Author Archives: Alan Ilagan

Unnatural Rise

When the sheets are warm and scrumptious, the outside world is pitch dark, and the sound of pouring rain hums on the skylight, it feels unnatural to get up and begin the day. That’s because it is. The daylight is designed to mark when we rise and how long we sleep, and to go against such a set-up is reckless and foolish, yet we as humans constantly defy what the natural universe tries so desperately to tell us.

We are overly ambitious that way – humans being greedy for more – more time in a day, more light, more work, more money – more, more, more…

And yes, more sleep, because on the morning that this was written, I typed it into my phone in the pitch black of what should have been night, not the start of another work day. Staying in bed was not an option; that indulgence would have to wait until the weekend. We are almost there.

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Dazzler of the Day: Dixon Dallas, a.k.a. Jake Hill

Providing the inspiration for this cheeky post earlier today, Dixon Dallas, a.k.a. Jake Hill earns his first Dazzler of the Day crowning thanks to the viral sensation that is ‘Good Lookin’ and an impressive body of work that includes other beauties like ‘Fool For You’, ‘Beggin’ For More’ and ‘Like Whiskey’. (Watch for at least one of those to provide inspiration for a future post.) Check out Dixon’s insta feed here for further evidence of his brash brilliance.

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Bouncing on Cowboy Bussy

Following this cheeky romp of a post, an even more explicit sex scene plays out in the mind and imagination of our fall-prone cowboy.  We’ll let the lyrics and links speak for themselves – I’m just enjoying the way traditional country-western motifs are given new life with a same-sex twist. Artists like Chris Housman, Brooke Eden, Adam Mac, Justin Green, Brian Falduto, and Orville Peck have turned their work into deliciously subversive musical statements – and that only works when the music is good and the song is sound. Case in point is this Dixon Dallas ditty, which is the rare sort of country song that uses the word ‘bussy’ and means it that way.

There’s something ’bout the way you look in my eyes
Like a starry night, you light up my skies
You lean in closer and my heart starts to pound
I heard you sigh, you know I love that sound

He’s bouncing off my booty cheeks, I love the way he rides
I can hardly breathe when he’s pumping deep inside
I kiss him on his neck and then he kisses on my bussy
Call him “Daddy” while I holler, man, that boy’s so damn good looking

We made love and then he kissed me, I don’t want it to end
Every day we spend together, I fall more into him
That boy he takes my breath away, I can’t find the words to say
So I wrote this little note, kiss it, seal it, so you know

I’ve got some time, if you’ve got some time too
You’ve been on my mind baby, let me remind you while I lay you down
I can’t get enough, I’m stuck in your love
That’s fine with me, nowhere else I wanna be

He’s bouncing off my booty cheeks, I love the way he rides
I can hardly breathe when he’s pumping deep inside
I kiss him on his neck and then he kisses on my bussy
Call him “Daddy” while I holler, man, that boy’s so damn good looking

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October Is the Fallen Leaf

“October is the fallen leaf, but it is also a wider horizon more clearly seen. It is the distant hills once more in sight, and the enduring constellations above them once again.” – Hal Borland

The morning of our first hard frost found me visiting my hometown for a photo shoot at Sassafras Park, at the start of a little et rail that has afforded many a backdrop over the years – see this red-caped excursion for a delusional gander or this autumnal romp that hinted at danger and left me at the bottom of the little stretch of woods just as the light was draining from the sky – not an ideal place to be with the entire trek back ahead. Fall tempts and draws you in, only to trap and frighten once you succumb.

On this morning, I arrived early – around 8 AM, which is early for me on a Sunday, especially for a drive to Amsterdam. When I entered the trail, I found this magical scene where a tree of yellow leaves was in the midst of dropping them – partly from the colder weather, partly from the dewy frost weighing them down, and partly, I imagine anthropomorphically, because it was just tired of holding onto them. The first thing I do when entering any bit of forest is to listen.

For someone who enjoys the quiet, a forest is one of the finest places to be found. On this day, however, there was an irregular cadence of the softest scratches and lightest thuds as the leaves fell in random, slow non-patterns. No bit of AI or technology could ever precisely predict where each of the leaves was going to fall – far too many variables for the most advanced computer, no matter how quickly it might work all of the physics out; nature would never be found out that easily, and the mysteries of how, when and where a leaf would fall and end up are gorgeously out of reach of man’s greedy hands.

I stood there in the stillness, transfixed by the falling leaves – their sound, their gentle trajectories – like some slow-motion falling of rain, and just as delicately melodic. It was rare to find a tree at the precise moment it was losing all its leaves – I’ve seen them do so in winds or storms – like the cherry blossom petals that would fall into our pool with the April and May breezes. This was different because there was no wind in the atmosphere – just a tree slowly letting go of its finery on the first cold morning of the season. I felt grateful to be there at that particular moment and witness such an elegant disrobing.

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May Your Yolks Always Run

We don’t have to agree on everything, but get the fuck out if you don’t think the runny yolk of an egg is the best part of this breakfast. Dipping toast into that is one of life’s finest pleasures.

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Wednesday’s Worse

Fuck a Hump Day is what I say.

When Mondays and Wednesdays and rainy days hit a little harder than usual in the fall, a bluesy song like this one is the only thing that will do. The words don’t even matter – it’s the music, it’s the atmosphere, it’s the vibe. It’s getting through the shitty days with the best of friends, commiserating and finding solace in the common drudge of it all. We’re all in this together, you know?

They call it Stormy Monday
But Tuesday’s just as bad
They call it Stormy Monday
But Tuesday’s just as bad
Lord, and Wednesday’s worse
And Thursday’s all so sad

The eagle flies on Friday
Saturday I go out to play
The eagle flies on Friday
Saturday I go out to play
Sunday I go to church
Gonna kneel down and pray

A cowboy gets the blues as much as anybody else – sometimes a bit more because they live and love just a little bit harder than everybody. They thrash and burn and buck and bruise and if they’re lucky they live to see another day to do it all over again.

Lord, have mercy
Lord, have mercy on me
Lord, have mercy
Lord, have mercy on me
Though I’m tryin’ and tryin’ to find my baby
Won’t someone please send her home to me

And because the original above is done much too soon when you really need to feel it, here’s an extended version by the great B.B. King.

You deserve it.

We all do.

Even the cowboys.

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An Erotic, Sex-ual Anniversary

Way back in 1992, this week marked the release of Madonna’s ‘Erotica’ album and ‘Sex’ book – one of the most infamous career moments in what had at that point been nothing but one more outrageous act after another. This one-two cum-and-go assault from the pop stratosphere was an unprecedented and thus far unmatched height of controversy and capitalism. ‘Sex’ the book sold out, ‘Erotica’ sold less than the typical Madonna album, and Madonna was everywhere in the news (witness the covers of Newsweek, Vogue, Vanity Fair, New York Magazine, NME etc.) It was a highlight for any diehard Madonna fan, and my fandom was at its most powerful and potent, resulting in an absolute obsession with this particular period of Madonna history.

My personal and family life was a bit of hellish nightmare, finding me in a state of extreme depression and despondency, desperately and dangerously close to suicide – a continuation from the previous year – and the attempts became more concrete. Credit Madonna’s ‘Erotica’ album for keeping me alive one more day, just to hear how it all played out, and sometimes that one day is the difference between survival and something else.

With over three decades of time to digest and critically assess the work of this period, it seems to me that ‘Erotica’ actually fares slightly better than ‘Sex’, and both are neat little time capsules of early 1990’s sound and aesthetic. The ‘Erotica’ album brought such enduring classics as ‘Deeper and Deeper‘ and ‘Rain‘ – both sound as delicious as they did the first spin around, while lead single ‘Erotica‘ still slinks and struts with spiky heels in sinister fashion. ‘Bad Girl‘ is both more potent and more poignant all these years later, and final track ‘Secret Garden‘ remains an underrated masterpiece in sonic atmospheric moodiness. It’s telling that on her most recent Celebration Tour, Madonna included, by my count, four selections from ‘Erotica’ – clearly she has some love left for this cheeky section of a career that has since rebounded and rebuilt itself, while maintaining the defiance and ballsy brash ebullience from her earliest days.

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Cowboy Check-In

Lest anyone be too quick to think/hope we have already given up the cowboy ghost, we have only just begun this latest era (sorry Emi, who indicated she wanted to know when the cowboy guise would be done, as if this were mere passing fancy!) A little catch-up and check-in with our cowboy stories – at least all that have come after this link-filled collection. Tomorrow, we ride on, so get some shut-eye, and peruse the following if you’re having trouble:

Cowboys are frequently secretly fond of each other.

Before a red barn comes memories of childhood.

Any friend of Dorothy’s is a friend of mine – so say The Cowgays.

The heart of a cowboy beats hard.

The FALL of the COWBOY: Chapter One.

Coyote song for a lonely cowboy.

Hazy fall light shaded by a cowboy hat.

Make it country, cowboy!

Hold ’em, cowboy!

The character of a cowboy.

Cowboy take me away.

The FALL of the COWBOY: Chapter Two.

Can’t keep a good ho down at a good hoedown.

Elusive essence of a cowboy.

Please cowboy, don’t hurt ’em! Ride me down easy instead.

A different kind of hoedown, straight from the rodeo.

A rodeo waltz as well.

Is it hung like a horse song?

The FALL of the COWBOY: Chapter Three.

Cheeky cowboy assumes the position.

Cowboy Grass: Scent of a Cowboy.

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Skies Filled With Drama

My grandmother introduced me to ‘Days of Our Lives‘ at a formative time of my childhood, and ever since getting hooked on the NBC soap operas of the 80’s, a penchant for drama has proved a mainstay of my adult life, much to the chagrin of my preferred internal baseline of calm and peace. I am my own worst enemy – I’m well aware. Whenever I see a sky like this, at the dangerous turn of fall – when weather threatens to overwhelm and fluctuate in roller-coaster form – I thrill a bit, glad for the sort of drama that doesn’t directly involve my own emotions and personal predicaments.

Drama tends to surround me even when I’m not part of it, and the universe has seen to it that not all of my demons have been entirely exorcised. Still much work to be done, probably until the day I die, and realizing that comes with its own sort of peace. The heart and mind work in mysterious tandem; everything unfolds as it’s meant to unfold. Be that stone at the bottom of the river, allowing the water to rush past, ebbing and flowing with time and season, while there is stillness and calm within.

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Andy’s Date of Birth

Today marks Andy’s birthday, and as a gentleman I will not be revealing which one this is (but it’s not small). He’s already been named Dazzler of the Day here, so there are no more public accolades I can bestow upon him, other than this post – the annual birthday post for a husband who keeps me in clean clothes and good food and still manages to make me laugh, even after twenty-six years of living together. I’ll be taking him out to dinner tonight in honor of his day, and his flowers and gifts are waiting for him to wake. Happy birthday Drew – I love you.

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Cowboy Grass: Don’t Smoke It, Sniff It

The universe nudges and cajoles until we end up going the way it wants us to go. Sometimes we take a wrong turn here or a stumble there, but the overall trajectory is the path we are destined to take. Shifting and twisting within those parameters is the way to have a happy, amusing life. When a fragrance called ‘Cowboy Grass’ came across my socials (because they’ve been hearing my cowboy obsession through the ether) I checked the notes and literature on it, and immediately knew it was a necessity:

“Cowboy Grass is a play of contrasts. The freshness of bergamot with the dustiness of thyme. The medicinal notes of clary sage and basil against the softness of rose otto. And ultimately the dry peanut wood crackle of vetiver against the warm amber of benzoin.

Cowboy Grass evokes the American West.

The landscape is filled with grasses, herbs, and shrubs that were used as medicine, food, and ritual for thousands of years. It is impossible to describe just how big the Wild West is.

Clary Sage is at the heart of Cowboy Grass. An herb once used for “fissures of the eye” or some ancient horrific malady, clary sage is pungent, whitish green, fresh and powerful. It can be pulled in many directions. In CBG the green grass notes are expanded upwards towards the top of the fragrance intersecting the rosewood-bergamot’s red woody freshness. The grass effect is modified at the bottom where a rich mapley accord of vetiver and amber reside. The expanse of grasslands almost sacred to an American.” – from D.S. & Durga

This fragrance arrived just in the nick of time – its fresh green herbal aspects tempered with a deviously slithering leathery underbelly perfectly matching the warmth of the sun as it draws forth the earthy scent of the fallen leaves. It also lovingly embodies the cowboy theme of this season, which is just about one month old, and the echoes of summer in its grassy elements are holding onto all last remnants of heat.

A risky blind-buy, I found a bottle on sale, so took the chance, and it turned out decently. It’s got a lighter touch than the other leather scents I’ve been using these days, so it’s not a week-long commitment – usually that’s a negative, but when the days still hold the glad possibility of sunny warmth, even for just a few short hours in the afternoon at best, a lighter touch is welcome. This one will also work well at the end of winter, when whispers of grass will be vital, when spring will be on the wind, and when love rears its wondrous head again.

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Fall Foliage Recap

The forests were aflame this weekend, and I got to enjoy a number of different vantage points for leaf peeping. More on that later, for now, the weekly blog recap…

A Monday anemone in fall bloom.

Sometimes there’s too much work and too few minutes, hence this lazy link post.

When green turns to brown, a different idea of beauty emerges.

The overnight pop-up is such a fun guy.

A dangerous sort of stream of consciousness, happening all over again.

The elusive essence of a cowboy.

The lone Dazzler of the Day was Matty Dwyer.

Ride me down easy, as this song goes.

Pink and orange has been more than a fall palette for some of us.

Giving in to peer pressure, this is a hint of Jocktober.

A slightly different kind of rodeo hoe-down.

A rodeo waltz that feels out of time.

Goodbye old paint, as expressed in a song.

Our autumnal trip to Ogunquit began and sustained a sunny note for the majority of its happy duration.

A reprise of the Maine ingredient.

The FALL of the COWBOY: Chapter Three.

Censored and removed from Meta and Threads for ‘adult sexual solicitation’, click here to see the uncensored version.

A dangerous fall hint.

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Dangerous Fall Hints

Even poisonous leaves can turn pretty in the fall, but who can say what’s deadly after the first hard frost hits? Fall carries its lurking dangers hidden in morning fog and early darkness. Scarlet leaves may not warn of blood – or they may. You take your chances in the woods, and thus far the beauty has always been worth it.

Worth everything.

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Cheeky Cowboy Assumes the Position 

All right, all you buckaroos
Time to rope ‘em up
Ease on in to the ride…

Cowboys can be notoriously cocky because it takes a certain cockiness to become a cowboy. You have to believe that in some way you are different than most everybody else to take such a twisted and physically-tortured path. Not that you are necessarily better (though let’s be frank that that’s really what we’re saying, even if we never actually say it) – mostly that you are just built and made differently than most, because a cowboy’s life is not an easy one. They have to believe with all their heart that cowboying is the best choice for them – that it’s the only choice. 

Sun’s a-goin’ down?on?this cattle town
Leave?your boots under the chair
And play?me a song on the steel guitar
In nothing but your underwear
We’ll have a couple of beers and look up at the stars
While the old white porch swing sways
Then come inside and I’ll give you a ride
At the end of your honkytonk day

A cowboy has to be ready to die for their work, their way of life, and this is not a life for the hesitant or weak. There are far too many risks for this to be a passing pose. It requires commitment and dogged determination, and a desire for the freedom and way of life only a cowboy’s existence affords. 

Ride me, cowboy
Ride me good
(Won’t you ride, won’t you ride me good?)
Show me what you got goin’ on under that hood
Ride me, cowboy
‘Til the cows a-come home
(‘Til the cows, ’til the cows come home)
Look deep in my eyes, put your hands on my thighs
And ride, ride, ride

Nobody exemplifies the mantra of ‘work hard, play hard’ as well as the cowboy. Back-breaking days of cattle wrangling and bone-crunching dangers of steers and bulls and horns just waiting to impale make for nights of release that might astound the most practiced prostitute. Cowboys know how to use their bodies, skillfully throwing their heft and muscle around to successfully handle animals and beasts five times their weight. Couple that with the need for pleasure and release to offset the hard work, and you have the combustible legend of the cowboy as the ultimate love-maker. Bottom line: cowboys know how to have fun, and largely in a very physical sense. 

Moon’s a-shinin’ bright on this desert night
Back in town they’re all in bed
But here in the country we’re wide awake
The blood is rushing to our heads
Your hands on my chest and our clothes in a pile
As you press your lips to mine
We can sweat it all out, holler and shout
As the tumbleweeds roll by

They work hard, they play harder, and they fuck hardest. They take their examples from the very animals they are tasked with mounting and mastering  – a bit of beast-like wildness lies barely latent until they find some sort of inspiration or willing outlet in a lass or lad who pricks up notice at the slightest inclination. Then the game is on. 

Ride me, cowboy
Ride me good
(Won’t you ride, won’t you ride me good?)
Show me what you got goin’ on under that hood
Ride me, cowboy
‘Til the cows a-come home
(‘Til the cows, ’til the cows come home)
Look deep in my eyes, put your hands on my thighs
And ride, ride, ride

Historically, not many cowboys identified as gay – though a number of them fucked and fooled around with other cowboys – they simply didn’t label it as gay. Perhaps they’re still way ahead of their time – existing and fornicating without label or designation – a hole being a hole being a hole. And love finding no word for love – not even love, because how could it ever be contained in a single word?

Ride me, cowboy
‘Til the cows a-come home
(‘Til the cows, ’til the cows come home)
Look deep in my eyes, put your hands on my thighs
And ride, ride, ride
Look deep in my eyes, put your hands on my thighs
And ride, ride, ride

But this post isn’t about love – at least nothing so explicitly said or conveyed – it’s about a cheeky romp of fun and casual good sex – the kind extolled in this cheeky song about some pre-dinner romp and gleefully delivered by Paisley Fields. The kind a cowboy does best.

Hustle up now
We’re almost there
Don’t stop now
Use both hands
Not too fast, you don’t wanna make it home too soon
Supper’s waitin’
Mmm, I can smell it right now, ah…

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The FALL of The COWBOY: Chapter Three

“Deliver him this note,” Ma instructed as she pressed the strap of rough parchment into my hand. “Leave it on his door.” They were doing a quick inventory that morning, and they didn’t want me there. They wanted me to learn all the secrets of running the store, but didn’t want me in the way. Another contradiction of growing up in my house. After Ma told us of the Cowboy’s first visit to the store, she decided to make the dinner invitation more formal than usual, but she didn’t want to make the long trek to the Beasleys’ ranch, where the Cowboy had set up residence in their bunkhouse.

“What if he’s there? I can’t just hand him a note and walk away,” I protested, realizing as soon as the words came out how childish they, and I, sounded.

“Then use your mouth and talk,” she said in pointed and arch tone, ending any possibility of further discussion. “Now move, store should already be opened and you know we have to do inventory.”

When she had brushed by and moved to the front of the store, I hastily opened the note to read in my mother’s neatest scrawl an open-ended invitation to dinner, addressed only to ‘The Cowboy’, leaving the option to drop in unannounced and on any day, the way they were always welcoming the cowboys. For some reason, probably at the Beasleys’ encouragement, the cowboys always joined us at least once a week. When I was old enough to argue against sharing meals with strangers, when the adolescent shyness overcame me in those early teenage years, Ma brought out the bible and read about feeding your neighbor or something – only once or twice more did I invite the lesson and bother with attempting to alleviate my social discomfort; at all the dinners I mostly remained silent.

It wasn’t that I didn’t want to bring the note to the Cowboy. On this April morning it would be a relief to walk all the way to the Beasleys, which was the furthest home out of town, closer to the rise of the mountains. Ground was more prone to hold water in that section, and being around any bit of green felt better to me than the dry beiges and browns that barely shifted gradation. I also had a feeling that this cowboy was about to teach me something, one of the very first moments of premonition that I’d experience in my life – but on that morning I attributed it to boredom, and the will to make something – anything – happen in that dusty town.

The road to the Beasleys followed the long straight street that ran through the only stretch of earth I’d ever known. It stayed more or less linear until it reached the start of the nearby mountain, at which point it gently curved around said mountain’s base, gradually gaining a little in altitude, when it rounded the northern side. On the hottest days, anyone who was foolish enough to make the trek in the sun was forced to stop at the Beasleys – the ranch was the only thing for miles, and everyone knew them well enough to knock on the door, usually just after they were letting themselves in. Mrs. Beasley always had a pot of coffee on (burned and dregged, as Pa would say) and a pitcher of water at the ready. It was the latter that forced everyone to stop, even if they didn’t care for the Beasleys (because some most decidedly didn’t care for them). In the heat of the desert sun, stopping for shade and water was a matter of survival and sustenance.

On this spring day, the sun was just starting to bother me, so I hurried my steps out of town and around the mountain. By nine o’clock I was sitting across from Mrs. Beasley and delivering the note Ma had sent, at which Mrs. Beasley smiled, folded it back up, then promised to deliver it.

“You came all this way just for that?” she asked. “Your mother should have given it to him when he was at the store – that was only a few days ago…” and she trailed off, waving away a fly that had entered with me.

“Guess she forgot,” I said, looking down into my glass, already emptied of its water. Mrs. Beasley jerked up and traipsed across the kitchen to refill it.

“Your mother’s good to always feed them,” she said. I knew she didn’t mean for it to sound condescending, but it did. I also knew, from what I’d heard between Ma and Pa, that this was why not everyone liked them. It didn’t explain why everyone tolerated them though, aside from the water, and the expansive ranch that kept cowboys in regular employ, as well as a few other hired hands throughout the year. This was where the town got most of its meat too, so even if someone didn’t take kindly to the Beasleys, especially Mrs. Beasley’s flighty airs (which always seemed to me rather benign, and more like an aloofness that was born of distraction than any intended class differentiation) they still had to deal with them. Hunger bends the angriest man to his knees.

As I gulped down the second glass, Mr. Beasley stumbled through the screen door into the kitchen, quite loudly and literally, taking the rickety thing to the ground with him in a plume of dust.

“Will-eee-ummm!” Mrs. Beasley yelled after calming her startled self. “What the HELL are you doing?!”

Mr. Beasley looked up at me from the floor, smiling his round perennially-red-faced smile, the one that disarmed and made everyone wonder even more at the predicament that was Mrs. Beasley.

“Oh hey, Leeeeeve,” he drawled while rolling onto his stomach and pushing himself up with both arms. On all fours, his white hair wildly shooting out in every direction, Mr. Beasley looked like some silly, ghostly pony, the bottom of his pants frayed and fringed from years of wear and neglect, stained and dusty from weeks of not being washed. Looking at the couple, it was almost impossible to connect them with the two people who built this ranch from scratch decades before I was even born; more difficult to place them in any sort of command position of such an operation.

“Leve,” Mrs. Beasley covered cooly, “You can bring your note to… the Cowboy. He’s the only one in the bunkhouse now. Might be out on the other side of the mountains though, if he’s doing what I asked.” She then took my glass before asking if I was done. I detected a sour side-eye directed toward her husband, now bent over the mess of screen and splintered frame in front of him.

Stepping out from the kitchen, one had a vista of land before them, and even then they were only viewing a fifth of the entire property. Behind the main house several large plots of land stretched out, extensively fenced with wooden and barbed wire that ran almost as far as the eye could see. Cattle grazed here and there, while in another fenced area a pair of horses stood lazily trying to keep their cool as the heat of the day brutally ensued, their tails swatting listlessly at flies, their heads hung down, muzzles almost touching, as if in intimate discussion.

Beyond this, the short row of bunkhouses stood, closer to the mountain’s first rise. This is where the cowboys stayed. Sounded like there was only one right now. For April that wasn’t good, but maybe it was a good sign for myself. I stepped off the porch and headed back along one of the fence lines. As I approached the bunkhouse the two horses bolted, spooked by something I couldn’t sense. The sky was cloudless, the air was still down here, but the animals always sensed things in advance, something higher in the sky. Some noise between a neigh and a moo issued from the way I’d come.

Fresh horse prints marked the dry ground as I neared the wooden structure. It was, for the town and time, a decent size for a bunkhouse, opening into one great room, where four pairs of bunk beds were spaced not too closely together – two on each end. In the center of the room a large wrought iron stove took pride of place, beside which a dirty pile of logs stood, probably from several seasons ago, the Beasleys not bothering to keep a cowboy through the winter for as long as I could remember; I was too young to have witnessed when this room was constantly active, when ten to twelve cowboys squeezed into the sleeping quarters on any given spring or summer night. Those stories were kept from me, before I learned not to show interest in whatever I really wanted to hear.

As I neared the front door, which was the only door, I passed a grimy window framed by spider webs and spackled with a sea of dust, thick on the glass, carved by the wind and gentle pull of time. Scant windows and lack of any cleaning always gave the bunkhouse a dim and dark appearance, especially during the day. When I was a kid, I was a little scared of this place – the darkness and the loud cantankerous rustle of the cowboys were such foreign things to me; I was accustomed to the quiet existence of my parents and their whitewashed, stark home. At night, the bunkhouse glowed almost red from the fire, its lone window winking menace and tease, the warmth being necessary on nights that far into the desert, right where the mountain began.

It had been years since I’d seen a fire lit here. Mostly now the cowboys complained of the heat, the way it crept in during the day and made the place stifling until the sun dropped behind the mountain – then it was almost terrifyingly fast in how soon it cooled off. No one complained of the cold during the spring and summer, but I knew there could be frigid nights well into April, and so did the Beasleys, who insisted on the pile of dry logs and the box of long matches by the stove.

Knocking on the door, I leaned in to listen for the tap of boots along wooden boards, or some creaking of a bunk bed to indicate life, but there was only the hum of wind coming off the mountain. I knocked again, then gently opened the door. A shaft of sunlight struck the sooty stove, and already the heat was building. Unfinished wood swirled in knots along the walls and ceiling, the raw exposed beams giving order to the space. The nearest lower bunk was neatly made – it was the only bed that was made; the rest were bare, stained mattresses embarrassingly naked, and rolled up to the headboards. A large leather satchel, scuffed and worn, slouched beside the bottom of the bed. Seeing such things did instill a sliver of doubt in my mind: could I live like this? Could I live as a cowboy? And as soon as the question surfaced, I answered with my full heart: yes.

I backed away from the bed and looked for somewhere to leave Ma’s note. The bed seemed too personal. The leather satchel too presumptuous. Near the door some rusty thumbtacks held up old lists and schedules. I took one and pressed the note into the front door after I shut it behind me. Somewhere around the mountain, or deeper into the desert maybe, the Cowboy prowled. I listened for him, but only the sun made a sound, and it was the sound of the wind.

~ The FALL of The COWBOY ~ Autumn 2026

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