Author Archives: Alan Ilagan

The Pride Post

It’s not easy being gay. It’s easy for me to think it is, because when you surround yourself with good, open-minded, accepting people it’s easy to think that’s the way the world is, but periodically – on the news, on the street, or in the office – I’m reminded that we are still different. We are still ‘other’.

Much like any minority, being openly gay opens you up for feeling different. For anyone who’s ever felt different, for anyone who’s ever been pointed at or whispered about, for anyone who’s had a dream about being in public and suddenly realizing you have no clothes on, imagine that feeling ALL THE TIME. If you’ve ever felt uncomfortable in a gay bar, imagine that feeling EVERYWHERE.

This world is a straight world. Every restaurant is a straight restaurant. Every office is a straight office. Every bus, train, or plane is a straight bus, train, or plane. Heterosexuality is the default setting ~ wide-ranging, far-reaching, accepted and commonplace. Homosexuality is the exception to the rule.

Every so often I feel it – the weight of it – the burden of being different. It’s a cumulative thing, built up year after year, little by little, whispered word by whispered word ~ and the effects are mostly deleterious. A fatigue, a vague mistrust, a twinge of paranoia that eventually, and always, turns out badly. You have to be careful with what you do with it. Too easily does it turn against the very people who are there to help you, too easily does it turn you against yourself.

Over the years, as I’ve grown into myself and become more genuinely confident in who I am, this battle fatigue has become more manageable, and I’ve been less affected by it. But it has taken years, and the war rages on in lands beyond my backyard.

If I seem too sensitive at times, if I come off as prickly, stop and think where I’m coming from, and where I’ve been. If you spend your life in a world largely foreign to you, where 97 percent of where you are and what you do is the opposite of your nature, what would you feel? How well would you cope if you had to wake up every day in a gay world? How would you feel if those seven awkward minutes in which you shared a quick drink with me in a gay bar turned into seventy years?

That’s what it’s like when I wake up every morning, go into work, walk around downtown for lunch, go out to dinner, the movies, a show (well, maybe not a show…) and all the other things we do on a daily basis. As accepting as most of my friends are, it’s still there. There’s still the burden. There’s still the difference. And until you’ve been there, you can never know. You can sympathize, you can relate, you can support and you can love, but you can never fully know.

I guess this is my roundabout way of saying that there’s still a need for Gay Pride. As comfortable and as proud as I am to be a gay man, there’s still a glimmer of doubt, still a shred of uncertainty I feel whenever someone attacks marriage equality, calls someone a faggot, or kills a gay person. That doubt and uncertainty is what they want me to feel. That’s how you stifle a group of people, that’s how you silence those who are different. And though I’ve learned to embrace being different, there will always be a cost to it. All the rainbows in the world can’t fix that, no matter how pretty.

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Holding Hands: The Ogunquit Chronicles 2011

We arrive to lilacs in full bloom, filling our room and the yard with their Spring perfume. Some years we’re off – arriving just before or soon after their show is complete. This time we hit it just right.

Throughout the long weekend they would accompany us with their cheerful lavender blooms, sprinkling the air with that quintessential New England fragrance.

It’s good to arrive on Thursday – a trick we learned after waiting in long lines of Friday traffic on 495 for our first few years. Today the town is slowly awakening after a long, torturous Winter, and a rather rainy early Spring. None of that is in evidence now – window boxes are brimming with pansies and all the other pots have been planted with flowering annuals.

A row of mandevilla, and their accompanying trellises, lines the street in front of me, which I watch from a tree-shaded patio, sipping coffee and writing this out. It is a customary soft-entry into Ogunquit – a sweet decompression period that gently erases all cares or concerns of work and life in upstate New York.

I can feel my shoulders relaxing as the town walks by, and the dappled sunlight and ocean breeze work their healing magic, lulling me into a familiar comfort, an ease of life reserved for this beautiful place by the sea. In some strange way, I feel more at home here than I do in my own backyard. Another Memorial Day weekend in Ogunquit has begun.

It sends its scent forward first, and before it even comes into view the ocean has heralded its presence. It sends its sounds next – the vaguely thunderous pattern of waves, the cries of seagulls, the rolling wind. Only after this introductory preamble does it come into view, revealing itself with its sparkling crests glinting in the sun, the white-capped waves lapping at the beach, the vast immensity of the Atlantic occupying all that lies ahead. It is the deep blue horizon, and when you face it – really face it, head on, and take it all in – everything behind you suddenly ceases to matter.

This is our world at its simplest – at the crux of land, water, and air – and what else is there? We are small creatures to stand before such a colossal expanse, and it always gives me pause to question the humility and, alternately, the hubris it takes to face that vastness.

Most of us aren’t here for that kind of rumination, and, sometimes – well, most of the time – it is enough just to smell the salty air, to be lulled by the queasy undertow, to watch the kids splashing in the frigid surf. With the sun beating down and the warmth of the sand beneath bare feet there is no reason to think of anything else.

The title of this post is all there is to say really: a pair of men hold hands as they walk along the Marginal Way, and nobody pauses to stare, nobody raises an eyebrow, nobody even whispers after they pass. It seems like such a simple thing, such a common occurrence that most married or dating couples take for granted. But when you’re a man married to another man, there’s not much you can take for granted – not even holding hands. Men and women have been attacked and killed for less.

This is the only place in the world where Andy and I have ever held hands in public.

What does that do to a couple? What does that do to a marriage? What does that do to the human spirit?

 

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The Madonna Timeline: Song #43: ‘Hung Up’ – Fall 2005

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Time goes by so slowly,
Time goes by so slowly,
Time goes by so slowly…

Madonna has never made her impatience a secret, yet considering that by 2005 she was two decades into her career, I’m not sure how she figures time goes by so slowly. That Fall she released the lead-off single ‘Hung Up’ for the non-stop dance-a-thon Confessions On A Dancefloor. After the floppy failure of the under-rated albeit dour American Life in 2003, she went back to the well that has always produced gold – the dance floor – and it resulted in her biggest international smash of the decade, propelling her to another #1 album.

Time goes by so slowly for those who wait,
No time to hesitate.
Those who run seem to have all the fun.
I’m caught up, I don’t know what to do.

Making the most of its pricey Abba sample, ‘Hung Up’ is a disco diva’s dream, and fittingly became a dance anthem and immediate staple in Madonna’s repertoire. Lyrically it’s a bit weak – and I’ll go so far as to say disappointingly lazy. (The opening is a word-for-word rip-off of her own ‘Love Song’ from the ‘Like A Prayer’ album, though the similarities end there.)

Every little thing that you say or do,
I’m hung up – I’m hung up on you.
Waiting for your call, baby, night and day,
I’m fed up, I’m tired of waiting on you.
Ring ring ring goes the telephone,
The lights are on but there’s no one home,
Tick tick tock, it’s a quarter to two, I’m done, I’m hanging up on you.

It’s fun the first few times you hear it, then you begin to wonder whether her youngest child had a hand in writing some of the lines. No matter, it’s the music and the driving beat that really move this song. Nobody does a pop-dance song better than Madonna, and with her ‘Saturday Night Fever’ homage in the video for the song, nobody does pop culture references like her either.

With a few clever flips of her sausage curl hair, she channels Farrah Fawcett and John Travolta in one fell swoop, bringing the disco back to the clubs, and the glitzy glamour of Studio 54 back to the world. Her look was fun, bouncy, jubilant – and the sound was a celebration of the simple joys of dance music. If it was nothing too profound, it still felt good, and after the darkness of American Life, it was exactly what her fans needed.

I can’t keep on waiting for you.
I know that you’re still hesitating.
Don’t cry for me, cause I’ll find my way.
You’ll wake up one day, but it’ll be too late.

Shakespeare it’s not, I’ll grant you that. In fact, lyrically and musically that may be one of her weakest bridges – and though she’s got some big-time bridges, that’s no excuse. Also, at this point it’s overplayed its welcome on my ears – for a year or two this was her go-to-performance for promo and award shows – but for the time it was epic. I mean, it’s Madonna and Abba. And who didn’t roll their fists along with that choreography?

Every little thing that you say or do,
I’m hung up – I’m hung up on you.
Waiting for your call, baby, night and day,
I’m fed up, I’m tired of waiting on you.

It came out as the party season was just getting into swing. It was just before the holidays, and a new Madonna album meant a rollicking good time, aurally at least, and Confessions did not let anyone down. To this day, it’s the perfect record to put on when you’re about to go out for a night on the town, in those moments when you’re choosing your outfit, getting dressed up and determining your glamour quotient. The anticipatory excitement that is so good all you want to do is dance…

Time goes by so slowly…
Song #43: ‘Hung Up’ – Fall 2005

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Toothpick Sailing in the Rain

The rain doesn’t matter when you’re sailing toothpicks on the little make-shift stream of water running down the street in front of your house. Past mini-dams of fallen maple tree blossoms, the toothpicks rush, forging their way through branches and tiny beaches of sand and pebbles. The best ones travel all the way down the street, ultimately finding a mysterious end through the grates of a sewer.

When you’re a kid, you don’t mind standing in the rain so much, especially when there’s something like that to watch. It’s like the whole world closes in around you, and all you see or care about is whether that tiny toothpick will find its way past all the obstacles in its path. At some point it’s no longer a toothpick – it’s the massive hull of an island-sized battleship, or the orbiting body of a space rocket, or the simple wisp of a lifelong dream. All in the smallest of wooden vessels.

There are so many things to stop it, to snare or tangle it in the roots of a tree or the veins of a stripped leaf, and the odds are always stacked against it, but somehow there’s one that makes it. Sometimes it takes a little nudge. Sometimes the small hand of a boy acts as God, freeing it from a whirlpool or picking it up when it gets stuck. And sometimes the boat just can’t be righted, so you send it on to make its own way.

Once upon a time I was a boy who watched those toothpicks traveling down the street stream, seeing how far they could go, helping out some, leaving the rest on their own. It passed a rainy day, and proved that even beneath a dreary sky there could be the light of imagination – waiting to be kindled, and burning brightly through the rain.

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The Ultimate Dare is to Tell the Truth

It was a bit like taking a bullet (or so I would imagine) when I realized that this month marks the 20th anniversary of Madonna’s ‘Truth or Dare’. The year was 1991 – probably one of the darker years in my life – and I was just coming around to Madonna again after being frightened away by her Catholic offenses. As with a lot of things, I was coming around in a major way, and ‘Truth or Dare’ is what started and sealed the deal on my super-fandom.

I still remember that night vividly. It was just before summer really started – my brother and his friend Eric came with me (I promised them there would be boobies), and we went to the old Cinema 4 at the Amsterdam Mall, where the parking lot sparkled with glittered cement (no, really). There were about three other people in the theater, but I didn’t care – in fact, all the better.

No matter what is said about the Madonna the actress, the documentary was pretty damn good – and it left me feeling inspired and ready to take on the world (the mark of a good movie in my twisted book). It also offered a humorous, if completely calculated, look at the woman behind the myth, and I willingly and happily bought every conceit.

 

Unafraid to be daring or offensive, refusing to be cowed by men in uniform (whether that was policemen or the Pope himself), yet somewhat vulnerable and lonely, Madonna portrayed herself as a fully realized human being – a complex and hidden one too, no matter how all-access she claimed it to be.

At the time, I didn’t know who I was – and the person I feared I might just be (a gay man) was not even in the realm of possibility. Yet here was Madonna, watching as two men kissed, and daring to put it on big screens across the country, and a world I didn’t know existed (there was no internet as we know it in 1991) opened up before my eyes – a world beyond Amsterdam, NY – and beyond a wife and kids and a white picket fence. It was but a glimpse, but it was enough – and I’ve held onto the truth, and Madonna, ever since.

 

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The Madonna Timeline: Song #42 ~ ‘Voices’ – Spring 2008

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Who is the master? Who is the slave?

Ambivalence, apprehension, unfinished business – they’re all a part of ‘Voices’, the final track of Madonna’s 2008 ‘Hard Candy’ album. (Yes it’s been three years since her last original studio effort… [clears throat, dramatic pause, “I’m waiting. Why can Donna and Niki not hear themselves? Sound by JimCo…”]

The song itself is a complex note on which to end her final studio album for Warner Brothers, finishing with a flourish of dramatic bass-drum pounding, and closing with the lone ring of a church bell or, in this case, the death knell of a relationship.

Treat me like a curse, Then tell me I’m your savior,
I’m living with a stranger I used to know so well.
Waiting for your answer is a kind of torture,
Could I grow accustomed to this kind of hell?
Are you walking the dog, cause that dog isn’t new?
Are you out of control, is that dog walking you?
Haven’t you had enough, now your time is up?
Baby show me your hand…

The lyrics are laden with tension, as Madonna contemplates a relationship gone sour (her own marriage to Guy Ritchie ended soon thereafter) and the push and pull of what constitutes doubt amid love and trust. It’s interesting to note the maturation and thoughtfulness present here, and when you compare this to something from the earnest, if broad, innocence of the tracks on Like A Virgin or True Blue, it reveals a remarkable measurement of growth. Madonna doesn’t completely exonerate herself from the blame either, but it’s clear she is the wiser observer in this scenario, even if she’s not capable of saving the situation.

Voices start to ring in my head, tell me what do they say?
Distant echoes from another time start to creep in your brain.
So you’re playing round this like it’s convenient,
You do it so often that you start to believe it.
You have demons so nobody can blame you
But who is the master and who is the slave?

As her musical and life journeys have played out over the years, her artistic output, as seen in songs such as this, has at times turned darker, and deeper than the bright pop hits that get noticed and released. A challenging gem like ‘Voices’ tends to get lost in the shuffle.

First you say you love me then you wanna leave me
Then you say you’re sorry, you play the game so well
I bought your illusion, you’re the greatest salesman
How could I refuse you when you sold it to yourself?

In some ways (and I do realize it’s unfair to compare the two), this is the second-marriage version of ‘Til Death Do Us Part’, though Madonna would likely never come clean about its genesis or who it may really be about. That’s part of her own game, as much for self-preservation and privacy as it is out of respect.

Are you walking the dog, cause that dog isn’t new?
Are you out of control, is that dog walking you?
Haven’t you had enough, now your time is up?
Baby show me your hand
Voices start to ring in my head, tell me what do they say?
Distant echoes from another time start to creep in your brain.
So you’re playing round this like it’s convenient,
You do it so often that you start to believe it…

No one knows what really goes on in anyone else’s marriage. So much of it is secret, so much of it is hidden. Madonna only hints at deeper breaks and fissures, which makes the impact of this that much stronger. Someone once said that a marriage makes secrets a necessity – sometimes the secrets help, and sometimes they hurt. Reading into the relationship of a stranger, albeit a very public performer who revels in revealing art, feels wrong and invasive. Yet it’s also a comfort to know that even someone as perfect as Madonna doesn’t have it all figured out yet.

You have demons so nobody can blame you
But who is the master and who is the slave?
Song #42: ‘Voices’ – Spring 2008
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Hanging on a Moment of Truth

There ain’t no reason you and me should be alone tonight,
Yeah baby, Tonight, yeah baby…
I’ve got a reason that you’re who should take me home tonight (tonight)
I need a man that makes it right when it’s so wrong,
Tonight, yeah baby ~ Tonight, yeah baby
Right on the limits where we know we both belong tonight…

A song for Spring should have the innocent, hopeful longing of love in it – and the same fluttering excitement of pedaling as fast as you can on your bike and whooshing down a hill on the cusp of night.

Or sitting in the passenger seat as your new boyfriend guns it to 90 and the sunroof is wide open, blowing wind and stars and fairy dust around as you reach a timid, fearless hand out the window to feel the world go by.

It’s hard to feel the rush,
To brush the dangerous
I’m gonna run right to, to the edge with you
Where we can both fall over in love…
I’m on The Edge of Glory,
and I’m hanging on a moment of truth,
Out on The Edge of Glory,
and I’m hanging on a moment with you…

A midnight in Spring, the middle of Copley Square deserted, and you rollerblading with your headphones on, black coat billowing out behind you, and picking up speed until it feels like you’re flying, and Trinity Church rises and falls before you as the Hancock Tower mirrors your ascent into the night.

Another shot, before we kiss the other side tonight,
Yeah baby, Tonight, yeah baby,
I’m on the edge of something final we call life tonight
Alright, alright…
Put on your shades ’cause I’ll be dancing in the flames
Tonight, yeah baby ~ Tonight, yeah baby…

Certain songs propel you along your way, jump-starting a new way of life, opening up another door. They drive you to your next destination, even if you didn’t think you had one, and they create the memories that mark your life. It’s
that moment when your hero reaches out his or her hand and pulls you along for the ride. They beckon with a reassuring smile, and for that one minute you feel like you can conquer the world.

It’s hard to feel the rush,
To brush the dangerous
I’m gonna run right to, to the edge with you
Where we can both fall over in love…
I’m on The Edge of Glory,
and I’m hanging on a moment of truth,
Out on The Edge of Glory,
and I’m hanging on a moment with you…
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How to Pull off the Man Clutch

At first I was resistant to the idea. Like most extreme trends, the idea of a man clutch is initially silly. What’s the point? With all the messenger bags and body bags and portfolios available, do we really need another accessory? Absolutely. To paraphrase a line from Steel Magnolias (because that’s exactly how gay this blog is), the ability to accessorize is the only thing that separates us from the animals.

While in Boston, I decided to forge the trend, but first I needed to find a suitable clutch. Being that the idea is relatively new (and decidedly not-yet-popular) there weren’t very many man clutches available. There were smaller messenger bags, but they all had straps or handles. There were dop kits and toiletry bags, but they were too bulky. The only clutches out right now are the female clutches, so yes, the man clutch, for now, is simply a woman’s clutch carried by a man. I’m cool with that, and confident enough to pull it off, which is one of the secrets on how to utilize the accessory without looking completely ludicrous.

If you’re going to carry a man clutch, there are a few suggestions I would make so you come off as eclectic and quirky rather than straight-up drag queen – but if you’re thinking of doing it, you don’t really have much wiggle-room for differentiation on that front – I mean, you’re carrying a clutch for God’s sake.

First rule, nothing frilly. No bows, or ruffles or even pleats. No ruching or puckering or fringe. No excessive buckles or buttons or ornamentation. The goal is for streamlined and elegant. Simple lines, clean surfaces. Keep the material on the rugged side as well – leather or canvas – and keep colors muted, or at least coordinated with your outfit. Above all, no sequins or feathers. Again, you’re carrying a clutch. It’s enough.

In the photos seen here I chose a lemon-hued version in leather, to match the scarf seen in the background. While at first I thought it would be an exercise in whimsy, it turns out the idea is surprisingly utilitarian. This is not solely a matter of superficial fun over function – a man clutch can be quite useful in freeing up pocket space that might otherwise be over-bulked with wallets, cel-phones and keys, while not weighing one down with an unnecessarily-full-size messenger bag that has no place at a crowded restaurant table or theater seat. Far from an “extra” accessory, the man clutch can take away the bulky pocket syndrome, replacing it with something svelte and sleek. It also makes things a bit more convenient when everything is in one place, so you don’t have to play pocket-pool or ass-fish while searching for stuff.

Pulling off the man clutch takes a bit of confidence and panache, and a pair of balls as polished as brass. It’s not a move for the weak of heart, or those simply following a trend for trend’s sake. But when done correctly it can leave an unforgettable impression, and that’s my goal in life.

[Now we just need to find a suitable moniker for the object – “man clutch” is a bit too pedantic. “Murse” was snottily suggested by a FaceBook “friend”, but I’m more partial to “mutch” (which seems more suitable since a man clutch is, let’s own it, a bit much). I remain open to suggestions.]

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Aaron Schock Shirtless – The First (And Last?) Hot Republican

While I’m decompressing from a fantastic anniversary weekend in Boston, here’s a bit more eye-candy. This is currently our youngest congressman, Aaron Schock. He’s a Republican, and that’s all I’m going to say. There have been whispers about Congressman Schock’s sexuality, mostly because this is not the first time he has posed shirtless, but I won’t believe it.

Being on the cover of Men’s Health does not automatically make one gay. (But it certainly doesn’t hurt…) It’s the belt, shirt and white pants combo that Congressman Schock wore at a summer party (as seen below) that is, well, slightly more incriminating. Don’t get me wrong – I love it and would totally wear it in a heartbeat… so you see what I’m saying.

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A Love of Lilacs

Lilacs were one of my favorite flowers growing up, and remain so to this day. The aroma alone is enough to conjure memories of fresh Spring days, the promise of summer, and romantic entanglements worthy of Gatsby himself. Almost everyone has a lilac memory, a time when a row or hedge of the pastel flowers crossed our Spring paths, seducing all in their fragrant embrace. Like peonies, they are pungent and long-lived, instilling themselves in our past, emblazoning the moment with their perfume.

There is an essence both of innocence and romance in a lilac, and in their short-lived season of bloom, a wistful sense of fleeting wonder. I’ve read of new varieties that promise a decent re-bloom, but I’m partial to the old-fashioned stand-bys, where the true fragrance consistently remains. We’ve got a double version given to us by Andy’s Mom, which I’ve grown to love. The doubles also seem to hide the browning edges better than the single version. It is also powerfully fragrant, which will always be the most important part of a lilac.

I’ve also planted a couple specimens of the Korean lilac – a smaller, bushier version with a slightly later, and longer, bloom time. Though the blossoms are decidedly smaller, and erring on shades of pink rather than lavender, there are quite a few more of them, and their scent carries closer to the ground.

A hint on using lilacs as a cut flower: pick them in the middle of the night, or the very earliest of morning, then smash their stems to allow them to pull up as much water as possible. They may droop a little, but should come back if given a few hours to recover. The fragrance can fill a room with memories.

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Sunkissed and Scent-sational

Orange. It’s not everyone’s cup of tea. Andy’s not a fan, but he’ll have to deal, as I’ve decreed orange to be the accent color for my Spring/Summer season. It starts with a Jack Spade bag and a complementary card holder, and goes down to a hot pair of argyle socks. I’m looking at orange shoes next. Yes, I have one pair already, but they’re an old Polo set from long ago. So that’s the revolutionary costume plan for the season. Orange. (And lavender.)

Now if I can only decide upon an anniversary fragrance. It’s been narrowed down to a couple of Tom Ford Private Blend scents (Champaca Absolute, Neroli Portofino, or Oud Wood), an Hermes, something by Frederic Malle, or a Creed (Silver Mountain or Imperial Millisime). Last year I wore Creed’s Green Irish Tweed for the wedding weekend, but I think I may want to save that for the super special occasions. Either way, it’s an exciting time for citrus.

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A Failure of Narcissism

For someone who prides himself on having a green thumb, I have proven surprisingly pathetic at growing daffodils. I am blaming it on the soil, and possibly the critters in the backyard, because it can’t be anything I’ve done or neglected to do.

When we moved into our home, that first Fall I planted a group of Poet’s narcissus among the pachysandra that filled every available spot in our backyard. I amended the soil with a generous heaping of bone meal (since pines were in the area, I wanted to temper any acidity in the ground, as well as fortify any blooming power in the bulb). Set about six inches deep, they slept through the winter, as I dreamt of drifts of Wordsworthian daffodil blooms come the Spring. I had set out a decent number of Narcissus poeticus ‘Actaea’ – the Pheasant’s Eye Narcissus, as they had a nice late bloom season, but when they finally came up, it was a bit of a disappointment. Maybe my memory was exaggerating the thickness of the leaves, and the height of the blooms, but these were much less than anticipated, and the next year only a few measly leaves surfaced, minus any blooms.

Thinking it may have been the tangle of pachysandra roots that proved too much for the bulbs, I tried again the following Fall, giving them their own little space near the house. The soil was a little sandy, but I figured that would be better for drainage. I prepared the spot in the same way – amending with bone meal, six inch depth – and had grand hopes of swaths of yellow flowers colonizing and taking over the small space. I also put in some grape hyacinths beside them, to test whether this otherwise-unkillable bulb would suffer a similar fate. The next Spring the daffodils and grape hyacinths came up, but weakly. The following year there were just slender, and short, leaves. There was nothing after that.

 

 

Last Fall, I again succumbed to the promise of Spring, and bought a few packages of pink cupped daffodils, and a few large red-cupped ‘Fortuna’ bulbs – big, hearty, substantial things that looked and felt like they could charge through any number of winters. I also tried a small grouping of golden-hued miniatures. So far, they are performing adequately enough, but there’s still a bit of the same delicate first year hesitation – a bit late, and not as robust as more established clumps I jealously see in the neighbors’ yards. I do not have much faith in them, but such is the lot of any gardener. Failure is a part of the game. We’ll see if these come back strong next year, or if my yard just wasn’t made to have daffodils.

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The Madonna Timeline: Song #41 – ‘Let It Will Be’ ~ Holidays 2005

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

At the end of 2005, Madonna’s ‘Confessions on a Dancefloor’ was on perpetual play in my car and home, just as I was preparing for our annual Holiday Party. I’ve been throwing parties for years, and at this point they pretty much throw themselves, but there is still an element of production to them, and a certain punch and panache that makes a party memorable. (As this is being written, I have just come up with a concept and name for our Summer party in July, so parties are on my mind.) Since the iPod has selected ‘Let It Will Be’ as the next Madonna timeline song, let’s revisit the party scene in the works when that song was blaring in my shower – the build-up and anticipation, the preparation and planning, and the all-too-brief swell of a gathering of good friends at holiday time.

Now I can tell you about success, about fame,
About the rise and fall of all the stars in the sky
Don’t it make you smile?
Let it will be,
Just let it be,
Won’t you let it be?

Back in 2005 it was The Venetian Vanity Ball ~ and it began with the outfit. A frilly number, with tiers of vermillion tulle, layers of burgundy lace, and a few subtle lines of ostrich and marabou feathers thrown in for delight. Beneath this a pair of burnt-out velvet pants, sheer enough to show just the slightest bit of black Armani underwear, and bottomed off with cuffs of beaded lacing. A scarlet off-set hat accentuated with sequins and some additional plumage (including an actual bird) topped it all off, though I didn’t keep it on for long. And for those moments when I wanted to accompany a smoker or two outside (as any good host would), a red fox fur stole (from a Neiman Marcus clearance event) kept me (and a few others) warm and toasty. Grounding the whole ensemble was a pair of black leather cowboy boots, only the tips of which peeked through the beaded fringe of those velvet pants.

Now I can tell you about the place I belong,
You know it won’t last long,
And all those lights they will come down.

I enjoy dressing up for parties – and there is sometimes a costume change or two (or ten on special years). It’s a labor of love – even if sometimes more labor than love, and some years are more stressful than others. All the food and drinks need to be purchased and prepped, the decorations and musical soundtrack selected, and the lighting and fragrance decided upon and executed, and in the days prior to a party they can all come to a head, and a headache. Whenever the stress creeps up, and Andy and I are snapping at each other, I have to calm down and remember that it’s all supposed to be fun, and if it’s not then we shouldn’t even be doing it anymore. That’s when I think of this song, and in its way it calms me. Let it be.

Let it will be
Oh let it be
Just let it be
Won’t you let it be.

Paradoxically, it also lights a fire under me, providing inspiration to don the feathered angel wings, clamp on the enormous peacock tail, or squeeze into the twenty-pound bejeweled corsets that have made up some of the more outrageous holiday outfits of the past. An enormous amount of energy – physical and mental – is required to wear some of the things I’ve worn. It takes a different mindset, and I have to be in the right headspace to pull it off. So much of fashion is attitude and confidence. If you can wear it as if to the manner born, then it will be a success. If you have the slightest hesitation or trepidation, you’re toast. I don’t wear anything over which I carry the tiniest bit of doubt. If I have to ask an opinion on an outfit, or I’m unsure about something, then I know it’s not going to work.

Now I can see things for what they really are,
I guess I’m not that far
I’m at the point of no return
Just watch me burn…

It takes a lot out of a person, throwing a party. Yet somehow, at the end of the evening, it is always worth it. Eliciting a friend’s smile is worth everything.

Let it will be
Just let it be
Oh let it be…

Even so, I do wonder…

“He sometimes looked back with awe at the carnivals of affection he had given, as a general might gaze upon a massacre he had ordered to satisfy an impersonal blood lust.” – F. Scott Fitzgerald, Tender is the Night

Now I can tell you
The place that I belong
It won’t last long
The lights they will turn down…

Just watch me burn…
Song #41: ‘Let It Will Be’ – Holidays 2005
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A Jewel of a Weekend

The entrance was draped in sheer burgundy organza, embroidered with patterns in golden thread. A trio of glass pendants hung above the doorway, slightly swaying in the breeze and guarding their flickering candles. Incense burned along the walkway, scenting the night and curling into the darkness.

Within the house, the living room glowed with warm light. A pillow encrusted with metallic sequins and beading showed the design of an Indian elephant.

More candlelight fluttered within, illuminating a comfy couch overflowing with pillows, and an ivory chaise with a blanket so soft it seemed made of silken fur. Feathery ferns lined the bay window, while the delicate fronds of a Norfolk Island pine radiated on an intricately carved stand.

Everything here was designed to stimulate and enrich the senses – the scents, the light, the textures – and everything quelled the worries of what was outside. In here, there would be peace. In here, there would be laughter. In here, there would be love and friendship and the reminder of all the good that was left in the world.

 

On a tray, the Amber Jewel was dispersed among several martini glasses. A rich golden-hued cocktail, it came garnished with star-anise seed pods, each lending a smoky seductive drawl to the saffron green tea base and ginger vodka accents. From deeper within the home came the pungent aroma of intermingling Indian spices – cumin, turmeric, coriander, Garam masala, and curry – for dinner the next night. For now though, there was company, and the invigorating first flush of happy familiarity and long-time friends.

So began our Birthday Weekend Celebration with the Cape Crew, with a cadence of clinks and the promise of good times…

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The Madonna Timeline: Song #40 – ‘You Must Love Me’ ~ Fall 1996

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Where do we go from here?
This isn’t where we intended to be.
We had it all – you believed in me.
I believed in you.

I don’t remember the first time I saw him. Is that strange? For someone who supposedly meant so much to me, I don’t recall the first time we were in the same room together. It must have been in the Literary Criticism class that we were both taking – my final requirement for an English degree from Brandeis University. I had tumbled off the commuter rail a bit later than anticipated, and had to rush up all the hills and steps before making it to the humanities building. In a sleeveless gray shirt and tattered jeans, I didn’t care how I looked when the weather still clung to August. I was decidedly not dressed to impress, not that first day. (It was a bit of an anomaly, as every day thereafter I would wear a different outfit, as impressive as I could muster, for the remainder of the semester.)

Sitting here racking my brain for our first moment of interaction, I still cannot come up with anything. In a way it makes sense, I never shit where I eat – so when on campus I was never looking for love, or even open to any bit of flirtation. It was probably what got me through college. I saved my obsessions for city folk, for unattainable real estate agents, would-be actor-waiters or gone-in-a-flash T-riders. At school, I was all business, and that Literary Criticism course was the last one I would have to take seriously.

The summer lingered on a bit. I always forgot how hot the start of the Fall semester could be. Above, the sun hovered, slowly traversing the sky over the duration of those September days. There were blue skies then – the gray of November was a distant impossibility.

The first bit of interaction with him that I can recall was a simple exchanging of glances in a second floor hallway. I was sitting on a couch waiting for my next class to begin, and he was headed in the other direction. My eyes followed and caught him turning around as he went down the stairs. From that moment onward I noticed him. He was usually smiling or laughing, entertaining a giggling gaggle of girls, and across the room in our literature class he occasionally smiled at me, raising his eyebrows in question or acknowledgment or invitation.

Certainties disappear,
What do we do for our dream to survive?
How do we keep all our passions alive,
As we used to do?

Dappled sunlight beneath a fiery grove of maple trees. A Nathaniel Hawthorne day in New England. The smell of warm leaves, the whisper of copper-colored pine needles. He sat on a rock, thumbing through a notebook. I stopped and said hello. I mentioned his Structure sweater, explaining that I worked there and could spot them a mile away. He told me he liked them, but all his sweaters ended up unraveling at the end of the sleeve – “something I must be doing with my hand” – and I let the entendre go by without a wink or a saucy word. My nervousness rendered me quiet and submissive around him – an incongruity to what made me fun to be around, and perhaps the fatal flaw in my ultimately winning over those who most impressed me. I left him there, beneath the trees, amused at my own ‘discombobulation’ as Suzie would call it, and wondering at what was going through his head.

A few days later, we got our first set of papers back. After a stern lecture on how this first batch had disappointed him, and how they weren’t at the level we should be at, the professor gave a lovely build-up to what I assumed was a disastrous grade. He went on to say, in one of those dastardly frightening professor moments, that he would leave them on the table and then leave the room, as he didn’t want to see the looks on our faces when we saw the grades. (Still a bit lighter than the sign next to one professor’s office hours that read, ‘Professional Slaughtering’.)

There was a mad rush for the papers, but I didn’t bother. No sense is hastening the arrival of bad news. I slowly got up and saw my name, but couldn’t quite get to it. He then reached over the other students to grab my paper along with his, and handed it to me. I think I fell in love with him at that moment. That he knew my name, that he struggled against the others to find mine, or that I got a B+ – I don’t know what made me feel happier. Who can say why we fall when we do?

We continued to see each other around campus – he would always seem to be where and whenever I least expected him, and I was continually caught off guard -“ the way my whole experience with him threw me off guard. And I couldn’t entirely be fabricating that there was something on his end too, could I? Certainly, I had lived out further-fetched fantasies of love and affection before him (wait until ‘You’ll See’ hits the timeline), was this just another etching solely in my mind?

At work, I confided to my manager who said I should just ask him out. I balked at the idea. I couldn’t, and that would never be my style. Even if I could, what would I say? “Do you want to go out sometime?” I would feel ridiculous. I was too shy for that. I liked to play it off as aloof and nonchalant, but it was simply me being shy, and an acutely killing form of shyness that I was nowhere near ready to combat at that moment.

Deep in my heart I’m concealing
Things that I’m longing to say
Scared to confess what I’m feeling
Frightened you’ll slip away,
You must love me,
You must love me.

A few days later, I thought I might be ready. In the cafeteria of Usdan Center, I saw him arrive at his lunch table. He was alone. My heart was pounding. I picked up the nearby pay phone (yes, there were such things back then) and dialed my store manager and friend John for one last bit of encouragement. He told me to just do it. Thanks, Nike. But it was enough. I marched quickly over to his table, and in what can only be the quickest blurting out of a pathetic pick-up line, said, “I was just wondering if you wanted to hang out sometime.” He smiled and said sure, he’d like to, and he gave me his phone number. It would be one of the only times in my entire life that I asked a guy out.

That was it. I smiled, said hello to the friend who had just joined him, and then said goodbye. If only we could have left it there – when there was nothing but possibility ahead. If only I could have kept it all in my head, living on the remote chance of all the what-ifs my racing brain could giddily conjure. If only… I hadn’t been so lonely. But I couldn’t see that then. All I knew was that he said yes.

I almost danced out of the student center, taking steps two at a time, bouncing off the walls in gleeful celebration. The boy I liked said yes! He said yes! And I was off – literally, figuratively, mentally, you name it – off on a thrilling one-man race that had but one inevitably sad destination. I did not know that yet, and for all the happiness and hope I felt, there was the one nagging worry – what if he didn’t like me the way I liked him? I put my faith in Madonna, and her latest ‘Vanity Fair’ cover story, where she quoted from ‘The Alchemist’:

If you want something bad enough, the whole world conspires to help you get it.

How I wished and prayed that was the case. How my heart yearned for it to be true. There was another quote that haunted me from that Madonna article though, and they were her words directly. It stayed in the back of my mind no matter how hard I tried to dislodge it:

Power is being told you are not loved, and not being destroyed by it.

– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

We shared a few late-night phone talks. I was in my bedroom in Boston – lying in bed looking up at the ceiling, then sitting on the cool hardwood floor, staring out the window, then back beneath the covers – warmed by his words, enthralled by his high school stories, and touched by the recitation of some of his writing. Maybe that was the moment I fell in love with him. This once-overweight kid, out of place, hurt by his family – my heart ached for him and his childhood, and for the fact that I could easily have been one of his torturers. (That’s just the kind of mean kid I was.) I wanted to hold him and make it all better. A surprise to myself, this fierce shard of protective instinct, this desire to shield him from the worries of the world, when so often I assumed it was me who needed to be protected.

We talked of silly and frivolous matters too, Broadway musicals and Madonna, and I ended up giving him a copy of Madonna’s latest single, ‘You Must Love Me’, hoping he would read into it all that I intended. There was shared laughter over the phone, and once there was a crash and he admitted he had fallen off the chair. It didn’t necessarily mean anything – all college kids are prone to romantic delusions during late-night phone conversations. The deciding moments would be determined during the day.

He sat next to me when we had class again. It was jarring, and strange, since most of us didn’t shift our seats much – not from one side of the room to the other – yet it was intoxicating to be so singled-out. As uncomfortable as I felt, as much as I was sure that all eyes were on us (and as sure as I am today that they were not), it was another little gesture that stirred the dormant heart.

Being close to him left me dizzy with nerves, erasing my wit and replacing it with a silence that could only be read as disinterest, or, worse, haughty superiority. Yet I couldn’t be myself around him, not with so much at stake. I couldn’t believe that I was someone to be loved, even if it was all I wanted him to see.

Why are you at my side?
How can I be any use to you now?
Give me a chance and I’ll let you see how
Nothing has changed.

I think we shared a book in our next class together, and it was easier being near him. Maybe we wrote a few quick words to one another, as if we were two silly kids in high school, sharing a secret moment of fun amid the criticism of Kant. On one of our phone talks I asked him if he wanted to attend ‘Master Class’ with me – I had just gotten two tickets. Suzie and Anu were coming into town for the weekend, and if he couldn’t make it, I reasoned, I could go with one of them. He accepted, and we agreed to meet up at Copley, have dinner with the girls, then go to the show. It would be, unsaid and unacknowledged, our first official date.

I wore a red velvet vest, and I greeted him as he rode up on the escalator. We walked quickly over the glossy stone floor of Copley Place – me pushing us faster so we wouldn’t be late. I was too nervous to talk much, and the rest of the evening those nerves wreaked uncomfortable havoc with any of us having a particularly good time. After the show, I walked him to his car. We paused in front of 500 Boylston, and he said it was one of his favorite buildings in Boston.

I looked back at the Courtyard in front of the building. It suddenly felt cold. And then it was over. We either hugged or shook hands as we said goodbye, but we did not kiss, and somehow, as I walked home alone, I knew. We would never kiss.

I left a series of phone messages the next few days, and he didn’t call back. Yet I didn’t give up. Oh boy, did I not give up.

You must love me…

There I was, trying desperately to turn this treacly little love song from a command to a realization, and failing at every turn. Who knows why we fall in love? Maybe it’s the turn of someone’s step, or the little smile that seeing you elicits, or maybe the simple act of grabbing the paper you couldn’t reach – of seeking out your name, or just knowing it. A midnight phone conversation that you don’t want to end, and when it finally is over the inability to sleep for all that hope and happiness. What do you do with that? And what if it meant more to you than it ever would to him?

Like most of the major mistakes I made in life, my honesty was to blame for setting me up for the most embarrassing form of getting rejected I could have ever crafted. I couldn’t be left in the dark, not knowing whether he felt the same, or if he wanted to go out again, and I just had to know. I did what I would do time and time again, with equally disastrous results: I wrote him a letter. (God only knows what that says about my writing ability.) Laying it all on the line, my feelings about what I thought we could have together, how much I liked him already, and all the things you are never, ever supposed to tell another person until the day after your wedding, I wrote down everything. I did everything ‘The Rules’ said not to do. I even gave him an easy out (well, easy for him). I said that if he didn’t feel the same way about me, to simply not sit next to me in class the next day. [Pause for reasonable absorption of The Worst Idea in the World, culled from the annals of teenage nonsense.] So certain was I that he liked me too, it never occurred to me what I might feel or do if he declined. That wasn’t a possibility in my mind, that wasn’t an option.

I gave him the letter the next time we met, along with a mix tape (it was still the 90’s, and I was apparently still trying to live the teenage dream), and then it was up to him. When our next class rolled around I was a nervous mess, and rightfully so. No matter how it ended up, it would be awkward – whether sweetly or disastrously so, it would be awkward. A tinge of regret already loomed over the overcast morning.

I still remember the shirt I wore that day – a loose black Nehru-collared number with grommets that laced up the top half. Part peasant, part pirate, part tragic historical figure – I loved that shirt. And I would never wear it again.

Sitting down in class, I took a deep breath and waited. Students started coming in, taking their seats, and I took out a book to appear busy and uninterested in whatever the outcome might be. On a blank page, I started writing – well, drawing – fake lines of non-existent words, intended to look like writing – anything to distract. Out of the corner of my eye, I saw him walk into the room with one or two other classmates. He crossed to the other side of the room to his old seat. The one beside me remained empty.

I looked up, pretending to notice him for the first time. He gave a faint smile and a conciliatory shrug. Smiling my own ‘that’s that’ type of smile, I looked down and pretended to be engrossed in my notebook. I began writing so I wouldn’t have to see him again, and this time words came out. Simple words of simple instruction that I implored, willed, forced my physical being to focus on and accomplish.

“He did not sit next to me. He did not sit next to me and I will have to get up and walk out of this room when the class is over.”

It was a tiny act of survival, and the written words made it both real and palpable, designing a way of dealing with the situation I created, starting with the simple act of standing up and walking. When the interminable hour was up, I hurried out of class, not looking back. I made it down the steps of the building before he caught up to me.

He was kind. Most of the men I’ve liked have, in their way, been kind. He explained that he felt like I was running, going too fast, and he just wasn’t ready. It was as good an excuse as any, surely better than, ‘I just don’t like you that way’, even if the latter may have been more honest, and heartbreaking. Blame the intensity, blame my neuroses – just don’t let it be something intrinsic to my being, don’t let it be… me. Even if it was.

Before we separated, he said he liked my shirt, and that it was his favorite so far. I thanked him for that. If I had nothing else to offer the world, I would always have style. It was a sad recompense.

I did not cry. I would never cry in front of him. I would save it until I made it to the very edge of campus, ducking into a small building and finding an empty bathroom, then letting it all out in heaves and gasps. No one noticed my red and swollen eyes on the commuter rail. I slumped into the window, watching but not seeing the barren landscape rushing by. This was the fall. We were well into November, and in a few days I would board the ‘Don’t Cry For Me Argentina’ plane bound for San Diego and a family wedding, at which I would come out to my brother as a gay man and tell the sad tale of this recent heartbreak to little if any consolation.

Deep in my heart I’m concealing
Things that I’m longing to say
Scared to confess what I’m feeling
Frightened you’ll slip away,
You must love me,
You must love me.

Back from California, there were just a few more class days left of my last semester at Brandeis. Having spurred my coming out to my brother, my grief then prompted me to tell the story to my friend Danielle. We walked along toward the bottom of campus on a cold December day – and I simply said I loved someone and he didn’t love me back. I still remember our hug at the end of that walk, and how soft her hair felt. I wondered if those hugs could be enough to sustain someone throughout life, or if they were only there to catch us when we fell out of love.

Near the end of the month, with the semester finished, and my final papers completed and submitted, I was standing near the ATM when he came around the corner. Though the afternoon was young, the light had gone, and in the dim shadows of an early dusk we said a quick hello, and then it was done. My time at Brandeis was over. My memories of him, once emblazoned upon my heart and head, would only fade, lacking nourishment, first from him and then, months, maybe a year later, from me.

But at the end of 1996 I only had Madonna to snap me out of it. She triumphantly returned with her star-turn in ‘Evita’, attending the premiere in this gorgeous Galliano ensemble (he was okay then), and for me it was a welcome distraction to the tumultuous turbulence of an insatiable heart.

In the darkness of that December, I made the determination to never be ignored. No matter what it took, no matter how outlandish I ended up, I would make myself into the brightest ball on the fucking Christmas tree. If he couldn’t see that, if he couldn’t realize how wonderful it could be, how wonderful I could be, then I would make the rest of the world see it and know, and when they were all pointing at me, when they were all whispering, and his was the last head that turned to look, I wouldn’t even care.

There was rage, there was want, there was hurt and pain and tears like I’d never shed before. All for a boy – a silly boy who didn’t sit next to me in class.

If anything, I learned a lot from that last semester. I learned that those games were played for a reason. I learned the unattractiveness of wanting something so badly. And I learned to hold back, to hesitate, to hold my heart in check. I learned to not feel, to harden myself off to people. It was a reluctant lesson, one that I fought against until I could not fight anymore. And it was, I am foolishly happy to report, something I would forget when the next cute boy showed me the least bit of interest. My heart would not be tamed so easily, even if my head knew better.

Years later, I would wonder at the craziness of my behavior at the time, at the strange fixation I had on someone I hardly knew. I would wonder whatever came of all the intense, seemingly-insurmountable feelings I harbored for this man. On the few surreal moments where we randomly encountered one another in later years (the first being a Madonna concert) the magic and enchantment that once held sway over me in regards to him had dissipated, not even the merest wisp of longing or desire remained. In its place was a strange sort of war-torn affection, a feeling that we had been through something important together, and a realization that it was mostly one-sided. I would always wonder what, if any, effect I had on him, if he remembered me fondly, if he remembered me at all. And after all the time that had passed, and the way our lives had gone, all I seemed able to muster was a befuddled amusement at the whole thing, a sheepish bit of foolish pride in how ridiculous I once acted, and the reluctant admission that I would do it all again if given the chance.

Post Script: Both the-boy-that-got-away and I ended up getting married- to different, and wonderful, men. I remained in sporadic touch with him, at strange and fortuitously key moments in our lives, but that’s another story for a ‘Celebration’. (And rest assured it has a much happier ending.)

You must love me.

Song #40: ‘You Must Love Me’ ~ Fall 1996

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