We really need spring to be here already.
Like, yesterday.
This year’s shows for our annual Mother’s Day weekend on Broadway have officially been finalized, and itineraries went out to the main players a few days ago. (Suzie and Elaine will be joining us for part of this year’s festivities, including a Mother’s Day brunch, which is only fitting.) Whittling down the current crop of Broadway offerings proved more difficult than usual, but I think we have an interesting and powerful group of shows that offer something spectacular, something serious, and something seriously fun.
First up is ‘Hamilton’ which Mom has not yet seen. (I was lucky enough to score same-day tickets for its Chicago residence but this is well-worth a second viewing.) It cost me an arm and a leg, but that was her Christmas present, and as long as she wraps her head around the music it should be as wonderful as I remember it. The themes and stories told in such thrilling Lin-Manuel Miranda form continue to resonate and inspire to this day.
The second show we’re seeing is ‘To Kill A Mockingbird’ ~ the play that is winning raves second perhaps only to ‘The Ferryman’ which some have warned me against. I read Mockingbird a couple of years ago for the first time and was blown away; I’m hopeful this adaptation retains the coming-of-age heartache and magic of the book.
For the third and last show of this spring Broadway season, we needed something light and silly and extravagantly over-the-top. I found that in ‘The Cher Show’ because, well, Cher. That comes at the same time that Suzie and her Mom will be taking in the double ‘Harry Potter and the Cursed Child‘ play. I can’t remember the last time we were all in New York at the same time – but it’s quite possible it hasn’t been since the 90’s. This is long overdue. (And we’ll keep our eyes peeled for peach ice cream.)
For a look back at some previous Broadway weekends with Mom, check out the following links:
“The warmly cool, clear, ringing, perfumed, overflowing, redundant days, were as crystal goblets of Persian sherbet, heaped up – flaked up, with rose-water snow. The starred and stately nights seemed haughty dames in jeweled velvets, nursing at home in lonely pride, the memory of their absent conquering Earls, the golden helmeted suns! For sleeping man, ‘twas hard to choose between such winsome days and such seducing nights. But all the witcheries of that unwaning weather did not merely lend new spells and potencies to the outward world. Inward they turned upon the soul, especially when the still mild hours of eve came on; then, memory shot her crystals as the clear ice most forms of noiseless twilights.†– Herman Melville, ‘Moby Dick’
Spring invariably ushers in a new season of social events and get-togethers, and as the weather makes for enjoyable outside gatherings (assuming it eventually will…) I find myself in the act of preparation and planning. My favorite place to be.
The gardens are behind, but nature has a way of catching up. Unfortunately, working humans don’t have such a luxury, so if we don’t get some nice days the yard may not be cleaned up by the time it’s ready to sleep again. Again, it will all get done or it won’t, and some years are just about surviving and maintaining.
My fickle side has me undecided about how to navigate this blog for the summer. I’ve enjoyed taking most of it off for the past two years, but I’ve also hankered for an outlet when the days are rainy or the weekend is worth writing about. Toying with a lighter schedule that doesn’t see me completely offline from June to September may be the way to go. Two posts a day, no matinees? That sounds like a plan, with the caveat that it’s all subject to change by wish or whim. That’s what summer should be. First, though, let’s have a proper spring.
Are we still leaving phone messages? Why is this even a thing?
When the world rocks you for a bit, when you’re hit with realizations that we are only getting older, it’s good to do a few things. First, try a vacation. We just did that in Savannah (write-up coming when I can find a hot minute). Second, try a meditative movie or series. As odd as it sounds, The whole ‘Lord of the Rings’ series has a very Zen-like quality to it, despite the action and tension and occasionally violent moment. Same thing with the duet of ‘Kill Bill,’ which is even more violent, but just as meditative in my warped mind. Add to that the entire ‘Mad Men’ series, which evokes an era so perfectly one feels transported, and taken out of whatever state of worry or concern that might otherwise dominate. Yet it also feels entirely of-the-moment and modern – the very best sort of entertainment that manages to touch on the timeless and universal.
It was a time of innocence, dirtiness, decadence, hope, and despair. The sparkle and decay of the American dream. The cruelty of how we try to relate, connect, and love each other. The image. The veneer. The sheen. The danger of going deeper.
Not to be outdone by Tom Ford (as if!) the house of Diana Vreeland has released ‘Staggeringly Beautiful’ – which sounds, on paper at least, to be one of their strongest releases in a while. I’m still trying to find an anniversary fragrance, and the Vreeland line has proved lucky in the past, with their ‘Vivaciously Bold‘ showstopper and its bright green bottle with a Tiffany-blue tassel. The new release reads like heaven:
“You have to have a dream.” – Diana Vreeland
An ode to Diana Vreeland’s broad vision of beauty. She redefined beauty and found it where it never existed before—it could be a unique attribute like a gap between front teeth or the length of a woman’s neck; a shade of crimson that reminded her of a Balenciaga cape; the vibrant sound of Notre Dame’s bells, or the unforgettable golden light of the sun setting on a hot summer day.
Vibrant, sparkling and transportive, Staggeringly Beautiful perfectly captures the cool breezes, sparkling clear water, and lush, rich foliage of the summer aromas along the Mediterranean.
The amazing aura of Staggeringly Beautiful comes from the rarely combined earthy fig leaf with the delicious fig fruit. The beautiful bouquet is then induced with citrus elements from Sicilian bergamot and paired with the rarely used jonquil (daffodil), a flower native to France, the heart exudes rich, green, floral characteristics.
If you’re going to get me to shell out $320 for a Tom Ford Private Blend, you’ve got to come up with a better name than ‘Lavender Extreme.’ That said, I’m intrigued. My interest is piqued. I doubt I’ll be sold – I have my fill of lavender-tinged scents with ‘Lavender Palm‘ and ‘Beau de Jour‘ – both of which feature the delicious herb, so I’m not exactly in the market for another. But I do want to know what it smells like, and the bottle is exquisitely gorgeous. I’ve bought more going on far less (such as ‘Fucking Fabulous‘ – which had me at ‘Fucking’ then seduced with its surprisingly delicate notes).
I’ll give it a whirl… but I think my anniversary scent is with another house… possibly Hermes. Or Penhaligon. Or Kilian.
I like selfies as much as, if not more than, the next person, but if your Instagram is ALL selfies from the same exact angle over and over and over again, there’s no incentive to follow.
This filler post is anchored by Cody Christian.
Sometimes you need an extra day to start the week.
This is one of those times.
Hence a filler by the shirtless Cody Christian.
And here.
A Monday night recap, courtesy of April, leaps up like a frog, all spring eagerness and excitement, coupled with annoyance and impatience. April is messy like that. On with the last week before we get deep into the next one…
It began in fitting spring form, with a pair of ducks crossing a street in downtown Saratoga, as ducks are wont to do.
It doesn’t get much more epic than Rob Gronkowski sniffing Zac Efron’s Freedom Speedo while The Rock looks on admiringly.
These #TinyThreads all lead somewhere… right?
The Jonas Brothers went all Cool.
The beauty of being in the bed.
Chromantics across the sea.
The Madonna Timeline returned with ‘Forbidden Love‘ from the ‘Bedtime Stories’ album.
Shawn Mendes in shirtless motion.
Ladies & gentlemen: the Grasshopper.
Hunks of the Day included Jacob Whitesides, Julian Jiamachello, Charles-Laurent, Gethin Jones, Kris Kelly, and Gavin Creel.
Fancily-attired offices might find some people asking, ‘Is that Calvin Klein?’ or ‘Is that Michael Kors?’ In my office I have to ask, ‘Is that Uniform Village?’
Sweet drinks are not my thing. I got those out of my system with a year of Amaretto sours followed by a few months of Midori sours, and then a messy couple of weeks of White Russians. After that, I developed a bit of refinement and moved into gin and whiskey, largely avoiding any sort of sour or excessive sweetness.
Once in a great while, however, and preferably whilst embracing a kitschy 60’s motif (cue a cute pair of garish polyester, patterned bell-bottoms and a flowy persimmon-hued shirt) I’ll indulge in something like the Grasshopper, in the same way I’ll embrace a Galliano cocktail once every few years. This one is really a dessert unto itself, and the recipe couldn’t be simpler: one part each of Bailey’s, creme de cacao, and creme de menthe. (This is a bastardization of the original, for which I used some vanilla ice cream and vodka in place of the Bailey’s. Desperate times…) It tasted sweet, went down way too easy for our guests, and made for quite an evening of fun. We’ll bring it out again next spring. This must be used sparingly.
Have you ever opened two bags of, say, Trader Joe’s sweet and savory trail mix, and convinced yourself you’ve only had one serving because you only took one serving of each? That might have just happened here.
(Those servings are ridiculous anyway. Sixteen in a small bag? Who can manage that?)
Shawn Mendes is still preening on billboards and magazines in the latest Calvin Klein ad campaign, so here’s some of him in motion to pass the Sunday time. Also check out this shirtless post for additional Shawn stuff. [More Sunday studs here.] PS – See also Nick Jonas.

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}
Late fall 1994. We had passed the point where there might be a warm day here or there. The leaves had mostly fallen. Nothing could hold any heat. The first man I had ever kissed had dumped me and I didn’t even realize we were going out. Ignorance saves some hurt, but you only get a pass that first time, and sometimes not even then. My awakening to the fact that I was gay had begun and it was hardly reason for celebration.
I’d been leaving campus and riding the commuter rail in to Boston to see him. Now I did it to see the places we’d gone and wallow in the misery of it. What else was November for, really? The gray days and dismal weather added to the melancholy. I relished it. All that was at Brandeis was a cold dorm high in a castle turret, shaped like a piece of pie, bound by painted cinder blocks, and a small row of high windows that made Boston look like a speck in the distance. At night that space glowed, offering hope and warning and bitterness. Madonna’s somewhat doleful ‘Bedtime Stories’ album offered a gauzy aural cocoon of sonic warmth – whether it was the loss of ‘Inside of Me’ or the brutal solitude of ‘Love Tried to Welcome Me’ or the saccharine-sweetness of ‘Take A Bow’. Along with ‘Sanctuary’, these were re-structured love songs dealing with loss and regret and the tricky aftermath of romance. It might have been all about ‘Survival’ but I wanted so much more. At the tender age of nineteen, I’d had my heart broken and had broken a couple of hearts as well. I used to pretend there was something worse about the latter, but that’s not true. Guilt is awful, but loss is worse. There’s no bonus for trying to gain sympathy if you’re the one who ended it.
“The love that dared not speak its name,” as Oscar Wilde so delicately described the proclivity of those of us who enjoyed sucking cock, was instilled with all the forbidden enticement and defiant decadence that had always left me fearful yet intrigued. There was no doubt I was gay – there never had been – but I’d done my best to stomp it out, to go for the girl and the white picket fence and the blasted nuclear family because it was all I knew to do. We lived in a different world then.
From the very first time I saw one of the older kids in our neighborhood strip off his shirt and jump into the pool, I knew. It was summer then – so much of our youth seems to take place in the summer – and the world was warm and happy and gay. He dove underwater, his muscles rippling in the dappled light of the pool-filtered sun, and I knew. Enthralled and intoxicated, I drank his image in like the sweetest nectar, and somehow it wasn’t even sexual yet, not that yearning. It was a want and desire that was innate and primal, it was from the very core of my being, the soul that had been born when I was born. I knew.
He swam away, into the deep end, his pale skin so tantalizingly different from my own tan body, like some rare, elusive sea creature, some white whale forever unattainable and unassailable, and my eyes followed. Lost in a chlorine haze, blinded by sun and beauty, choking on the feeling and wanting to both laugh and cry, I stayed in the shallow end and waited for his return.
When he did, my brother and I cajoled him into playing with us – roughhousing, as the adults called it. He’d pick us up – each so light and easy in his hands – and fling us into the deep end, our little bodies flying into the air and crashing into the body of sky-blue water. It thrilled us. Not just the motion, but the giddy focus of an older person intent on thrilling us. For me, it was much more.
I’d swim back, dizzy and delirious from the sun, the water, the flight, and the fight to make it back to the surface. Circling his legs, I felt both like the shark sizing up prey, and the scattering prey itself, darting to avoid death. I didn’t know what I wanted, I only knew he entranced me. I’d wrap my arms around his thigh, brushing against his swimsuit, and he’d lift me up again and off I’d fly. I didn’t know what was better – the lift or the let-go. Or the time in the shallow water when I was close enough to smell his sunscreen and see the blue of his sparkling eyes and the way his blond hair went dark when wet.
Summer fades quickly. So does youth. The pool filled with oak leaves, then acorns, then it was closed and dark. Buried in the muck and mess of the ensuing winters, my childhood disappeared. Now, in the impending winter that came at the end of 1994, I was alone again. Summer felt very far away. The neighborhood boy I had watched, worshipped, and held onto had long ago moved somewhere else.
Back then it seemed like figuring out I was gay was the answer to everything, and in some ways it was very much the solution to much of my angst and confusion. So many things suddenly made sense and fell into place, so many fears and worries and anxieties dissipated and dissolved. Once it was done, though, what was next? The notion of forbidden love had already been bound inextricably to who I was, that sense of shame would forever be part of me. In that cold, late fall, it felt like loneliness and heartbreak were all that followed. Still, better to have loved and lost…
Was the forbidden nature of the societal constructs of same-sex attraction part of my inability to find love? Had the ingrained stereotypical confines of how the world viewed homosexuals bled so deeply into my being that they would be impossible to eradicate? Or was I simply unlovable? That last question was one which most people had at some point in their lives; the questions before are the added and much more complicated journey through which only some of us must travail. At such a young age, I couldn’t get my head around all of that – to be completely honest I’m not sure I can today – all I knew was the dull ache of unfulfilled desire, and the infuriating sense of loss when there had been nothing to really lose.
SONG #150: ‘Forbidden Love’ – Late fall 1994