Today marks my mother’s birthday, and since she is a lady I won’t reveal her actual age (which I may have already done at some point so don’t go snooping in the archives to prove how rude my former selves may have been). If you see Laurie Ilagan today, wish her a Happy Birthday! I’ll be doing so in person, but I’ll do it here as well.
Outside the single window of our attic room, sole portal to the winter world, the wind made a guttural moan. It rattled all, as judging by the barks of a dog that followed, nipping on the heels of those retreating moans. Aural signs of an unsettled evening: wails of wind and cries of dog. Both were comfortably muffled enough to be but mild reminders that life and movement existed beyond the confines of our attic.
These were the sounds of Winter Obscura – faded, abstract, fuzzy – if sound was a color these would be some drab and depressingly unremarkable gray.
There is beauty in the unremarkable, and subtlety carries its own grace. Delicate renderings and minor reckonings. Winter upheavals run the gamut from life-altering to microcosmic. Sometimes the same event can be both at once. The power of perspective is too often unharnessed. I wear it around my neck like an ox wears a yoke.
This is what you’ll get This is what you’ll get This is what you’ll get When you mess with us
Karma police, I’ve given all I can It’s not enough, I’ve given all I can But we’re still on the payroll
Winter recedes from focus – I cannot get my arms around it, can’t get my head around it – winter obscura, sentences collapse, words fragment…
Walls of noise rise, but not here, not in this post. Not when we so need melody… and solace. Ease to the ears, healing for the head – and I wouldn’t dare ask for any help for the heart.
This is what you’ll get This is what you’ll get This is what you’ll get When you mess with us
Winter obscura… like silent snow, secret snow, sickening snow. Snow on the television, snow on the phone, snow on the brain. Snowy blowy bloviating bullshit.
Every once in a while I see something on social media that reminds me of its original wonder. The other day it was a fleeting sentiment posted by someone whose name now escapes me, and I can’t find it anymore, but the words live on, and they have wisdom:
“I need to be best friends with a crow.”
This is the energy I want to see, this is the attitude I want in my social media feeds.
{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}
Back in 2003, some saw the teaming up of these two pop icons as the passing of the Pop Goddess baton from Madonna to Britney Spears, but I knew only one of them would/could last, and with a new album on the more immediate horizon, that looks to be Madonna. Nothing against Britney, or the music, just a reflection on longevity, and Brit’s got a long way to go before she surpasses Madonna on that front.
Here was their first and thus far only collaboration, the lead single from Britney’s fourth album ‘In the Zone’ – and a strange little blip on Madonna’s musical timeline.
Hey Britney, you say you wanna lose control Come over here I got something to show ya Sexy lady, I’d rather see you bare your soul If you think you’re so hot Better show me what you got
https://www.youtube.com/watch?v=clwLKJ294u4
Like almost all of Madonna’s collaborations with other superstar artists, this one suffers slightly from overwhelming expectations and an oddly-muted production. For all their effort, and all the hype of being released in the white-hot aftermath of their infamous and incendiary MTV Video Awards performance smooch, it falls just a little flat. While Britney gets top billing, this is just as much a duet as Madonna’s ‘4 Minutes’ splash with Justin Timberlake (which make be her strongest collaboration with another renowned celebrity/singer).
The video keeps them tantalizingly apart until the very end – a lengthy tease that is emblematic of the song as a whole. All tease, little action, and not much lasting resonance. Madonna’s greatest strength will always and forever be as a solo artist.
Self-amusement is the simplest and fastest route to happiness that I’ve found. This was evident to me even as a child – not so much the way it led to a happy life – what could I know about life at six or seven? – but the basic mechanism of amusing myself was something I figured out relatively early. If there was one thing I had and honed more than most people around me, it was my imagination. Many children do, but we drill it out of them as they grow older, not trusting those flights of mental fancy found in frilly tea parties and the lives of dolls or stuffed animals.
Of all the rooms I inhabited as a child, my imagination was the one in which I spent the bulk of my time. As such, I would conjure lands and realms of fantastical adventure and delight, all within the space of solitude, and it was quite simple to turn this space into one of amusement and fun.
These days my imagination remains blessedly intact, taking the form of further self-amusement, which finds me laughing kindly at the foibles of myself and others, imagining the silliest of scenarios or reactions of friends to my various nonsense, and I’ll laugh – alone, in public, at inappropriate times, such as when I took these selfies during cafe culture – and I’ll absolutely love it.
The road to Milan, Italy and this year’s Winter Olympics is studded with luminaries such as our Dazzler of the Day Erin Jackson, who heads there having already broken all sorts of speed skating records, including being the first black woman to win an individual gold medal in a Winter Olympic sport from the last games in Beijing, China. She looks to add to that, and numerous other championships, in Milan next month.
Paper snowflakes hang in the window of the cafe, the kind we used to make in grade school, of folded white paper and intricate yet simple cut-outs. I never had the mind to know what sort of design would result, so mine were always a mystery until the final reveal, and never as lovely as some of the more beautiful ones that other kids created.
The decorative demarcation of seasons and holidays, hung on the walls and windows as a way of guiding our children and ourselves, of making some small semblance of sense from a world gone all disorderly chaos and meaningless madness.
While Laufey will forever embody that glorious Coquette Summer we celebrated a couple of years ago, she’s been a staple on the cafe playlist where I’ve been spending my afternoons. It’s good winter music as well, and so I seek out a proper seasonal song from her impressive oeuvre.
Fashion illustrator, author and designer Hayden Williams earns this Dazzler of the Day for not only talking the beautiful talk, but walking the beautiful walk, as evidenced his own sense of carefully curated style. His debut publication, ‘Hayden Williams: The Fashion Activity Book’ is available now, allowing all of us to color within the extraordinary lines of his designs and drawings. Check out his Instagram page here for further evidence of his brilliance.
It strikes me, having been away from the daily rituals of life for a bit, how much work and effort is involved in simply getting out of the house, and as daunting as it felt first thing on a dark Monday morning, I did what I usually do: broke it down into manageable bits and sections, and slowly charged my way through the day, minute by minute, hour by hour.
Baby steps upon re-entering the realm of the living.
No definitive verdict yet on whether it’s good to be back.
Heading to the Winter Olympics as part of the USA Speedskating Team, Conor McDermott-Mostowy earns his first Dazzler of the Day crowning for exceptional speed and agility. His Instagram profile quotes a motto that has seen him all this way: “A loss is only a failure if you learn nothing from it.”