Category Archives: Music

Parade Preview

Entering the fall of one’s life is not something that usually happens without incident or reflection, and finding myself not-so-suddenly at the age of 48, I realize that there are probably more days behind me than are ahead of me. Cresting over this hump of middle age is, somewhat strangely, not something that has caused much consternation or worry. In a number of distinct ways, the overriding feeling is one of gratitude. Honestly, I never thought I’d make it past thirty – there were so many moments fraught with willful self-annihilation, so many times when I gave up on myself, when I actually set out to destroy the young man I couldn’t quite stop myself from becoming. 

A song then, on the piano, for the boy I used to be. (All those years of piano lessons, and still I could never play like this.) A song, too, for the man I’ve somehow become, in spite of my weaker efforts, and because of my strongest. 

One doesn’t reach a place of gratitude from mindfulness or meditation alone, or from the luck of leading a very charmed and privileged life. One has to suffer a bit, go through a few things, build some character, and maybe approach oblivion couple of times. The debilitating struggle of not feeling like you belong, of not feeling wanted, of not being understood at the most basic level – those things chips away at the innocence and exuberance of childhood. If you’ve only ever felt you were at the margins of life when you were a kid, you never really quite feel like you belong anywhere – at least, you don’t until you can find yourself, and find your own worth. It’s that shaky and unsteady ground that many gay people feel themselves on at one point or another – that moment when coming out might cost you friendship or love or life. 

Such a strange thing, that unsteadiness, and the dizzying lack of some feeling of belonging – and then of thinking you don’t belong anywhere unless you’re there at the center of it all, marching in some grand parade, embraced and hoisted on the shoulders not because different, but because you’re just like everyone else. You belong. 

Everyone’s eyes are on the spectacle of it – the music and the pomp and the majesty of a march – and we lose ourselves in watching it go by, not looking around to see all the people next to us – eyes only on the chosen few, missing the real connections, the true threads of life running through our journey. I thought I wanted to be in that parade. I thought that would make me belong.

So I made myself into my own parade – a grotesque, ridiculous, carnival of outlandish proportion compared to my trifling lot in life. It was but one of the many demons I conjured in the name of survival. A celebration of me to mask the utter lack of believing I deserved one. 

There came a time when all those demons became my friends, when they stopped fighting me and turned their formidable powers against the outer world. Suddenly I could charge ahead with a battalion behind me, a support system the likes of which I never knew or got when I was growing up. 

Like all demons, however, they proved problematic, deceptive in their perceived power, and ultimately deserting me when I needed them the most. Empty shells and vaporous ghosts, the scariest forms of imagined life, they were all in my head, all made-up and false crutches to get me through. Sometimes they did, but in the end they couldn’t do what I needed them to do. 

The parade marched onward, and I watched it go… 

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Out of the Woods Again

In honor of Taylor Swift’s release of ‘1989 (Taylor’s Version), I’m posting my favorite track from the album (‘Blank Space‘ is a very close second, and on days when I’m feeling especially crazy it might be number one). But I digress, and must remind myself that comparison is the thief of joy. ‘Out of the Woods’ has what I consider to be the greatest bridge of any Swift song, which is saying a lot when you consider the likes of ‘Cruel Summer’. Still, I give the edge to ‘Woods’. And there I go comparing again… 

Looking at it nowIt all seems so simpleWe were lying on your couchI remember
You took a Polaroid of usThen discovered(Then discovered)The rest of the world was black and whiteBut we were in screaming colorAnd I remember thinking…

In celebration of the woods, we are revisiting the forest, where fall comes into its own with the following links. 

A meditative walk in the woods.

The Wood Witch.

Different kind of wood.

Wood, unfelled and feared.

Over the river and through the woods.

At the edge of the woods.

Morning wood.

Remember when we couldn’t take the heat?I walked out, I said “I’m setting you free”But the monsters turned out to be just treesWhen the sun came up you were looking at me…

A walk in the woods.

When the veil is thinnest…

Where the veil is thinnest…

Why the veil is thinnest…

Walking in the Maine woods.

Red riding wood 1.

Red riding wood 2.

Red riding wood 3.

Red riding wood 4.

Red riding wood 5.

Falling into the past.

Are we out of the woods yet?Are we out of the woods yet?Are we out of the woods yet?Are we out of the woods?

Are we in the clear yet?Are we in the clear yet?Are we in the clear yet?In the clear yet, good!

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Dazzler of the Day: Gloria Estefan

Gloria Estefan doesn’t get the credit she deserves for creating a body of music that has pervaded pop culture more than any of us realize over the 80’s and 90’s and early 2000’s. She’s kept creating music in the first two decades of this millennium as well, as fans and appreciators know, while pushing forth on endeavors like a Broadway musical and various philanthropic enterprises. She earns this Dazzler of the Day for doing it all with heart and soul, and staying true to herself and her heritage before such things were fashionable. 

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The Madonna Timeline: Song #172 – ‘Don’t Stop’ ~ Fall 1994

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

A quintessential fall album, coming out during one of the most indelible falls of my youth, ‘Bedtime Stories‘ was the soundtrack of a pivotal period in my life. This little soft-focus disco ditty was one of the few upbeat moments in a relatively moody atmospheric album, although ‘Don’t Stop’ felt like one of those unremarkable filler tracks designed to puff out a Madonna album so more solid material like ‘Secret‘ or ‘Survival‘ could shine. Hearing it now brings me back to that time period, to that tricky fall when I shared my very first kiss with a man. 

Get up on the dance floor, everything is groovin’Get up on the dance floor, got to see you movin’Let the music shake you, let the rhythm take youFeel it in your body, sing la dee da dee

While much of that fall involved experiences with other people, the majority of my time was spent alone – walking the streets of Boston, riding the commuter rail between Boston and Brandeis, writing papers and creating projects in my dorm room within Usen Castle. A sense of loneliness pervaded the chilly air, even as I refused to allow myself to feel lonely; the notion of giving in to that, of being lonely, was an abyss that terrified me more than I can or could explain. It scared me to the point that I backed away from it as soon as I felt it drawing near. Like death.
Don’t stop doin’ what you’re doin’ babyDon’t stop, keep movin’, keep groovin’Don’t stop doin’ what you’re doin’ babyDon’t stop, keep movin’, keep groovin’

Such darkness came with the descent of fall, with its early evenings and frosty mornings – the shock of it after the ease of summer, the way it took one’s breath away – the advent of autumn was still a surprise at that time in my life. The ‘Bedtime Stories’ album set an evocative tone with lush orchestral tracks like ‘Love Tried to Welcome Me’, ‘Forbidden Love‘ and ‘Take A Bow‘, while the hazy atmosphere of ‘Inside of Me’ and ‘Sanctuary’ spoke to the private cocoon I’d wrapped around myself, isolating my daily existence from classmates and people in general. The contradiction of not wanting to be lonely and not wanting to be around people was apparent – I just didn’t find a way to put it into words. In some ways, I was happier bopping about alone in my room to a song like this and imagining being around friends and lovers than actually putting such imagined scenes into action. 

Come on join the party, let the bass line pump youBring your body over, baby let me bump youI know I can groove you, you know I can move youFeel it in your body, sing la dee da dee
It was a haunted time, one that I’ve already written about so much it feels more like a book I once read than a life I once led. It’s not a time or place I’d like to dwell, and so we return to the modern day, and the present moment, and a song with the sentiment of ‘Don’t Stop’ carries more resonance on this day, as Madonna kicks off her new Celebration World Tour, proving that she is more concerned with walking her walk than talking her talk. 
Don’t stop doin’ what you’re doin’ babyDon’t stop, keep movin’, keep groovin’Don’t stop doin’ what you’re doin’ babyDon’t stop, keep movin’, keep groovin’
Song #172 – ‘Don’t Stop’ ~ Fall 1994

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Music Hinting at Eternity

Daily meditation has formed a safe and consistent bastion of stability in my world over this past summer, a time period when I needed it most. In addition to the formal meditation practice, I’ve also been taking things quietly, using what focus I can find to get through the work days, and spending the remaining hours of the afternoons and evenings writing these blog posts, listening to music, and doing some light reading.

This song came over the radio the other day, and I paused in the post I was writing to listen. 

Originally I thought that the fall would reinvigorate me, allowing us to move beyond what was a terrible summer, but I haven’t quite felt that. Not yet. It might simply be that I’m not ready, or it may be that this is the slower pace and quieter footfalls of all that is to come. Learning to accept that is part of this fall, and there is already something peaceful and calming about it. 

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The Moon Song

The moon inspires many things, including lots of music. Sometimes it hides behind smog, sometimes it peeks out of November, and sometimes it appears after disappearing for decades. On this night, it danced with the clouds and the trees and forced me to stop in my drive home last night. I pulled over just to capture these shots, because it’s best to honor and acknowledge the moon rather than fight it. 

I’m lying on the moonMy dear, I’ll be there soonIt’s a quiet starry placeTime’s we’re swallowed up in spaceWe’re here a million miles away

There’s things I wish I knewThere’s no thing I’d keep from youIt’s a dark and shiny placeBut with you my dear, I’m safeAnd we’re a million miles away

We all see the same moon. Maybe it’s in shadow for some, maybe it’s brighter for others, maybe it’s barely discernible behind clouds, and maybe it’s the only thing to be seen in the sky – but it’s the same moon, the same body in the universe that everyone on earth gets to glimpse in some way. In that respect, the moon has always been a comfort to me, a reminder that we’re not quite alone. 

We’re lying on the moonIt’s a perfect afternoonYour shadow follows me all dayMaking sure that I’m okayAnd we’re a million miles away

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Clapping Like Thunder

Before the official first day of fall way back in the year 1994, I was priming the seasonal pumps with my ‘Darkness’ project, in which I did a rather perfunctory examination of, well, ‘Darkness’ in an effort to strike some fun fear and silly scares in the hearts of my friends. Little did I know that real life would soon prove dark enough, and that all my writings and mix-tapes on such a theme would feel all the more silly afterward.

This song opened up the theme on the ‘Darkness’ mix I made for all of my friends. (Yes, a mix-tape, on a 90-minute cassette from the 80’s.) The grand finale to the month-long mailing extravaganza of my ‘projects’ at the time was usually the tape (which included chilling musical motifs from the likes of ‘The Silence of the Lambs’). This particular package came with a bloody knife wrapped in a bloody wash-cloth, to really get the point across. (The post office used to be a lot less stringent in what you get away with mailing.)

Love – nobody know just how it was born
Love – first came to me with the radio on
Jumped up in my body with an attitude
Kissed me on the mouth and said “Your leader take me to”
‘Twas like thunder all thru the night
And a promise to see jesus in the morning light
Love say “Take my hand, it’ll be alright
C’mon save your soul tonight”

The package, and the entire project itself, brought mixes reactions. One of my friends reported it, while Suzie and the Cornell Crew opened the package, shrugged, washed off the knife and added it to their questionable collection of kitchen utensils. Back then, I considered it a success based on those disparate reactions alone. Clearly, I was still finding my footing as far as creative expression went. 

The stories that accompanied the ‘Darkness’ project were designed to disturb and scare, and thankfully I no longer have any of them because I’m sure they read as more ridiculous than terrifying. (The only one I partially recall is a fantasy on torturing my annoying roommate at the time – a broken light bulb was going to be inserted into his, well, you get the idea.) I wanted to illuminate all the ways that Darkness can make us do things we wouldn’t normally do, things of which we would never be proud, things that turn us into lesser-versions of ourselves. I accessed the darker corners of my psyche and let it all play out on the page, taking my friends along for the ride whether they liked it or not. 

Love’s kiss was running all thru my veins
The bed started shakin’, I don’t know who to blame
Me or this flower right in front of my eyes
Is this my sweet savior or the devil in disguise
‘Twas like thunder (oh) all thru the night (all through)
Promise to see jesus in the morning light
Love say “Take my hand, it’ll be alright
C’mon save your soul tonight”

It was my attempt to keep myself in their minds while we were miles apart – my biggest fear back then may have been being forgotten. It worked almost too well, and I came up against the prickly lines that vacillated among notoriety, derision, and disgust. Alienating friends was the art form I was unintentionally perfecting, and the solitary stance in which I found myself may have fed into my behavior that fall. Sometimes I think darkness begets darkness, and once you start rolling down that hill it’s very difficult to stop, much less right yourself. The best you can do is slow down a bit, and hope that any impact at the end won’t kill you outright. 

Like rain falling on a window pane
Tears came to my eyes when I asked her name
Made me holler when it finally came
Said “Only the children born of me will remain”
‘Twas like thunder all thru the night
And a promise to see Jesus in the morning light (mornin’ light)
Love say “Take my hand, it’ll be alright
C’mon save your soul tonight”

This song by Prince and the New Power Generation, from the brilliant ‘Diamonds and Pearls‘ album (which remains my favorite Prince album, as much as purists may scoff) brings me back to those thunderous days, when fall felt like the most fitting season for the tales of fright I was intentionally crafting and intentionally living. Fall was rife for drama in that way, and I courted it unabashedly, conjuring the tension and emotions required to make an impression and a memory. I would burn everything down before they could forget me. 

Now that feels all so silly and futile, and the only ones who remember anything of my ‘Darkness’ project are myself and the small smattering of friends who got that bloody knife in the mail. Oddly, and wonderfully, those are the only ones who still matter. 

Thunder…
Like thunder (thunder) all thru the night (thunder yeah)
Promise to see Jesus in the morning light (it will be all right)
Love say “Take my hand, it’ll be alright (it’s gonna be alright)
C’mon save your soul tonight”
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A Found Song For Fall

Thirty years ago I was experiencing my first semester at Brandeis University. That puts time, and age, in a very stark perspective. (Originally I typed ‘Twenty years ago’ then did the disturbing math and here we are.) A lot was learned that first semester, so much so that I thought I knew it all by the time the holidays rolled around that winter. Looking back, it’s amazing at how much I didn’t know, and how I still somehow had the balls to walk around like I had my shit together. Going back in time, it’s a wonder such hubris and insecurity could so functionally co-exist… and rewinding to the fall of 1993, I’m astonished at what I still feel when I allow myself to return to that time…

He said I must be dreaming
But I thought I heard the sound
The sound that lovers make
As they drop down from the window
Quiet as cats, across the courtyard
Moving from shadow to shadow
Past the guards to the forest
So quiet in her still reflection
Drawing them down, drawing them down to the lake
To the centre of her attention

In that fall semester, I steal away to Boston whenever I have a chance, finding more comfort in the chilly solitude of the city than the student-filled campus. At the Tower Records store that once stood at one end of Newbury Street, and is now occupied by a TJ Maxx, I browse the bins of CDs, because it’s still only the early 90’s, and I’m still only a few steps removed from boyhood. On this particular night, I’m feeling particularly daring, and so I gamble on an unheard purchase – the ‘Laid’ album by James – based on the accolades in the advertising blurbs, as well as the gents on the cover, decked out in dresses and eating bananas. It spoke to me.

The album would become one of the most profound musical connections at one of the more profound formative sections of my life – that tender time of the very last teen years, still a child in some ways, not yet a young adult in others, and nowhere near figuring out where I might belong and who I might be, but absolutely hell-bent on finding out by any means necessary. Music discovered at such crossroads invariably becomes imbued with significance and import, even if it’s only to our own ears. 

Steal the moon tonight
Before the morning
Steal the moon tonight
I just love a good mystery
And on the West Bank a boat is being pulled
Across the sands they move so softly
Slip into water
Oars dip, don’t break the moon’s reflection
And drift like a cloud
To the centre
Beneath her cool attention

On the recent evening of the Super Blue Moon – the last of its kind for well over a decade or so – this song was revealed to me via the latest album by James. It turns out this was a B-side to the epic ‘Laid’ album – and I can hear in its melody and delivery the same tone and majesty that first drew me into their fan base two decades ago. It seems a fitting song to introduce the fall season of 2023 at ALANILAGAN.com, and it brings me all the way back to 1993; those tender early days at Brandeis are rife for exploration, though I’m not sure I’m up for that kind of triggering right now.

This fall also marks the 25th anniversary of when I got my first office job – at John Hancock – and I recently stumbled upon the blank book I had everyone sign when I left that gig. The revelations there are as hilarious to me as they will likely be mundane to you, but since this is still my blog I may post them anyway. (Don’t let that frighten you off from boredom – some of the things people wrote are enjoyably embarrassing for those who love to see me in such ego-busting peril. You know who you are, and I know who you are.)

What I don’t know is what this season will bring – and after the events of this summer, I really don’t want to think about it. Getting through it, day by day, will be enough for us to manage. Let’s do it together.

Still water
Still water
Steal the moon tonight
Before the morning
Steal the moon tonight
I want to drown in your moon dream
I’ve seen you rising from shore to shore
I want to drown in your moon dream
I’ve seen you rising
Steal the moon tonight
Shine
Shine
Shine

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Dreamy Music Hinting at Fall

The wind rustles through the weeping willow, and the sound is more redolent of fall than summer or spring. On the bank of a pond, water birds stand sentinel, their shadows only outlined silhouettes. Remnants of a hurricane echoing along the Northeast coast have drifted inland, and the boughs of trees sway and shift in the temperate night wind. 

Something spooky is in the air. Is is really there? Or is it just this time of the year, when change is in the atmosphere? Witches might be flying above the cloud-cover, or that might just be the echoes of the hurricane – who can truly tell? And if you believe the former, wouldn’t the effects of the latter simply back it up? One misguided belief leads to another. The truth, in its infuriating way, refuses to be anything but elusive. Why it should be so hard to pin down is one of life’s more unsatisfying mysteries. 

When faced with such a mystery, I find it best to set it to music, and this particular selection straddles the strange undulating border between summer and fall, when chilly nights bleed into striking days, and questions survive only in a world of blue. 

Isn’t it too dreamy? 

Watching the swaying of the willow branches, I’m brought back to those mysteries of life. In most instances they can be traced back to mysteries of love – all the stories somehow come back to love. For some us lucky enough to find escape in the stories we read as children, the wind in the willows sounded a portal to a different world. I still believe in such magic, even if the method to attain entrance is markedly different, and more a better of perspective and mindfulness than actual doors or wardrobes or ships of seedpods to other realms. When the vessel is merely a matter of mind over material, it opens up worlds not limited to the imagination. That expands things to an extent that makes many uncomfortable. 

The willow tree is no longer just a willow tree.

It’s a big furry monster that will either warm you with a big embracing hug, or devour you with tendrils studded with thorns, pulling you into a mouth that is only darkness and impossible pain. 

Fall will light it up soon enough, one way or another. 

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All These Little Deaths

“The observations and encounters of a solitary, taciturn man are vaguer and at the same times more intense than those of a sociable man; his thoughts are deeper, odder and never without a touch of sadness. Images and perceptions that could be dismissed with a glance, a laugh, an exchange of opinions, occupy him unduly, become more intense in the silence, become significant, become an experience, an adventure, an emotion. Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportionate, the absurd and the forbidden.” ~ Thomas Mann, ‘Death in Venice’

This will be a strange, feverish post. I begin it without knowing where it’s going – never a safe beginning, often a riskier middle, and always an ending of doom. So many doomed endings, so many little deaths – all the deaths of a day. This blog post will suffer its own series of deaths – when it is read, when it is unread, when it is forgotten, when it becomes buried beneath other posts, when the antiquated machinations of this WordPress madness cease functioning, when this blog itself goes offline. So many ways it falls apart, deteriorating and diminishing and dissolving, like some unfinished, half-hearted sentence…

The arrival of today’s mail escaped our notice, so I ended up going out to the mailbox after it was dark, listening to the frogs and insects in the very last days of summer sing their slightly sad songs. This day dies to make way for the night, and the night will be gone as well to make room for a new day. Every day a little death indeed. 

“Only incorrigible bohemians find it boring or laughable when a man of talent outgrows the libertine chrysalis stage and begins to perceive and express the dignity of the intellect, adopting the courtly ways of a solitude replete with bitter suffering and inner battles though eventually gaining a position of power and honor among men.” ~ Thomas Mann, ‘Death in Venice’

Summer’s demise is happening as I write this. It was there in the chill of tonight’s air, and the official switch of seasons will take place on September 23. Another summer will arrive, and it will be the same, as much as it won’t. Its heart and essence will scream ‘summer’ but it will still not be the same, even as it takes the same name, even as it goes through the same motions. Summer is summer is not summer is summer… 

I knew this post would collapse into itself, and imperfectly yet impeccably designed it to do so, like those empty buildings so intricately laced with dynamite at all the right locations that upon explosion almost too neatly fall in on themselves. A million little deaths then – of doorways, of windows, of halls, of secrets whispered, of sighs unheard, of winter footprints stained into carpets, of bathroom tiles once peered into while random men found relief at urinals – all the deaths of an average day in an average building. 

Then there is space, littered with dust and debris that will be carted away, ground that will be leveled again – space that will form home for something else, something new. Space and time, both extending and continuing, bound to what came before, bound to what will come after, connecting and separating in infuriating, impossible contradiction. An infinite conundrum that something like Buddhism would only dare hint at resolving, and then it would somehow shift the perspective into something that approached mindfulness, contorting basic laws of science and nature into mere perception, and offering little in how to practically navigate actual survival. Obviously I know little to nothing about Buddhism, or mindfulness… and the last four years of meditation might not mean all that much either. More little deaths – of dreams, of understanding, of plans – and more music by Mahler. I won’t drink to that. 

Three more days until summer falls…

“It is probably better that the world knows only the result, not the conditions under which it was achieved; because knowledge of the artist’s sources of inspiration might bewilder them, drive them away and in that way nullify the effect of the excellent work.” ~ Thomas Mann, ‘Death in Venice’

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Boyband Confessions

For those of us around and cognizant at the turn of the millennium, there was only one war that mattered: Backstreet Boys versus ‘NSync. It was a battle for who could claim the supreme boyband title, and these two groups fought it out on the musical and video battleground, volleying for the top spot. At the end of that initial run of pop glory, I think most would agree that ‘NSync had the edge, following the super status of songs and videos like ‘Bye Bye Bye’ and ‘It’s Gonna Be Me’. 

The confessional part of this post is that I was always more of a Backstreet Boys fan. What can I say? I like boybands that stay together. 

That said, I’m as intrigued as Taylor Swift as to what might be in the ‘NSync future…

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Rainy Days & Mondays

The Carpenters don’t have a song sad enough for when the rainy day also happens to be a Monday, and such is the conundrum in which we find ourselves this final week of summer. Is there a more gloomy and dreary scene than a dim, rainy Monday morning? It unfailingly saps a bit of the soul when it happens, yet rather than fight and wail and rail against it, I’m attempting to lean into the gloom and doom, to let the soul feel its sadness and disappointment, to pause and hopefully to heal. 

This classic song by the Carpenters is almost too trite to post, but sometimes you don’t need to get too deep to resonate with such rawness. The Carpenters always managed to straddle that line between earnest and cloying – and today I’m erring on the side of earnest. 

Talkin’ to myself and feelin’ oldSometimes I’d like to quitNothin’ ever seems to fitHangin’ aroundNothin’ to do but frownRainy days and Mondays always get me down…

What I’ve got they used to call the bluesNothin’ is really wrongFeelin’ like I don’t belongWalkin’ aroundSome kind of lonely clownRainy days and Mondays always get me down
Funny, but it seems I always wind up here with youNice to know somebody loves meFunny, but it seems that it’s the only thing to doRun and find the one who loves me (the one who loves me)
What I feel has come and gone beforeNo need to talk it out (talk it out)We know what it’s all aboutHangin’ around (hangin’ around)Nothin’ to do but frownRainy days and Mondays always get me down
Funny, but it seems that it’s the only thing to do (only thing to do)Run and find the one who loves me (ooh)

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Don’t Forget Me When I’m Gone

Growing up in the 1980’s, this was the sort of pop music inspiration that informed my formative years, so it’s a wonder my taste isn’t even more gratingly awful than it is. This ear worm would take up residence in my head some days, making itself into a mantra that would later haunt my absences. Subconsciously I was preparing a strategy to never be forgotten – this song seemed to indicate that was important. 

My hair never went this high, and my clothes never got this extreme, but the 80’s opened the door to my own sense of style and fashion, for better and often worse. Bold colors, abstract designs, excess and over-the-top madness were the first things that my younger self saw on the television and in the magazines. All the girls in my class wore Liz Claiborne perfume, while my Mom had a bottle of Lou Lou that absolutely transfixed me. She rarely, if ever, wore it – someone gave it to her as a gift and it was decidedly too bold to be her style. I adored it. A few years ago I found a bottle of it, and usually break it out once around the holidays at the whatever over-the-top social gathering that happens to occupy the season. 

As I listen to this song now, it feels just as bouncy and happy and hopeful as it did back then, and also slightly empty and vapid. The melody is strong, but the lyrics and their cliches of love fall a little flat. Still, maybe that’s what we need again. Cheesy, cliched hope and fun – even if it’s all a bit hollow. 

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Jim Verraros Gives Us A Show and a Bow

Coming back to the music scene in splendid, scintillating fashion after a dozen years, Jim Verraros releases a magnificent return to sexy form with ‘Take My Bow’ today. He was recently crowned a Dazzler of the Day here, and upon listening to the new track it is apparent that Verraros still dazzles. ‘Take My Bow’ picks up where his last album ‘Do Not Disturb’ left off, then charts new territory by obliterating the boundaries of modern dance-pop. With its skittering beats and deliciously-sinister bass-line, ‘Take My Bow’ is the sultry slice of exuberant inspiration that Verraros has been providing since 2005; in many unheralded ways he paved the road for the likes of Sam Smith and Troye Sivan. ‘Take My Bow’ ranks right up there with the most striking releases of unabashedly queer music this year. 

Based on the single, and some of the promotional artwork for this venture (see below), Verraros still knows how to put on a show. (Check out ‘Take My Bow’ on Spotify here.)

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Harvest Moon Love

While on the subject of harvesting, this song by Neil Young tells a happy tale of love beneath a harvest moon. It didn’t speak to me in my youth, but like all great music, it creeps back and resonates differently the older one gets. When I think of Andy, and how supportive and helpful he has been this past summer, this song seems to embody the life we have slowly built together over the last couple of decades, even amid the madness of all those full moons that have passed over us in that time. 

When we were strangersI watched you from afarWhen we were loversI loved you with all my heart

Maybe we don’t celebrate those happy moments as much as we should, and we certainly don’t celebrate the moments when we are simply contented. The older I get, and the more of life’s sorrows that we experience, those moments of simple contentment, of standing still and being ok, the more I realize their value. I hope that makes life more enriching going forward, that there is something to be gleaned and earned from all the sadness and loss. 

But now it’s gettin’ lateAnd the moon is climbin’ highI want to celebrateSee it shinin’ in your eye

We don’t lean into the joy when we have it. We don’t stop to smell the roses when they’re sweet. At the crest of middle age, I want to do more of that for the downhill portion of this ride of life. 

Because I’m still in love with youI want to see you dance againBecause I’m still in love with youOn this harvest moon

For an even more intense and stripped down experience, listen to Cassandra Wilson’s exquisite rendering of the song, deconstructed to a primal, tender treatise on love. When I was living alone in Boston, I listened to this version of the song, not understanding, not even approaching an understanding of what it might mean. 

We are a little closer today.

Because I’m still in love with youI want to see you dance againBecause I’m still in love with youOn this harvest moon

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