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January 2012

The Madonna Timeline: Song #59 – ‘Like It Or Not’ ~ Winter 2006

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

You can call me a sinner
Or you can call me a saint
Celebrate me for who I am
Dislike me for what I ain’t

The iPod has selected ‘Like It Or Not’ from 2005’s Confessions on a Dance Floor album for the first Madonna Timeline entry of 2012. This one bucks the last-song-of-the-album-that-often-sucks tradition Madonna has sometimes employed (‘Act of Contrition’, ‘Gone’, ‘Voices’). Filled with confidence and matter-of-fact defiance, it haughtily exhibits the classic Madonna-mantra of self-empowerment, but after twenty years into her career it wasn’t so much an act of haughtiness as simple truth.

Put me up on a pedestal
Or drag me down in the dirt
Sticks and stones may break my bones
But your names will never hurt.

It’s an excellent starter for 2012, a year which will usher in a brand new Madonna album (her first on a new record label), a Superbowl performance, and the wide opening of her directorial effort W.E. Once again, we seem “poised on the precipice” of greatness, and she will be the one to take us there.

I’ll be the garden
You’ll be the snake
All of my fruit is
Yours to take
Better the devil that you know
Your love for me will grow

Even when it seems she has nothing left to prove, there are those who would not have her around at all, so this is a necessary reminder of her power and relevance, her lasting contributions, and the promise of so much more to come.

Her live performance of this song, on the Confessions Tour from 2006, is a simple, straight-forward delivery with some serious strutting, and a chair straight out of Cabaret. It’s Madonna at her best, connecting with her audience, but just as happy being alone and doing her own thing.

Because this is who I am
You can like it or not
You can love me or leave me,
But I’m never gonna stop.
Song #59: – ‘Like It Or Not’ ~ Winter 2006
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When Beckham’s Bulge Gets Boring

There will always be some sort of cheap thrill to be gleaned when David Beckham shimmies into his skivvies for a photo shoot, and especially when he releases a line of “bodywear” under his own name. Given that he’s done just that, and we are about to be deluged with an avalanche of moody black and white photos showcasing his shirtless physique and cloth-bound package, I thought it would once again be like those heady (and ballsy) days of that first Armani underwear campaign.

For someone of his stature to front the original promos with his prominent bulge bursting forth in a tight pair of white briefs was bold and brazen. Instantly iconic, the above pic solidified his gay-pin-up status then and there. In the ensuing ads, artfully styled and lit, he continued to go where no man of his fame-level had gone before.

Now, he has released his very own line of underwear, and the first set of ads has premiered. My reaction: one big yawn. In the same way that Mario Lopez played it safe with his debut underwear line, Mr. Beckham seems to have misplaced his balls (metaphorically at least, as they’re still very much front and center in these pics). 

Beckham simply opts for the ubiquitous gray backdrop, and himself front and center. This would be fine if there were something more exciting to sell. Dull color selections, and even duller styles, do not make for a splashy entrance into the design world. There is nothing very imaginative or exciting about these pieces. Given that they are being sold as bodywear, there may be more of a sense of function rather than fashion to them, but come on – the majority of buyers aren’t going to be soccer-playing DILFs – they’re going to be urban gay guys who expect a little more bang for their buck.

I’m not going to lie and pretend that I’ll never look at Mr. Beckham in his briefs again, but as far as getting excited over this latest batch of bulges, the thrill is gone.

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My Old Addiction

Once upon a time, not so long ago, I had an addiction to robes. Silk, velvet, cotton, fleece ~ with feathers, sequins, or embroidery ~ I welcomed all and any to my bedroom closet. It even progressed to smoking jackets and kimono, and at last count I had almost 50. (It sounds worse than it is – if you do the math that’s about three a year since I started “collecting” them.)

As in the rest of my life, my tastes have shifted over the years, and these days I’m more likely to walk by and admire than scrounge the bank account for a way to pay for yet another one. Every once in a while, though, a robe comes along at the right time and place, and it’s exactly what I was looking for without even knowing it. Such was the case when I walked into Pottery Barn the other day. (I don’t frequent Pottery Barn much because I don’t often go to Crossgates Mall. If I wanted to walk that much I’d go to the gym.)

But thanks to a day off and an unintentionally early rise, I decided to brave the behemoth and check out the post-holiday sales. There, in the bed and bath section of Pottery Barn was the robe that I had subconsciously desired since my time at the Mandarin Oriental spa in Washington, DC. For my first spa experience, they provided a waffle-weave robe lined with the softest terry cloth. It was the perfect accompaniment to a ritual of self-indulgence – and would have made the home-made-spa routine I developed just about complete. I hadn’t encountered a similar robe anywhere since then, and had given up on the idea, but here it was, in person and right in front of me – tellingly with its price conveniently scratched off. I dug into the small pile but there were no prices to be found. Another model, minus the waffle-weave, was next to it and listed as $89, so I knew it would be at least that much.

A sales associate ambled along helpfully, heading to the register to look it up, and returned with the expected amount: $99. Now, this is not unreasonable, but it’s at the upper end of what I’ve paid for robes in the past (such as the velvet and ostrich feather number from Victoria’s Secret that was originally $299.99, but that I watched like a hawk until it came down to $99.99). For a cotton waffle-weave and terry cloth piece $99 seems a bit much.

Still, after a few not-quite-exhaustive internet searches, it doesn’t look like I’ll find a better deal, so here’s what will probably happen: I’ll beg and borrow until I get this one, make the promise to myself and others that this is the very last one, but it’s a special one, and an investment in peace of mind and quality of life, then call it quits on the robe acquisitions, at least for a while.

Oh, and this one can be monogrammed. I don’t have a robe with monogramming on it. Definitely a consideration, as every gentleman should have a monogrammed robe.

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Brad Goreski, Without Shirt or Bow Tie

Having never seen The Rachel Zoe Project, I knew little to nothing of Brad Goreski – and even after being pummeled by the promos for tonight’s premiere of “It’s a Brad, Brad World” on Bravo, the only thing I really got was his love of bow ties and glasses. (Neither of which is in evidence in these beefcake shots by dirty birdy photog Terry Anderson.)

However, it is clear to me that the boy’s got style, and anyone who rocks a bow tie deserves to be given a chance.

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The Dawn of the New Year

It begins with neither a bang nor a whimper, but only the rustling of the duvet, thrown off with the cranky realization that one must get up to begin the day, to get where one is going. It is, in spite of all the hype and nonsense, just another day in winter. It will snow, or the sun will shine, or there will be some gray in-between sky, and it will end with the too-soon darkness of the season.

The Christmas tree still stands in the morning light, turning sadder and sadder the further we get from its token holiday, but retaining some bit of sparkle, some freshness in the way the light strikes the bright green of the newer needles. A pot of paperwhites reaches to the light too, soon to deliver their distinctive scent to the room – for now just a few threads of verdant hope for a coming spring – even if it seems too far in the distance to begin to hope.

This is when the year really begins – not at the midnight toasts and champagne cheers, but rather in the stillness and silence of the morning. The break of the day – one day in the line of millions of days – that we imbue with the significance of starting over, even if every day affords us the same endless possibility

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