Category Archives: Music

Softly by the Soup Dragons

My brother and I never shared a taste in music, though our musical preferences occasionally dovetailed. He was, in fact, the one who got Madonna’s ‘True Blue’ album first. I hadn’t come around to her completely just then, if you can imagine. Every once in a while I’d venture into his room when he was out and find some jewel of a song among the rap and hardcore bands he favored back in the late 80’s and early 90’s.

I was attracted to the colorful, psychedelic cover of ‘Lovegod’ by The Soup Dragons and its lead-off track ‘I’m Free’ – and when I delved a bit deeper I fell in love with the fourth track, ‘Softly’ – the requisite slow-burner on every rock band’s album. (Remember ‘More Than Words’?)

Figuratively, my brother had already left the nest, always a little bit ahead of me, a little braver in some ways. He went out all the time, to God knows where and with God knows whom, while my family pretended not to fret and worry, and maybe they really didn’t. I would wander into his room, where the afternoon sunlight was strongest, and sit on the floor, listening to the few good songs I could find there, watching the dust drift slowly through the air, and waiting for my moment to fly.

It was spring. The earth was about to crack open, spilling a winter that would finally melt away, melting a heart that would finally thaw from its frozen limbo.

ALL I WANTED TO
WAS TO BE WITH YOU
TO LIVE INSIDE YOUR HEAD
AND TO KILL YOU DEAD
EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE

Who could tell why I was so consumed by this song? I’m not so sure I could have put it into words myself, not then and probably not now. As it stands, I’m struggling just writing this post. There are days when the words don’t flow, when they don’t automatically assemble in a structure resembling sense or order.

It was the time of my life when I felt poised for something grand, when hormones were raging, and I wasn’t even sure where to direct my desire. I just knew that I felt something – a longing, a pull, a hesitancy, a thrill – and somehow in this simple set of chords I also realized that love might never come easily to me, that it might be the knife sheathed in something seductive and pretty, ready to draw blood, ready to draw venom.

WHEN I CUT MY HAND
AND I BREAK YOUR HEART
AND I MAKE YOUR LOVE
JUST FALL APART
EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE

Dorothy Parker once wrote a delicious poem about how breaking a heart is sometimes worse than having your own heart break. It would be lovely if that were true. I’m not so magnanimous to have ever felt that, however. Being on the receiving end of heartache would always prove more sorrowful. There is clearly more work to be done on my behalf. And while I wait, this song drones on in the background, reminding me of a different time, for better or worse…

AND EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE…
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A Little Love Song Called Wonderland

ON A BLUSTERY WINTER DAY
ON A CROWDED UNDERGROUND TRAIN
WE HAD THE NUMBERS
HOLDING THE CARDS CLOSER THAN EVER
YOU COULD AVOID THOSE EYES FOREVER
IF YOU JUST TRY IT
LOST TO THE CITY
WILL I EVER SEE YOUR FACE AGAIN?
LOST TO THE PARTY
IT’S A WONDERLAND WE’RE LIVIN IN
AND I’M NOT SAYIN’ I’M WAITING FOR A STAR SIGN
BUT YOU ARE ON YOUR WAY TO BEING LEFT BEHIND… LEFT BEHIND… LEFT BEHIND

Not because it’s Valentine’s Day, not because of any trite or silly romantic notion of the emotion, and not for any contrived message of mucky emotional import, but only because every day is a day worthy of celebrating love, in all its forms. And I happen to love this song. It’s a lovely reminder that sometimes going through life is much better when shared along the way. It doesn’t have to be about extreme passion or die-hard loyalty or the perfectly idealized soul-mate. It’s about going through life with the person who may or may not be the man or woman or non-binary person of your dreams but who might be compatible and caring and kind. We may never understand how the world works, but everything is easier when there’s someone to hold your hand during the difficult times, or simply sit beside you. Especially in the winter.

FEBRUARY RAIN IS WASHING ALL OUR DAYS AWAY AND YOU FEEL TIRED
AND THE PUDDLES AT YOUR FEET SHINE THE TRAFFIC LIGHT
WISHES THAT YOU KEEP AND YOU FEEL LUCKY
WE COULD BE LIONS AND I’D PROTECT YOU IN OUR DEN
WE COULD BE POLAR BEARS AND I WOULD HUNT YOU ‘TIL THE END
AND I’M NOT SAYIN’ I’M WAITING FOR A STAR SIGN
BUT YOU ARE ON YOUR WAY TO BEING LEFT BEHIND… LEFT BEHIND… LEFT BEHIND
FEEL LIKE THE WORLD IS ENDING AND I’M WITH YOU AND I DON’T CARE…
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Sparkle, Gleam and Ooh La La…

DON’T WANT IT BAUDELAIRE, JUST GLITTER LUST…

It seems incredulous based on history and previous traditions, but this site is in need of some sparkle and pizzazz. I’ve tended to traffic in such enchantments to an extent that when a period of serious posts and contemplative quietude occurs it gives off the notion that the blush is off the rose, that fun is off the table, and glamour is gone for good. Not so, not so, not so.

I can still shine.

I can still sparkle.

I can still put on the showiest of shows.

We may be battered and bruised, we may be downtrodden and blue, but the heart of a chameleon remains pure. A trickster has survival instincts that run deep. Those instincts are instrumental in making a new way for oneself when the old avenues are closed down and not navigable. A proper trickster will always find a way, in our mercurial magic and transformative nature. There’s nothing wrong with dressing up our journey with fancy finery in the process, or thrilling our companions with bejeweled glory. To catch the eye is an art form. It takes a certain kind of sorcery. Those who make the attempt to marvel do so at great risk. The rest of the world loves to see a misstep or a fall. There are those who will always revel in the misery of others. I don’t care to figure out why.

Let us instead do our best to shine.

Let us brush off our imaginations and return to the land of unabashed play, where fantasy and make-believe and magic prance like pink ponies, and flowers and feathers fall from branches cradling drops of sunshine. Where the sky is always blue, when it’s not eavesdropping and cloaked in black to better see the dancing moonbeams.

The best way I find to conjure such enchantment is in getting all gussied up and decoratively decked out. At its best, it’s life-affirming, at its worst it’s frivolous, and whether best or worst it’s entirely harmless and far better than any number of vices. From your head down to your toes, from your fascinator to your velvet shoes, and every shade of Tom Ford in between, you still have the power to enthrall.

The possession to fascinate.

The wherewithal to survive.

The frivolity to enchant.

The charm to sparkle.

Here, now, is a song to help you channel your own fabulousness. It’s like ooh la la la la…

I WANNA LOVE SOME MORE
I’LL NEVER BE THE SAME
A BROKEN HEEL LIKE A HEART
I’LL NEVER WALK AGAIN…

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I Will Share This Room With You

Certain songs are like elegies, for those moments when there’s nothing left to say. We listen to their sadness and try to make sense of the sorrow, but there is no answer or solution to loss and grief, only bottomless depths of more. Perhaps there is comfort in company; quite often there is not. That doesn’t mean the effort is in vain.

When the loss is not by death or force, when the loss of someone from your life is by choice, sometimes that’s even harder to take. And when you’re the one to go, sometimes another’s heart is harder to break.

IN EVERY HEART THERE IS A ROOM 
A SANCTUARY SAFE AND STRONG
TO HEAL THE WOUNDS FROM LOVERS PAST
UNTIL A NEW ONE COMES ALONG
I SPOKE TO YOU IN CAUTIOUS TONES
YOU ANSWERED ME WITH NO PRETENSE 
AND STILL I FEEL I SAID TOO MUCH 
MY SILENCE IS MY SELF DEFENSE
AND EVERY TIME I’VE HELD A ROSE
IT SEEMS I ONLY FELT THE THORNS
AND SO IT GOES, AND SO IT GOES
AND SO WILL YOU SOON I SUPPOSE

Once there was a girl who loved me very much. She loved me more than I could ever love her, maybe more than I could ever love anyone. Being loved like that is a luxury we should all be lucky enough to feel at one point. It scares most people, but we are better for it. Later on in life I would be the one to do the loving, or so I thought, though never quite as purely and unreservedly, never in such undiluted and untainted form.

Oh I thought I did. It felt like I loved more fiercely and carelessly than anyone could have ever loved someone, even those I barely knew, but it was fallacy and fabrication. To be loved by someone who knows you, and who has known you since you were a child, is how we complete our souls. Not all of us are lucky enough to have that.

BUT IF MY SILENCE MADE YOU LEAVE
THEN THAT WOULD BE MY WORST MISTAKE
SO I WILL SHARE THIS ROOM WITH YOU
AND YOU CAN HAVE THIS HEART TO BREAK
AND THIS IS WHY MY EYES ARE CLOSED
IT’S JUST AS WELL FOR ALL I’VE SEEN
AND SO IT GOES, AND SO IT GOES
AND YOU’RE THE ONLY ONE WHO KNOWS
SO I WOULD CHOOSE TO BE WITH YOU
THAT’S IF THE CHOICE WERE MINE TO MAKE
BUT YOU CAN MAKE DECISIONS TOO
AND YOU CAN HAVE THIS HEART TO BREAK

I probably didn’t deserve such a beautiful song. I’m not sure if I deserve it now, but maybe I’m a little closer. We approach grace in different ways. It takes a little longer for some, and most of us fall down along the way. We just need to find those who will help us get back up, who will sit with us in silence or just be there without fanfare or expectation.

AND SO IT GOES, AND SO IT GOES
AND YOU’RE THE ONLY ONE WHO KNOWS.

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Winter Songs for Norwegian Snows

I’ll never complain about there not being a bunch of snow in January, but if you’re going to replace it with rain, part of me would prefer the white stuff. These January thaws have typically ravaged my emotional state, and at this point there’s not much more to ravage than tatters and tears. Better to greet the day with the jolt of frozen winter to which we are accustomed. This should be a time for contemplation. For quiet, snow-bound ruminations coupled with a cup of tea and a candle.

How weird to long for winter while in the very midst of it. How strange to even weakly wish for snow. Yet there it is. The heart knows what it needs and what it wants. It puts me in mind of Norwegian composer Ola Gjeilo’s ‘Winter Songs’ as heard here:

This is gorgeous music, and tranquil, like the winter can, at its kindest, be. Hints of its tumultuous power sprinkle the edges, bits of snow fluttering in crystalline form, catching the light like floating diamond dust, but a stark calm is the main take-away I get from these selections. The early days of January carry their own majesty and wonder. Winter is still fresh enough and new to be somewhat welcome. There is serenity in the snow, serenity in this music, and a sense of peace to this moment. Let it stay for a while. Let us rest for a bit. Let us weather the winter together.

https://www.youtube.com/watch?v=Wodq70Z8Kf8

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The Madonna Timeline: Song #159 ~ ‘Waiting’ – Winter 1993

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Apologies for keeping you waiting on this Madonna Timeline, but it fits the song, so the slightly masochistic game of anticipation worked out in the end. This selection brings us back to the winter of 1993, following the hubbub and release of the ‘Erotica’ album and ‘Sex’ book – one of the most stunning and spectacular sections of Madonna’s career, and one which almost sent the whole thing off the rails. True fans thrilled at the ride, and as 1993 began I took cues from her ‘Body of Evidence’ thriller and lit a cadre of candles in my bedroom, watching the soft light elicit shadows as I writhed beneath the blankets on those frigid January nights.

WELL I KNOW FROM EXPERIENCE

THAT IF YOU HAVE TO ASK FOR SOMETHING MORE THAN ONCE OR TWICE

IT WASN’T YOURS IN THE FIRST PLACE

AND THAT’S HARD TO ACCEPT WHEN YOU LOVE SOMEONE

AND YOU’RE LED TO BELIEVE

IN THEIR MOMENT OF NEED

THAT THEY WANT WHAT YOU WANT BUT THEY DON’T

When she wasn’t waiting, anticipating or hesitating, Madonna kept a pretty active beat. Impatience may be her greatest sin, though it’s served her well. At a time in her career when slowing down may be mandatory, looking back on the way she rushed through the early 90’s in a whirlwind of image-change-ups, keeping all of us guessing as to where she might be headed next, is a lesson in inspired ambition. Such a continual and provocative turn of guises might blunt the power of a singular persona, yet they only added to her allure and intrigue. For someone who seemed to revel in revealing so much, she retained a mystique that felt tantalizingly impenetrable. We always wanted more.

DON’T GO BREAKING MY HEART LIKE YOU SAID YOU WOULD

BABY YOU’RE NOT GOOD

AND YOU HURT ME LIKE NO OTHER LOVER EVER COULD

DON’T GO MAKING ME CRY

YOU’RE GONNA SAY GOODBYE

BABY TELL ME WHY, TELL ME WHY OR YOU’RE GONNA HAVE TO JUSTIFY THIS

WAITING FOR YOU

JUST WAITING

CAN’T YOU SEE I’M WAITING FOR YOU

DON’T BREAK MY HEART

For all her naked exploits and controversial posing, her vulnerable core seemed an easy target for careless men, or men who simply couldn’t quite live up to the impossibility of being her match. When you’re the most interesting person in every room it’s difficult to find much happiness or hope after a while. That doesn’t mean she ever stopped looking. It also didn’t mean that people couldn’t break her heart. Quite the contrary, and this song embodies the icy fire that burns beneath the entire’Erotica’ era. The album sizzles in snowy fashion. Sex was a weapon and a way to salvation. It could act as salve and savior, destroyer and devil. It could seduce and betray in a single slinky encounter.

IT WAS SO EASY IN THE BEGINNING

WHEN YOU DIDN’T FEEL LIKE RUNNING FROM YOUR FEELINGS LIKE YOU ARE NOW

WHAT HAPPENED? WHAT DO I REMIND YOU OF?

YOUR PAST, YOUR DREAMS, OR SOME PART OF YOURSELF THAT YOU JUST CAN’T LOVE?

I WISH I COULD BELIEVE YOU

OR AT LEAST HAVE THE COURAGE TO LEAVE YOU.

‘Waiting’ is mostly a spoken song that travels along the whispered path of ‘Justify My Love’ but it contains a few impossible-to-shake hooks. While Shep Pettibone (of ‘Vogue’ glory) got much of the production attention, Andre Betts gave the album its jazzy, hip-hop grooves, most of which were wetter than all those salacious dance tracks. (See the wizardry of ‘Where Life Begins’ and ‘Secret Garden‘.) ‘Waiting’ also contains some pretty pointed and powerful words that only occasionally verge on veering into trite territory. Madonna’s blunt delivery saves it, giving it an edge heretofore unseen in much of her work.

LIFE HAS TAUGHT ME THAT LOVE WITH A MAN LIKE YOU IS ONLY GONNA MAKE BE BLUE

BUT I LOVE YOU ANYWAY NO MATTER WHAT YOU DO

YOU DON’T COME AROUND HERE LIKE YOU DID BEFORE

WHEN YOU DID ADORE

TELL ME WHAT I DID TO DESERVE THIS

WAITING FOR YOU

I’M WAITING

CAN’T YOU SEE I’M WAITING FOR YOU

DON’T BREAK MY HEART

As the candles flicker and the wax drips, the intoxicating pull of desires and dreams lends the bedroom a sexual shadow. This song runs on for a healthy length, its meandering piano passes tickling Madonna’s breathless delivery, and the idea of waiting for a man, and for everything he might deliver, hangs in the smoky air. The hand moves languidly to the cock, and overcome by the need for sleep, my touch is one of casual lethargy. As sexually-charged as some cuts of the ‘Erotica’ album might be, there’s a richer layer of emotions at work, as evidenced by cuts like ‘Rain‘ and ‘Deeper and Deeper‘ and the title track itself. Sex was messy like that. As plainly physical as it could be, it always seemed tied into something deeper. Sometimes it was love. Sometimes it was pain. Always it was complicated. But I loved that about it. The complexities that swirled around the cock formed a heady conundrum that never failed to fascinate. What we did for gratification. What we did for want. What we did to connect… 

FINALLY I SEE A DIFFERENT MAN

ONLY LOVE CAN HURT LIKE THIS CAN

FINALLY I SEE A DIFFERENT FACE

TELL ME WHO IS GOING TO TAKE MY PLACE

The clock ticks. The clock tocks. Time hastens and slows, back and forth in a building rhythm. It pushes and pulls, and the body responds. Rivulets of wax run forth from the thick candles, spilling onto the desk, splashing and coalescing into muted echoes of what they once were. The transformation into heat and light and liquid complete, the flame flickers, daring and demanding to be blown out. Just open your mouth and lick your lips, letting the breath of life devour the fire. Take it all in…

I KNEW IT FROM THE START THAT YOU WOULD DESERT ME

YOU’RE GONNA BREAK MY HEART BABY PLEASE DON’T HURT ME

I KNEW IT FROM THE START THAT YOU WOULD DESERT ME

YOU’RE GONNA BREAK MY HEART BABY PLEASE DON’T HURT ME

Such was the fantasy, and such was the spell Madonna cast over me at the time. Whether it was pussy or prick for which I yearned, I couldn’t quite tell. The ‘Sex’ book had me straddling the divide like Madonna straddled a mirror while touching herself. The look of Madonna’s gaze as she reclined in shadow was as enthralling as the guys in the gaiety. The jockstrap-clad bald men enticed me as much as her dalliance with a shirtless Vanilla Ice. Sometimes sex was sex and it didn’t matter if it was with a man or a woman.

And so I stayed Waiting…

THE NEXT TIME YOU WANT PUSSY

JUST LOOK IN THE MIRROR BABY.

SONG #159: ‘Waiting’ – Winter 1993

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Looking Up at the Stars From the Gutter

He sits alone in a bar, his beard strewn with gray, his temples ravaged by time and consternation.

His voice, raspy and rough and gnarled by years of overuse, is salve and fire.

His body has begun to break down, a state of deterioration seen less in the mirror and more in the eyes of friends.

And the eyes of the one who loves him.

She can’t save him.

Maybe he doesn’t want to be saved.

Maybe he’s beyond that.

A beautiful, heartbreaking song.

A man and a guitar.

A woman and her power.

And maybe she needs some saving too. Maybe he’s not the only one.

MAYBE IT’S TIME TO LET THE OLD WAYS DIE
MAYBE IT’S TIME TO LET THE OLD WAYS DIE
IT TAKES A LOT TO CHANGE A MAN
HELL, IT TAKES A LOT TO TRY
MAYBE IT’S TIME TO LET THE OLD WAYS DIE

NOBODY KNOWS WHAT AWAITS FOR THE DEAD
NOBODY KNOWS WHAT AWAITS FOR THE DEAD
SOME FOLKS JUST BELIEVE IN THE THINGS THEY’VE HEARD
AND THE THINGS THEY READ
NOBODY KNOWS WHAT AWAITS FOR THE DEAD

Bradley Cooper and Lady Gaga give career-defining performances in the re-re-remake of ‘A Star is Born’ and this is one for a new generation. While ‘Shallow’ got all the chart glory, and an incandescent performance on the Oscar ceremony, it is this song which moves me the most. It stands sublimely on its own too, a plaintive elegy of sorts, a prayer to someone somewhere, hoping to find something, somehow.

I’M GLAD I CAN’T GO BACK TO WHERE I CAME FROM
I’M GLAD THOSE DAYS ARE GONE, GONE FOR GOOD
BUT IF I COULD TAKE SPIRITS FROM MY PAST AND BRING’ ‘EM HERE
YOU KNOW I WOULD, YOU KNOW I WOULD
NOBODY SPEAKS TO GOD THESE DAYS
NOBODY SPEAKS TO GOD THESE DAYS
I’D LIKE TO THINK HE’S LOOKING DOWN AND LAUGHING AT OUR WAYS
NOBODY SPEAKS TO GOD THESE DAYS

There are a number of powerful and upsetting scenes in the film, and if you haven’t yet seen it but intend to, please read no further. Hopefully enough time has lapsed that a spoiler alert isn’t necessary, but just in case you’re as behind as I am, there you go.

The most heartbreaking part, for me, was the dog.

While he waits outside the garage, his owner will slip into a noose and leave this world.

That damn dog is what killed me when I saw the movie. The moment he’s waiting for him is devastating. His master, his companion, and his friend won’t be coming back. The dog doesn’t know that yet. In that window of time, before he realizes his loved one is gone, everything is still ok. Everything might still be all right.

Maybe not knowing is the only way to get through this life.

WHEN I WAS A CHILD THEY TRIED TO FOOL ME
SAID THE WORLDLY MAN WAS LOST AND THAT THE HELL WAS REAL
WELL, I’VE SEEN HELL IN RENO
AND THIS WORLD’S ONE BIG OL’ CATHERINE WHEEL
SPINNIN’ STILL
MAYBE IT’S TIME TO LET THE OLD WAYS DIE
MAYBE IT’S TIME TO LET THE OLD WAYS DIE
IT TAKES A LOT TO CHANGE YOUR PLANS
HELLA DRAIN TO CHANGE YOUR MIND
MAYBE IT’S TIME TO LET THE OLD WAYS DIE
OH, MAYBE IT’S TIME TO LET THE OLD WAYS DIE

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Sugar & Booze: Do as I Do, Not as I say

Isn’t this just the height of irony: the song that is spinning my holiday head round and round right now is ‘Sugar and Booze’ by Ana Gasteyer, especially considering that I’ve all but given up both sugar and booze since October. That doesn’t mean I don’t appreciate the glory of this song – in sentiment and in sound. Ms. Gasteyer has a divine set of pipes on her, as some of us fans have known since she stormed the nation as Elphaba in ‘Wicked’. Her holiday album is a must-have for making it through the season of giving and sharing if you have the slightest appreciation for sarcasm and good clean snarky fun. {Cuts like ‘Nothing Rhymes With Christmas’ and ‘He’s Stuck in the Chimney Again’ give us a different and much-needed look at the holiday season, which is largely just ridiculous.}

BELLS ARE RINGING AND A JINGLING
FOLKS ARE MIXING AND A MINGLING
TWINKLING LIGHTS AND TINSEL ON THE TREE
HOW I LOVE TO KEEP THE YULETIDE GAY
CALL ME CORNY OR CLICHE
BUT THERE’S A REASON THAT THE SEASON BRINGS SO MUCH JOY TO ME

I LOVE SNOWMEN AND TURTLE DOVES IN TWOS
HOLLY IVY MISTLETOE CAN TAKE AWAY MY BLUES
KRIS KRINGLE AND HIS REINDEER FRIENDS THEY ENDLESSLY AMUSE
BUT THE BEST PART OF THE HOLIDAYS IS SUGAR AND BOOZE…

PS – Green is very definitely her color.

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The Madonna Timeline: Song #158 ~ ‘Medellín’ – Spring 2019

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

We have reached the depressing point in fall when all the color has drained from the world. From here on out there only grays and browns and blacks, as evidenced in the piles of leaves seen around the neighborhood. Mounds of them, tinged with mold and decay, some dismally soaked, some relievedly dry, remain in the lawn. The thought of bagging them feels impossible. Memories of raking flood my mind – smoke hanging in the air, tears drying on my face, our white brick house in the distance – and the inconsolable fact that November was somehow always the saddest month. I’d stand beneath the forest of pine trees and oaks, raking and bagging in an endless cycle of hellish repetition.

The weight of each bag depended on how wet the fall was. Dry leaves could be packed and stacked, their bags easily lifted and plopped by the edge of the road for pick-up. Wet leaves, while they were easier to handle because they all stuck together, were exponentially heavier. Rarely was there a happy medium. Rarely was there happiness.

Haunted by a house I thought was my home, I was too young to realize how I might never belong. I held onto the delusions of childhood as tightly as I could, to no avail. They took to the sky like those wisps of smoke that colored and scented the air. I could only feel the remnants of them, the echo of their sentiment.

An old-school pair of headphones kept my ears shielded from the wind, and more importantly they fed the lifeblood that would take me out of my body, out of my head, out of my misery while a musical enchantress sung of love and loss and family on her majestic ‘Like A Prayer’ album. Madonna was my escape and salvation. Then and now. Time catches up to me, literally three decades later. The same forlorn state of the season, the same forlorn terrain of the heart.

And, just like then, I turn to Madonna.

ONE
TWO
ONE
TWO
ONE-TWO
CHA-CHA-CHA
ONE-TWO
TWO-ONE
TWO-ONE
CHA-CHA-CHA-CHA

Choosing a snippet of ASMR as an opener to an eagerly-anticipated album is a head-scratcher, but there she was, whispering in my ear and transforming her voice into scratches of sound like the distant raking of dry leaves in the smoky autumn air, intoning the count-off to a cha-cha as her 14thstudio album ‘Madame X’ began its sonic journey.

It arrived in the middle of spring, when we were just about to set the scene for summer. ‘Medellín’ came at the perfect time, even if the weather wasn’t quite ready to turn the page. New England doesn’t always like to let winter go, and on a weekend in Boston that was wild with wind and bitter with rain – the usual roller-coaster of weather that has always put me in a tizzy – I played this song to combat the awfulness.

That spring was a hopeful one, and this was a tease to a new Madonna album – one that promised to become the soundtrack to the coming summer. ‘Medellín’ was the ideal teaser – a whisper of a track that was a delectable way to shuffle into a meeting with Madame X.

I TOOK A PILL AND HAD A DREAM
I WENT BACK TO MY 17TH YEAR
ALLOWED MYSELF TO BE NAIVE
TO BE SOMEONE I’VE NEVER BEEN
I TOOK A SIP AND HAD A DREAM
AND I WOKE UP IN Medellín
THE SUN WAS CARESSING MY SKIN
ANOTHER ME COULD NOW BEGIN

It already feels so far away. How could spring have been so long ago? How could the world have changed so much? I still remember those first few days of warmth, when the dream-like trance of this song held sway and Madonna shared the aural territory with Maluma, something she had achieved with similar success in ‘4 Minutes’ with Justin Timberlake, and less desirous results in ‘Me Against the Music’ with Britney Spears. Here their voices worked well together, and the casual vibe of this entry was a refreshing change of pace from earlier lead-off singles. [See ‘Material Girlâ’, ‘Like A Prayer‘, ‘Vogue‘, ‘Hung Up‘, ‘4 Minutes‘ and even ‘Gimme All Your Luvin.‘

TRANQUILA, BABY, YO TE APOYO
NO HAY QUE HABLARNOS MUCHO PARA ENTRAR EN ROLLO
SI QUIERES SER MI REINA PUES YO TE CORONO
Y PA’ QUE TE SIENTES AQUÃ TENGO UN TRONO
TE GUSTA CABALGAR, ESO ESTÃ CLARO
SI SIENTES QUE VOY RAPIDO LE BAJO
DISCÚLPAME, YO Sà QUE ERES MADONNA
PERO TE VOY A DEMOSTRAR CÃMO ESTE PERRO TE ENAMORA

In our backyard, I painted plant stands in shades of bright canary yellow – so bright and saturated with color that they almost hurt my eyes as they dried in the sun. I found a few pots glazed in a rainbow of fiery shades and filled them with ferns. The patio by the pool was soon a tropical paradise, and on an ancient, dusty CD player Madonna and Maluma traded verses. If you squinted at the rippling water and pretended the neighbor’s kids were quiet, you could almost picture the aqua brilliance of the ocean, the sway of the palm trees, the heat of the sand…

VEN CONMIGO, LET’S TAKE A TRIP
SI TE LLEVO PA’ UN LUGAR LEJANO
VEN CONMIGO, I’LL BE SO GOOD FOR YOU
TE ENAMORO, TE ENAMORO, MAMI (AY-AY-AY)
VEN CONMIGO, LET’S TAKE A TRIP
DAME DE ESO QUE TÚ ESTÃS TOMANDO
VEN CONMIGO, I’LL BE SO GOOD FOR YOU
(AY-AY-AY)

April made way for May, and our annual trips to Boston and New York were flavored with this song. Over daydreams of idyllic scenes, Madonna and Maluma beckon us to Medellín a place I’ve never been, but one which I imagine is another sort of paradise. Their voices married, the harmonies are divine and the chorus is one big euphoric release. ‘Dos casamos’ indeed.

Like the very best Madonna songs, ‘Medellín‘ lifts us out of whatever mundane existence in which we may be living and drops us into the middle of aural paradise. The ultimate fantasy, where warm breezes rustle coconut trees, every beautiful shade of blue and green extends in endless ocean, and the flowers in bloom shed their perfume like a perpetually-discarded veil of silk.

SIPPING MY PAIN JUST LIKE CHAMPAGNE
FOUND MYSELF DANCING IN THE RAIN WITH YOU
I FELT SO NAKED AND ALIVE (SHOW ME)
FOR ONCE I DIDN’T HAVE TO HIDE MYSELF (DICE)

Madonna’s voice is reminiscent of her ‘Ray of Light’ work – careful and concise, at times almost shy and tentative in the most moving fashion – and though it’s tinged with a bit too much autotune for some old-school fans, I think it works rather well here. Maluma’s contributions work too, and the video illustrates some playful chemistry (and more cinematic scope than what she did on ‘Rebel Heart’ lead-off single ‘Living For Love‘).

We hosted friends for dinner as the summer traipsed onward. Andy grilled burgers and steaks and hot dogs and chicken. I assembled quinoa salads and preciously-filled cucumber cups. The plants on the patio filled in – a banana tree unfurled leaf after wondrous leaf, the angel’s trumpets lowered their pendulous blooms, and the ferns gently waved their green fronds in the slightest breeze. A summer spent in the backyard need not be lacking in beauty and calm; sometimes it is the only place to find both at once.

OYE MAMACITA, ÂQUÃ TE PASA? (DIME)
MIRA QUE YA ESTAMOS EN MI CASA (YEAH)
SI SIENTE’ QUE HAY UN VIAJE AHÃ EN TU MENTE (WOO)
SERÃ POR EL EXCESO DE AGUARDIENTE (DILE)
PERO, MAMI, TRANQUILA, TÚ SOLO VACILA
QUE ESTAMOS EN COLOMBIA, AQUÃ HAY RUMBA EN CADA ESQUINA
Y SI TÚ QUIERES NOS VAMOS POR DETROIT (TÚ SABE’)
SI SÃ DE DÃNDE VIENES PUES SÃ PA’ DONDE VOY

From her earliest songs (‘Everybody‘ and ‘Holiday’) through such classics as ‘La Isla Bonita‘ and ‘Where’s the Party‘ and all the way to ‘Get Together‘, ‘Celebration‘, and ‘Turn Up the Radio‘ Madonna has often been about escapist entertainment. The need to get away – just one day out of life – is too often undervalued and underrated, not unlike Madonna herself. In so many ways, we seem to have lost the understanding of the importance of rest and rejuvenation, of taking a break and doing nothing, all in the name of recharging and replenishing. Our souls are starving for such a respite.

VEN CONMIGO, LET’S TAKE A TRIP
SI TE LLEVO PA’ UN LUGAR LEJANO
VEN CONMIGO, I’LL BE SO GOOD FOR YOU
TE ENAMORO, TE ENAMORO, MAMI (AY-AY-AY)
VEN CONMIGO, LET’S TAKE A TRIP
DAME DE ESO QUE TÃ ESTAS TOMANDO
VEN CONMIGO, I’LL BE SO GOOD FOR YOU (OKAY)
SI TE ENAMORO (SI ME ENAMORAS)
EN MENOS DE UN AÑO, NO, NO (HAHAHA)
NO’ VAMO’, NO’ VAMO’, NO VAMO’ PA’ MEDALLO (AY, QUÃ RICO)
SI TE ENAMORO (SI ME ENAMORAS)
ES LO QUE AMO, NO, NO
PUE’ MAMI, PUE’ MAMI, PUE’ MAMI, NOS CASAMOS
(CHA-CHA-CHA)

Just as the summer seemed like it might linger forever, cooler nights slipped in. The ostrich ferns by the pool began to go brown – first just the tips, then the entire frond – shriveling in on themselves like the Wicked West of the East under her final resting place. The sweet potato vines, long since extending their chartreuse limbs all the way from the canopy to the ground, began to get straggly and spent. They looked tired. Soon – too soon, like always – the air of fall snuck in through the darkened edges of evening. Still we hung on. Still we cherished the sunlight, and most especially the moonlight, when it was warm enough to be outside looking up at the sky.

WE BUILT A CARTEL JUST FOR LOVE
VENUS WAS HOVERING ABOVE US (OH, YEAH)
I TOOK A TRIP, IT SET ME FREE (MI REINA)
FORGAVE MYSELF FOR BEING ME (AY-AY-AY)
VEN CONMIGO, LET’S TAKE A TRIP
SI TE LLEVO PA’ UN LUGAR LEJANO
VEN CONMIGO, I’LL BE SO GOOD FOR YOU
TE ENAMORO, TE ENAMORO, MAMI (AY-AY-AY)
VEN CONMIGO, LET’S TAKE A TRIP
DAME DE ESO QUE TÚ ESTÃS TOMANDO
VEN CONMIGO, I’LL BE SO GOOD FOR YOU
SI TE ENAMORO (SI ME ENAMORAS)
EN MENOS DE UN AÑO, NO, NO
NO’ VAMO’, NO’ VAMO’, NO VAMO’ PA’ MEDALLO (AY, QUÃ RICO)
SI TE ENAMORO (SI ME ENAMORAS)
ES LO QUE AMO, NO, NO
PUE’ MAMI, PUE’ MAMI, PUE’ MAMI, NOS CASAMOS

Thus Madonna ushered in her ‘Madame X’ opus, and thus she sang over the credits for the entire summer season. We splashed. We laughed. We read. We walked. We laid in the sun and listened to music. We visited with friends and sat around citronella candles. We celebrated the summer and the healing balm of its warmth.

It all feels so far away now.

The count-off ticks down.

We return to where we are.

Summer is no more.

ONE, TWO, CHA-CHA-CHA
ONE, TWO, CHA-CHA-CHA
ONE, TWO, CHA-CHA-CHA
ONE, TWO, SLOW DOWN, PAPI

Slow down, slow down, slow down…

The eternal chant and wish for summer to last.

The wish and hope riding high on a season.

The feeling riding high on a song.

We dance. We sing.

We fade out with a whisper…

ONE, TWO, CHA-CHA-CHA
ONE, TWO, CHA-CHA-CHA
ONE, TWO, CHA-CHA-CHA
ONE, TWO, AY-AY-AY
ONE, TWO, TWO, ONE
ONE, TWO, TWO, ONE
ONE, ONE, TWO, TWO
CHA, CHA-CHA-CHA

SONG #158 – ‘Medellín’ ~ Spring/Summer 2019

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Holiday Lover

It takes me a lot longer to get into music these days. Seeking something new, something inspiring, but something slightly nostalgic too, I recently landed on this Taylor Swift song, which I’d first heard a few months ago with its whimsically sweet video. The beginning is just the slightest bit reminiscent of a fuzzy Mazzy Star song, and a rather sweet nugget for the holidays. Hey, if ‘Diamonds & Pearls’ can be in my holiday canon, then so can this.

WE COULD LEAVE THE CHRISTMAS LIGHTS UP ‘TIL JANUARY
AND THIS IS OUR PLACE, WE MAKE THE RULES
AND THERE’S A DAZZLING HAZE, A MYSTERIOUS WAY ABOUT YOU, DEAR
HAVE I KNOWN YOU 20 SECONDS OR 20 YEARS?

I don’t anticipate it lasting the decades, but you never know what will stick and what may stay. Some of the most trifling bits of pop informed such key moments of life that they are classics, if only in my mind. These days it’s harder to have such moments. Too quickly, the weeks blend into each other, and too easily I give up the fight to mark them.

CAN I GO WHERE YOU GO?
CAN WE ALWAYS BE THIS CLOSE?
FOREVER AND EVER, AH
AH, TAKE ME OUT, AND TAKE ME HOME
YOU’RE MY, MY, MY, MY LOVER.

Christmas lights, 20 years, dazzling and mysterious ways… we need a new holiday. Who’s with me?

LADIES & GENTLEMEN WILL YOU PLEASE STAND…
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Cream – Get on Top!

Q: Why does everyone think the cook is mean?

A: He beats the eggs and whips the cream.

From Prince’s sorely under-rated ‘Diamonds & Pearls’ album – an unlikely holiday collection from my childhood – this is ‘Cream’ – and a more fitting song to accompany these creamy pics may not exist. This was just a quick photo shoot of selfies taken after I had finished assembling an icebox cake for a work lunch. There was lots of whipped cream left over, so what’s a boy supposed to do?

THIS IS IT
IT’S TIME FOR YOU TO GO TO THE WIRE
YOU WILL HIT
‘CAUSE YOU GOT THE BURNIN’ DESIRE
IT’S YOUR TIME (TIME)
YOU GOT THE HORN SO WHY DON’T YOU BLOW IT
YOU ARE FINE (FINE)
YOU’RE FILTHY CUTE AND BABY YOU KNOW IT

This song takes me back to 1991. The 90’s were new then, and some of us, Prince included, were still not quite ready to get over the 80’s. ‘Cream’ solidified his chart status, even as some critics weren’t overly impressed by the album as a whole. I happened to love it – it’s pure pop confection, all wisps of sugar, spun into musical gold, with nothing too heavy, or heavy-handed, to muck things up. Maybe that’s why some people didn’t like it – too frivolous, too fun, too silly to make a difference and advance the musical legacy of genius. This was the era where he busted his butt out for an MTV performance of his song ‘Gett Off’, swiveling his hips in a canary yellow, cut-out lace pant-suit with a scandalously-sheer window for his ass. Then he turned around and shook it for the audience. Peachy indeed. With that one single move, Prince taught me all I needed to know of the power and limitations of being cheeky. Well, maybe Madonna helped out a bit a year later too. Together they were my King and Queen of Provocation, and I worshipped at the altar of 80’s excess.

YOU’RE SO GOOD
BABY THERE AIN’T NOBODY BETTER (AIN’T NOBODY BETTER)
SO YOU SHOULD
NEVER, EVER GO BY THE LETTER (NEVER EVER)
YOU’RE SO COOL (COOL)
EVERYTHING YOU DO IS SUCCESS
MAKE THE RULES (RULES)
THEN BREAK THEM ALL ‘CAUSE YOU ARE THE BEST
YES YOU ARE

1991 was a rather dim time, particularly that fall, which is by its nature the dimming portion of the year. Suzie was away in Denmark and I was floundering in the midst of familial strife brought on by my being so strikingly different that no one knew what was going on. Looking back, it was the beginning of social anxiety, coupled with a world that never taught me being gay might be ok. Still there was joy to be found, no matter how serious or upsetting everything often felt. I turned to pop culture to escape, and in the process I found my salvation.

In a song.

In a dance.

In a bit of cream…

DO YOUR DANCE
WHY SHOULD YOU WAIT ANY LONGER?
TAKE A CHANCE
IT COULD ONLY MAKE YOU STRONGER
IT’S YOUR TIME (IT’S YOUR TIME)
YOU GOT THE HORN SO WHY DON’T YOU BLOW IT (GO ON AND BLOW IT)
YOU’RE SO FINE (YOU’RE SO FINE)
YOU’RE FILTHY CUTE AND BABY YOU KNOW IT (YOU KNOW IT)
CREAM
GET ON TOP
CREAM
YOU WILL COP
CREAM
DON’T YOU EVER STOP
CREAM

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For the Love of Sam

Sam Smith delivers something that’s not in the least bit weepy, and I am entirely present and here for it.  This is his take on Donna Summer’s classic disco revelations ‘I Feel Love’ – and it’s more than lovely. When they hit those high notes, you will get chills. Good ones. Not all former Hunks of the Day can so thrillingly master a disco song, so enjoy this little masterpiece. 

Things have gotten entirely too serious here of late. Let this be a return to our frivolous roots, a throwback to all the sacred silliness found in a disco song. I’m feeling it. You wanna feel it too? Turn it up. Turn it out.  Get down…

{This now concludes our mid-day dance-break.}

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The Glued-Down Penny of Amnesia

Remember those days when you could go to school, work a job, and still be ready to go out until 2 am on a Friday night? I do. I distinctly remember going to class, taking the commuter rail into Boston, working my job at Structure and then taking ten minutes to freshen up for a night out on the town. Those days are gone but the memory still feels fresh, especially when this song comes on. 

GOODBYE TO THE SUMMER
SOLD DOWN THE RIVER 
UNHAPPY EVER AFTER 
WELL DID YOU EVER? 
DID YOU EVER REACH FOR THE 
GLUED-DOWN PENNY? 
SAME OLD JOKE AND IT’S NOT FUNNY 
BURNS ARE RED BRUISES BLUE 
OUT WITH THE OLD CHEATED BY THE NEW 
DO YOU SUFFER FROM LONG TERM 
MEMORY LOSS? 
I DON’T REMEMBER

It was fall. The chill in the night air was welcome after a few weeks of stifling conditions on the subway platforms. The magical preparatory period before an evening out was at hand, and I was at the condo playing Chumbawumba because my taste was always questionable and it was the 90’s. We were going to meet up at the Tar Bar, where everybody once met. Nuns, drag queens, bikers, college kids and elderly locals converged under the darkened ceiling and came together without judgment or conflict because once upon a time we could do that.

The splendor of a weekend sprawled out before us – what happy luxury in that, and how it seemed as if it might last forever. Candles flickered in the condo, while a window or two let in the night breeze. This song kept pumping, and as silly as it was it provided the perfect motivational music for a night out.

YOU SING THE SAME OLD VERSE 
STICK LIKE GLUE FOR BETTER OR WORSE 
WHAT GOES AROUND COMES AROUND 
AGAIN AGAIN AGAIN 

The all-important decision had yet to be made: what to wear? Every day, and every night, hinged on what was decided at that pivotal moment. Would we blend into the crowd or would we make them bow down before us? Our youth was its own invincibility, our innocence its own formidable power. Illusions and delusions were equally grand and we trafficked in the cultivation of both. How lucky and wonderful that those were the only decisions that had to be made.

THIS HEART PULLED APART 
HYDRA FIGHTING HEAD TO HEAD 
BURNS ARE RED BRUISES BLUE 
OUT WITH THE OLD CHEATED BY THE NEW 
DO YOU SUFFER FROM LONG-TERM 
MEMORY LOSS? 
I DON’T REMEMBER.

I had to let it happen… I had to change… A jacket of black leather, studded with metal accents and lined with extra zippers, replaced my basic Structure uniform of khakis and sweaters, along with a pair of jeans and a simple white t-shirt. It was the 90’s for God’s sake. It was all wrong, and all right. ‘Amnesia’ continued to play on the stereo in the bedroom, spilling out into the rest of the space. Iris Apfel once remarked that she enjoyed getting ready for the party much more than the party itself. I understood that way back then. The little gatherings before the main event were always where the good stuff happened. They were also where one’s real friends were, the squads we each assembled to help get us through this thing called life. They empowered simply by being present – the best people do that.

Find your tribe, then hold onto them.

AMNESIA 
DO YOU SUFFER FROM LONG-TERM 
MEMORY LOSS? 
I DON’T REMEMBER.

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The Madonna Timeline: Song #157 – ‘Illuminati’ ~ Summer 2015

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Once upon a summer I threw an Illuminati Party. Ignorant of the ways of the illuminati, I only wanted to wear a crazy costume of faux deer antlers and inspire intrigue in the midst of a mid-summer night. This song provided the soundtrack for the costumed event, swirling about in frenzied delight and damnation, its beats skittering and frenetic. The invitations invoked the stereotypical idea most of us have of the illuminati, which is all a party invitation can really do; if you want depth look into a project or something more lasting than a party. Yet for party themes, this one was as good as any, and afforded guests the opportunity to dress up in whatever surreal get-up they wished.

IT’S NOT JAY-Z AND BEYONCÉ
IT’S NOT NICKI OR LIL WAYNE
IT’S NOT OPRAH AND OBAMA
THE POPE AND RIHANNA
QUEEN ELIZABETH OR KANYE
IT’S NOT PENTAGRAMS OR WITCHCRAFT
IT’S NOT TRIANGLES OR STACKS OF CASH
BLACK MAGIC OR GAGA
GUCCI OR PRADA
RIDING ON THE GOLDEN CALF

The chaotic drama surrounding the leaked release of Madonna’s ‘Rebel Heart’ album finds its musical accompaniment in this crazy track (and crazy in a crazy-good way). It’s an intriguing cut that sounds better than it really should. Parts of it remind one of a barking dog, parts are grating, parts are beautiful, and parts are puzzling. It almost comes together, and then it does, and then it falls apart before reassembling again. Schizo in the best and worst ways. Not unlike a summer party, when moon-drenched madness threatens drama at every turn, and romantic dalliances are just as likely to occur as knock-down-drag-out fights are. That’s summer. No one escapes the heat.

THE ALL-SEEING EYE IS WATCHING TONIGHT
THAT’S WHAT IT IS
TRUTH AND THE LIGHT
THE ALL-SEEING EYE IS WATCHING TONIGHT
NOTHING TO HIDE
THE SECRET’S INSIDE
IT’S LIKE EVERYBODY IN THIS PARTY’S SHINING LIKE ILLUMINATI
IT’S LIKE EVERYBODY IN THIS PARTY’S SHINING LIKE ILLUMINATI
IT’S THE ENLIGHTENMENT THAT STARTED IT ALL
THE FOUNDING FATHERS WROTE IT DOWN ON THE WALL
AND NOW THE MEDIA’S MISLEADING US ALL
TURNED RIGHT INTO WRONG

A towering angel’s trumpet lowers its pendulous blooms to eye-level, releasing its intoxicating lemon-like fragrance into the heavy air. What poison carries on its perfume? What spells does such sweetness cast? A sense of the lurid hides behind each smile, a bee ready to sting lurks in each blossom. In the summer darkness, everything turns dangerous. The pool lures chipmunks and toads to their watery graves, like the candlelight brings moths to their fiery ends. We dive beneath to escape the licking flames. No one is safe in a summer night.

IT’S TIME TO DANCE AND TURN THIS DARK INTO SOMETHIN’
SO LET THE FIRE BURN, THIS MUSIC IS BUMPIN’
WE’RE GONNA LIVE FOREVER, LOVE NEVER DIES
IT STARTS TONIGHT…

Picasso and Dali turned the world upside down, tugged at its natural order, and disturbed time so much that it literally melted before our eyes. A new world order indeed… The very best artists set such disturbances into motion. The proverbial butterfly flutters its wings in pretty, menacing fashion. The other side of the earth shudders and waits.

BEHIND THE CURTAIN OF THE NEW WORLD ORDER
IT’S NOT PLATINUM ENCRYPTED CORNERS
IT’S NOT ISIS OR THE PHOENIX
PYRAMIDS OF EGYPT
DON’T MAKE IT INTO SOMETHING SORDID
IT’S NOT STEVE JOBS OR BILL GATES
IT’S NOT THE GOOGLE OF UNITED STATES
IT’S NOT BIEBER OR LEBRON
CLINTON OR OBAMA
OR ANYONE YOU’D LOVE TO HATE
THE ALL-SEEING EYE IS WATCHING TONIGHT
THAT’S WHAT IT IS
TRUTH AND THE LIGHT
THE ALL-SEEING EYE IS WATCHING TONIGHT
NOTHING TO HIDE
THE SECRET’S INSIDE
IT’S LIKE EVERYBODY IN THIS PARTY’S SHINING LIKE ILLUMINATI
IT’S LIKE EVERYBODY IN THIS PARTY’S SHINING LIKE ILLUMINATI

For the Rebel Heart Tour, Madonna used this song as a late-hour interlude. Her dancers climbed atop impossibly flexible poles, which soon swayed and turned to their own fantastical form. Defying gravity and physics (or masterfully employing them as the case may be) they were a show unto themselves, because even when she’s absent the stage, Madonna knows how to entertain.

YOU KNOW THAT EVERYTHING THAT GLITTERS AIN’T GOLD
SO LET THE MUSIC TAKE YOU OUT OF CONTROL
IT’S TIME TO FEEL IT IN YOUR BODY AND SOUL
COME ON, LET’S GO
WE’RE GONNA DANCE AND TURN THE DARK INTO SOMETHIN’
SO LET THE FIRE BURN, THIS MUSIC IS BUMPIN’
WE’RE GONNA LIVE FOREVER, LOVE NEVER DIES
IT STARTS TONIGHT
IT’S LIKE EVERYBODY IN THIS PARTY’S SHINING LIKE ILLUMINATI
IT’S LIKE EVERYBODY IN THIS PARTY’S SHINING LIKE ILLUMINATI
IT’S LIKE EVERYBODY IN THIS PARTY’S SHINING LIKE ILLUMINATI
IT’S LIKE EVERYBODY IN THIS PARTY’S SHINING LIKE ILLUMINATI

SONG #157: ‘Illuminati’ – Summer 2015

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Adam Lambert’s Not-So-Secret Superpower

ALL OF THE WITCHES AND THE DEMONS BETTER GET OUT MY WAY…

Adam Lambert is back in a major way, thanks to his latest EP ‘Velvet: Side A’ out now. Lead single ‘Superpower’ is, well, nothing short of super. It’s got a groove and a theme of self-empowerment that simply shines. The funk is strong with this one, so lay it down for a Saturday night out and get your pimp on. Bonus points for that green suit.

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