Author Archives: Alan Ilagan

When Fragrance and Memory Harmonize

I don’t love New York City.

There, I said it. (Even if I’m missing it a bit these days.)

I’ve been visiting periodically since I was a kid, but I have yet to fall in love with it. Mostly it’s because the things I love to do (theater and shopping and eating) are often closest to the things I hate most (crowds and tourists and Times Square). Still, I have grown to having a great fondness for certain elements of the city, particularly those fanciful edges of Central Park, where storied histories of places like the Plaza and Tiffany’s brush with modern day whimsy if you catch the light and the moment just right. Such magical alchemy was in mixing mode a few years ago when my Mom and I were visiting on one of our Broadway weekends for Mother’s Day. We had split up in the gender-designated buildings of Bergdorf Goodman and I was perusing the handsome cologne section, where curved glass and wood provided elegant carriage and support for all of Tom Ford’s Private Blends. On this day, however, there was nothing new in Ford’s olfactory world, and the salesperson was instead edging me toward what was then called By Kilian – a line of obscenely-priced bottles that promised various sensual experiences with names like ‘Straight to Heaven‘ or ‘Flower of Immortality’ or the one she was pushing on me now, ‘Bamboo Harmony’.

Having just come in from the street, on a day when the sun was brilliant but bordering on just too hot when all that surrounds you is concrete, I was looking for something light and fresh, something to loosen the claustrophobic debris of the city. As she waved the sample card in the air, I fell instantly in love with the refreshing and delicate aroma of white tea wafting about as it dissipated into the refined and rarefied air of Bergdorf Goodman. Not in a financial position to splurge on anything so decadent, I pocketed the sample card, thanked her profusely, and made my way back onto Madison to find Mom.

The verdant glow of Central Park was in the distance, the sun was still shining, and a glorious spring afternoon in New York was at hand. It was the closest I would come to loving the city, and it was close enough. It was also a revelation – the way a whiff of a scent could open up a portal to light and space and freshness even in the middle of the most crowded city in the country.

I thought of ‘Bamboo Harmony’ when our state suddenly found itself in the midst of a stay-at-home shutdown, and the abstract notion of feeling confined suddenly fell into concrete, home-bound form. I remembered the way it had instantly changed the day, transforming the crowded and cramped notion of New York City into something breezy and effervescent. Surely if a scent could produce such results in the face of soaring, skyscraping omnipotence, then it might do the same with any slight hint of restless confinement I might be feeling at home.

It arrived as a 10thanniversary present from Andy, and on that sunny morning, before I even turned the laptop on for the start of another work-at-home day, I sprayed a small spritz on my wrist. Once again, harmony was instantly conjured. The walls disappeared, the darkness lifted, and any close-quartered tension evaporated. A forest of sky-high bamboo floated before me, alternately kissed and obscured by the peaceful veils of passing clouds, delicately undulating in the slightest of breezes. The heavenly top notes of bergamot and neroli are there, in the barest and best of ways, not strangling anything with sweetness, and then the tea scent emerges, along with some fig and oakmoss that lends the proceedings an earthy green element in perfect keeping with their intended bamboo connotations.

Is this what bamboo really smells like? Not at all.

Does it matter? Not in the least.

We live in the imagined realm of a floating world; reality is far too dark and dreary to confront without a cape of fragrance billowing off our shoulders.

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When the Vase is the Vessel of Beauty

It was a wedding gift from a dear friend who departed this earth too soon. In the jumble of gifts and the giddiness of the time, it still managed to stand apart as a favorite, never relegated to the attic or basement, rising above to take pride of place in our entryway, where it has remained for a decade. Alissa gave us this Michael Aram vase, and it has been holding flowers and memories ever since. With her passing, it has come to mean a little more, and where once I may have taken it for granted – a vase is a vase is a vase – I now see it as a reflection and a reminder of a friend’s exquisite consideration and taste. So much so that I’ve been looking into expanding our collection of Michael Aram art.

Mr. Aram incorporates nature, mythology, craftsmanship and a fine appreciation of beauty and elegance into all his designs. Through the use of texture, design, a masterful melding of function and form, and just enough whimsy to set itself apart from very other vase in our home, his work stands uniquely above everything else we display. The vase that Alissa chose for us is part of his Black Orchid collection, whose buds and blossoms and stems wind themselves fancifully around their objects, whether it be a vase or a serving utensil or a candlestick. I’ve become particularly enamored of the Black Orchid objects – picture frames and nut bowls and a glorious pair of candlesticks. The idea of procuring an item for each room of our house is a tantalizing one – a thread of beauty running throughout our home feels especially lovely when our home-base is being used more than ever.

In addition to the Black orchid line, Aram has also pursued motifs of cherry blossoms, pomegranates, ginkgo leaves, and dogwood trees – all of which I love, and whose expression finds whimsical grace in otherwise-everyday items. He manages to turn even a tissue box cover or a toothbrush holder into a work of art, expertly proving that even the most mundane object can become something artistic and aesthetically pleasing when executed with the proper panache. It took a good friend to turn me onto a new artist, bringing beauty into our home and making the world a little more lovely. We need all the loveliness we can find right now.

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Salvaging the Sonic Gems from the Soon-To-Be-Wreckage

Music shouldn’t take up so much space.

Neither should memories.

These are elements of the ephemeral that should not be bound to physical formats. They are so much more than that.

I’m old-school.

Some days I want to take the school part out of the hyphenate and it wouldn’t entirely turn untrue.

Looking over the guestroom, I see a place filled with relics from the 90’s. Rickety shelving units that bow and bend beneath the weight and water damage of potted plants, an extensive CD-storage piece that has monopolized one wall for every single day we’ve been at this house. A weight-lifting rack that has seen more use as a storage shelf than actual work-outs (yes, it’s dusty, but I’m about to dust it off, I swear). And with more time than ever to spend at home, I’m finally making motions to bring this room into a new decade. With a new mid-century credenza en route, it was time to do some ruthless editing, beginning with several hundred CDs which I set about transferring to digital format. I fear and embrace change in equally-powerful parts, but for today I shall focus on the latter.

I am learning to let go. For so long I held onto these CDs, the same way I hold onto books, in the futile hope that part of my past would stay safe, would stay untouched and unharmed, and maybe somehow heal if it was just left alone. Turns out that in all this time the best thing to do might have been to let it all go and start over again.

Today I make motions to have it both ways. I will download the songs I love, and trash the rest. I don’t think I’ve purchased a physical CD in years, so this collection hasn’t grown any, it’s simply stayed the same. Stagnant. Still. Unevolved. It is time.

On this morning, I set M People’s ‘Bizarre Fruit’ on a delightful spin back to the 90’s, and I’m brought back to the sales floor of Structure, and tea dance at Chaps in Boston, and I’m smiling at the memories and emotions it brings back. The music remains, the plastic shell of its trappings can go, and the space for, well, space, has begun to appear. It is the space for growth. One shelf has been emptied, and another follows suit. I can see the wall, I can sense an expansion, I can literally feel an openness that hasn’t been there for years. Instantly, the room’s mood lifts. When the new credenza arrives I shall repot the plants that perch atop the deteriorating particle board shelving module. They will have a real piece of furniture on which to grow, and new pots to go with the mid-century feel of clean lines and minimalist structure. When the world outside feels like a jumbled overgrown monstrosity, the best thing to do is clear up the inside.

And if there’s music by M People to dance along to, so much the better.

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A Gratuitous Nicholas Hoult Naked Post

Nicholas Hoult has been a Hunk of the Day here previously, back when we had Hunks of the Day, and if he keeps shaking his ass in posts like this he will likely be crowned again. Talk about The Great. Well, don’t talk, let the pics speak for themselves. See a little more of Mr. Hoult here

 

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Semi-Naked Hunks in Shades of Grey

No matter how gratuitous some photos may be, as long as they’re done in black and white it’s suddenly art versus straight-up/gay-up porn, and that sort of line is what we like to straddle here at ALANILAGAN.com ~ hence this artsy-fartsy post of semi-naked male celebrities and models who have graced these pages prior in various stages of undress. Shirtless guys are this site’s bread and butter, and we do our best to be artistic about it. We don’t always succeed, but you know like to watch the attempts. And most especially the failures.

There’s nothing that rings remotely of failure when it comes to the featured guy, Steve Grand, who has been creating music and dreamy visuals for a few years now. See him and his latest endeavor in underwear here.

Andrew Rannells was phenomenal in ‘The Boys in the Band’, as well as a number of other Broadway shows and television series. His Hunk of the Day feature can be found here.

A staple of these shirtless retrospectives, Pietro Boselli has probably put in more appearances than everyone in this post, as evidenced herehere, here, here, here, and here and here and, well, you get the idea.

Dan Osborne forms the center piece of this trio, but he’s also done nice duo work with Tom Daley.

A pair of ‘CK’s in the shirtless forms of Colin Kaepernick and Callum Kerr continue our sexy shades of grey post.

Roberto Bolle gets a GIF because dancers are always better in motion.

Chris Salvatore strikes a moody shirtless pose, as he is wont to do here. He also poses in his underwear in posts like this and this.

A newcomer to the Hunk of the Day realm is Jake Picking, while Henry Cavill is classic old-school hunkdom personified.

Finishing on a sweet note is this pose featuring male model Zander Hodgson. See his naked ass here. And a lovely pose with his boyfriend here

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Summers Past & Summers to Come

At this time in our history, we are looking at a relatively quiet summer season, and what I have long promised and strived to create – namely a relatively quiet summer season – may at last find fruition due to circumstance and deliberate planning. The universe brings us what we can and should handle when we are ready, and not a day sooner. 

Summer has occasionally been the time for changing things up here – as when I took a summer or two off from blogging. I’m not going to do that this year, as I’ve been told this place is one of the few online spaces where things remain more or less peaceful. The most scandalous thing you might find is a naked male celebrity or my own nude self finding ways of expression and creative spark. Yes, there may be a serious post now and again, but you know my voice here by now, and you know things never stay to serious for too long. Life is too short for that.

In this year when we remain unsure of just about everything else, we know we can count on summer in some form or another. Even if it snows in June, which I fully expect it to do…

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A Quiet Anniversary Marks Ten Years

For the first time in our married life, Andy and I did not celebrate our wedding anniversary in Boston, because these are not typical times. Surprisingly, it may have meant a little more, and not only because it was our tenth. After ten years, there’s not much new to discover, but as we sat on a sunny and slightly chilly deck near a cherry tree in full bloom, I was surprised at the tenderness I felt for Andy, even after all these years, and probably because of them. The longer a fire burns, even when it slumbers and only smolders, the stronger it sometimes feels. 

Mom had gifted us come calamari to cook since we wouldn’t be able to go out, so we made that as an appetizer. It wasn’t bad, and I made a roasted red pepper aioli, and poured out some pre-made sweet chili sauce. 

A hibiscus grapefruit mocktail, christened with a cherry, provided a pretty portal into the coming summer season. Andy and I discussed pool liner plans, and the notion of sun and fun, even in solitude, made for a happy moment of promise. The twinkle of a sparkling summer, even in the distance on this cool afternoon, lent another layer of giddiness to the appetizer. 

Andy put a couple of chateaubriand cuts on the grill, which turned out perfectly, then it was time for the closest we could get to that glorious chocolate wedding cake we had in Boston ten years ago. 

A tuxedo cake from Price Chopper may sound both glamorous and decidedly not glamorous at the same time, but it was enchanting enough, and made for more than a fine substitute. On nights such as a tenth anniversary, it’s not the food that matters, it’s the company. 

We’ll return to Boston to honor our anniversary another time. For now, we placed a proverbial marker beneath a gorgeous cherry in bloom, beside a long-blooming group of jonquils, their season extended by the cool weather, because there is balance and purpose to everything that’s meant to be. 

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Albany Hero, Then and Now

All Albany heroes wear a mask in these times. 

And if you see anyone in public who’s not wearing one, feel free to call them out as the selfish assholes they are. We can no longer rely on government or religious leaders to do what’s right – we can only count on ourselves.

It’s up to us.

It’s always, and only, been up to us. 

Same thing for November. 

Speak up, speak out, and go on the record for when your kids ask you what you did when this evil administration was in power. Did you give them the benefit of the doubt each and every time they lied, or did you say something and let everyone know it wasn’t ok? 

Even with a mask on, you can let your voice be heard. 

In this age of social media, we’re all on record now.

 

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The Piano’s Memory

At the tail end of Mother’s Day, when the cold wind has died down, and our socially distant visit to Mom and Dad in Amsterdam has concluded, I open up FaceBook and stumble upon one of my brother’s friends starting a live piano session. Being fortunate enough to have a considerable number of talented friends in my feed, another live session is nothing new or exceptional, but I remembered Karl as being one of the craziest friends my brother ever had – and that is saying something. Maybe it was Amsterdam on my mind, maybe it was the sudden calm of night, or maybe it was the music – most likely it was all of that, and so I stayed on his page, listening as he played his Sunday evening beer jam. It had a bit of the blues in it, a bit of grace, some God and some devil, and such tender gorgeousness that at one point I had to stop and sit down, on the verge of weeping for something so heartbreakingly beautiful.

When we were kids he lived a few blocks away from us, on Summit Avenue I think, and it was just him and his sister and their Mom. At least, that’s how I remember it. As he was one of my brother’s friends, I didn’t invest that much. Hell, I didn’t invest that much in my own friends. And there was also something in him that scared the crap out of me. Like I said, he was legitimately one of the craziest of my brother’s classmates, known for doing absurdly dangerous things at which most of us cringed in both awe and admiration. Wild in a way that we would never understand, as if he had seen things too traumatic to leave him anything other than changed in the way that trauma changes you. And it was something neither my brother nor I could access. We were lucky for that. My brother took it all in casually without breaking stride. I was more fascinated and intrigued, drawn in by whatever brush he had with darkness. I sensed even then a kindred spirit in anyone who had been hurt.

In the dusty, musty, rusty bin of his garage, my brother and I would sometimes find ourselves hanging out while Karl would test the waters of whether he could come out and play. Broken bits of a bike he had torn up in daredevil antics littered the dirty floor. Dim and devoid of color, the memory is a rare sepia-toned one. So much of my childhood is recalled in vivid color, or at least the super-saturated Kodachrome photographs that make up my memories. This one comes back drained of its Technicolor vibrance, as if still covered in a coating of dust, untouched and unexplored.

I remember his mother, never without a cigarette, her bright blonde curly hair messily tied up and always half spilling out of some bun. She wore torn denim shorts and a halter-top in the summer, always at exotic odds with most of the mothers I knew. There was something dangerous about her too, or maybe that’s just my overly-sensitive kid coming out in unexpected ways. In a similar aspect, that’s why Karl scared me, more for his unpredictability and utter disregard for safety in his daredevil ways. I am loathe to admit that we may have pushed him to greater stunts, to jump off higher cliffs, to thrash and wreck what little was left of his old bike. Kids did that – we pushed each other to do the things we were most scared of, just to see, just to watch, just to survive. It didn’t matter if the other person got hurt. Kids are awful sometimes. We didn’t know. We didn’t care. We didn’t think much through. And when we found someone willing to risk it all we didn’t value them so much as a friend as much as a show to be seen, especially on hot summer days that droned on and always carried an air of boredom in a town like Amsterdam.

We played hide and seek together sometimes, and if we were on the same team I felt both emboldened and terrified. Alone, he could frighten you with mischievous eyes glinting with feral ferocity, but as long as he was on your team you could count on him to fight to the end. You didn’t want to know what he went through, you just wanted to make sure he was on your side. There was little enough a kid could control. Choosing which team to be on was all we had some days. And so I was always glad when Karl was on my team. It was the only way to attempt to control the uncontrollable. Another thing I didn’t think of: what might happen if the person on your own team decided to self-destruct and bring the entire team down with him? What if someone in your own home decided to burn it all to the ground without a modicum of self-preservation? I was lucky. I never had to find out. We didn’t stay long at Karl’s, at least I didn’t. Brief brushes with such drama were intoxicating, but only in small, measured doses. We’d be back on our bikes and pedaling somewhere else before soaking in too much. I think we knew, or were warned, not to enter the house proper. My brother never seemed quite as spooked by it as I did, though I never let on. I peppered him with questions to no avail. He either didn’t know or couldn’t be bothered to remember. Even though he was younger, I always wanted to be more like him. To not care, to not be bothered by things like that. Or to take it in and move instantly on, leaving it behind, letting it go. Instead, I stayed haunted. By a dusty garage and a broken bike. By a lost baseball and shards of glass. By a confused half-smile and a curl of smoke. By all that was unsaid and unexplained.

Are there kids who band together to keep themselves safe? I am sure there are. We were lucky – we were never in such mortal danger. And maybe that’s why we never had to get close to anyone, to truly rely on someone to be there to save our lives – because our lives were never endangered. No more than any average kid’s life is endangered, though I suppose all of us were in some way. Somehow we each managed to survive our childhoods – Karl, my brother, and me – and all three of us did it such vastly different ways. These days Karl makes beautiful music. My brother makes beautiful furniture. And I’m just trying to make some sort of beautiful peace with the past.

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Forgetting the Unforgettable

Every year I promise to sprinkle forget-me-not seeds about the backyard, and every year I forget. 

There is a message in such madness, but I’m too tired to figure it out. 

It’s too soon in the week to be so exhausted. 

It’s only fucking Tuesday for fuck’s sake.

And it’s only May.

Maybe the cold nights are getting to me. 

Maybe Tuesdays just suck. 

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Todd Sanfield: A Man in His Own Underwear

Vanity underwear lines often get a bad, if pretty, name. I’m not sure how well such endeavors by the likes of Chris Salvatore, Mario Lopez, David Beckham, Steve Grand and Cristiano Ronaldo are doing, but I know that Todd Sanfield sets himself apart from the rest with years of dedication and investment. As his own best model and spokesman, Sanfield puts himself in and behind his product, and with new varieties and styles coming out, he manages to consistently remain fresh and inspired by something as basic as underwear. That takes an eye for beauty, and a dedication to an under-appreciated craft. Check out his stuff here

 

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Missing the Met Gala

I’ll never be a guest at the Met Gala, but every year I watched faithfully to see what everyone wore on the red carpet for the up-until-now annual event that took place on the first Monday of May. Like most things this spring, and probably most of the summer, the Met Gala was canceled due to our current state of affairs. That meant we missed out on fashion’s most important night (yes, the Met Gala gorgeously beats out the Oscars and every other red carpet night). 

There was some sort of online hashtag challenge this year to dress up and post pics online but I didn’t quite care enough to look into it with any seriousness. Instead, I pulled this canary ruff out of the attic closet and propped it up behind a head of hair that I left unruly and spiky in avant garde honor. I needed something sunny and bright, something equal parts Big Bird and Phyllis Diller and Lemon Party. Those who attempt to create beauty, even when they fail, are bound to something gorgeously noble. 

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A Recap that Began A Decade Ago

What a wild, wonderful and whimsical week we’ve had. As I write this, a snow squall is bearing down upon the area, and I’ve just wrapped a plastic tarp around the poor fig tree that’s already outside behind the house. The peonies have kept their heads bowed after a night of snow, and this evening looks to dip into the frost zone as well. There once was a time when the frost-free date was May 6, but that sort of stability has gone away. Nothing is stable anymore. Mother Nature refuses to play according to human-imposed deadlines and rules, and she will not be ignored. We would do best to listen and pay some respect – especially as the rewards may be quite beautiful. Beauty and love informed the highlights of this past week, so let’s go back and quickly revisit them.

Proof of beauty was in the cherries that started popping.

The wisdom of a webmaster, and a friend

Dressed up by leaves of coriander.

‘American Life’ and ‘Bedtime Stories’ by Madonna, and maybe some justice.

There can be beauty in resilience

Hunks of the Day included Rufus Gifford, Lachlan Glen, Callum Kerr and Mark Mester.

Shirley Horn sang to us of violets for her furs, a song straddling spring and winter, not unlike the weather of the week. 

Pissing the night away, literally, not in the British manner. 

The night before the big event.

Our 10th wedding anniversary was celebrated in subdued style, befitting 2020, and we’ll put a pin in a proper Boston celebration when it’s a bit safer to go. We reconstructed our wedding day pose in the same shirts we wore a decade ago (see main photo and the original below), and the day was equally sunny and beautiful beneath the cherry tree in our own backyard. It was also a good time for looking back at ten years of anniversaries

Speaking of cherry trees, this one is currently putting on a fine show.

Another sad part of 2020 was the cancellation of our annual Broadway weekend for Mother’s Day, but we celebrated by looking back at all our previous excursions with this post and this post

The final installment of the ‘Awakening to Awareness’ mini-series concluded in full bloom, setting the stage for the rest of spring and a whole new summer. 

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Awakening to Awareness ~ Part Six

“What kind of feeling comes upon you when you’re in touch with nature, or when you’re absorbed in work that you love? Or when you’re really conversing with someone whose company you enjoy in openness and intimacy without clinging? What kind of feelings do you have? Compare those feelings with the feelings you have when you win an argument, or when you win a race, or when you become popular, or when everybody’s applauding you. The latter feelings I call worldly feelings; the former feelings I call soul feelings. Lots of people gain the world and lose their soul. Lots of people live empty, soulless lives because they’re feeding themselves on popularity, appreciation, and praise, on “I’m O.K., you’re O.K.,” look at me, attend to me, support me, value me, on being the boss, on having power, on winning the race. Do you feed yourself on that? If you do, you’re dead. You’ve lost your soul. Feed yourself on other, more nourishing material. Then you’ll see the transformation.” ~ Anthony de Mello

We have come to the conclusion of the ‘Awakening to Awareness’ mini-series, and while the posts for this book are at an end (for now) the work continues. Self-improvement doesn’t come with a deadline or end-date -it’s entirely up to us whether we plateau, fall back down into bad habits, or keep going to better ourselves. I’m going to try for the latter, as I like the way I feel lately. With all the insanity of what’s going on in the world around us, to feel better at such a time is a major feat in and of itself. Something is working.

The idea of a Sunday afternoon/evening post of something positive and uplifting is one I will seek to maintain, so this space will be reserved for similar sentiment in the future. It’s a nice way of reconnecting to what matters at the end/beginning of a week.

I like the above quote from ‘Awareness’ because it touches on feelings most of us have experienced. The worldly feelings the author addresses are the one that society has conditioned us into thinking we want. Popularity. Appeal. Being #1. They feed on any shred of competitive nature within us and drive us to excel at goals. That’s not necessarily a bad thing. Without some elements of drive or compulsion, most of us wouldn’t get out of bed in the morning. Yet I’m more interested in the soul feelings – they’re the ones that matter. They’re the ones who will sustain us in times of darkness and doubt. Would you rather the mass, superficial adoration of the world, or the genuine affection of a singular dear friend. In my younger years I might have debated the two lightly, but I’ve always erred on the side of the genuine and earnest, even back then. (Hell, if this was a popularity contest I’d be going about things in a drastically different manner.)

If we put our minds to it, most of us can figure out a way to win an argument. We can use facts and reason and a bit of subtle persuasion in order to prove ourselves consistently ‘right’. I’ve done it for years, and after being challenged on it by family and friends I can always come up with a long litany of examples where I’ve been right and the world has been wrong. It’s there in history. It’s there in the facts. Looking back over those moments, however, I’m left with a sad realization: being right can be one of the loneliest places to be.

And so I strive to focus on the soul feelings, because I know those well. They don’t come along all the time – but when they do I tend to recognize them immediately. A sunny pocket of afternoon when I stood alone on a stream bank in Ireland, watching the water weaves its way through the reeds as the bright green of a late spring scene played out before me. The way time seems to evaporate when I’m in the midst of a new project that suddenly clicks into place and the pages start making sense, connecting as if compelled by a force of magical destiny. A dinner with Andy in Boston when we were trying to figure out wedding restaurant options and the young couple next to us, on what looked to be an awkward but sweet first date of sorts, offered their support for our upcoming nuptials. These are the memories of my soul feelings, and they’re the ones I hold closest to my heart. All the rest of it doesn’t much matter.

{See also Awakening to Awareness: Part One, Part TwoPart ThreePart Four and Part Five.}

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A Mother’s Day on Broadway, Reimagined ~ Part 2

Our recollection of Mother’s Days that came before continues with this concluding post of previous Broadway weekends. Theater, shopping, dining out, and simply spending time with Mom are happy events taken on their own – combined they are a bit of magical alchemy that lent such joy to our trips. The look back continues with the last three years of outings.

For 2017, we celebrated a triumvirate of shows, and to keep track of it all I created the first of our printed itineraries, because I love a good itinerary. We began with a quiet lunch at Saks, because when you can meld shopping and dining, you do it. For that weekend, Mom splurged on the accommodations with a room at the Lotte Towers, which afforded this spectacular view.

Before our first show, ‘Natasha, Pierre and The Great Comet of 1812‘ we ran into the co-star of ‘Sunset Boulevard’ in Times Square, one of those happy coincidences that only seems to happen in New York. A decadent lunch at Cafe Sabarsky was perfectly fitting before checking out a performance of ‘War Paint’ with Patti LuPone and Christine Ebersole. For our last full day and night, the rain arrived with ferocity, though it didn’t dampen our dinner. Glenn Close, twenty years after we first saw her in the original run of ‘Sunset Boulevard’ helped us close out the weekend with a touching performance as Norma Desmond. We had come full circle in many ways.

Our 2018 Mother’s Day Weekend in New York began with ‘The Boys in the Band‘ and a suite at the Warwick Hotel. Some downtown shopping and a Mexican dinner presaged the wonderful revival of ‘Once On This Island‘. Ducking the rain and avoiding the wind, we bar-hopped a bit on the day that we saw ‘Dear Evan Hansen‘. A banner Broadway weekend for Mother’s Day closed out with a brunch at Norma’s.

Which brings us to last year, 2019, which began with a beautiful view of Central Park, hinting at art and florals and all things camp. At the Met, these campy creations created inspiration and aspiration, while the flowers along Central Park offered to put on their own subtle show.

Suzie was back for one of our dinners this time, as was her Mom Elaine, so it was a triple Mother’s Day extravaganza, as I was the only non-mother at the table. (I’ve been hailed as a different kind of Mother, and I’m talking MoFo.) Over the course of the weekend, we saw ‘Hamilton‘, ‘To Kill A Mockingbird‘ and ‘The Cher Show’. A little bit of everything basically.

We all reconvened the last morning for a Mother’s Day brunch ~ a lovely end to a lovely weekend.

Thinking back on all these wonderful times leaves me with a pang of sadness that things are so different right now, yet there is such happiness and love in all these memories that they will see us through until we can make new ones. Happy Mother’s Day, Mom. I love you. 

 

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