Our Autumn of Oud feels like it just happened, but autumn also feels a world away. It was lost in all the snow and frigid temperatures, buried in layers of white and gray and dirt and fluff. Fall memories of a showgirl have already etched themselves into the past, recalling the seasonal turn to darkness – this song already a memory, already an indication of what has happened rather than what is happening. A scent carries from the not-too-distant past too – the rich contradiction of oud, resonating in a bubble of pop music perfection at odds with the underlying tension that comes with memories of the fall.
I had a bad habit of missing lovers past
My brother used to call it ‘eating out of the trash’
It’s never gonna last
I thought my house was haunted – I used to live with ghosts
And all the perfect couples said, “When you know you know.”
And, “When you don’t you don’t.”
And all of the foes and all of the friends
Have seen it before, they’ll see it again
Life is a song, it ends when it ends… I was wrong…
And then this song comes on like another bad habit with the best of intentions, not unlike this blog has been for much of the winter. A little obscure, a little forlorn, a little lacking in patience and compassion. A lot like the world right now. What else is there to do but get lost in a pop song? What else can anyone who is not in Congress actually do to change this country right now? We can dance, we can shout, we can let it all out, but in the end all we have to do is protect ourselves and our loved ones. Do what you can – maybe try to do a little more than you usually would given the unprecedented downfall of our country – and fight the good fight. You know what is right and wrong. You know what feels fishy and false. You see photos and videos and facts before you, even when some Orwellian despot is spewing lies about it right to your face, and the party goes along with it, adding to their riches while we all grow poorer. On some level, you know. If you don’t wish to acknowledge the truth of what is happening, that’s on you. If you’re ok with racism, hatred, violence, and pedophilia, that’s on you. If you can turn a blind eye and say you don’t follow politics and you wish people didn’t post about it, that’s on you.
…But my Mama told me
It’s all right, you were dancing through the lightning strikes
Sleepless in the onyx night, but now the sky is opalite
Oh my Lord never made no one like you before
You had to make your own sunshine
But now the sky is opalite
Wrapping such an upsetting world in a gauzy song of escapism may be its own form of rebellion, albeit it a rather minor and inconsequential one. A four-minute pop song was never going to save the world. Relying on someone else to do it won’t save the world either. And remaining quiet about it because you don’t want to upset anyone, well that actively works to ruin the world at a time when voices matter.
You couldn’t understand it – why you felt alone
You were in it for real, she was in her phone, and you were just a pose
And don’t we try to love love?
We give it all we got
You finally left the table, and what a simple thought
You’re starving ’til you’re not.
And all of the foes and all of the friends
Have messed up before, they’ll mess up again
Life is a song, it ends when it ends
You move on…
How dare I take a harmless Taylor Swift song and turn it into some click-bait diatribe about speaking out about the current state of affairs in this country? Maybe because Taylor isn’t saying much after robbing the world blind with a bazillion different versions of her latest album. Maybe because no one is taking this disastrous administration as seriously as they should because they seem too stupid to be so dangerous. Maybe because I’ve predicted all that’s happened these past few months way back when everyone didn’t feel comfortable enough voting for a woman the first time around. And the second time. Maybe because it’s all too late now and none of this will even matter.
…And that’s when I told you
It’s all right, you were dancing through the lightning strikes
Sleepless in the onyx night, but now the sky is opalite
Oh my Lord never made no one like you before
You had to make your own sunshine
But now the sky is opalite
Dancing through the lightning strikes like those musicians playing their final song as the Titanic sank beneath them. To die as one lived. Nobility is one fine line away from stupidity, and stupidity is mere moments from lucidity. I’m too tired to even look up ‘cupidity’ so make it all make sense. (Ok, I looked it up – it means greed for money and possessions. Guilty as hell.)
Oh winter, release your stifling hold already. How much more are we expected to take? You have given us nothing this year – not even the briefest of thaws. While a thaw has always wreaked more havoc than peace, I’d gleefully take that over this ridiculous nonsense any time. And the song plays on as we cross the bridge…
This is just a storm inside a teacup
But shelter here with me, my love
Thunder like a drum – this life will beat you up, up, up, up
This is just a temporary speed bump
But failure brings you freedom
And I can bring you love, love, love, love…
Don’t you sweat it baby
There it is – sweet release in a saccharine chorus, if saccharine is even a thing anymore. This winter has me feeling all sorts of outdated and out of sorts – no more sorts to give, I guess. An experiment ending in dismal and total failure. Nothing to salvage, nothing to save, nothing to remotely begin the assembly of something to be learned. Only word games and plays on words – a rope of words if you will, Miss Desmond, and we all know she won’t because it strangled her business of being a star – silent, iconic, shrouded in mystery, the blank space of being whatever you wanted her to be.
Let the music play us out.
Dance and sing, get up and do your thing.
Sky up above, rendering night into opalite…
It’s all right, you were dancing through the lightning strikes
Sleepless in the onyx night, but now the sky is opalite
Oh my Lord never made no one like you before
You had to make your own sunshine
But now the sky is opalite


























