The Lady, The Queen & the Night They Made the World Right

Can we end the arch-enemy narrative now please?

Lady Gaga and Madonna are good.

Let the world take a lesson… from an Oscar party.

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Tiny Threads: An Insignificant Series

It finally dawned on me that I’ve been channeling Tina Turner in ‘Mad Max Beyond Thunderdome’ for all my adult life. Bust a deal, face the wheel. #RaggedyMan 

#TinyThreads

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Post-Academy Awards Recap

The golden luster of all those little dickless statuettes has hopefully not yet worn off for all the Oscar-winners from last night, but we are definitely moving forward into the next week, as it’s the last one in February. The sooner it’s over, the better. On with one quick look back…

We begin with some scent planning.

Desperately seeking mall solace.

Are my days of tea-bagging at an end?

Erect as a sun dial.

Mike Rickard, living ‘Out Loud.’ 

A shirtless Nick Jonas afternoon delight.

Is that a pipe in Cristiano Ronaldo’s underwear?

Yawning through the Academy Awards

Do follow these #TinyThreads.

Hunks of the Day included Ben Platt, Chris Harrison, Don Benjamin, Jack Muldoon, Reggie Bullock and Tobi Jasicki

 

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Oscars Commentary 2019: For better or worse…

If I must, I suppose I must

Slay, Billy Porter, slay.

Regina King is a goddess who knows how to drape it.

Melissa McCarthy, proving me wrong in that not everyone should wear a cape at least once in their lifetime. Looks like a shower cap on her shoulders.

Mark Ronson is wearing just enough chicness to set a tux apart from the pack.

Linda Cardellini belongs on Fraggle Rock, and that’s not an insult.

Henry Golding’s outfit is as elegant as his accent.

Diane Warren – bringing back the dickie. No. God no.

I want Michelle Yeoh to be my fairy godmother.

Kasey Musgraves – what’s wrong? Couldn’t get Glinda’s bubble and wand too? (That said, I adore it. Oh wait, just saw it again. Nope. Give it back to Glinda.)

Apologies to Awkwafina: I think Glenn Close did this better yesterday.

Gemma Chan – I am here for this color, but why the shower curtain ruching?

James McAvoy – A black tux. For the Oscars. Groundbreaking. {Just take it off.}

Glenn Close – Restoring my faith in the cape. Take a lesson Melissa McCarthy.

Angela Basset – I’m questioning my sexuality.

Spike Lee – Channeling Prince’s work in Batman.

Jennifer Hudson – A one-shouldered scarlet dream.

Richard E. Grant – The richly-hued tux must match how good he smells.

Jennifer Lewis and Shangela: giving me life. Operation ‘Avenge the Kevin Hart Debacle’ in effect.

Nicholas Hoult – I am here for all of it, whatever the wrap is going on. (It’s actually a Dior tux, and it’s glorious.)

Is Sam Rockwell playing Lex Luthor for something?

Amy Adams always looks so friendly and approachable. Not sure I want that on this night. I want glamorously intimidating and elegantly terrifying.

Jason Momoa – Bohemian black tie sans tie. It works with the hair, even if the fit is just slightly off. (He still looks better naked,)

Charlize Theron – Joan Crawford will rise from the dead to get her shoulders back. 

Rami Malek – Another black tux. What more is there to say? Take it off?

Sam Elliott – matching the hair to the shirt. Well-played, sir. 

Jennifer Lopez, please don’t cut yourself on any of that! (PS – I’ll take it when you’re done. Thank you, Tom Ford.) 

Bradley Cooper – Whoa! The magenta sequins and ostrich feathers are over the top! Just kidding. Just another black tux.

Emma Stone – I’m torn. Need to see it closer…

Lady Gaga – The jewelry is magnificent. The McQueen is the color of 90% of the tuxes. The effect is largely that of this year’s Academy Awards: underwhelming. 

I love Maya Rudolph so much that I will refrain from commenting on that… dress.

Tonight Rachel Weisz comes complete with a cherry-red baby-proof bib. Not sure why.

Chris Evans is such a gentleman, and that jacket is divine.  

Waiting for Bette Midler to save another Awards show… in 3, 2, 1. 

Camo for the Academy Awards? Interesting choice. Not as successful as this one, sorry Pharrell Williams. 

Melissa McCarthy’s bunny just won the Oscars. {Careful with those rabbits, Glenn Close is in the FRONT ROW.}

Nope, Lady Gaga and Bradley Cooper’s performance just won the evening. Classy. Elegant. Moving. 

Spike Lee & Barbra Streisand: Best Couple of the Oscars. #hats 

Glenn Close was robbed. Our country can’t elect anyone anymore. 

Julia Roberts is pretty in pink, even with those fish skeleton earrings. 

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Cristiano Ronaldo’s Pipe-lined Underwear

Some filler posts are filled better than others, but you don’t have to take my word for it. Gaze upon the form of one Cristiano Ronaldo, football player extraordinaire who also has his own line of underwear which he has been kind and generous enough to model time and time and time and time again.

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My Super Bowl: The Oscars

This year’s Super Bowl was one big-ass dud (with the possible exception of the Adam Levine strip show) but ball games never interested me as much as shiny phallic men. Tonight is the Academy Awards, and once again I’m not as excited about the night as I’ve been in the past (cite a combination of the new Academy nomination process – how many films are up for Best Picture now? – tiresome hosting issues (Kevin who?) and just getting older and growing uninterested in such things). I still have some favorites, including ‘The Favourite’ and Glenn Close, as well as Cate Blanchett and Nicole Kidman in whatever gown they’ll choose to wear, and of course I’ll watch because there’s something comforting about fluff and entertainment in this present climate.

In the past I’ve done some online posts about the Oscar ceremony (some FaceBook stuff and lots of Tweets) and a recap of commentary on this very blog, and perhaps I’ll get a second wind and do a bit of that, but as we near the last month of winter, I’m probably going to be too exhausted for any of that. (Follow or Friend me just in case.) 

Anyway, let’s get some glamour going. We need it now. 

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In the Nick of Time, a Noon-time Jonas Treat

While the rest of the world alternately celebrates and condemns the appointment of Shawn Mendes as the new body and face of Calvin Klein (almost as divided as the views on Adam Levine’s shirtless gyrating at this very-non-epic Super Bowl), a few have expressed their belief that the new CK bulge rightfully belonged to Nick Jonas. I suggested as much in this underwear-proposal post, but I also suggested Mr. Mendes as a possibility, so no complaints. The state of the internet demands conflict and discord and no unanimous celebration about much of anything these days, so it’s no surprise that Shawn Mendes in his Calvin Klein underwear didn’t win universal praise. Perhaps the same would hold true for Nick Jonas, I don’t know. Compare his underwear bulge and body in posts here and here and here, and then witness him out of clothing altogether in this naked Nick Jonas post. {See also a half-naked Joe Jonas here, here, and here.}

 

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Mike Rickard: Living ‘Out Loud’

I TRIED TO CHANGE MYSELF, BE SOMEONE ELSE
LOST MYSELF ALONG THE WAY
IT TOOK ITS TOLL, I FINALLY KNOW
THE PRICE THAT I HAVE PAID
AND IT’S TIME TO CHANGE…

That noble sentiment, so much easier said than done, is the opening salvo to Mike Rickard’s latest album ‘Out Loud.’ The title track, dedicated to the “victims, survivors and families of the Pulse Orlando shooting” resounds with defiant jubilance, refusing to be cowed or broken by hatred and fear. “I thought I was the only one,” he sings, “But I know I’m not alone. The faces may change but the story’s still the same. I am them and they are me, and we are strong.” Setting up the strength of love to vanquish hate, it’s a proclamation that Rickard has made throughout his musical career, but perhaps one which was difficult even for him to fully believe. The past few years have made political activists out of anyone who dares to be different or dares to be themselves. Rickard takes up the mantle, putting fear and frustration to song, as in the shuffling ‘Alright’ and the melancholy â€˜Don’t Feed the Ghosts’ – the latter of which finds him ready to give final exorcism to past events, a glorious kiss-off to what has come and gone but still finds a way to haunt him.

‘Out Loud’ accomplishes what Rickard has always done well: it tells stories, setting emotion to characters and music, and bringing the listener along for the ride, as it so compellingly proves with ‘Six Queer Kids’ and its powerful video. Telling the not-uncommon tale of a boy kicked out of his home for being gay, and the ensuing tragedies that result, it weaves its warning with a barely-there lining of hope:

SIX QUEER KIDS WILL DIE HOMELESS EVERY DAY
FOR NO OTHER REASON EXCEPT THAT THEY WERE GAY
AND IF IT GETS BETTER, WELL IT DIDN’T FOR THEM
SO FOR EACH ONE THAT’S LOST, WE’VE GOT TO FIND THEM

SO WHO’S GONNA BE THERE, WHO’S GONNA CARE ENOUGH
TO HELP WITH NO STRINGS ATTACHED, TO LOVE WITH NO QUESTIONS ASKED?
WHO’S GONNA BE THERE, WHO’S GONNA CARE ENOUGH
TO LET HIM KNOW HE’S NOT ALONE, TO HELP FIND A SENSE OF HOPE?
WHO’S GOING TO, WILL IT BE YOU?

Contrasting with the somber social themes, the midsection and heart of the album has Rickard waxing wistful and romantic, as on ‘You’re to Blame’ and ‘Taste Your Smile,’ in which he indulges in some happy reflections on being in love. “So let me say it, let me lay it on the line,” he sweetly opines, “I still see you, like I saw you for the first time.” As in most great love stories, ambivalence and doubt creeps into this one as well, yet the honesty that tempers it brings about something more genuine and lasting. As heard in ‘Wouldn’t Be Love’ the narrator finds a way of reconciling the trials and breaking points of life as the very things that strengthen and solidify love. The complex quartet of love songs rounds itself out with ‘What Love Looks Like’ – a simple but heartfelt distillation of a true romance that sways gently and sweetly. 

Sonically, Rickard’s music has evolved since ‘Stirred, Not Shaken’ ~ moving further along from the occasionally-country inflections of that early work to incorporate a few more electronic flourishes without sacrificing song structure. It makes sense given the trajectory that can be explored later on in ‘Sweat’ and its follow-up remix EP that ‘Out Loud’ completes this journey in brilliant fashion. 

The penultimate cut is a gorgeously string-adorned aural jewel to keep on keeping on: ‘Not Finished Yet;’ comes with telling punctuation to indicate that Rickard’s voyage is far from over, and it speaks to a broader and more compelling message to anyone about to give up. He closes out this album with ‘Surrender’ – a dose of hard-earned wisdom that uncertainty and doubt, when acknowledged and honored, are the other sides of acceptance and confidence; without them any genuine self-love rings slightly hollow. It takes most of us a number of years before coming to such a place. After an album, and a lifetime, of introspective tension, Rickard finally lets loose, surrendering in a clever sonic illustration of steely vulnerability. A little bit bruised, a little bit broken, and all the more beautiful because of it.

TOMORROW IS A WHISPER THAT MAY NEVER SPEAK
SO I’M GONNA LIVE THIS MOMENT HONESTLY
I’LL LAUGH A LITTLE LOUDER, LOVE A LITTLE HARDER
BE A BIT MORE OF ME, LIVE LIKE I AM FREE
WHY SHOULDN’T I, WHY SHOULDN’T I?

{If you happen to be in the Atlanta area this evening, pop in to Mike Rickard’s listening party for his latest album, ‘Out Loud’ at the Red Light Cafe. For more information on ‘Out Loud’ and other work, check out Mr. Rickard’s website here.}

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Tiny Threads: An Insignificant Series

There are some people who only have memes to offer.

Avoid them.

#TinyThreads

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Dialing Up the Sun

The very first sundial I ever encountered was in the semi-secret side garden of the Ko house. In the center of a circular stand of hosta, which itself was in the middle of a formal stone-lined section of the garden, near an enormous elm tree and not far from a grape arbor, it stood and marked the path of the sun, or so Suzie and I assumed. Neither of us could read it, even if the dial itself was still intact (that part remains fuzzy in my memory bank). I remembered what was in the surrounding garden quite more vividly: the beds of floppy peonies, heavy and wet from a previous eve’s rainfall – the dirty, leaf-filled basin of a small cement pool that was mostly dry all summer – and the bearded iris that insisted we sniff their beautiful fuzzy heads every time we passed. Only I obliged; Suzie was supremely uninterested in them, no matter how I extolled their virtues.

That sundial stood in the center of the space, yet it didn’t occupy the center of our thoughts. Children don’t often succumb to the intended focus of a place and we were no different. The bees buzzing in dangerous numbers among the Centaurea by the stone walkway demanded our notice, as did the perfume of that summer place, which I didn’t know then but subsequently discovered to be either the fringe tree nearer the street, or a hidden hedge of mockorange dividing the garden from the house next door. And grape taffy – Suzie shared some beneath the grape arbor, from which small green grapes were just starting to form – grapes that would never come to ripeness no matter how many times the sundial marked the day. Or maybe they did and we just weren’t there to witness them. Summer never lasted long enough when you were a kid.

The sundial seen in these winter photos was a gift from a few years ago, and I only just noticed the rather macabre grim reaper on it to indicate the passage of time, and its only slightly-more-hopeful message. Yikes. I’m going to take that as a sign of the passing winter, as it stands there in the snow, marking the march of the sun, and the passing season of a garden waiting to begin again.

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Tiny Threads: An Insignificant Series

I previously posted a quick text exchange between Skip and myself as a #TinyThread; today is Suzie’s turn, but don’t tell her because I didn’t get her permission yet.

SUZIE: I’m not positive on this, but a quick scan of our work fridge seems to indicate that someone brought in SpaghettiOs for lunch.

ME: Ok. NEVER scan the work fridge. This is basic office protocol. You put your stuff in, and you take your stuff out. Do not touch, look, scan or involve yourself in the rest of the fridge. It’s like Fight Club only more dangerous.

#TinyThreads

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No More Teabagging

My days of teabagging it may finally be at an end. Sencha (or matcha) – the pulverized powdered form of green tea – makes the tea bag, the tea pot, and the whole steeping process obsolete. It also retains any and all nutritional value that may be thrown into the garbage via the tea bag – all those antioxidants and minerals remain intact, albeit in fine powdered form. Is this the greatest thing of which I’ve been woefully unaware all these years? Or is it just another way to chip away at the already-dwindling tea ceremony?

As quick and streamline and beneficial as this whole toss-the-teabag revolution is, I wonder if we’re missing the main thing that a cup of tea provides, which is more than flavor or nutrition or simple sustenance: it’s a ritual. Ritual is lost in the modern ways of getting things done in as quick and efficient a manner as possible. While I’m all for efficiency and time-saving, I also appreciate the slower process of tea-making and tea-drinking. Patience is an art – an art largely missing from many generations now.

To make up for the lack of a tea pot and tea bag, another elegant accessory comes into play for the matcha or sencha extravaganza: the chasen. We may be streamlining the tea experience, but we shall never give up an opportunity to accessorize. The fine bamboo stirring utensil looks like a flower itself, lending additional beauty to the intake of tea. 

If you enjoy the undiluted or untampered-with flavor of green tea like I do, this makes for a nice blend on the tongue. So many green teas today are coupled with ginger or lemon or jasmine or other hoo-ha items, and that’s fine. I prefer mine simple and unbothered by such frills. The powdered form here gives a delicate green tea flavor – subtle and soft but distinctive enough to stand on its own. It also seems ideal for making something like green tea ice cream (at least I’m assuming it is, if I were skilled enough to make something like ice cream). I’ll leave that, and the cumbersome frozen canisters involved, to Andy. Not all accessories are pretty. 

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Tiny Threads: An Insignificant Series

Situation: you’re at the café, you order your drink and you get about seventeen cents back in change. No spare dollar bill, not even a quarter – just some pennies, a nickel and a dime. Do you put this into the tip jar? I never do, thinking it’s more of an insult to give such a piddling amount. To me, it always felt like one of those silent fuck-you-I hate-change-too-so-I’m-leaving-the-mess-for-you-to-clean-up-while-looking-like-I’m-tipping-you-which-for-all-intents-and-purposes-I’m-not-because-what-the-fuck-can-anyone-do-with-seventeen-goddamn-cents moves. Am I wrong? Or does every penny count?

#TinyThreads

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Winter Desperation in a Mall

Ok, so technically maybe the Prudential Center is not exactly a mall – but it’s close enough in these times when malls are no longer the rage. This stand of ferns was planted beneath a spreading banyan tree, whose roots reached down from the air in tropical wonder, while a few feet outside the glass windows the winter wind raged. We will take our bits of beauty and balm where we can find them. If there’s some greenery involved in the middle of February, that’s a bonus. These are the little tricks that see us through the crueler months, and just because you find yourself walking through somewhere as common as the Pru doesn’t mean there aren’t quieter enchantments for the finding. This little stretch is always a happy trail – bright with all the windows and openness of the space – and it’s filled with a seasonally-updated collection of plants beneath the steadfast trees lining the walkway.

It leads to a bookstore – they once could be found around every corner, now they are an endangered species – and then to the entrance/exit closest to the condo, so I find myself here often, especially in the extreme-temperature months. It’s an oasis of sorts, and during lonelier times I would come here and sit, soaking in the light and the plants, calming the turbulent heart, waiting for the winter to pass.

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Tiny Threads: An Insignificant Series

“The things that make you strange are the things that make you powerful.” – Ben Platt

#TinyThreads

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