A preamble to the next section of The Divine Diva Tour: A Fairy’s Tale, this may be a wild and wandering post that reeks of vanity and self-indulgence, making it perfectly apt for this particular project. Twenty years ago, that was certainly one of the stages I was at, and thirty years ago I was even further back on that stage, preening and posing for an audience that was both never really there, and somehow watching from afar.
There was a time
When I was so broken-hearted
Luck wasn’t much of a friend of mine
The tables have turned, yeah
‘Cause me and them ways have parted
That kind of love was the killin’ kind
Way back in the summer of 1993, Aerosmith released the song and video for ‘Crying’, which is probably my favorite Aerosmith tune (making me decidedly not one of their truer fans) and definitely my favorite Aerosmith video. In it, a pre-Cher-Clueless Alicia Silverstone and pre-stardom Stephen Dorff acted out the torturous tale of young love gone wrong.
While I was still involved in an innocent dating situation with a female friend (ahh, those 90’s) and had never had quite the dramatic rollercoaster those characters were on, there was something sillier and much smaller in the video that called to me from a deeper and more profound plane. At about the 2:25 mark, after her car breaks down, our heroine doffs the very 90’s floral dress she had on and changes into jeans and a white tank. It’s a quick and minor point, but it had a powerful effect on me.
So listen
All I want is someone I can’t resist
I know all I need to know by the way that I got kissed
That was what I wanted to achieve in my life: transformation. I wanted to shift images like a chameleon, changing into one creature from another, and always keeping the watchers guessing. Refusing to be pigeonholed into one definitive image or style, I would strive to shed my various selves with fashion, clothing, cologne, and creation – ever-evolving and never-stagnant. If I was unrecognizable from one look to the other, all the better. Mercurial and slippery – like its quicksilver namesake – I found it safer to hide behind a multitude of masks and poses, keeping the element of surprise as my chosen weapon. It would be impossible to pin me down – and if you can’t stop someone long enough to get a good shot in, you’re never quite able to capture – or kill – them. If Alicia Silverstone could get her heart stomped on at the start of her Hollywood reign, how the hell would I stand a chance?
I was cryin’ when I met you
Now I’m tryin’ to forget you
Love is sweet misery
I was cryin’ just to get you
Now I’m dyin’ ’cause I let you
Do what you do down on me, yeah!
Now there’s not even breathing room
Between pleasure and pain
Yeah, you cry when we’re making love
Must be one and the same
I started simply enough, in mimicking fashion, bringing a change of clothes on every car ride I made in the event that I had cause to slip from some stuffy school outfit into something more casual. In the summer, it was a change of necessity, as I unbuttoned a stiff dress shirt and opened the windows to let the breeze surround me in an undershirt. In later years, I’d bring a change of clothes to work when I was going out to dinner, switching into something fanciful and extravagant from the dull trappings of J. Crew office attire.
It’s down on me
Yeah, I got to tell you one thing
That’s been on my mind, girl, I gotta say
We’re partners in crime
You got that certain somethin’
What you give to me takes my breath away
I would craft images to match whatever project I was releasing: a Ralph Lauren ‘Safari’-scented romantic look with black vests and frilly white poet sleeves for a ‘Love’ project ~ a leather jacket, ripped jeans, and bulky booted trade ensemble for the ‘diSenchAntMent’ work ~ or a frilly, feathery, boudoir-appropriate robe for the Divine Diva project you may reference below. All of it was in service to shedding my various selves and finding out what was underneath all the layers. I hid and obscured as much as I aimed to reveal, digging deeper in an insane attempt to get out of the hole I was making. I wish I’d seen and understood that earlier, but such was the journey I had to take.
Now the word out on the street
Is the devil’s in your kiss
If our love goes up in flames
It’s a fire I can’t resist
These days, I don’t dive so deeply into my creative pursuits. I’ve learned to create a healthy distance from whatever project I’m exploring to the person I am in real life, easily separating whatever artistic flights I might fancy from my family and friends and husband. There is a definitive delineation that allows me to explore different themes here, in writing and photos, without danger of slipping into a persona that isn’t aligned with who I intrinsically am – even if facets do overlap and dovetail. Whenever something makes me uncomfortable, that’s a sign it’s something I need to explore.
‘Cause what you got inside
Ain’t where your love should stay
Yeah, our love, sweet love, ain’t love
‘Til you give your heart away
Which brings us to the present moment, and this look-back at The Divine Diva Tour: A Fairy’s Tale. It was at that time when I remember just starting to see and sense that separation between artist and artistic output, just beginning to feel the safety of that demarcation and distance. The ensuing two decades have shown that I still have much to learn, and that the work is something that never ends – not that I would ever want it to reach some sort of conclusion: the lovely and infuriating conundrum of learning that there will only ever be more to learn keeps me keen and eager for what’s next and what’s new.
The following step of 2005’s Divine Diva journey arrives with the next installment of this project, which ricochets from the feminine stylings of the previous entry to the more masculine stylings of our next entry… stay tuned.
I was cryin’ when I met you
Now I’m tryin’ to forget you
Your love is sweet misery
I was cryin’ just to get you
Now I’m dyin’ to let you
Do what you do, what you do down to
No, no, baby, baby, baby

~ The Divine Diva Tour: A Fairy’s Tale ~
- Pink Frilly Fairy: Part One, Part Two, and Part Three
- Homage to Herb: Part One, Part Two and Part Three
- A Purple-Hued Interlude
- Style & Panache: Part One, Part Two, Part Three and Part Four.
- Purple Puff Confection: Part One, Part Two, Part Three and Part Four.
- A Blue-Hued Interlude
- Fuchsia Fabulousness: Part One. Part Two and Part Three.
- Bad Boy Bangs: Part One, Part Two. and Part Three.
- Vanity Under Where: Part One, Part Two. and Part Three.
- Sugar Plum Ballerina: Part One, Part Two, and Part Three.
- A Pool Frolic: Part One, Part Two. and Part Three.
- A Cemetery Interlude: Part One and Part Two.
- Powder Blue Fur Doll: Part One, Part Two, and Part Three.
- A Milky Interlude
- Rock Out, Cock Out/ Hang Out, Wang Out: Part One, Part Two, and Part Three.
- Cocktail Cocktale: Part One and Part Two.
- A Fairy’s Interlude: Part One and Part Two.
- Willy Wonkers: Part One, Part Two, and Part Three.
- A Peacock In Everything But Beauty: Part One, Part Two, and Part Three.
- Swan Lake Fantasia: Part One, Part Two, Part Three, and Part Four.
- Black & White in Briefs: Part One, Part Two. and Part Three.
- Weave of Basket, Weave of Rope: Part One, Part Two, Part Three, Part Four, and Part Five.
- Chains of Gray to Color: Part One, Part Two, Part Three and Part Four.
- Black Jockstrap: Back Entry: Part One, Part Two and Part Three.
- Super Fairy Interlude: Part One, Part Two and Part Three.
- American Psychology: Part One and Part Two.
- Jocks & Frocks: Part One, Part Two and Part Three.
- Wigging Out Interlude





































