Author Archives: Alan Ilagan

Cluelessly Glued

Attachment and detachment are life and death these days. Sometimes you have to pretend some things are not happening or you run the risk of sinking so low into the actual reality of the moment that there would be no rising from the muck again. At the same time, how much can we actually detach without losing sight of the real hurt and pain that is necessary to make this life worth living, that illuminates how sweet the happier moments can be?

I’m glued to the thoughts in my mind (mind)
They pester like a hawk in the sky
I am glued to the love in you (in you)
It swallows me whole, you’re hard to let go

That conundrum is at the heart of Melanie Martinez‘s brilliant ‘Glued’, which posits the idea of a love that is kept at a distance, a chemistry that is kept at bay, and the question of whether or not to recklessly give in to it entirely or keep safely away. A heart that is hidden cannot as easily be hurt.

Oh, that’s not what I wanna do (oh, no)
Perfectly attached like a noodle in the soup (huh?)
You’re good with the X-Y-Z (Y-Z)
I’m good with the A-B-C

And D-E-F-G, H-I-J-K, baby
We all have our strong suits, built differently
Different experience, different needs
I know we can’t die at the same time (oh, so sad), but please?

I don’t wanna think about the morbid parts of life no more?
I’m tryin’ just to focus on the things that hold me so damn close
I’m sticky, sticky, stuck and solidly sealed up to this reality
I’m seein’ not what I wish to be achieving, the old idea of me is

Glued up, sometimes it’s too much
I’m fucked up and clueless (clueless)
I’m stuck in the vortex, stuck in the vortex
Glue-less, life would be borin’
Empty but no hurting (hurting)
Is it necessary? Detachment is scary

My own romantic history is a testament to giving in to love at all turns, from the earliest infatuations to the lifelong bonds, and where I’ve made a complete fool of myself and risked being completely desperate and uncool are precisely the points of which I am still most proud. When I felt something for someone, I said it, I proclaimed it, I shouted it from the highest mountaintop because it was genuine and honest and brutal and real. Of course it never worked out, because the rules of romance require all those silly games of coquettish pull-back and hysterical hesitancy to the point where we haven’t much evolved from the playground taunting that boys and girls used to pretend they weren’t at all interested in someone.

When my petty feet start to sway (sway)
You better turn around the other way (walk away)
When the doubt starts creepin’ in (oh, no)
It’s hard to let go of old instinctual

Patterns that I picked up from my environment since a baby
Cut the negative self-talk and cut out my procrastination
Being sticky stuck, glue those old habits shut
Paste me to a new way of being, somethin’ to breathe new life in me again

There is something scary and brave and soul-rending about giving yourself up so easily and so soon in a relationship. I’ve always done it, and rarely has it worked to my advantage, but I never stopped doing it, because being real is the only thing I want to be. When I met Andy, I even attempted to play by the rules, our first night ending with my laughably-elusive non-promise of, “I’ll probably never see you again but here’s my number” only to discover later that Andy didn’t like games either.

Glued up, sometimes it’s too much
I’m fucked up and clueless (clueless)
Stuck in the vortex, stuck in the vortex
Glue-less, and life would be boring
Empty but no hurtin’ (hurtin’, no hurtin’)
Is it necessary? Detachment is scary

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A Big Beautiful Disgrace

My favorite album of the moment is ‘Big Disgrace’ by Haute & Freddy. Lead-track ‘Symphony For A Queen’ just helped kick off our spring season, and the rest of the album is a glorious retro-romp through 80’s dance pop.

Highlights for my ears are ‘Anti-Superstar’, ‘Dance the Pain Away’, ‘Femme Hysteria’ and ‘Showgirl At Heart’ (hear below). The titles alone speak to my inner demon diva, and the 80’s synth pop trappings wrap it up in a nostalgic glow while remaining entirely of this very moment of now. It is slightly reminiscent of the magic surrounding Dua Lipa’s spring of ‘Future Nostalgia’, and I am here for it all.

With Melanie Martinez’s newest album ‘Hades’ on the way, this spring is already sounding like a sweetly diabolical season.

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Dazzler of the Day: Melanie Martinez

Mesmerizing.

Provocative.

Darling and dangerous.

It’s been a while since I’ve been inspired by a musical artist, but Melanie Martinez has reinvigorated and recharged my inspiration battery. With a gorgeously dramatic visual representation of musical visions, Martinez is as much about evoking an atmosphere and feeling as about writing and singing some stunning music.

Deceptively doll-like, her images drip with exquisite irony, while not detracting from their dark gorgeousness. A tricky balance, that, and Martinez manages it with deft and sure confidence. From the days of ‘Dollhouse’ through this week’s release of her fourth album ‘Hades’ (out Friday), Martinez seems hellbent on staking a substantial career propped up by jaw-dropping visuals and backed by aural audacity – and in honor of this exciting next chapter, she earns her first Dazzler of the Day crowning.

Visit her enchanting website here.

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The Madonna Timeline #180: ‘Love Song’ ~ 1991

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

The Queen of Pop’s very first official duet was fittingly with a man named Prince. At the time of the ‘Like A Prayer’ album’s release, Prince and Michael Jackson were probably the only two musical icons who could match Madonna’s own pop-culture stardom. Prince was a more avant-garde choice, and in the end more fitting. Michael was fine for arm candy at the Oscars, but for musical legacy and credibility, Prince was far more prolific. His quirky and unmistakable musical style was all over his duet with Madonna, entitled ‘Love Song’ in questionably stultifying fashion. As unimaginative as the title was, the song itself also fell a little short of expectations from two pop superstars arguably at their apex in 1989.

It begins with Madonna speaking coquettishly in French: “Je suis prête? Vous êtes prêt aussi?

Are you wasting my time?
Are you just being kind?
Oh no baby
My love isn’t blind
Are you wasting my time?
Are you just being kind?
Don’t give me one of your line
s

If it sounds slightly disjointed, as if the two aren’t quite connecting, that’s reportedly because they recorded their parts separately, somewhat diminishing the duet aspect of the whole affair, and wasn’t that the whole point? Still, it grows on you if you let it, and Madonna steps up to the Prince-like musical environment, almost making it her own.

Say what you mean, mean what you say
Don’t go and throw our love away
God strike me down if I did you wrong
This is not a love song

Are you just being kind? No
Am I losing my mind?
Losing your mind
Oh no baby… Yeah

Strangely enough, given their pop-culture status at the time, ‘Love Song’ didn’t make much of an impact or impression. That said, it actually fits in the kaleidoscopic/psychedelic 60’s undertone of the tapestry that was the ‘Like A Prayer’ album – Madonna and Prince melding their personae like patchouli and lavender – and it works well as an album-cut.

Are you wasting my time?
Wasting my time
Are you just being kind?
Oh no baby, my love isn’t blind
Are you wasting my time?
Time, time, time
Are you just being kind?
Don’t go give me one of your lines

While I was busy hiding the ‘Like A Prayer’ album in the back of my desk drawer out of Catholic fear and guilt, ‘Love Song’ and all the other brilliant album deep cuts (‘Til Death Do Us Part‘, ‘Promise to Try‘, ‘Dear Jessie‘ and ‘Pray for Spanish Eyes‘ to name a few) went unheard for a bit. It wasn’t until my super-fandom began in earnest around 1991 that I returned to the album and discovered ‘Love Song’ again.

Say what you mean, mean what you say
Don’t go and throw our love away
God strike me down if I did you wrong
This is not a love song

Ooh, are you just being kind?
What?
Am I losing my mind?
Don’t… Wait

There was muted genius here, and a brilliant foreshadowing of a classic line that would come into great prominence many years later:

Time goes by so slow for those who wait
And those who run seem to have all the fun
But am I wasting my time?
She’s so fine
Are you just being kind?
No

My high school life had settled into a bit of a funk by the time I came to the whole ‘Like A Prayer’ album, and the darkness that was part of that journey was a welcome companion. The push-and-pull ambivalence of this track did nothing to allay my concerns of romance at the time, or the mixed emotions that handsome men elicited in my hidden heart.

Don’t try to tell me what your enemies taught you
Show them now how I didn’t do you wrong

This is not a love song

Despite its spring 1989 release, the Like A Prayer’ album was speaking to me most pointedly in the desolate fall of 1991. In the way that music has of meaning and mattering the most during adolescence, ‘Love Song’ was part of my romantic formation, for better or worse. I wasn’t even infatuated with anyone at the moment, but I knew those days would come, and if Madonna and Prince were finding love to be so maddening, I wondered how the rest of us mere mortals would navigate it. I could easily wait to fall in love if that was the case.

Are you wasting my time?
Wasting my time
Are you just being kind?
Oh no baby, my love isn’t blind
Are you wasting my time?
Time, time, time
Are you just being kind?
Don’t go give me one of your lines

‘Love Song’ is the final song from ‘Like A Prayer’ to get the Madonna Timeline treatment (you’ll see its missing link here). It’s a reminder that time ticks on, and this timeline is in the winter of its seasonal lifespan. Enjoy each entry as we approach the end – and be reassured that with a new album on the way that end will be extended like only Madonna could.

Nowhere to run, Nowhere to hide
That’s how I feel, Don’t fog my mind
Mean what you say or baby I am gone
This is not a love song

Don’t try to tell me what your enemies taught you
I’m gone but I just want you to know
That this is not a love song that I want to sing.

SONG #180: ‘LOVE SONG’ – 1991

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Dazzler of the Day: Robert Hartwell

A breathtaking gust of fiercely fashionable fabulosity, Robert Hartwell is a force of joy and hope and promise packaged in the prettiest wardrobe you may ever see. With an impressive Broadway background in shows from ‘Memphis’ and ‘Motown’ to ‘Cinderella’ and ‘Hello, Dolly!’, Hartwell has the theatrical experience and rich knowledge to share with others looking to break into musical theater, hence his running of The Broadway Collective. His reality renovation show ‘Breaking New Ground’ revealed a bit of the man behind the myth while pushing the idea that being unabashedly ourselves is always the best form of progress. With a commitment to beauty, joy, and fashion, and a bedrock of family and friends to populate his wonderfully whimsical rooms, Hartwell earns this Dazzler of the Day crowning as if to the manner born.

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#TinyThreads: An Insignificant Series

When people say they’re ‘Single as a Pringle’ that never made much sense to me; I’ve always considered Pringles rather polyamorous – they’re packaged in a freaking human centipede formation for fuck’s sake.

#TinyThreads

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A Big Gay Market, Albany-Style

Walking the walk I talked about in this post declaring this the spring of rejoining the real world and taking physically-present part in the action, I made a Sunday stop at the recent holding of A Big Gay Market hey in Troy, NY. The ride over the Hudson River is not as far as it once felt, and as long as you veer clear of rush hours, it’s not usually backed up, especially on the rainy, early afternoon I made the trip to the Mount Ida Preservation Hall.

Once inside, a warm and inviting environment filled with a bustling crowd beaming with happiness at being there greeted me, along with tables of enchanting materials – from cuddly crocheted cuties to scrumptious candles that filled the space with their delicious fragrance. Stickers and artwork were on hand, as were homemade jewelry and knitwear, and all sorts of goodies.

I’m already looking forward to their next event on April 26, 2026 at Washington Park in Albany.

Check out their website here for more event information.

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Floral Fornication

Certain flowers evoke sex in their obvious anatomy or the way they remind of various caverns and protuberances. A plump swollen section here, a vacuous hole of temptation to be filled there, and sweet perfumes and dusty pollens all conspiring to bring about fucking in some fashion.

Sex in the plant kingdom is sometimes flagrant, sometimes furtive, and always fascinating. It happens through scent, through timing, through touch and feel – an instinct and an impulse and an intoxicating allure – and all signs point to propagating survival.

Spreading seed.

Leaving legacy.

Making a mark and a mess.

The cycle of a flower – the purpose of being pretty – the sex of a moment.

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#TinyThreads: An Insignificant Series

Woke up and decided to be everybody’s problem.

(This is hardly ever true, if you really know me, but it’s fun to say, and it goes with the image.)

#TinyThreads

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Pulling Out of the Phone Predicament

It was only ever intended as a silly time-killer, something to occupy waits in the self-service line at the market or the minutes before a therapy session when you don’t want to look at anyone else in waiting room – those in-between moments that somehow fill and comprise a day, a life. It was only when I found myself staying up past 1 AM trying to conquer the next level that I realized Block Blast was becoming a problem – and the larger realization that my phone occupied far too much of my life was not far behind.
So I deleted it. Just the app. One quick click and it was gone – gone from the screen, gone from draining the battery, gone from distracting me from all the other more important items (because literally everything was more important than Block Blast).

It also got me out of my phone, and these past few months of astrological unrest were not aided by my being in the phone all day – nothing has ever been helped by being in the phone – and perhaps that was part of the reason for such unease.

I was seeking something more – something meaningful and real and concrete that wasn’t built or based on the flimsy fantasy of the false lives we depict on our phone screens. Perhaps that is the underlying purpose of this spring – to reconnect with real life, to partake in physical actions, to reinhabit the living world and communicate in ways beyond texts or e-mails or social media posts. Maybe it means sharing things in more personal and direct manners than passive-aggressive blog posts (you still know who you are).

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#TinyThreads: An Insignificant Series

The strength of my reading glasses just moved up a notch to 2.0.

My belt wants to move up a notch too, but I said, “Fuck you.

#TinyThreads

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A Gardenia Recap Amid a Lilac Spring

For our first lilac blog recap of spring, I give you a photo of a gardenia. That’s the sort of silly bitch I infuriatingly refuse not to be. We have arrived at Spring 2026 on this blog – is it everything you thought it would be, or is it more? Read all that you may have missed in this weekly blog recap, and celebrate the fact that we made it through the winter wilderness.

A little green post.

I. Can. Not. Wait.

Lulled by the orange siren song of Tom Ford.

Nothing ridiculous about a ranunculus.

A shirtless Jacob Elordi post.

The last day of winter, still obscured.

Not the baby Yoda.

Winter Obscura ending.

Spring of the lilac scare.

Lilac spring symphony.

Lilac asphyxiation.

Beautiful lilac life.

Springing into a Saturday lilac night.

Fifty springs.

Thanks for the gas prices, Trump.

Emancipation participation: No Kings.

Dazzlers of the Day included Michael B. Jordan and Max Kramer.

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Emancipation Participation: No Kings – March 28

One of the only things we as a people can do anymore is peacefully assemble, especially as one of the most basic of rights – the right to vote – is now in jeopardy. This right to protest may be our last chance to show the world, the history of this moment, and the future wonderers of what on earth we were doing at the time of all this madness.

To that end, this coming Saturday, March 28, 2026 marks the next ‘No Kings’ Rally for opposing the current fascist dictator who its got us into a war with Iran just to distract from his own pedophile allegations in the Epstein files. These past few months have left many of us feeling helpless and hopeless – this may be the only thing we can do, and possibly the last thing we can do, because our elected officials don’t want to stop anything.

I attended the last ‘No Kings’ rally in Boston this past October, and it was then that I felt how important it was for the soul to be surrounded with people for whom democracy and freedom and basic human decency still mattered. There was a galvanizing restoration of spirit and faith in our country that was vital in a way that I didn’t quite realize how badly I needed.

Visit the ‘No Kings’ website here for all the info on a rally near you. It’s time to take part, take a stand, and stake a claim in what you want your legacy to be in this moment in history. When your grandchildren or anyone in the next generation asks you what you did when all this was happening, what will you say?

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The Next F.A.F.O. Award: Trump Voting Car Drivers

Once again, thanks to the ignorant and stupid votes of people who thought Trump would control gas prices, the rest of us are paying crazy prices for gas – thanks to his ill-begotten war on Iran – a war he just haphazardly set in motion to distract from credible allegations that he raped teenage girls. There’s so much wrong with anyone still supporting that monster that I don’t even have the energy to address it. Instead, just a FAFO Award to all those car drivers (and I don’t know anyone who doesn’t drive a car that requires some gas) because gas is at an all-time high. I just paid the most for a single filling of the tank than I’ve ever paid in my life – my Mom just filled up for over $70. Thanks Trump. And thanks to the Trump voters and supporters for keeping this insanity going. (Looking at you, GOP.)

FAFO – The First Award

FAFO – The Police Union

FAFO – The Free Press

FAFO – The Kansas City Chiefs

FAFO – The Medicaid Recipients

FAFO – The Measles Victims 

FAFO – The Whiskey by Jack

FAFO – The Economy Voters

FAFO – Trump Voter Cynthia & Her Family

FAFO – Janet Correa

FAFO – Chris Landry

FAFO: MAGA

FAFO: Elise Stefanik

FAFO: Peace Voters

FAFO: 2nd Amendment Voters

FAFO: These 7 House Democrats

FAFO: Jill Zarin

FAFO: Wayne DeMario

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Fifty Springs

This marks my 50th spring season – a full half-century of sensing the rebirth and awakening of the land in Northeastern America. Aaron Copland perfectly rendered an annual approximation of the waking season, culminating in an ancient Quaker tune and resolving in the sonic expression of a world coming alive again.

At the time of this writing, the ground is still frozen, there are still patches of dirty snow, and thick masses of ice shift slowly in the pool. Spring always starts so hesitantly before it deigns to leap. Who can say what fits and starts need to happen before the earth really warms up and thaws out? It’s just waiting to happen, waiting to unfold and unfurl. No need to rush; be mindful of every moment. Be present. Be yourself in every conceivable way.

The lilac brigade is coming… unless the buds were killed under the cruelty of winter. That’s happened before and it’s no joke. After fifty springs, you learn to accept whatever comes.

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