then it all dries down to heliotrope and honey, which is every bit as delicious as it sounds.

That’s enough for now, and it really should be enough forever, but just when I think I’m done he comes out with something spectacular. Lately, my love is burning for the leathers ~ Tuscan Leather and Ombre Leather 16. I’m hoping the samples I have will give me the fix I need. If not, that’s what holiday wish lists are for.

Inspired by his recent runway show, Tom Ford has a new leather fragrance out – ‘Ombre Leather 16’ – and it’s a doozy. One of the first Private Blends he ever released was ‘Tuscan Leather’ – a potent beast that I despised for a few years before coming around to its smoldering, dark beauty and delicious dry-down. Which brings me to the dilemma of the day as I seek out a leather fragrance: do I go with the ‘Tuscan’ or branch out to the lesser-known ‘Ombre’? This past weekend I had the opportunity to try both, but rather than sort things out, it only intensified the debate.

‘Tuscan Leather’ was the flagship of the Private Blends when they made their debut. The ultra-luxe line offered a niche for those looking for something exceptional – in quality, sillage, longevity, and, of course, price. Each was a decadent treat, and while a few soon fell by the wayside (‘Purple Pachouli’ and ‘Moss Breches’) about half remain in circulation (and some such as ‘Tuscan Leather’ and ‘Oud Wood’ are gloriously timeless).

The new ‘Ombre Leather 16’ actually opens with a bigger leather burst, and it’s a bit drier than its ‘Tuscan’ predecessor (which appeals to me as we head into fall/winter). However, the ‘Ombre’ dry down becomes something more delicate and soft, while ‘Tuscan’ powers on with its leather kick for a bit longer before softening into a well-renowned raspberry musk sweetness. The bad news for my wallet is that each is beautiful in its own right, and distinct enough to stand alone. Which leaves me in a pickle. A deliciously-scented pickle.

Thanks to the kindness of my Tom Ford experts, however, I have a couple of samples to see me through the decision-making process. These things take time. These things must be done delicately…

With his new Vert line, Tom Ford is dipping his fine feet into the pool of green with a quartet of Private Blends that highlights all things herbal and verdant. (Yes, it’s a quartet, much to the puzzlement of the Saks Fifth Avenue sales associates, though only three are currently available stateside.) Out of those three, one spoke to me in the language of beauty and refinement that only a Tom Ford Private Blend can speak: Vert D’Encens. A green incense at a most opportune moment: as a bed of copper-colored pine needles grows beneath the trees, the dry days of summer burn into fall. This scent captures the moment and adds just enough sparkle to see it through to the magic of the holiday season.

Opening with a bright and brash splash of pine, and a smoky edge of incense, this is seriously deep into the forest, where a rising plume of smoke from a stained-glass church lends warmth and comfort to the herbaceous elements. It is a lovely and rich crux of where humanity and nature meet. Once the pine recedes a bit, the incense smolders like it’s some high holy week.

Bits of freshly-cut grass suddenly, pleasantly, and unexpectedly poke through the smoke, reminding of the green that marks its first name. After this magical moment the heliotrope begins to bloom. The sweetness of that, which sometimes veers too dangerously close to vanilla for my liking, is here an integral part of softening that pine resin and smoke. The beautiful battle among them wages deliciously for a good hour or two, before a sweet reconciliation that carries a few hours longer.

By the end of the day, a sweetly delicate musk ensues, as if one has been witness to a glorious autumnal bonfire, and a gentle, glowing bed of embers is all that remains. This is the antidote to any apprehensiveness regarding the arrival of fall. Let it embrace and warm you.

After his summer re-tread of all things Neroli, Tom Ford is back in my good graces with his trio of new Private Blends. While there are actually four fragrances in the new ‘Les Extraits Verts’ line (Vert d’Encens, Vert de Bois, Vert Bohème and Vert de Fleur), only three are currently available stateside. Here is the literature on the new line, followed my first impressions of the three at hand.

Vert d’Encens ~ “Sophisticated, aromatic and wild, Vert d’Encens is a whole new concept for an incense fragrance, inspired by the rugged Mediterranean coastlines of Corsica. Incense, so long the domain of austere, church-y scents or lavish Middle Eastern fantasias, is combined here with intense green notes and resinous tree sap for a bright, bracing and expressively textured burst of naturalistic character.” With pine resin, tree sap accord, fir balsam, incense, heliotrope and boxtree oil.

Vert de Bois ~ “Unique and provocative, Vert des Bois represents a new evolution for green scents- a refreshingly avant-garde combination of woods, aromatics and florals as distinct as it is versatile.” With spiked ouzo accord, poplar buds, olive tree leaves, lentisque resinoid, roasted tonka and patchouli.

Vert Bohème ~ “Fresh, green and entirely free spirited, Vert Bohème sparkles like an emerald on the finger of a dynamic young artist idling away a sunlit afternoon.” With galbanum, mandarin, magnolia, honeysuckle, violet leaf and gustavia superba.

Vert de Fleur ~ “Private Blend Vert de Fleur strikes an alluring note on the definitive theme of 70s glamour. Refined with a modern flourish of iris and hyacinth, Vert de Fleur is Tom Ford’s floral subversion of classic green and captures an exuberant scene where beautiful icons with inimitable personas uncover a new world of pleasure.” Additional notes include galbanum, neroli, bergamot, basil, jasmine, rose, orange blossom, vetiver, patchouli and oakmoss.

As mentioned, the Fleur is not yet available here, and it sounds little too floral for my liking anyway, so on with the three Verts that held the most promise. I’ll begin with my least-liked to most-loved, with samples provided by the lovely Ann at Neiman Marcus (the stingy associates at the Boston Saks Fifth Avenue only allowed me two of the three samples, in spite of all the bottles I’ve purchased there).

• Vert Bohème is quite floral itself, and as such it turned a little too sweetly for my taste. It also had little to no staying power, a sin when attached to such a price point.
• Vert de Bois is reminiscent of the defunct Italian Cypress, with a pervading jolt of patchouli that’s not at all offensive in that sweaty 60’s way. There’s an interesting mid-section in which it dries down to a powerful twin of Thierry Mugler’s popular Angel, before dissipating into something more subtle. The opening is a little too chemical for my taste, but the pine does its best to temper it, and in the end is successful.
• Vert d’Encens is the Tom Ford Private Blend I’ve been waiting for since the luscious Plum Japonais. This incense-like dark prism of gorgeousness smolders with a smoky edge – echoes of the amazing Amber Absolute are in subtle effect – but it is softened with an unlikely violet thread of heliotrope, lending it further jewel tones and sparkle. As an early birthday present, I bought this one for myself. Sometimes something so beautiful demands such self-indulgence.

White hot.

Bright sun.

Summer sizzle.

Leave it to Tom Ford to sneak into the summer fragrance scene with a classic echo of coconut and suntan lotion in refined and elegant form. Soleil Blanc is his take on a white powder beach, and it’s absolutely radiant.

The latest offering from the decadent Private Blend line is a scorcher that subliminally smolders instead of burning intensely. While his Portofino collection keeps things cool and crisp with its citrus heart, Soleil Blanc is a sizzler of a different sort. Coconut imbues the proceedings, but there’s a slight sliver of smokiness to this as well, because summer ripens into such a thing at its apex and again at its end. The most fleeting wisp of musk grounds the proceedings, but it’s barely noticeable. Bergamot keeps everything tidy, and the tinge of amber lends it a warmth that mirrors the hot days.

So many of Ford’s Private Blend line can read dirty ~ in the best and most interesting way ~ but this is one of the cleaner scents. There’s still an edge to it, but this one can go on summer mornings or summer nights and be equally compelling at both ends of the light.

Longevity is a few hours, typical of many summer frags but slightly disappointing in a Private Blend that holds its price-point so high. Still, worth a reapplication and a spin along the shore if you need an extra jolt this season.

“In most other areas of the luxury market, instant gratification has also become part of the luxury experience. In fact, the ultimate luxury now is to not have to wait at all. It is a romantic notion to think that people want to wait for things and anticipate them, but I’m afraid that no one really wants to wait for anything anymore.” ~ Tom Ford

It’s never too early to be thinking about summer. Sometimes, it’s the best way of getting through the winter. As such, when a few new Tom Ford fragrances were recently announced, I was giddy with daydreams of summer mornings, lazy afternoon swims, and sultry, languid evenings. The most promising is a new Private Blend ‘Soleil Blanc’ – which I had a quick whiff of a few weeks ago, but didn’t delve too deep as it reeked of summer and coconut oil and I didn’t want to spoil it with a winter memory. Scent is powerful that way and is often said to be the strongest memory-trigger. ‘Soleil Blanc’ is the aptly named white sun of summer, and though I’ve never been very keen on coconut, this one may make it into my beach vacation repertoire. (Clearly a beach excursion is required this year.) It is said to dry down with an underlying amber glow, which brings it into closer proximity with ‘Costa Azzurra’.

The other new ones are in the Portofino line, something that’s on the verge of being overdone. It’s definitely his most accessible of the Private Blend offerings, but the Private Blend line has, for me, remained special because they are so often dark and complex, and not the usual light-hearted citrus-fare of so many colognes. Don’t get me wrong – ‘Mandarino Di Amalfi’ is exquisite, and come June I will be bathing in it daily. But for a Private Blend I prefer things a bit more off the sand-beaten path.

At any rate, it’s fun to fantasize about the sunny season, and these next few weeks are when we all get a little antsy for a shift out of winter gear. I can’t think of anyone better to lead the way than Tom Ford.

As if by divine intervention, the latest Tom Ford Private Blend was available just in the nick of time for my birthday this year, so on the actual day, Andy and I made our way to Saks to find the newest release, ‘Venetian Bergamot’. I was ready to buy it sight unseen, given my love for bergamot and Tom Ford, but I was lucky enough to get a sample beforehand and it was just as luscious as expected.

‘Venetian Bergamot’ is definitely a summer fragrance, but one that can linger through the hotter days of fall. In that respect, it’s a stellar bridge cologne, and one that works in many moods or seasons. In addition to the gorgeous bergamot, there are delicious notes of black and pink pepper, ginger, ylang ylang, magnolia, gardenia accord, cedar, pepperwood, sandalwood, tonka bean, amber and cashmere accord.

For me, the dry down is quite reminiscent of the beautiful ‘Champaca Absolut’ – one of the Private Blends I’ve teetered on the edge of purchasing, but always pulled back because it slides just too far into the floral side of things for my liking. ‘Venetian Bergamot’ solves that problem perfectly, veering into the woody realm rather than the floral scene, and I absolutely adore it. It leads stunningly well into the August/September frags of Rive D’Ambre and Plum Japonais, and now it will always bring back memories of my 40th in Boston.

The literature for Tom Ford’s Private Blend ‘Oud Fleur’ was typically over the top and deliciously dramatic:

Noble. Luxurious. Distinct. Oud Fleur eau de parfum by Tom Ford unfolds like a brocaded silk damask of two deeply iconic Arabian ingredients: Rose and Oud Wood. The gloriously rich and aged complexity that makes oud the most prized and noble wood in perfumery, is contrasted with a symphony of rose effects orchestrated to capture every dimension of the flower.

Of course, I had to have it (even if I didn’t expect to have it quite so soon, and in such happy fashion). This is a scent that seduces. When it was first released, I was on a bit of an oud overload, so ‘Fleur’ and its sister ‘Tobacco Oud’ were put on the back burner of my mind. Since that time I’ve tried it on a few occasions and smelled it on a few people, and it’s become one of my favorite Private Blends.

The overpowering and underlying scent lines are very much constructed of oud, but intertwined indelibly, and brilliantly, is a thread of resonant rose notes that rings gloriously of rich, smoky floral spice. Some of Ford’s florals I find problematic, but this one works on every plane, and positions itself smack-dab on the crux between masculine and feminine. (I know that crux. I love that crux.)

It is the perfect fragrance for greeting the spring after a gray winter. It holds onto a wisp of smoky winter air, then takes flight on the wings of a rose-laden breeze. It’s got some strong staying-power as well, justifying its Private Blend price point both in beauty and duration.

All idols stumble at some point. Even Madonna makes mistakes. Most of the time when it happens, those blips are just as fascinating as the hits, and in the case of Tom Ford it’s more of a matter of taste than a god-awful move. Case in point is his Jardin series. It was the first Private Blend series in which I found not a single scent to love. The closest I came was ‘Ombre de Hyacinth’ which took one of spring’s seminal scents and turned it on its floral head.

This was the least feminine of the group, which also included ‘Café Rose’ – obviously a dose of rose, ‘Lys Fume’ – his twist on the lily, and ‘Jonquille de Nuit’ – his take on the jonquil. As much as I love his stuff, Ford’s florals are where we usually part company. His ‘Tobacco Vanille’ is too cloying, and his latest ‘Fleur de Portofino’ skews too old-lady for someone who traditionally embraces my old-lady-ness to an extreme. ‘Ombre de Hyacinth’ totters on that floral edge, and for the price point of a Private Blend there can be no teetering. Or tottering for that matter.

Instead, I’ll cling to my precious sample, dabbing it on when I’m feeling like a bit of heady hyacinth cloaked in the darkly gorgeous rendering of his olfactory madness. For my taste it’s a bit of a mess, but a mess by Tom Ford still manages to be a thing of beauty.