Category Archives: Music

The Madonna Timeline: Song #49 ~ 4 Minutes ~ Spring 2008

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Come on boy,
I been waiting for somebody to pick up my stroll,
Well, don’t waste time, give me a sign,
Tell me how you want to roll.
I want somebody to speed it up for me then take it down slow,
There’s enough room for both,
Well, I can handle that, you just gotta show me where it’s at,
Are you ready to go?

It’s hard to believe that it’s been over three years since Madonna released a proper studio album. It’s one of her longer stretches, and I believe it’s been due to her touring schedule (the ‘Sticky & Sweet’ show was a two-parter) and her directorial duties on her upcoming movie. Usually after an absence like this she comes back big – witness ‘Like A Prayer’ following her Broadway run in ‘Speed-the-Plow’, and ‘Ray of Light’ in the aftermath of ‘Evita’. Both were stunning examples of her musical relevance and prowess, and with Lady Gaga stealing much of the musical thunder on the last few years, Madonna does have a little something to prove. ‘Hard Candy’ was fine for what it was – though in retrospect it was mostly her riding on her laurels and employing the hit-makers of the moment to give her some up-to-date credibility. It didn’t fail spectacularly, but it wasn’t a highpoint in her musical career.

I do, however, happen to like the next song on the iPod ~ ‘4 Minutes’ ~ the lead-off single to the whole ‘Hard Candy’ experience. Musically I’ve never been a huge fan of Timbaland or Justin Timberlake, but Madonna has a way of making all her collaborators fit her style – even if she has to expend her range to make it work. For ‘4 Minutes’ she does just that – sharing billing for a lead-off single – a sign both of humility as much as clever zeitgeist calculation. With its pounding bass and blasting horns, it was a new sound for Madonna, but it seemed that she was just playing a bit of catch-up with the musical scene.

Madonna doesn’t usually fare well in duets – in fact, most of her rumored duets never get off the demo ground – and this is probably a blessing. (Anyone who’s heard her work with Britney Spears can attest.) The only way it succeeds is when she subverts her partner to the point where itís really a Madonna song with a featured performer, as was the case with ‘Take A Bow’ and Babyface, and, in some respects, ‘4 Minutes’, though she clearly is giving Timberlake greater billing than anyone else ever got.

Though it’s a bit of a lyrical muddle, the music is engaging enough, and it’s good to hear a beat that matches the cumulative power of Madonna. That thundering intro was used to great effect when she performed the song on her Sticky and Sweet Tour – the lights were lowered and it felt like Armageddon approaching.

As for the video, there’s a bit too much Shakira-hair and flesh-colored corsetry for my taste, and not enough plot-line or interaction with Mr. Timberlake to make it truly interesting. It’s almost as if they thought the pairing was enough, and by some accounts it is – particularly when you take into account the fact that Madonna normally doesn’t pair off with stars of equal, or even close, magnitude. (Most of her romantic co-stars in videos are relative unknowns.)

The song itself may prove as forgettable too. In the ensuing years, it has not held up as well as some of her others, attributable in part to its of-the-moment sound and production. It’s a fate that belies much of her work – but she usually manages to make one or two songs on each album that are so classic that they carry her through. I’m not sure if ‘4 Minutes’ was enough.

The road to hell is paved with good intentions,
But if I die tonight, at least I can say
I did what I wanted to do.
Tell me how about you?
Song #49: ‘4 Minutes’ ~ Spring 2008
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Summer Stalker: Part of Your World

Look at this stuff
Isn’t it neat?
Wouldn’t you think my collection’s complete?
Wouldn’t you think I’m the girl
The girl who has everything?

Let me preface this post by acknowledging that I don’t come off very well in it. Some might even call me a little scary, and see echoes of ‘Fatal Attraction’ in my behavior. But screw it, I think it’s hilarious, and I’m big enough to poke fun at my past now and then. This is the tale of the summer that I stalked a guy in my Abnormal Psychology class. The jokes write themselves.

It must have been 1995 or 1996. I was home for the summer and taking a course at the local college in order to graduate early. It was Abnormal Psychology and I could have written the damn textbook. Our teacher was a big, brawny bearded guy with a motorcycle and chaps, a somewhat gruff voice, a mane of hair that was slowly moving backward, but a generally sweet countenance ~ a veritable bear’s wet-dream. But I was not hunting bears; my gaze rested squarely on the cute guy in the front row, with the goatee and a bit of a slight frame – the dorky type of guy I often fell for. He wore a baseball cap and long basketball shorts. Yup, I knew how to pick them. Hey, in the corn-field stretches of upstate New York in summer, the pickings were slim.

The class was dreadfully dull, and I’m always wary of teachers who use Hollywood films to illustrate real-life conditions. (In this case ‘Ordinary People’ with Mary Tyler Moore.) Anyway, my focus was on the kid in the front row, whose name, oddly enough and yet fittingly, escapes me. He was, looking back, far from anything special. Most of the guys I’ve had crushes on have proven remarkably unremarkable. There was just something about each one of them that endeared them to me. Sometimes it was a simple act of random kindness, usually not directed at me for any specific reason, to which I attached unreasonable significance. Sometimes it was more direct – a knowing glance and smile, a subtle but definite arm around a shoulder. In this case, it was a poster of ‘The Little Mermaid’ in his bedroom.

Look at this trove
Treasures untold
How many wonders can one cavern hold?
Looking around here you think
Sure, she’s got everything…

How I came to see his bedroom is where the embarrassing part comes in… well, a few of the embarrassing parts, because there are many. In class I listened intently to discover his name, peering over his shoulder to see it, to no avail. I think I finally obtained it by returning early from a break and rifling through his bag. Yeah, that was me. And that was just the beginning. If you think that is the least bit intrusive and wrong, stop reading now because you’re not going to like anything that follows.

Having procured his name by whatever means necessary, I began some old-school investigation. This was the mid-90’s and we didn’t even have an internet connection at home, nor was there FaceBook or Twitter or extensive electronic trails to follow. I used a phone book. An actual yellow-paged phone book. I found him in Mayfield. Prior to this, I didn’t know there was a Mayfield, or how close, or far, it might be to Amsterdam. But there he was, or at least his family was, so I had my friend Ann come over to do a little *67 action and give him a call. The first step was finding out whether he was gay, and these things had to be done delicately.

Ann has always been a hoot. She took to the task with drill-like precision and dedication. I crack up to this day when I picture her dialing the number and putting on a serious face as she began her spiel, “Hi, this is a reporter from ‘US News and World Report’ and we’re doing a little survey. Would you mind answering a few questions for me?”

I was on the floor in hysterics. Where the hell did ‘US News and World Report’ come from, and so quickly and easily?! Was that even a real thing? She then went on to ask three general questions before getting to the heart of the matter:
What is your age?
Where are you located?
What is your occupation?
Would you consider yourself gay or straight?
And then she finished, “Thank you for participating in this survey. Good-bye!”
I don’t know what we were thinking. And I can’t believe the guy stayed on the phone and answered. Oh, the answer was straight. Not that it mattered. I reasoned that if he was gay he probably wouldn’t say it over to the phone to a random reporter from ‘US News and World Report’. (Which begs the question of why we even called, but that would make too much sense for my frame of mind.)

The next step was checking out his home. Don’t ask me why. I got a map of Amsterdam and the outlying areas from the local gas station. Is that as ridiculous as it sounds? I think so. (Again, we were pre-internet, and part of the fun in these things was the act of having to work for an outcome- the journey was just as important as the destination.) There was a summer mission now, and I threw myself into it with crazed determination.

I suppose I could have followed him home from class one night to see where he went, but that seemed a bit extreme. (I’d save it for later…) Instead, I followed the map, plotted a course, and prepared for an evening of surveillance. Donning an outfit of black, and a hooded cloak that flowed about me (What? You don’t keep a hooded cloak on hand?) I got into my parents’ Blazer and headed off into the country.

On the dusty road where he lived there were no street lamps. This boded well for the task at hand. With the cloak of darkness, from the night and on my back, I could slip in and out of the shadows unseen. The house was on the left, and I drove a good length past it and parked on the side of the road. After the long drive, over which I grew immune to the roar of the engine and the blaring Madonna music, the silence was striking. I sat there for a moment, adjusting to the darkness and the quiet, and then I made my move. There were one or two other houses around, but no one seemed aware of my presence.

I was quick and deft, like a cat – no, a panther – with prey in sight. I ducked below the first windows in front of the house and went around to the side. I peered into the bedroom – his bedroom. An unmade bed with childhood sports sheets was pushed against the wall. A few trophies stood on a chest. And a hand-painted poster from a local production of ‘The Little Mermaid’ hung on the wall.

What would I give
To live where you are?
What would I pay
To stay here beside you?
What would I do to see you
Smiling at me?

That’s all it took. My mind raced wondering who he might have played – Sebastian? Eric? Flounder? And how in the hell do I even know these characters? The words and the melody of ‘Part of Your World’ came into my head. It was a phantasmagoric Disney moment, as visions of fairy tale wonder paraded before me. I felt like a princess about to be swept into the arms of my goateed prince. He’d take me in his arms and set me down on his basketball sheets and… well, I was getting ahead of myself. And I was still outside of a strange house in the middle of the night, somewhere in Mayfield.

I made my way around to the back. The fluttering light of a television was coming out of a pair of sliding glass doors. I edged up to the side of the door and peered in, pulling my hood back a little. The object of my sudden desire was lying on a couch, languidly watching the TV. The screen threw wavering bands of light across his face. I was enraptured.

Where would we walk?
Where would we run?
If we could stay all day in the sun?
Just you and me
And I could be
Part of your world.

Lost in my revelry, I forgot the surroundings for a moment. I backed away from the glass to remind myself of where I was and looked around in the darkness. It was still warm out. There was no breeze. A light scent of freshly-mowed grass hung in the air. In some small way, I was sharing a summer night with him. Our first. I peered in on him again. It was enough just to look. A low rumbling sounded from below. Was this the stirring of my heart, the wild beating of a passion in full bloom? The thunderous sound grew and I looked down to see an enormous black dog resting against the inside of the glass door. It leapt to its feet and began barking and clawing at the glass. Oh shit.

I reeled back and started to run, the cloak streaming wildly behind me. He must have jumped off the couch and ran to the door, because he was suddenly looking out into the darkness and trying vainly to see me, but he did not give chase, nor did he make me out as far as I could tell. (See, the cloak worked.)

Back in the car I regained my bearings. I stripped out of the cloak and long-sleeved black shirt in the heat, turned the AC on and slowly drove away as if nothing had happened. It was time to set the next phase of the mission into motion.

I thought if I could just get him to notice me, if I could jump-start some sort of interaction, he’d seen what a ball of fun I was and be unable to resist my charms. I thought a tight T-shirt and linen pants would do the trick. I thought suspenders might catch his eye. I thought brown highlights… well, you get the picture. And I thought wrong. It would take something more overt, like seeing me in his rear view mirror following him home after class one night.

Don’t judge me. I only followed him down the road until he pulled over into a gas station. I chickened out, turned around, and headed home, but I was hopeful he had seen me – that he knew I had followed. That week I set about to doing what I do when I like someone – friend or paramour: I made a tape mix. I’m a loser, baby, so why don’t you kill me…

Along with the tape, a short note:

Surely whoever speaks to me in the right voice,
Him or her I shall followâ. ~ Walt Whitman, by way of Madonna.
It’s your turn… Follow.

Such was what I had written on the track-listing of the mix that I made for him and left on his car the next time we had class. Take a moment to digest all of that and judge all you want – it’s deserved now. I watched him – glimmers of Glenn Close wielding a knife danced through my head – as he found the tape and looked around. I pulled in front of him so he had to follow me out of the parking lot. I turned to go in the direction of my house, and he turned… the other way. Did the dummy even know what was going on? Did he even realize the note was meant for him? Did I really put Samantha Fox on a mix tape? I could not answer these questions – not then, and not now.

There were only a few more classes left. Time was running out and we hadn’t even spoken a single word to one another. I was getting – or rather, I continued to be – extremely desperate. Like super-short cut-off jeans and a tank-top, it wasn’t a good look for me, but I was helpless over it. After the next class, I decided I couldn’t wait another moment longer. I was going to ask him out.

Now, the wise thing to do would have been to hold off one more week until class was over, in the event that he was uninterested, right? I mean, that’s the sensible schedule to follow, the logical, reasonable course of action, and it would guarantee that I wouldn’t have to see him again should his reaction prove less than positive. Such a simple idea, and it makes so much sense. So of course I didn’t follow it.

That night, after a quick shot or two of whiskey, I dialed up his number. No *67, no faux news survey, just the honest truth of what I wanted. A guy asking another guy out. He answered and I introduced myself, explaining that I sat behind him in class. Amazingly, he knew who I was, and asked how I was doing. For whatever reason, I am slightly taken aback when someone I don’t think has noticed me has, in fact, noticed me. It will always be that way.

I don’t know when
I don’t know how
But I know something’s starting right now
Watch and you’ll see
Some day I’ll be
Part of your world…

I then said something like, “I don’t know if you’re into guys or anything, but I was wondering if you wanted to go out sometime?” Awkward beginning notwithstanding, it was simple and direct and to the point – and it was the hardest thing to say to someone. The worst thing that can happen when you open yourself up like that is a polite declination – but that’s the whole point – it is the absolute worst thing that can happen. And it is the exact thing that did happen.

He said he was flattered, but that he was straight. I thanked him for being so nice, because his tone was one of understanding and gentleness. He said it again, that he really was flattered and sorry, but that’s the way it was. I will say this: I’ve been rejected a few times – and no one was ever unkind or cruel about it. For that I am grateful. For that I held onto the tiny light of hope that people – often strangers – lit in me just when I was giving up on the world.

[Side-note: this does not break my history of never having crushed on a straight guy, as I honestly believed him to be gay. Hello, he was in ‘The Little Fucking Mermaid’ for Christ’s sake, or at least designed the damn poster – both equally damning in the eyes of outing. I’m being mostly facetious, but come ON.]

It made no matter – whether straight or not, he did not want me. That he chalked it up to being heterosexual was a sweet, and probably truthful, reason for it. There was nothing left to say or do. After two more awkward classes with him, where I avoided and pretended, and he gratefully accepted the act, it was done. I never saw him again.

A few more weeks of summer laid ahead before I had to return to Brandeis. In the ennui of those stultifying nights, I thought of him, and slowly, I got over it. My dreams of a summer fling would have to wait.

{PS – After some of the Madonna Timelines and this entry, the perception of my romantic past must be sketchy at best. One day I’ll write a sweet post about a decent relationship I’ve had, because there were a few, and maybe an anecdote or two about some of the nice guys I’ve met over the years. They do exist. It did get better.}

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The Madonna Timeline: Song #47 ~ ‘Spanish Lesson’ – 2008

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

It was a tradition that started with ‘La Isla Bonita’ and the ‘True Blue’ album. From that moment on, in every studio record until 1992, Madonna had featured one Spanish/Latin-influenced track. The tradition continued with ‘Pray for Spanish Eyes’ on ‘Like A Prayer’, and reached its nadir with ‘I’m Going Bananas’ on ‘I’m Breathless’. Even ‘Deeper and Deeper’ from ‘Erotica’ had a tinge of Flamenco guitar in it, but since that infamous album, Madonna has kept the kitschy Spanish numbers off her studio albums.

From 1998 through 2007, she left the Spanish lullabies to Ricky Martin and Shakira, as she recharged with electronica and dance music. That changed with her last studio album, ‘Hard Candy’. Suddenly it was 1986 all over again, as ‘Spanish Lesson’ found her back in the Spanglish department, loosely translating common phrases (not exactly accurately – “Mucho gusto means I’m welcome to you” – umm, it does?) and turning up the silly factor: “If you do your homework, maybe I will give you more/ When you do your homework, get up on the dance-floor.” Yeah, it’s pretty painful. I won’t prolong the agony, and I won’t re-print any more of the inane lyrics.

About the only personal memory I have of this song is hitting the ‘Next’ button in the car or on the stereo. I assume it made it into the iPod in the first exciting flush of a new album (2008). I really need to update this thing. And Madonna really needs to get back into the studio… oh wait – she just did! The world has been waiting…

Song #47: ‘Spanish Lesson’ – 2008

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The Madonna Timeline: Song #46 ~ ‘This Used to be My Playground’ – Summer 1992

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

It turns out I already wrote the entry for this song last year, before the timeline took shape, but it still holds true, so I’m going to step back into the sun, dip back into the pool, and re-hash what I already wrote, word for word.

It was July 1992. I had just returned from a trip to Finland for a wedding, leaving the extended European trip early to attend a summer course at Brown University. I thought it would be a good thing to pad my high school resume for college (well, my parents thought it would be – I personally didn’t really care either way). It was a biology course, with some hands-on study at the Roger Williams Park Zoo.

Upon arriving at Brown, I experienced my first and only real bout of homesickness (well, after the age of ten at least) – I didn’t even feel it when I went away to college. This time I was searching for a private place to cry and remembering how I used to look up into the fluorescent lights of my first grade class hoping that they would dry my tears faster. The crying part was over by the second day, and when I found myself with the time and private place to do it again I didn’t even need to. Still, I missed my family, and to assuage the pit in my stomach I spent my free time searching the library at the University for genealogy books. Not that I ever expected to find any Ilagans there, it just felt good to look and make plans in my mind of when I would see them again.

My chosen project at the zoo was a study on the lemurs. I had noticed that one of them sat quietly, while the others ran circles around him, occasionally chasing him out of the way. It was my ‘hypothesis’ that this lemur was more or less being hounded into submission, and was therefore not exhibiting all of his natural behavior. Looking back, it was probably the least scientific hypothesis ever almost-proven, but somehow I pulled it off and garnered an ‘A’ on it (which was the whole grade of the course).

By choosing the lemurs, which were off the beaten path of the zoo and not as exciting or awe-inspiring as the elephants or Tamarin monkeys, I could be alone, watching their antics and taking notes on behavior. I didn’t want to be around the other students, whom I suspected of intelligence greater than mine, but who displayed too many signs of immaturity. The ones I did find interesting – like the girl who wore a billion strands of tiny beads that she had strung herself – had ostracized themselves with their quirky fashion choices or frowned-upon habits of sleeping with each other.

I also had other concerns, in the form of one psycho red-headed roommate. He had written out a ten-plus page treatise on how he planned to join forces with Satan, take over the world, then double-cross Satan and have the power to himself. Not kidding. When he left for the day, I promptly took a huge risk, stole the papers, ran to the library and made a Xerox copy, then hid it in my luggage in the event that my body was found slaughtered under the bed at the end of the two weeks. Luckily he left me alone, as I must have seemed a non-threat in his quest for universal domination.

The noxious purple loosestrife was just beginning to show its bright color in the zoo’s natural wetlands, and staff warned us of how dangerous it was, in its propensity to take over the wetlands and choke out natives. Summer beat down upon the zoo paths, and I was grateful for the air-conditioned bus ride back to campus at the end of the day.

I didn’t explore Brown University as much as I perhaps should have. Part of me dreaded the idea of college so much that I shrank away from anything remotely connected to it, such as checking out what campus life was like, even if it was the doldrums of summer. I did walk around the small stretch of shops and cafes, and I explored some of the art shops that were there (being in proximity to the Rhode Island School of Design). On one such excursion I picked up an old Herb Ritts compilation – a beautiful pair of cloth-bound editions of some of his classic shots. In the black-and-white beauty found within its pages, I found a semi-solace from my loneliness, and a glimpse into a world so far and fully removed from my own.

On the radio I listened to Madonna’s ‘This Used To Be My Playground,’ a dirge-like lament on time gone by. It has not weathered the years well, and for quite a while I couldn’t even bring myself to listen to it because it was just so unspectacular. But it was part of my past, and part of that summer. A wistful look back on the season that used to be so carefree and celebratory. It was my last summer of innocence. The next Fall and Winter would bring my first girlfriend and last year of high school.

As for the song, it would prove to be Madonna’s last hit before the infamous ‘Sex/Erotica years, though according to producer Shep Pettibone, it was one of the last songs written for those sessions. That’s a lot of ‘lasts’ for a season that never does.

Wishing you were here with me…
Song #46: ‘This Used To Be My Playground’ – Summer 1992

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Summer Memories: It Must Have Been Love

Lay a whisper on my pillow,
leave the winter on the ground.
I wake up lonely, there’s air of silence
in the bedroom and all around.
Touch me now, I close my eyes and dream away.
It must have been love but it’s over now.
It must have been good but I lost it somehow.
It must have been love but it’s over now.
From the moment we touched ’til the time had run out.

In the summer of 1990 I found myself on a People-to-People Exchange in what was then termed the Soviet Union. There were a few notable songs to that summer: ‘U Can’t Touch This’ by M.C. Hammer, ‘Nothing Compares 2 U’ by Sinead O’Connor, and ‘It Must Have Been Love’ by Roxette. Only the first (Can’t Touch This) could I relate to in any direct way (and even then it was merely in a superficial, sideways-dancing-in-skidz kind of way). The last two touched on heartbreak that I’d never known before, though I could sense in them a yearning for something, and a longing that would never quite go away. My heart had never been broken like that, but not for lack of trying. How I hoped to connect to someone, to get that close, to have just the chance of such pain – and how little did I know what was in store for me.

I was fourteen years old, surrounded by friends from home, and on a European adventure. At the start of summer, we flew from Washington, DC to Moscow. I was beginning to see the world. I was beginning to find myself. Letting go of a childhood spent mostly, and happily, in relative summer solitude, I felt the reassuring friendship and camaraderie of a group of friends – some of whom have remained in my life to this very day. We traveled by bus, plane, train, and boat – we shared sleeping quarters, questionable food, mildly-amused hosts, and the foreignness of a country on the other side of the world. In experiencing another culture, we looked back at our own, and at each other, with equal parts suspicion, love, disdain, and loyalty.

Make-believing we’re together,
that I’m sheltered by your heart.
But in and outside I’ve turned to water
like a teardrop in your palm.
And it’s a hard winter’s day, I dream away.
It must have been love but it’s over now,
it was all that I wanted, now I’m living without.
It must have been love but it’s over now,
it’s where the water flows, it’s where the wind blows
it’s where the wind blows…

When the trip was over I found myself home alone in the backyard again, watching the hollyhocks and picking off the Japanese beetles in the late morning sun. The doleful sounds of ‘It Must Have Been Love’ played on the radio. As I missed my friends, as I missed those moments we shared, I understood that longing, and my heart, experiencing a first bit of joyful regret, broke just a little.

It’s where the water flows
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The Madonna Timeline: Song #45~ ‘Miles Away’ – Summer 2009

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I just woke up from a fuzzy dream,
You never will believe the things that I have seen,
I looked in the mirror and I saw your face,
You looked right through me, you were miles away
All my dreams, they fade away,
I’ll never be the same.
If you could see me the way you see yourself,
I can’t pretend to be someone else.

The iPod must be on a ‘Hard Candy’ sugar rush, as it has moved from ‘Beat Goes On’ to ‘Miles Away’ for this Madonna Timeline moment. I think it is the sentiment that I can relate to most in this song, much more-so than the mediocre music. (Apologies for the lengthy absence of a Madonna Timeline post – it fell by the wayside as I was championing marriage equality.)

You always love me more, miles away,
I hear it in your voice, miles away,
You’re not afraid to tell me, miles away,
I guess we’re at our best when we’re miles away…
When no one’s around and I have you here,
I begin to see the picture, it becomes so clear,
You always have the biggest heart
When we’re six thousand miles apart.
Too much of no sound,
Uncomfortable silence can be so loud
Those three words are never enough
When it’s long-distance love…

‘Miles Away’ deals with the push and pull of a long-distance relationship, or a relationship that benefits from distance. It is meaty territory, but Madonna just nibbles around the heart of the matter without offering any truly personal morsels of revelation. She saved that for her live performance of the song on the ‘Sticky and Sweet Tour’.

The main memory I have of this song is watching her perform it in Boston, a day or two before official news of her divorce from Guy Ritchie made headlines. As she began strumming the opening notes on her guitar, she dedicated it to the “emotionally-retarded” ~ a rare, personal (if politically incorrect) glimpse of bitterness on a stage in front of thousands. That’s what they mean by “steely vulnerability”.

I’m all right,
Don’t be sorry, but it’s true,
When I’m gone you’ll realize
That I’m the best thing to happen to you.
So far away, so far away,
So far away, so far away…
Song #45: ‘Miles Away’ – Summer 2009
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The Madonna Timeline: Song #44 ~ ‘Beat Goes On’ – Spring/Summer 2008

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

When I first heard the demo for this, it was rough, raw, and so unpolished I honestly didn’t see how it could be salvaged. So awful was it that I actually doubted it was a proper Madonna demo at all. I was wrong. With the power and precision of a well-seasoned pro, Madonna turned it into a pop gem, all bright shiny surfaces and perfectly chiseled angles. I should have expected no less, and its performance on her ‘Sticky and Sweet Tour’ was a fun intro to a flawless show.

Don’t sit there like some silly girl
If you wait too long it’ll be too late.
I’m not telling you something new,
There ain’t no time to lose,
It’s time for you to celebrate.

As is her habit, she crafted a fun, catchy pop song. Mindless in some ways, but mindful in others – a warning, perhaps to herself most of all, on the fleeting nature of time. Like much of the ‘Hard Candy’ album, time is the main concern – the way it goes by too fast and too relentlessly.

You don’t have the luxury of time,
You have got to say what’s on your mind.
Your head lost in the stars
You’ll never go far
It’s time for you to read the signs.
The time is right now,
You’ve got to decide
Stand in the back or be the star…

I won’t say much on the Kanye West rap interlude that somewhat mars the song. It’s interesting that the collaboration happened just prior to his going ballistic on live television and stealing Taylor Swift’s moment (she’s more than made up for it in successive successes, while he, though musically still a powerhouse, has owned up to his douche-bag image and held onto it defiantly). In these swift-to-forgive-if-not-forget times, Madonna got absolutely no negative publicity for her tenuous ties to Mr. West – though if this played out in the 80’s or 90’s far more damage may have been wrought upon both. Yet another reflection on the changing times – and the mirror ball of pop spins on.

I can’t keep waiting for you,
Anticipating for you
No time to lose
Get down, beep beep, gotta get up out of your seat!
Get down, beep beep, gotta get up out of your seat
!
Song #44: ‘Beat Goes On’ – Spring/Summer 2008
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The Madonna Timeline: Song #43: ‘Hung Up’ – Fall 2005

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Time goes by so slowly,
Time goes by so slowly,
Time goes by so slowly…

Madonna has never made her impatience a secret, yet considering that by 2005 she was two decades into her career, I’m not sure how she figures time goes by so slowly. That Fall she released the lead-off single ‘Hung Up’ for the non-stop dance-a-thon Confessions On A Dancefloor. After the floppy failure of the under-rated albeit dour American Life in 2003, she went back to the well that has always produced gold – the dance floor – and it resulted in her biggest international smash of the decade, propelling her to another #1 album.

Time goes by so slowly for those who wait,
No time to hesitate.
Those who run seem to have all the fun.
I’m caught up, I don’t know what to do.

Making the most of its pricey Abba sample, ‘Hung Up’ is a disco diva’s dream, and fittingly became a dance anthem and immediate staple in Madonna’s repertoire. Lyrically it’s a bit weak – and I’ll go so far as to say disappointingly lazy. (The opening is a word-for-word rip-off of her own ‘Love Song’ from the ‘Like A Prayer’ album, though the similarities end there.)

Every little thing that you say or do,
I’m hung up – I’m hung up on you.
Waiting for your call, baby, night and day,
I’m fed up, I’m tired of waiting on you.
Ring ring ring goes the telephone,
The lights are on but there’s no one home,
Tick tick tock, it’s a quarter to two, I’m done, I’m hanging up on you.

It’s fun the first few times you hear it, then you begin to wonder whether her youngest child had a hand in writing some of the lines. No matter, it’s the music and the driving beat that really move this song. Nobody does a pop-dance song better than Madonna, and with her ‘Saturday Night Fever’ homage in the video for the song, nobody does pop culture references like her either.

With a few clever flips of her sausage curl hair, she channels Farrah Fawcett and John Travolta in one fell swoop, bringing the disco back to the clubs, and the glitzy glamour of Studio 54 back to the world. Her look was fun, bouncy, jubilant – and the sound was a celebration of the simple joys of dance music. If it was nothing too profound, it still felt good, and after the darkness of American Life, it was exactly what her fans needed.

I can’t keep on waiting for you.
I know that you’re still hesitating.
Don’t cry for me, cause I’ll find my way.
You’ll wake up one day, but it’ll be too late.

Shakespeare it’s not, I’ll grant you that. In fact, lyrically and musically that may be one of her weakest bridges – and though she’s got some big-time bridges, that’s no excuse. Also, at this point it’s overplayed its welcome on my ears – for a year or two this was her go-to-performance for promo and award shows – but for the time it was epic. I mean, it’s Madonna and Abba. And who didn’t roll their fists along with that choreography?

Every little thing that you say or do,
I’m hung up – I’m hung up on you.
Waiting for your call, baby, night and day,
I’m fed up, I’m tired of waiting on you.

It came out as the party season was just getting into swing. It was just before the holidays, and a new Madonna album meant a rollicking good time, aurally at least, and Confessions did not let anyone down. To this day, it’s the perfect record to put on when you’re about to go out for a night on the town, in those moments when you’re choosing your outfit, getting dressed up and determining your glamour quotient. The anticipatory excitement that is so good all you want to do is dance…

Time goes by so slowly
Song #43: ‘Hung Up’ – Fall 2005

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The Madonna Timeline: Song #42 ~ ‘Voices’ – Spring 2008

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Who is the master? Who is the slave?

Ambivalence, apprehension, unfinished business – they’re all a part of ‘Voices’, the final track of Madonna’s 2008 ‘Hard Candy’ album. (Yes it’s been three years since her last original studio effort… [clears throat, dramatic pause, “I’m waiting. Why can Donna and Niki not hear themselves? Sound by JimCo…”]

The song itself is a complex note on which to end her final studio album for Warner Brothers, finishing with a flourish of dramatic bass-drum pounding, and closing with the lone ring of a church bell or, in this case, the death knell of a relationship.

Treat me like a curse, Then tell me I’m your savior,
I’m living with a stranger I used to know so well.
Waiting for your answer is a kind of torture,
Could I grow accustomed to this kind of hell?
Are you walking the dog, cause that dog isn’t new?
Are you out of control, is that dog walking you?
Haven’t you had enough, now your time is up?
Baby show me your hand…

The lyrics are laden with tension, as Madonna contemplates a relationship gone sour (her own marriage to Guy Ritchie ended soon thereafter) and the push and pull of what constitutes doubt amid love and trust. It’s interesting to note the maturation and thoughtfulness present here, and when you compare this to something from the earnest, if broad, innocence of the tracks on Like A Virgin or True Blue, it reveals a remarkable measurement of growth. Madonna doesn’t completely exonerate herself from the blame either, but it’s clear she is the wiser observer in this scenario, even if she’s not capable of saving the situation.

Voices start to ring in my head, tell me what do they say?
Distant echoes from another time start to creep in your brain.
So you’re playing round this like it’s convenient,
You do it so often that you start to believe it.
You have demons so nobody can blame you
But who is the master and who is the slave?

As her musical and life journeys have played out over the years, her artistic output, as seen in songs such as this, has at times turned darker, and deeper than the bright pop hits that get noticed and released. A challenging gem like ‘Voices’ tends to get lost in the shuffle.

First you say you love me then you wanna leave me
Then you say you’re sorry, you play the game so well
I bought your illusion, you’re the greatest salesman
How could I refuse you when you sold it to yourself?

In some ways (and I do realize it’s unfair to compare the two), this is the second-marriage version of ‘Til Death Do Us Part’, though Madonna would likely never come clean about its genesis or who it may really be about. That’s part of her own game, as much for self-preservation and privacy as it is out of respect.

Are you walking the dog, cause that dog isn’t new?
Are you out of control, is that dog walking you?
Haven’t you had enough, now your time is up?
Baby show me your hand
Voices start to ring in my head, tell me what do they say?
Distant echoes from another time start to creep in your brain.
So you’re playing round this like it’s convenient,
You do it so often that you start to believe it…

No one knows what really goes on in anyone else’s marriage. So much of it is secret, so much of it is hidden. Madonna only hints at deeper breaks and fissures, which makes the impact of this that much stronger. Someone once said that a marriage makes secrets a necessity – sometimes the secrets help, and sometimes they hurt. Reading into the relationship of a stranger, albeit a very public performer who revels in revealing art, feels wrong and invasive. Yet it’s also a comfort to know that even someone as perfect as Madonna doesn’t have it all figured out yet.

You have demons so nobody can blame you
But who is the master and who is the slave?
Song #42: ‘Voices’ – Spring 2008
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Hanging on a Moment of Truth

There ain’t no reason you and me should be alone tonight,
Yeah baby, Tonight, yeah baby…
I’ve got a reason that you’re who should take me home tonight (tonight)
I need a man that makes it right when it’s so wrong,
Tonight, yeah baby ~ Tonight, yeah baby
Right on the limits where we know we both belong tonight…

A song for Spring should have the innocent, hopeful longing of love in it – and the same fluttering excitement of pedaling as fast as you can on your bike and whooshing down a hill on the cusp of night.

Or sitting in the passenger seat as your new boyfriend guns it to 90 and the sunroof is wide open, blowing wind and stars and fairy dust around as you reach a timid, fearless hand out the window to feel the world go by.

It’s hard to feel the rush,
To brush the dangerous
I’m gonna run right to, to the edge with you
Where we can both fall over in love…
I’m on The Edge of Glory,
and I’m hanging on a moment of truth,
Out on The Edge of Glory,
and I’m hanging on a moment with you…

A midnight in Spring, the middle of Copley Square deserted, and you rollerblading with your headphones on, black coat billowing out behind you, and picking up speed until it feels like you’re flying, and Trinity Church rises and falls before you as the Hancock Tower mirrors your ascent into the night.

Another shot, before we kiss the other side tonight,
Yeah baby, Tonight, yeah baby,
I’m on the edge of something final we call life tonight
Alright, alright…
Put on your shades ’cause I’ll be dancing in the flames
Tonight, yeah baby ~ Tonight, yeah baby…

Certain songs propel you along your way, jump-starting a new way of life, opening up another door. They drive you to your next destination, even if you didn’t think you had one, and they create the memories that mark your life. It’s
that moment when your hero reaches out his or her hand and pulls you along for the ride. They beckon with a reassuring smile, and for that one minute you feel like you can conquer the world.

It’s hard to feel the rush,
To brush the dangerous
I’m gonna run right to, to the edge with you
Where we can both fall over in love…
I’m on The Edge of Glory,
and I’m hanging on a moment of truth,
Out on The Edge of Glory,
and I’m hanging on a moment with you…
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The Madonna Timeline: Song #41 – ‘Let It Will Be’ ~ Holidays 2005

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

At the end of 2005, Madonna’s ‘Confessions on a Dancefloor’ was on perpetual play in my car and home, just as I was preparing for our annual Holiday Party. I’ve been throwing parties for years, and at this point they pretty much throw themselves, but there is still an element of production to them, and a certain punch and panache that makes a party memorable. (As this is being written, I have just come up with a concept and name for our Summer party in July, so parties are on my mind.) Since the iPod has selected ‘Let It Will Be’ as the next Madonna timeline song, let’s revisit the party scene in the works when that song was blaring in my shower – the build-up and anticipation, the preparation and planning, and the all-too-brief swell of a gathering of good friends at holiday time.

Now I can tell you about success, about fame,
About the rise and fall of all the stars in the sky
Don’t it make you smile?
Let it will be,
Just let it be,
Won’t you let it be?

Back in 2005 it was The Venetian Vanity Ball ~ and it began with the outfit. A frilly number, with tiers of vermillion tulle, layers of burgundy lace, and a few subtle lines of ostrich and marabou feathers thrown in for delight. Beneath this a pair of burnt-out velvet pants, sheer enough to show just the slightest bit of black Armani underwear, and bottomed off with cuffs of beaded lacing. A scarlet off-set hat accentuated with sequins and some additional plumage (including an actual bird) topped it all off, though I didn’t keep it on for long. And for those moments when I wanted to accompany a smoker or two outside (as any good host would), a red fox fur stole (from a Neiman Marcus clearance event) kept me (and a few others) warm and toasty. Grounding the whole ensemble was a pair of black leather cowboy boots, only the tips of which peeked through the beaded fringe of those velvet pants.

Now I can tell you about the place I belong,
You know it won’t last long,
And all those lights they will come down.

I enjoy dressing up for parties – and there is sometimes a costume change or two (or ten on special years). It’s a labor of love – even if sometimes more labor than love, and some years are more stressful than others. All the food and drinks need to be purchased and prepped, the decorations and musical soundtrack selected, and the lighting and fragrance decided upon and executed, and in the days prior to a party they can all come to a head, and a headache. Whenever the stress creeps up, and Andy and I are snapping at each other, I have to calm down and remember that it’s all supposed to be fun, and if it’s not then we shouldn’t even be doing it anymore. That’s when I think of this song, and in its way it calms me. Let it be.

Let it will be
Oh let it be
Just let it be
Won’t you let it be.

Paradoxically, it also lights a fire under me, providing inspiration to don the feathered angel wings, clamp on the enormous peacock tail, or squeeze into the twenty-pound bejeweled corsets that have made up some of the more outrageous holiday outfits of the past. An enormous amount of energy – physical and mental – is required to wear some of the things I’ve worn. It takes a different mindset, and I have to be in the right headspace to pull it off. So much of fashion is attitude and confidence. If you can wear it as if to the manner born, then it will be a success. If you have the slightest hesitation or trepidation, you’re toast. I don’t wear anything over which I carry the tiniest bit of doubt. If I have to ask an opinion on an outfit, or I’m unsure about something, then I know it’s not going to work.

Now I can see things for what they really are,
I guess I’m not that far
I’m at the point of no return
Just watch me burn…

It takes a lot out of a person, throwing a party. Yet somehow, at the end of the evening, it is always worth it. Eliciting a friend’s smile is worth everything.

Let it will be
Just let it be
Oh let it be…

Even so, I do wonder…

“He sometimes looked back with awe at the carnivals of affection he had given, as a general might gaze upon a massacre he had ordered to satisfy an impersonal blood lust.” – F. Scott Fitzgerald, Tender is the Night

Now I can tell you
The place that I belong
It won’t last long
The lights they will turn down…

Just watch me burn…
Song #41: ‘Let It Will Be’ – Holidays 2005
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The Madonna Timeline: Song #40 – ‘You Must Love Me’ ~ Fall 1996

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Where do we go from here?
This isn’t where we intended to be.
We had it all – you believed in me.
I believed in you.

I don’t remember the first time I saw him. Is that strange? For someone who supposedly meant so much to me, I don’t recall the first time we were in the same room together. It must have been in the Literary Criticism class that we were both taking – my final requirement for an English degree from Brandeis University. I had tumbled off the commuter rail a bit later than anticipated, and had to rush up all the hills and steps before making it to the humanities building. In a sleeveless gray shirt and tattered jeans, I didn’t care how I looked when the weather still clung to August. I was decidedly not dressed to impress, not that first day. (It was a bit of an anomaly, as every day thereafter I would wear a different outfit, as impressive as I could muster, for the remainder of the semester.)

Sitting here racking my brain for our first moment of interaction, I still cannot come up with anything. In a way it makes sense, I never shit where I eat – so when on campus I was never looking for love, or even open to any bit of flirtation. It was probably what got me through college. I saved my obsessions for city folk, for unattainable real estate agents, would-be actor-waiters or gone-in-a-flash T-riders. At school, I was all business, and that Literary Criticism course was the last one I would have to take seriously.

The summer lingered on a bit. I always forgot how hot the start of the Fall semester could be. Above, the sun hovered, slowly traversing the sky over the duration of those September days. There were blue skies then – the gray of November was a distant impossibility.

The first bit of interaction with him that I can recall was a simple exchanging of glances in a second floor hallway. I was sitting on a couch waiting for my next class to begin, and he was headed in the other direction. My eyes followed and caught him turning around as he went down the stairs. From that moment onward I noticed him. He was usually smiling or laughing, entertaining a giggling gaggle of girls, and across the room in our literature class he occasionally smiled at me, raising his eyebrows in question or acknowledgment or invitation.

Certainties disappear,
What do we do for our dream to survive?
How do we keep all our passions alive,
As we used to do?

Dappled sunlight beneath a fiery grove of maple trees. A Nathaniel Hawthorne day in New England. The smell of warm leaves, the whisper of copper-colored pine needles. He sat on a rock, thumbing through a notebook. I stopped and said hello. I mentioned his Structure sweater, explaining that I worked there and could spot them a mile away. He told me he liked them, but all his sweaters ended up unraveling at the end of the sleeve – “something I must be doing with my hand” – and I let the entendre go by without a wink or a saucy word. My nervousness rendered me quiet and submissive around him – an incongruity to what made me fun to be around, and perhaps the fatal flaw in my ultimately winning over those who most impressed me. I left him there, beneath the trees, amused at my own ‘discombobulation’ as Suzie would call it, and wondering at what was going through his head.

A few days later, we got our first set of papers back. After a stern lecture on how this first batch had disappointed him, and how they weren’t at the level we should be at, the professor gave a lovely build-up to what I assumed was a disastrous grade. He went on to say, in one of those dastardly frightening professor moments, that he would leave them on the table and then leave the room, as he didn’t want to see the looks on our faces when we saw the grades. (Still a bit lighter than the sign next to one professor’s office hours that read, ‘Professional Slaughtering’.)

There was a mad rush for the papers, but I didn’t bother. No sense is hastening the arrival of bad news. I slowly got up and saw my name, but couldn’t quite get to it. He then reached over the other students to grab my paper along with his, and handed it to me. I think I fell in love with him at that moment. That he knew my name, that he struggled against the others to find mine, or that I got a B+ – I don’t know what made me feel happier. Who can say why we fall when we do?

We continued to see each other around campus – he would always seem to be where and whenever I least expected him, and I was continually caught off guard -“ the way my whole experience with him threw me off guard. And I couldn’t entirely be fabricating that there was something on his end too, could I? Certainly, I had lived out further-fetched fantasies of love and affection before him (wait until ‘You’ll See’ hits the timeline), was this just another etching solely in my mind?

At work, I confided to my manager who said I should just ask him out. I balked at the idea. I couldn’t, and that would never be my style. Even if I could, what would I say? “Do you want to go out sometime?” I would feel ridiculous. I was too shy for that. I liked to play it off as aloof and nonchalant, but it was simply me being shy, and an acutely killing form of shyness that I was nowhere near ready to combat at that moment.

Deep in my heart I’m concealing
Things that I’m longing to say
Scared to confess what I’m feeling
Frightened you’ll slip away,
You must love me,
You must love me.

A few days later, I thought I might be ready. In the cafeteria of Usdan Center, I saw him arrive at his lunch table. He was alone. My heart was pounding. I picked up the nearby pay phone (yes, there were such things back then) and dialed my store manager and friend John for one last bit of encouragement. He told me to just do it. Thanks, Nike. But it was enough. I marched quickly over to his table, and in what can only be the quickest blurting out of a pathetic pick-up line, said, “I was just wondering if you wanted to hang out sometime.” He smiled and said sure, he’d like to, and he gave me his phone number. It would be one of the only times in my entire life that I asked a guy out.

That was it. I smiled, said hello to the friend who had just joined him, and then said goodbye. If only we could have left it there – when there was nothing but possibility ahead. If only I could have kept it all in my head, living on the remote chance of all the what-ifs my racing brain could giddily conjure. If only… I hadn’t been so lonely. But I couldn’t see that then. All I knew was that he said yes.

I almost danced out of the student center, taking steps two at a time, bouncing off the walls in gleeful celebration. The boy I liked said yes! He said yes! And I was off – literally, figuratively, mentally, you name it – off on a thrilling one-man race that had but one inevitably sad destination. I did not know that yet, and for all the happiness and hope I felt, there was the one nagging worry – what if he didn’t like me the way I liked him? I put my faith in Madonna, and her latest ‘Vanity Fair’ cover story, where she quoted from ‘The Alchemist’:

If you want something bad enough, the whole world conspires to help you get it.

How I wished and prayed that was the case. How my heart yearned for it to be true. There was another quote that haunted me from that Madonna article though, and they were her words directly. It stayed in the back of my mind no matter how hard I tried to dislodge it:

Power is being told you are not loved, and not being destroyed by it.

– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

We shared a few late-night phone talks. I was in my bedroom in Boston – lying in bed looking up at the ceiling, then sitting on the cool hardwood floor, staring out the window, then back beneath the covers – warmed by his words, enthralled by his high school stories, and touched by the recitation of some of his writing. Maybe that was the moment I fell in love with him. This once-overweight kid, out of place, hurt by his family – my heart ached for him and his childhood, and for the fact that I could easily have been one of his torturers. (That’s just the kind of mean kid I was.) I wanted to hold him and make it all better. A surprise to myself, this fierce shard of protective instinct, this desire to shield him from the worries of the world, when so often I assumed it was me who needed to be protected.

We talked of silly and frivolous matters too, Broadway musicals and Madonna, and I ended up giving him a copy of Madonna’s latest single, ‘You Must Love Me’, hoping he would read into it all that I intended. There was shared laughter over the phone, and once there was a crash and he admitted he had fallen off the chair. It didn’t necessarily mean anything – all college kids are prone to romantic delusions during late-night phone conversations. The deciding moments would be determined during the day.

He sat next to me when we had class again. It was jarring, and strange, since most of us didn’t shift our seats much – not from one side of the room to the other – yet it was intoxicating to be so singled-out. As uncomfortable as I felt, as much as I was sure that all eyes were on us (and as sure as I am today that they were not), it was another little gesture that stirred the dormant heart.

Being close to him left me dizzy with nerves, erasing my wit and replacing it with a silence that could only be read as disinterest, or, worse, haughty superiority. Yet I couldn’t be myself around him, not with so much at stake. I couldn’t believe that I was someone to be loved, even if it was all I wanted him to see.

Why are you at my side?
How can I be any use to you now?
Give me a chance and I’ll let you see how
Nothing has changed.

I think we shared a book in our next class together, and it was easier being near him. Maybe we wrote a few quick words to one another, as if we were two silly kids in high school, sharing a secret moment of fun amid the criticism of Kant. On one of our phone talks I asked him if he wanted to attend ‘Master Class’ with me – I had just gotten two tickets. Suzie and Anu were coming into town for the weekend, and if he couldn’t make it, I reasoned, I could go with one of them. He accepted, and we agreed to meet up at Copley, have dinner with the girls, then go to the show. It would be, unsaid and unacknowledged, our first official date.

I wore a red velvet vest, and I greeted him as he rode up on the escalator. We walked quickly over the glossy stone floor of Copley Place – me pushing us faster so we wouldn’t be late. I was too nervous to talk much, and the rest of the evening those nerves wreaked uncomfortable havoc with any of us having a particularly good time. After the show, I walked him to his car. We paused in front of 500 Boylston, and he said it was one of his favorite buildings in Boston.

I looked back at the Courtyard in front of the building. It suddenly felt cold. And then it was over. We either hugged or shook hands as we said goodbye, but we did not kiss, and somehow, as I walked home alone, I knew. We would never kiss.

I left a series of phone messages the next few days, and he didn’t call back. Yet I didn’t give up. Oh boy, did I not give up.

You must love me…

There I was, trying desperately to turn this treacly little love song from a command to a realization, and failing at every turn. Who knows why we fall in love? Maybe it’s the turn of someone’s step, or the little smile that seeing you elicits, or maybe the simple act of grabbing the paper you couldn’t reach – of seeking out your name, or just knowing it. A midnight phone conversation that you don’t want to end, and when it finally is over the inability to sleep for all that hope and happiness. What do you do with that? And what if it meant more to you than it ever would to him?

Like most of the major mistakes I made in life, my honesty was to blame for setting me up for the most embarrassing form of getting rejected I could have ever crafted. I couldn’t be left in the dark, not knowing whether he felt the same, or if he wanted to go out again, and I just had to know. I did what I would do time and time again, with equally disastrous results: I wrote him a letter. (God only knows what that says about my writing ability.) Laying it all on the line, my feelings about what I thought we could have together, how much I liked him already, and all the things you are never, ever supposed to tell another person until the day after your wedding, I wrote down everything. I did everything ‘The Rules’ said not to do. I even gave him an easy out (well, easy for him). I said that if he didn’t feel the same way about me, to simply not sit next to me in class the next day. [Pause for reasonable absorption of The Worst Idea in the World, culled from the annals of teenage nonsense.] So certain was I that he liked me too, it never occurred to me what I might feel or do if he declined. That wasn’t a possibility in my mind, that wasn’t an option.

I gave him the letter the next time we met, along with a mix tape (it was still the 90’s, and I was apparently still trying to live the teenage dream), and then it was up to him. When our next class rolled around I was a nervous mess, and rightfully so. No matter how it ended up, it would be awkward – whether sweetly or disastrously so, it would be awkward. A tinge of regret already loomed over the overcast morning.

I still remember the shirt I wore that day – a loose black Nehru-collared number with grommets that laced up the top half. Part peasant, part pirate, part tragic historical figure – I loved that shirt. And I would never wear it again.

Sitting down in class, I took a deep breath and waited. Students started coming in, taking their seats, and I took out a book to appear busy and uninterested in whatever the outcome might be. On a blank page, I started writing – well, drawing – fake lines of non-existent words, intended to look like writing – anything to distract. Out of the corner of my eye, I saw him walk into the room with one or two other classmates. He crossed to the other side of the room to his old seat. The one beside me remained empty.

I looked up, pretending to notice him for the first time. He gave a faint smile and a conciliatory shrug. Smiling my own ‘that’s that’ type of smile, I looked down and pretended to be engrossed in my notebook. I began writing so I wouldn’t have to see him again, and this time words came out. Simple words of simple instruction that I implored, willed, forced my physical being to focus on and accomplish.

He did not sit next to me. He did not sit next to me and I will have to get up and walk out of this room when the class is over.”

It was a tiny act of survival, and the written words made it both real and palpable, designing a way of dealing with the situation I created, starting with the simple act of standing up and walking. When the interminable hour was up, I hurried out of class, not looking back. I made it down the steps of the building before he caught up to me.

He was kind. Most of the men I’ve liked have, in their way, been kind. He explained that he felt like I was running, going too fast, and he just wasn’t ready. It was as good an excuse as any, surely better than, ‘I just don’t like you that way’, even if the latter may have been more honest, and heartbreaking. Blame the intensity, blame my neuroses – just don’t let it be something intrinsic to my being, don’t let it be… me. Even if it was.

Before we separated, he said he liked my shirt, and that it was his favorite so far. I thanked him for that. If I had nothing else to offer the world, I would always have style. It was a sad recompense.

I did not cry. I would never cry in front of him. I would save it until I made it to the very edge of campus, ducking into a small building and finding an empty bathroom, then letting it all out in heaves and gasps. No one noticed my red and swollen eyes on the commuter rail. I slumped into the window, watching but not seeing the barren landscape rushing by. This was the fall. We were well into November, and in a few days I would board the ‘Don’t Cry For Me Argentina’ plane bound for San Diego and a family wedding, at which I would come out to my brother as a gay man and tell the sad tale of this recent heartbreak to little if any consolation.

Deep in my heart I’m concealing
Things that I’m longing to say
Scared to confess what I’m feeling
Frightened you’ll slip away,
You must love me,
You must love me.

Back from California, there were just a few more class days left of my last semester at Brandeis. Having spurred my coming out to my brother, my grief then prompted me to tell the story to my friend Danielle. We walked along toward the bottom of campus on a cold December day – and I simply said I loved someone and he didn’t love me back. I still remember our hug at the end of that walk, and how soft her hair felt. I wondered if those hugs could be enough to sustain someone throughout life, or if they were only there to catch us when we fell out of love.

Near the end of the month, with the semester finished, and my final papers completed and submitted, I was standing near the ATM when he came around the corner. Though the afternoon was young, the light had gone, and in the dim shadows of an early dusk we said a quick hello, and then it was done. My time at Brandeis was over. My memories of him, once emblazoned upon my heart and head, would only fade, lacking nourishment, first from him and then, months, maybe a year later, from me.

But at the end of 1996 I only had Madonna to snap me out of it. She triumphantly returned with her star-turn in ‘Evita’, attending the premiere in this gorgeous Galliano ensemble (he was okay then), and for me it was a welcome distraction to the tumultuous turbulence of an insatiable heart.

In the darkness of that December, I made the determination to never be ignored. No matter what it took, no matter how outlandish I ended up, I would make myself into the brightest ball on the fucking Christmas tree. If he couldn’t see that, if he couldn’t realize how wonderful it could be, how wonderful I could be, then I would make the rest of the world see it and know, and when they were all pointing at me, when they were all whispering, and his was the last head that turned to look, I wouldn’t even care.

There was rage, there was want, there was hurt and pain and tears like I’d never shed before. All for a boy – a silly boy who didn’t sit next to me in class.

If anything, I learned a lot from that last semester. I learned that those games were played for a reason. I learned the unattractiveness of wanting something so badly. And I learned to hold back, to hesitate, to hold my heart in check. I learned to not feel, to harden myself off to people. It was a reluctant lesson, one that I fought against until I could not fight anymore. And it was, I am foolishly happy to report, something I would forget when the next cute boy showed me the least bit of interest. My heart would not be tamed so easily, even if my head knew better.

Years later, I would wonder at the craziness of my behavior at the time, at the strange fixation I had on someone I hardly knew. I would wonder whatever came of all the intense, seemingly-insurmountable feelings I harbored for this man. On the few surreal moments where we randomly encountered one another in later years (the first being a Madonna concert) the magic and enchantment that once held sway over me in regards to him had dissipated, not even the merest wisp of longing or desire remained. In its place was a strange sort of war-torn affection, a feeling that we had been through something important together, and a realization that it was mostly one-sided. I would always wonder what, if any, effect I had on him, if he remembered me fondly, if he remembered me at all. And after all the time that had passed, and the way our lives had gone, all I seemed able to muster was a befuddled amusement at the whole thing, a sheepish bit of foolish pride in how ridiculous I once acted, and the reluctant admission that I would do it all again if given the chance.

Post Script: Both the-boy-that-got-away and I ended up getting married- to different, and wonderful, men. I remained in sporadic touch with him, at strange and fortuitously key moments in our lives, but that’s another story for a ‘Celebration’. (And rest assured it has a much happier ending.)

You must love me.

Song #40: ‘You Must Love Me’ ~ Fall 1996

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The Madonna Timeline: Song #39 ~ Erotica~ October 1992

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Erotica,
Romance…
My name is Dita,
I’ll be your mistress tonight.

This was almost the beginning of the end, and to anyone other than Madonna, the one-two punch of the ‘Sex’ book and the ‘Erotica’ album would probably have proved an insurmountable career finisher. Madonna herself has said she divides her career pre and post ‘Sex’ book, so when the iPod chose ‘Erotica’ as the next selection, I took a deep breath and went back to October 1992.

If I take you from behind,
Push myself into your mind,
When you least expect it,
Will you try to reject it?
If I’m in charge,
And I treat you like a child,
Will you let yourself go wild?
Let my mouth go where it wants to?

My fandom was probably at its first orgasmic crescendo, and Madonna was wielding her whip as Dita Parlo. It was all about sex, even if I wasn’t having any – at the start of my senior year of school, all that was yet to come, literally. The scratchy grooves of an old-school record signal the raw, gritty edge of the ‘Erotica’ single, then that devious and delicious bass-line kicks in, and before you know it the ‘Aural Sex’ catch-phrase of the promotional ads has delivered its promise in the five minutes of the song.

Give it up, Do as I say,
Give it up and let me have my way
I’ll give you love, I’ll hit you like a truck,
I’ll give you love, I’ll teach you how to… uhhhh…

To be honest, I think ‘Erotica’ is one of the weaker songs on the album, I don’t like speak-singing as a rule, and this follows on the same whispered tendencies of ‘Justify My Love’ – I didn’t like it then either. But at least there’s a better beat, and more of a melody, even if it is a dark one.

I’d like to put you in a trance – all over…

The ‘Erotica’ single, as well as the album, will always be remembered as the soundtrack to Madonna’s ‘Sex’ book, and rightfully so. Taken together, they formed a multi-media project ~ a prototype for selling wares with an artistic slant ~ this time an album and a book ~ and the singular, sensational theme only served to wet tongues, nether regions and wallets.

Erotic, erotic, put your hands all over my body,
Erotic, erotic, put your hands all over my body…
Erotic, erotic, put your hands all over my body,
Erotic, erotic, put your hands all over my body…
All over me…

There was something comical to sex too – both the first furtive fumblings with my own, as well as the humorous tone of much of the book (and the way I procured my copy). My friend Ann’s mother, Gin-Gin, bought the Sex book for me at the bookstore in Rotterdam Square Mall. I think it was 20% off the $49.95 selling price, and I told her to keep the change from a fifty for her troubles. The idea of the three of us executing this ‘Sex’ book mission in the middle of Rotterdam Mall always tickles me – and if you’ve ever met Ann you’re probably smiling at the notion too. She is one of the funniest people I know, and was my best friend at that tumultuous time. I picked up the album at the same time, in the music store next door – CD and cassette tape versions – and we listened to it on the ride home.

Once you put your hand in the flame, it can never be the same.
There’s a certain satisfaction in a little bit of pain.
I can see you understand me, tell me you’re the same,
If you’re afraid we’ll rise above, I only hurt the ones I love.

Once home, I brought the book into the basement, opened it up, and slowly began to turn the pages. With photographs by Steven Meisel, and Madonna in all sorts of nakedness, it was a feast for an adolescent’s eyes, even if mine were more drawn to the men than the Mistress of Ceremonies. It touched a deeper chord in me as well – one that resonated with my artistic yearnings, and inspired a creative drive to do my own thing no matter what anyone else thought. It may be the single most important lesson Madonna has taught me over the years. If nothing else, ‘Sex’ served as artistic inspiration. From its industrial (if slightly faulty) aluminum binding to its mirror-like Mylar sleeve, it was an exercise in how to execute a project, and the promotional hoopla that surrounded it taught me the importance of making a scene and marketing oneself.

Collectively, the whole experience made the music and the book just that: an Experience. It was more than just a record and a few pictures, it was a form of art, a positing of scandalous behavior by a woman taking her clothes off and forcing us to examine our own feelings on sex and nudity. In the most damning reviews (and there were many) was the essence of artistic controversy. Coupled with the sell-out success of the book’s first printing, it was a smash, albeit a detrimental exercise in go-for-broke shock de-value.

To launch the book and the album, Madonna had a Sex Party, to which she arrived dolled up as a Swiss Miss Milking Maiden, breasts pushed up to high heaven, blonde hair pulled into a double bun, and a stuffed lamb in her arms. God knows I love a party costume.

Give it up, Do as I say,
Give it up and let me have my way
I’ll give you love, I’ll hit you like a truck,
I’ll give you love, I’ll teach you how to… uhhhh…
I’d like to put you in a trance… all over…
Erotic, erotic, put your hands all over my body,
Erotic, erotic, put your hands all over my body…
All over me…

Oh, there was a video too. It was only shown after midnight on MTV, a quaint sign of the changing times, and was a grainy compilation of Super-8 footage taken on the ‘Sex’ photo shoots. It is, like the book and the album, a little piece of pop art, Warholian in aim and intent, as stylized and sleek as it is raw and nervy. A masked Madonna in a severe white collar and sheer, bosom-enhancing blouse, bends a whip and flashes Dita’s gold tooth. A bit spooky, a bit sexy, and, thanks to a cheeky smile or two, a bit silly.

The humor of the video, and the project as a whole, was largely lost on the public, who finally seemed to turn on her, and if ‘Sex’ and ‘Erotica’ were technically commercially successful efforts, the damage it inflicted on her career – and where she went from here – was almost irreparable. But that fall-out would come slightly later. For now she was still the Queen of the World, riding high on her fame and power, and taking the ultimate artistic risk by taking her clothes off for all the world to see. And see we did, watching with rapt eyes and dropped-jaws, still transfixed by this cheeky vixen, and waiting to see what she would do next.

I don’t think you know what pain is,
I don’t think you’ve gone that way,
I could bring you so much pleasure,
I’ll come to you when you say.
I know you want me
I’m not gonna hurt you,
Just close your eyes…
Erotic, erotic, erotic, erotic
Just close your eyes…

As for me, the whole ‘Erotica’ time period was fraught with suicidal adolescent angst. The darker tones of the album bled seamlessly into the dangerous undercurrents raging beneath my straight-A existence. Madonna’s rebellion was a pre-cursor to mine, a grand fuck-you to the establishment, and an almost transparent plea from a hurt little girl, that only a hurt little boy could ever understand.

Only the one that hurts you can make you feel better.
Only the one that inflicts the pain can take it away…
Erotic… A.

Song #39: ‘Erotica’ ~ October 1992

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The Madonna Timeline: Song #38 ~ ‘La Isla Bonita ~ 1987 – and about every year since

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Oh Madonna, I know you must love this song from 1986’s ‘True Blue’ opus, but I have to tell you, I’ve had a love-hate relationship with it over the years, and it’s partly because you favor it so.

Last night I dreamt of San Pedro,
Just like I’d never gone,
I knew the song,
Young girl with eyes like the desert,
It all seems like yesterday not far away…

When it first came out, yes, I adored it – a beautiful bit of escapist pop perfection – and a throw-away from Michael Jackson’s reject pile – yet you absolutely made it your own, and dedicated it as a ‘tribute to the beauty of the Latin people’. Sure, what the fuck ever – it had a decent tune, and was a twinge of Latin-pop long before Ricky Martin was a twink in anyone’s eye. But really, isn’t that where it should have ended? I thought you felt the same, particularly when you omitted it from your Blonde Ambition tour set list. All the other hits were there, except for this, and you were right to excise it to ‘Angel’ territory.

Tropical the island breeze,
All of nature wild and free,
This is where I long to be,
La isla bonita.
And when the samba played,
The sun would set so high
Ring through my ears and sting my eyes
Your Spanish lullaby…

In ’86 it was breezy and wonderful – if a bit hazy for my own memory – I vaguely remember the video – the perfect precursor for her next proper studio album ‘Like A Prayer’ flirting with religious imagery, albeit safer and far more palatable for the mainstream than that incendiary bit of brilliance to come. Yet did I think the song would stick? Absolutely not.

When it was included on her 1993 Girlie Show Tour, I considered it a blip, but it was a triumph, and this is the key to Madonna’s genius as far as her fan base goes. As much as I may be bored by ‘La Isla Bonita’, as much as it may be a lackluster song for some, whenever she performs it live she transforms it into something else – in 1993 it was a full-out Busby Berkeley by way of Carmen Miranda extravaganza, and a highlight of that show. But I honestly felt it would be the last we would see of the song. Not so… she would return to the beautiful island on her very next (if eight years later) outing, 2001’s Drowned World Tour.

I fell in love with San Pedro,
Warm wind carried on the sea called to me
Te dijo, te amo,
I prayed that the days would last,
They went so fast…

Out of all the old songs to perform for that tour (and there were a scant, casual-fan-criticized few), to select ‘La Isla Bonita’ was an incomprehensible move. A die-hard fan like myself loved the Drowned World Tour (and as my first live Madonna experience, it will always be my favorite), as it incorporated the bulk of the ‘Ray of Light’ album, and much of the album-of-the-moment, ‘Music’. Yet most of us yearned for some classics, and to be appeased with ‘La Isla’ was, on paper, a let-down. But once again, Madonna astounded and surpassed expectations.

Turning it into a rollicking acoustic moment, with her own hands strumming guitar for the song, she made ‘La Isla Bonita’ a genuine jewel of musical artistry, reducing the song to its basic melody and a sing-along moment of transcendence. What a perfect way to end her performances of this song, right? Wrong.

Tropical the island breeze,
All of nature wild and free,
This is where I long to be,
La isla bonita.
And when the samba played,
The sun would set so high
Ring through my ears and sting my eyes
Your Spanish lullaby…

Just a few years later, there it was again, on the Confessions Tour, tacked on in some Abba-inspired dance version with cheesy island graphics backing the whole mad scene. A lackluster song in a lackluster performance, surely this was the final nail in the ‘Bonita’ coffin. And once again, no.

When I heard she was performing this on the 2007 Live Earth special -“ one of only a few songs she was doing that day – I just did not understand. Enough woman! We had been beaten down by this song for four of her first six tours – I think only ‘Holiday’ had been performed more at that point. So it was with wary eyes and not-so-baited breath that I watched as she brought Gogol Bordello onto the stage with her and donned a fedora to the opening beat of ‘Bonita’. This, again, was something new, and as she segued seamlessly into the gypsy tune ‘Lela Pale Tute’ a broad smile formed on my face – in the way that only Madonna can conjure. The mash-up was brilliant, and her joy at joining the Bordello was apparent in her exuberance and happiness. 

Somehow she once again brought the world to its feet, in one of her finest, fiercest performances of the song, over twenty years after its debut. For all those who dismissed her music, it’s remarkable that most of her songs still resonate to this day, even one I’ve repeatedly felt was less-than-her-best.

If I was bowled over by that one, and I was, it was just the run-through for the full-on gypsy treatment given ‘La Isla’ in the 2008/2009 Sticky Sweet Tour. There it found its pinnacle, and for once the song was the one I looked forward to the most. Vibrant, escapist, an amalgamation of past, present, and future, marrying Romany gypsy culture with Latin America, and resulting in one of the richest theatrical productions she has ever crafted.

It was transporting and mesmerizing, returning to the elemental message of the song. It took us away to another land, and another time, subtly tinged with longing and touching lightly on the romantic. In the way of any decent pop song, it could be read and re-read countless ways, and despite my occasional grumbling, Madonna has almost always managed to pull off a killer live performance of it. And so, at last, I find myself giving in to the idea of the beautiful island, and the pleasant idea of a tropical paradise, all found in the delightful few minutes of a Madonna song.

Song #38: ‘La Isla Bonita’ ~ 1987 and about every year since
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The Madonna Timeline: Song #37 ~ ‘Hanky Panky’ – Summer 1990

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Come over here…
Some girls they like candy,
Others they like to grind,
I’ll settle for the back of your hand
Somewhere on my behind
Treat me like I’m a bad girl
Even when I’m being good to you,
I don’t want you to thank me,
You can just… spank me! Ooh…

And oww! Here we are, back in the summer of 1990 – arguably the peak of Madonna’s power and fame, and many fans’ favorite era – for the next song in the Madonna Timeline. ‘Hanky Panky’, off ‘I’m Breathless: Music from and Inspired by the Film Dick Tracy’, couples racy lyrics with the quasi-period music from the movie. As such, some of the edge gets lost from the words, which are actually a bit saucier than the delivery – a rarity for many of Madonna’s songs.

Some guys like to sweet talk
Others they like to tease
Tie my hands behind my back
And, ooh, I’m in ecstasy.
Don’t stuff me with kisses,
I can get that from my sisters
Before I get too cranky,
You better like hanky panky…
Nothing like a good spanky,
Don’t take out your handkerchief,
I don’t want a cry, I just want a hanky panky guy.

Without a video, or much airplay, the song doesn’t bring a specific moment in time to life for me. The hazy, hot, and humid spells of summer, when the hollyhocks were high, come vaguely to mind, as do a few night-time drives when this was on the stereo, but that’s about it. My days of getting spanked were far in the future, so lyrically it was all a silly bunch of untried peccadilloes. Even today, it feels less dirty than flirty – a harmless bit of fun, and a nostalgic nod to a lost era of by-gone innocence.

Please don’t call the doctor,
Cause there’s nothing wrong with me
I just like things a little rough
And you better not disagree.
I don’t like a big softie, no!
I like someone mean and bossy,
Let me speak to you frankly,
You better like hanky panky…
Nothing like a good spanky,
Don’t take out your handkerchief,
I don’t want a cry, I just want a hanky panky
Like hanky panky,
Nothing like a good spanky,
Don’t take out your handkerchief,
I don’t want a cry, I just want a hanky panky guy…
Oooh, yeah!

(For the record, Madonna performed this song on two tours (Blonde Ambition and Reinvention) – which was one too many in my opinion. If anything, it would have fit in much better on The Girlie Show, but I have yet to be consulted on a set-list, so we’re left with what we’ve had.)

Dick, that’s an interesting name…
My bottom hurts just thinking about it…
Song #37: ‘Hanky Panky’ ~ Summer 1990
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