This filler post is anchored by Cody Christian.
Sometimes you need an extra day to start the week.
This is one of those times.
Hence a filler by the shirtless Cody Christian.
And here.
This filler post is anchored by Cody Christian.
Sometimes you need an extra day to start the week.
This is one of those times.
Hence a filler by the shirtless Cody Christian.
And here.
A Monday night recap, courtesy of April, leaps up like a frog, all spring eagerness and excitement, coupled with annoyance and impatience. April is messy like that. On with the last week before we get deep into the next one…
It began in fitting spring form, with a pair of ducks crossing a street in downtown Saratoga, as ducks are wont to do.
It doesn’t get much more epic than Rob Gronkowski sniffing Zac Efron’s Freedom Speedo while The Rock looks on admiringly.
These #TinyThreads all lead somewhere… right?
The Jonas Brothers went all Cool.
The beauty of being in the bed.
Chromantics across the sea.
The Madonna Timeline returned with ‘Forbidden Love‘ from the ‘Bedtime Stories’ album.
Shawn Mendes in shirtless motion.
Ladies & gentlemen: the Grasshopper.
Hunks of the Day included Jacob Whitesides, Julian Jiamachello, Charles-Laurent, Gethin Jones, Kris Kelly, and Gavin Creel.
Fancily-attired offices might find some people asking, ‘Is that Calvin Klein?’ or ‘Is that Michael Kors?’ In my office I have to ask, ‘Is that Uniform Village?’
Sweet drinks are not my thing. I got those out of my system with a year of Amaretto sours followed by a few months of Midori sours, and then a messy couple of weeks of White Russians. After that, I developed a bit of refinement and moved into gin and whiskey, largely avoiding any sort of sour or excessive sweetness.
Once in a great while, however, and preferably whilst embracing a kitschy 60’s motif (cue a cute pair of garish polyester, patterned bell-bottoms and a flowy persimmon-hued shirt) I’ll indulge in something like the Grasshopper, in the same way I’ll embrace a Galliano cocktail once every few years. This one is really a dessert unto itself, and the recipe couldn’t be simpler: one part each of Bailey’s, creme de cacao, and creme de menthe. (This is a bastardization of the original, for which I used some vanilla ice cream and vodka in place of the Bailey’s. Desperate times…) It tasted sweet, went down way too easy for our guests, and made for quite an evening of fun. We’ll bring it out again next spring. This must be used sparingly.
Have you ever opened two bags of, say, Trader Joe’s sweet and savory trail mix, and convinced yourself you’ve only had one serving because you only took one serving of each? That might have just happened here.
(Those servings are ridiculous anyway. Sixteen in a small bag? Who can manage that?)
Shawn Mendes is still preening on billboards and magazines in the latest Calvin Klein ad campaign, so here’s some of him in motion to pass the Sunday time. Also check out this shirtless post for additional Shawn stuff. [More Sunday studs here.] PS – See also Nick Jonas.
{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}
Late fall 1994. We had passed the point where there might be a warm day here or there. The leaves had mostly fallen. Nothing could hold any heat. The first man I had ever kissed had dumped me and I didn’t even realize we were going out. Ignorance saves some hurt, but you only get a pass that first time, and sometimes not even then. My awakening to the fact that I was gay had begun and it was hardly reason for celebration.
I’d been leaving campus and riding the commuter rail in to Boston to see him. Now I did it to see the places we’d gone and wallow in the misery of it. What else was November for, really? The gray days and dismal weather added to the melancholy. I relished it. All that was at Brandeis was a cold dorm high in a castle turret, shaped like a piece of pie, bound by painted cinder blocks, and a small row of high windows that made Boston look like a speck in the distance. At night that space glowed, offering hope and warning and bitterness. Madonna’s somewhat doleful ‘Bedtime Stories’ album offered a gauzy aural cocoon of sonic warmth – whether it was the loss of ‘Inside of Me’ or the brutal solitude of ‘Love Tried to Welcome Me’ or the saccharine-sweetness of ‘Take A Bow’. Along with ‘Sanctuary’, these were re-structured love songs dealing with loss and regret and the tricky aftermath of romance. It might have been all about ‘Survival’ but I wanted so much more. At the tender age of nineteen, I’d had my heart broken and had broken a couple of hearts as well. I used to pretend there was something worse about the latter, but that’s not true. Guilt is awful, but loss is worse. There’s no bonus for trying to gain sympathy if you’re the one who ended it.
“The love that dared not speak its name,” as Oscar Wilde so delicately described the proclivity of those of us who enjoyed sucking cock, was instilled with all the forbidden enticement and defiant decadence that had always left me fearful yet intrigued. There was no doubt I was gay – there never had been – but I’d done my best to stomp it out, to go for the girl and the white picket fence and the blasted nuclear family because it was all I knew to do. We lived in a different world then.
From the very first time I saw one of the older kids in our neighborhood strip off his shirt and jump into the pool, I knew. It was summer then – so much of our youth seems to take place in the summer – and the world was warm and happy and gay. He dove underwater, his muscles rippling in the dappled light of the pool-filtered sun, and I knew. Enthralled and intoxicated, I drank his image in like the sweetest nectar, and somehow it wasn’t even sexual yet, not that yearning. It was a want and desire that was innate and primal, it was from the very core of my being, the soul that had been born when I was born. I knew.
He swam away, into the deep end, his pale skin so tantalizingly different from my own tan body, like some rare, elusive sea creature, some white whale forever unattainable and unassailable, and my eyes followed. Lost in a chlorine haze, blinded by sun and beauty, choking on the feeling and wanting to both laugh and cry, I stayed in the shallow end and waited for his return.
When he did, my brother and I cajoled him into playing with us – roughhousing, as the adults called it. He’d pick us up – each so light and easy in his hands – and fling us into the deep end, our little bodies flying into the air and crashing into the body of sky-blue water. It thrilled us. Not just the motion, but the giddy focus of an older person intent on thrilling us. For me, it was much more.
I’d swim back, dizzy and delirious from the sun, the water, the flight, and the fight to make it back to the surface. Circling his legs, I felt both like the shark sizing up prey, and the scattering prey itself, darting to avoid death. I didn’t know what I wanted, I only knew he entranced me. I’d wrap my arms around his thigh, brushing against his swimsuit, and he’d lift me up again and off I’d fly. I didn’t know what was better – the lift or the let-go. Or the time in the shallow water when I was close enough to smell his sunscreen and see the blue of his sparkling eyes and the way his blond hair went dark when wet.
Summer fades quickly. So does youth. The pool filled with oak leaves, then acorns, then it was closed and dark. Buried in the muck and mess of the ensuing winters, my childhood disappeared. Now, in the impending winter that came at the end of 1994, I was alone again. Summer felt very far away. The neighborhood boy I had watched, worshipped, and held onto had long ago moved somewhere else.
Back then it seemed like figuring out I was gay was the answer to everything, and in some ways it was very much the solution to much of my angst and confusion. So many things suddenly made sense and fell into place, so many fears and worries and anxieties dissipated and dissolved. Once it was done, though, what was next? The notion of forbidden love had already been bound inextricably to who I was, that sense of shame would forever be part of me. In that cold, late fall, it felt like loneliness and heartbreak were all that followed. Still, better to have loved and lost…
Was the forbidden nature of the societal constructs of same-sex attraction part of my inability to find love? Had the ingrained stereotypical confines of how the world viewed homosexuals bled so deeply into my being that they would be impossible to eradicate? Or was I simply unlovable? That last question was one which most people had at some point in their lives; the questions before are the added and much more complicated journey through which only some of us must travail. At such a young age, I couldn’t get my head around all of that – to be completely honest I’m not sure I can today – all I knew was the dull ache of unfulfilled desire, and the infuriating sense of loss when there had been nothing to really lose.
SONG #150: ‘Forbidden Love’ – Late fall 1994
The clothing we wear is like a shell.
Here’s the trick to shells, because it’s not about how pretty or porcelain-like they appear: their most important feature is also their most overlooked. A shell is hollow. Its hollowness is what makes it a shell.
It only lives when it is filled.
Today is the opening of the ‘Chromantics’ art exhibit at the OVADA Gallery. As a tribute to that, and as a way to celebrate the opening in the only way I can from such a distance, here’s the poem on color I wrote and that Mr. Watkins was kind enough to select for display. If you’re lucky enough to be in Oxford right now, by all means check out this show. It’s open until April 28, so there’s still time.
From the very first time
He saw a box of crayons
Spilling their treasure across a tabletop
He knew they would hold his heart
And save his life.
Abundance of riches,
These limitless hues,
They gave happiness to all
Without explanation or reason
Inspiring wonder
With their primal evocation.
Give me your pigments,
Your shades
Your saturation.
Show me how you subtly shift
Between scarlet and cinnabar
The delicate gradations from sky to powder
Blue.
Ember rust
All your glorious gradations
Hombre undulations.
Pathway to expression
Relief and release
In every prismatic shard
This is light,
This is life
Swirled into water
Ground into dust
Imbued into oil
Elemental and fine.
Color bleeds our passions
When our voices and words
Are rendered silent,
When our sounds and songs
Become quiet
When our fingers and hands
Can no longer feel
Color allows the heart to speak
Allows the mind to reveal
Striking at the very heart of darkness
Obliterating the indistinct
Telling our story when the world
Seems hellbent on stopping us.
Color finds the way.
When you’re slaving over the paper towel dispenser in the office restroom, really pumping and pumping the handle because you feel it’s making traction, and nothing is happening… then all of a sudden it lets loose with an exploding accordion of fresh paper towels: that’s glorious.
“The more so, I say, because truly to enjoy bodily warmth, some small part of you must be cold, for there is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. If you flatter yourself that you are all over comfortable, and have been so a long time, then you cannot be said to be comfortable any more.
For this reason a sleeping apartment should never be furnished with a fire, which is one of the luxurious discomforts of the rich. For the height of this sort of deliciousness is to have nothing but the blanket between you and your snugness and the cold of the outer air. Then there you lie like the one warm spark in the heart of an arctic crystal.” ~ Herman Melville, ‘Moby Dick’
It’s best to sleep in a cool room. There’s an old adage that claims benefits and health to the practice of sleeping in cooler temperatures, and I’m all about it. As Melville so perfectly renders it, the contrast between a cozy bed and a chilly interior is what enables us to enjoy the comfort of the thing. It also makes getting up on a winter morning the stuff of trolls and devils. Some of us weren’t made for such hardships.
Personally, I’ve always preferred being on the cool side. It is much easier to warm up than to cool down. A sweater, a blanket, a cape, a turban – the options for gathering heat are many, and fabulous. When you’re trying to cool down, there is just so much nakedness you can achieve before the public calls the police. (I won’t even mention the difficulty of stripping down in an office setting, well, beyond this anyway.) The point is, it’s easier to add than take away. Think of it like using spices, and turn down your thermostat at night. Saves energy too.
To be considered good, a melon must not only be sweet, but also smooth. I do not look for crunchiness in a cantaloupe or honeydew. Crunchy is for granola.
The return of the Jonas Brothers continues with their latest single ‘Cool’ dropping any minute now. I enjoyed the video and song for their recent ‘Sucker’ but beyond these parts I’m not sure how much of an impact it had. They’ve definitely upped their imagery of late, even if their shirtless exploits will always be preferable to just about anything else. (Except maybe full-frontal male nudity…) Anyway, check out ‘Cool’ when it becomes available – I will too.
Bulge note: much ado is being made over the crotch area of the Nick Jonas photo seen below. Everybody wants to see VPL, especially on Nick Jonas apparently. It’s here for purely academic purposes.
Madonna posted a cryptic triple-triptych on her Instagram account, with nine images working together to one big red ‘X’ which we are all assuming is some message about her upcoming album (praise be). In the same vein of those who re-created her wire-bound face from the ‘Rebel Heart’ album, I made my own tribute because I like red and I like the letter ‘A.’
As for what this means in Madonna’s world, your guess is as good as mine, and I don’t even have one. Life is a mystery, and I’m not trying to figure it out anymore. Just give us some music, put your ‘Vogue’ costume on, and that’s your outfit for the night.
The 150th entry in the Madonna Timeline is due to be posted this weekend, so keep your eyes open for that. Until then, here’s a selective group of timelines that you may have missed or intentionally skipped. Best to come up to speed before we go much further. A quick recap of some notable timelines:
#133 – Easy Ride
#134 – Inside Out
#139 – American Pie
#140 – Express Yourself
#141 – Body Shop
#142 – Vogue
#144 – Mer Girl
#147 – Secret Garden
#148 – American Life