Category Archives: General

The Sadomasochism of Sixth Grade

We were all at the sixth grade dance – our very first dance at McNulty – and the girls were on one side of the room and the boys were on the other. We had split into such factions in about the fourth grade, and while my heart (and humor) were with the girls, my allegiance (and feigned loyalty) was bound to the boys.

The dance was painstakingly dull. Nothing was happening. A pathetic bowl of soda punch sat on a colorful paper tablecloth. Some stale, soggy chips went untouched in a bowl. Most of us boys stood with our arms folded, daring the girls to approach us. I don’t remember if any did, or if any of us said no, or what happened. There were no memorable embarassments, no life-altering snubs, and nothing of particular note. I only remembered the walk home.

His name was Craig. Well, that’s not his real name, but it will do for these purposes. Craig and I had been friends for a while, though he was from a completely different way of life. He wasn’t in the “gifted and talented” program that half of my class was in (what a wretched and unfairly exclusive group that was monikered). He didn’t wear nice clothes. He sometimes smelled of his parents’ cigarettes. But while rough around the edges, he didn’t mind my, well, attitude.

I did not like like him – he was a friend and no more. I did not have a crush on him, not in the least (and I had had crushes on boys by that time). I felt a certain tenderness toward him, and all that he didn’t have. We were friends – and that is all. I say this now to preemptively strike any notions of anything romantic between us. Craig was, and to my knowledge remains, completely heterosexual.

After the dance drew to its excruciating close, Craig and I walked a few blocks together. Beside us the land dropped off where a steep hill led down to the four diamonds. While the baseball fields below were level and meticulously mowed, this hill was wild and unruly with knee-high grass and a few shrubs that threatened to turn into trees. Craig and I playfully started pushing each other closer and closer to the edge of the hill, and as boys at play tend to do, we escalated into a friendly competition to see who could hang onto the upper ground for the next block or so.

Craig was about a foot taller than me (everyone was), and at least fifty pounds heavier, but I was scrappy, and though by rights I should have been down for the count, I managed to gain the top of the hill more than either of us expected. But that wasn’t my goal. My thrill was in being slung back down the hill, scrambling against someone more physically powerful than me, and meeting that force with defeat – and relishing it.

Beyond the sexual, beyond the sadomasochistic – somehow I felt that I deserved to be punished. And somehow I think part of me liked it. The martyrs, the downtrodden and the put-upon – is there not something exquisite about them and their plight? It goes deeper than simple gluttony for punishment, penetrating further into the recesses of the psyche than simple sadomasochistic pleasure.

Every time he threw me back down the hill a part of me thrilled in the brutality of it, in the raw act of aggression – all the while knowing that Craig would never really hurt me. It was play. What went through my head was the furthest from his, I’m sure, and that only added a secretive element of subterfuge to the game. All the time he thought he was the dominating force, I plundered his power for my own amusement and excitement.  I sought out the role of submissive, knowing full well that Craig never stood a chance at matching my wits or outsmarting me if it came down to it.

For that day though, it was enough just to have him fling me through the air, push me down on the ground, feel the force of his strength and the pull of gravity have their way with my little body. I knew it wasn’t the same enjoyment that other boys got out of wrestling or playing, and I knew enough to keep that to myself. I also knew that one day I would seek out excitement in other forms, far more terrifying and dangerous than a hillside tussle, and this quaint little game, for which I made Craig feel great guilt over his power, with feigned injuries, heavy breathing, and willfully injured pride – was but the beginning of a boy’s strange entry into adolescence.

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The Madonna Timeline: Song #18 ~ ‘Supernatural’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I wake up with your fragrance and it’s all over me
What cologne do you wear?

The ipod has chosen its first B-side Madonna song in the form of ‘Supernatural’. Thematically, this is more of a Halloween song than a Christmas ditty, but since it arrived in December of 1991, it has the holiday connotation, whether fitting or not. I ordered it from some overseas mail-order company (it was actually a 3 inch CD – the cutest little thing, really.) As the B-side to’Cherish’, it actually was released a year or so prior to when I got around to receiving it.

At this point in my life I was more concerned with fish and Madonna than romance, so the supernatural love story alluded to in the lyrics didn’t impress me much.

You transcendentally imposed yourself upon my bed,
You know you didn’t say very much…

Around this time I had also ordered a batch of live rock, so this song brings me back to the saltwater fish tank that housed a Heniochus and a lionfish, along with three (then two, then none) damsels. It was as exciting and pathetic as it sounds, with much of my world revolving around a closed-off bedroom, Madonna music, and an unruly head of hair that hadn’t discovered the proper products yet.

You’re not demanding for a man, that’s really quite rare
You’e not the least bit obsessed with your hair
You’re not upset when I come home later than ten
For a ghost you’re a very good friend.

I felt estranged from my whole family, isolated and powerless, scared and lonely, and my only outlet was in letters and mix tapes to Suzie, who was spending a year abroad in Denmark. She was one of my only lifelines- she and my friend Ann. Without them, I don’t know what I would have done. The world was closing in around me, and it was a world in which I played no real part. I longed for something else, somewhere that I belonged – another world perhaps – but ‘Supernatural’ was not cutting it for inspiration.

I had such high hopes for this ‘Like A Prayer’ out-take, and it was the first time I realized that some things are better left on the cutting room floor. Not that this song doesn’t have its own Halloween charm, I just couldn’t get into it at the time. It took a few more questionable B-sides before I would truly get it into my head that not every Madonna song is a keeper (‘Goodbye to Innocence’ anyone?)

A ghost baby?
Song #18: ‘Supernatural’ – December 1991
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What Happens in the Men’s Room

The photo below illustrates a no-talking-zone. There is nothing so important that it can’t wait until I am finished peeing to discuss. I don’t even want to say “Hello” when I’m standing at the urinal. And yet the number of guys who think it’s appropriate and perfectly fine to talk to me while we’re peeing is insane. Whatever happened to simple urinal etiquette?

This has nothing to do with being pee-shy. I could pee on you if I had to go badly enough (and I know for a fact that I’ve peed for photos more than I care to recall). But I still don’t want to talk when it’s all coming out. It just feels wrong.

It’s the same feeling of minor discomfort I get when there is a row of ten urinals and someone comes in and stands at the one right next to me. Is this necessary? There will always be guys who are curious out of desire or who like to show off (and that’s a different level of discomfort entirely) – I’m not talking about them. I mean the ones who are there only to pee, and feel the need to stand next to you, talk your ear off while you both have a dick in your hand, and act as if it’s no big deal at all.

I like to observe what I thought was an unsaid rule in restroom etiquette: leave an empty urinal between you if at all possible. More than one and you run the risk of having people question your manhood, but when you go to the closest urinal and start yapping about dinner at your mother-in-law’s, no one is having a good time.

At my workplace there is no way around this, as there are only two urinals right next to each other. In this instance, silence is the only way to go, but not everyone goes that way. In fact, it’s not unusual for guys to be shouting over the stalls, urinal to urinal, and out into the hallway to keep the talk going, and it’s just insane.

The only way I can think of to combat this (because silence and dirty looks clearly aren’t working) is going to be to talk back. And trust me, the kind of talk I do with a dick in my hand is not what you want to hear when you’re going on about the game last night.

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The Madonna Timeline: Song #17 – ‘Don’t Cry For Me Argentina’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Her voice has never sounded better. Even in the bustling pre-Thanksgiving buzz of Logan Airport, I can hear her clearly over the headphones of my portable CD player (this was 1996). I am about to board a flight to San Diego, my emotional state is shaky at best, but when Madonna is singing one of the most famous Andrew Lloyd Webber show tunes of all time, ‘Don’t Cry For Me Argentina’, I pause to listen. There are storms moving in from the West, but the flight is departing on time. A heavy coat is slung over my arm, and I wish I could leave it in the cold of a Boston November. But I’m getting ahead of myself. The iPod has chosen ‘Don’t Cry For Me Argentina’ as the next selection, and while I was hoping we might get an Evita song at this time of the year, I suddenly feel ill-equipped to fully convey the sad connotations that this song evokes.

It won’t be easy,
You’ll think it strange,
When I try to explain how I feel
That I still need your love after all that I’ve done…

The Fall of 1996 found me living in Boston, and commuting to Waltham for my last semester at Brandeis. I had fallen for a classmate in my Literary Criticism course, and for a brief moment he seemed smitten with me. We shared a love of musicals, the cute guy at the Boston Chipyard, and my impeccable sense of style. We also shared a couple of late-night talks on the telephone, some pleasantly random encounters on campus, and a slight fear of our Literary Criticism professor.

I won’t go into other details here (that’s the ‘You Must Love Me‘ story, and the iPod hasn’t shuffled that way yet), but after a few weeks of flirting, one flat semi-date, and a risky letter laying it all on the line, he was not as enthralled with me as I was with him. And as my pathology has historically shown, it’s the ones who want nothing to do with me that I seem to love the most.

I had to let it happen,
I had to change…

And so, long story short, he broke my heart, in the kindest possible way, but a broken heart is a broken heart and there’s nothing much to be done about it. That November the ‘Evita’ soundtrack was released. It was Madonna in an Andrew Lloyd Webber musical – a gay man’s dream – but while the rest of the Madonna-mad homos celebrated, I tried to heal.

Back in those days, I lived a very organized and regimented life. Chalk it up to my Virgo birth sign, or my parents’ rigid structure – the point was, I had my school life and job and creative outlets strictly planned out, and there was little to no time for an emotional breakdown or messy feelings to muck up the flow. But I had read somewhere that Madonna claimed she allowed herself one day to get over a bad break-up, so the Tuesday that the ‘Evita’ soundtrack came out I designated as that get-over-it day.

Luckily, I did not have classes on Tuesday, so I slept in and putzed around the condo a bit. The day was dim and overcast, but there was no rain. I walked over to Tower Records (again, this was 1996, and it still stood on the corner of Newbury then) and bought the soundtrack.

I vividly recall the press Madonna was getting at the time, especially the one-two knock-out punch of Vanity Fair and Vogue. She was poignant, vulnerable, and poised on the brink of her first comeback following the Sex years. She’d had her first child – a daughter named Lourdes – and she was healing her lifelong hurt of a lost mother and a number of lost loves. In my dismal state I could somehow relate, and suddenly I wanted to be anywhere but where I was.

So I chose freedom,
Running around, trying everything new,
But nothing impressed me at all,
I never expected it to…

The next weekend my cousin’s wedding was taking place in San Diego. It was both exactly what I needed, and the last thing I wanted. A wedding is a wretched place to get over a broken heart, but at our darkest moments most of us turn to family – the people who have no choice but to love us. Or so we hope.

The truth is I never left you,
All through my wild days,
My mad existence…
I kept my promise,
Don’t keep your distance.

In Logan Airport, I took off my winter coat and waited for the plane to board. In my ears I listened to Madonna sing that epic song. Midway across the country, flying over all those square states, a storm appeared to the left of the plane – lightning and thick clouds swirled, and in the dark of night I almost dared God to take all of us down – I was that far gone.

Up in the sky, I felt removed from everything. The seat next to me was empty (are there ever any empty seats anymore?) so I could lie down and nap, and the flight attendants didn’t mind. While the night progressed, I was moving West and turning back time. What could be found in those three hours I was momentarily gaining? Would there be wisdom there, and would that soothe the ache?

Landing in San Diego was a healing moment of its own – the balmy humidity was a salve on the raw coldness I brought from Boston. I hopped in a courtesy van and arrived at the hotel where my family was already going about their wedding business. All except my brother would not be told of my state of mind. I wasn’t even out yet, and the accompanying loneliness and sadness weighed secretly upon me.

I tried to distract myself with the sunniness of San Diego, and the silliness of fashion, finding a tiger-print coat and a maroon ostrich boa in a vintage shop. I asked my brother to take a photo of me walking in a park, head down and countenance downtrodden, and it would become that year’s somber Christmas card. Through it all, I couldn’t shake the feeling of being unloved, and while my head (and my own brother) was telling me that this person was not worth the trouble, my heart would not be quieted – the heart wants what it wants.

At the wedding I talked and laughed with family. There were compliments on my outfits – there would always be compliments on my outfits – and if I had nothing else, I could still look good. I wondered then, if that’s all I had to offer. My lost suitor had been captivated by my clothes – in fact our first conversations revolved around clothing. How could such a superficial thing even compare to what I was feeling on the inside? And what do you do when you’ve built up such a pretty facade, but all anyone wants to do is look?

Such silly ruminations, and such a silly boy I was for feeling so devastated. Perhaps it’s even silly to speak of such things now. Yet these are the things that shaped me into the man I am today, and in so many ways those faults have not been perfectly patched. They run deep, and they run wide, and no matter how far I think I can go, they’re always with me.

And as for fortune and as for fame,
I never invited them in,
Though it seemed to the world
They were all I desired.
They are illusions,
They’re not the solutions
They promised to be
The answer was here all the time,
I love you
And hope you love me…

I didn’t cry for Argentina. I didn’t cry for Madonna and her newborn child and first shot at movie star credibility. I didn’t even cry for the boy who never sat next to me in class again.  I cried for that fact that love would never be easy for me, and that as good as I was at dressing up and making the ladies laugh, I could never be good at love.

In one of the magazine articles of the time, Madonna was talking about how she gained the coveted title role of the movie, and she said something that I grasped as hopeful for my goal of attaining a guy:

I thought of a line from ‘The Alchemist’ that goes something like, “If you want something bad enough the whole earth conspires to help you get it.””

That’s not true in matters of love, and I think Madonna knows that too.

Have I said too much?
There’s nothing more I can think of to say to you…
But all you have to do is look at me
To know that every word is true.

Song #17: ‘Don’t Cry For Me Argentina’ – November/December 1996

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The Madonna Timeline: Song #15 ~ ‘Nobody Knows Me’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I’ve had so many lives since I was a child,
And I realize how many times I’ve died…

The iPod bops along to Madonna’s incendiary ‘American Life’ album from 2003, shuffling over to ‘Nobody Knows Me’, a blippy, vocally-distorted stop/start stilted jolt of a song with a neat little funk-out. I think this will be perhaps best remembered for Madonna’s performance/lip-syncing of it on her Reinvention Tour (summer of 2004), when she strutted across a conveyor belt, doing some crazy-fun half-moon arm gestures.

After seeing the show in NYC, I remember marching along Broadway to my hotel with this song in my head, feeling solidly empowered and like I could take on the world. That’s the best thing about some of Madonna’s songs – they pump you up to the point that you don’t care who is staring at you as you dance (or trip) your way down Broadway.

This is, in my opinion, the only real ‘dance’ song on American Life (prior to remixes), and one of the few ‘lighter’ selections from that brilliantly dark album – in other words, it’s not indicative or representative of the rest of songs, but it is definitely a stand-out track, perhaps because of that.

The big disappointment in the concert version (as seen below), is that Madonna takes out the best part of the song – the quasi-bridge break-down:

I don’t want no lies!
I don’t watch TV!
I don’t waste my time!
Won’t read a magazine…

I’m not that kind of guy
Sometimes I feel shy…
Song #15: ‘Nobody Knows Me’ – Summer 2004
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The Madonna Timeline: Song #14 – ‘Frozen’ ~ Winter 1998

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

 
You only see what your eyes want to see,
How can life be what you want it to be?
You’re frozen when your heart’s not open…

I had been hoping that the iPod would not choose this song for a while, as it’s one of the most emotional Madonna songs for me – the kind that perfectly aligns with a momentous time in one’s life, that both illuminates and shades that time, becoming a mini-anthem, dirge-like or not, and I cannot hear the song without being somewhat affected and reminded of that moment in my life.

You’re so consumed with how much you get,
You waste your time with hate and regret,
You’re broken when your heart’s not open…

It was the winter of 1998 – January – and I was living in Boston but searching, as always, for a break from where I was. Upstate, friends awaited me in Rochester, New York – and I headed there for a few days of carefree fun to dispel the wickedness of winter. We headed to a club for drinks and dancing, and in the darkness between the flashing lights, I saw him for the first time. A cute guy in overalls and a baseball cap – and a smile that was somehow, and unfathomably, meant for me.

My friend Gina went up to him and introduced us, much to my embarrassment, but he was nice and we talked. I’m not going to lie – when you’re 22 and single, every first meeting carries with it the possibility of being the first time you meet ‘the one’. (When you’re 35 and married, you realize that’s not how life really works.)

He must have known that then, but I did not. We went our own ways at the club for a while, but found our way back together at the end of the night. He wrote his name and number on a cocktail napkin and told me to call him the next day.

I was staying at Gina’s apartment, and when we got home she told me that he was a chef at a new restaurant. The next day we made reservations for dinner there, and he invited us into the kitchen to say hello. We agreed to meet up after his shift.

If I could melt your heart…
We’d never be apart…
Give yourself to me…
You hold the key.

The intervening time between dinner and meeting him is a blur, as is much of those few days. I remember being incredibly nervous until I saw him, as if I could never quite believe he was real, and whenever he was absent (which was most of the time), I felt panicked and desperate and almost manically hopeful. (Attractive traits all around.) I hid this as best as I could. There would be no crazy letters of self-saving ultimatum (not yet anyway – they would come later), and in those first few days I was free to imagine that this was the start of a great romance. That night it certainly felt so.

We went to the Avenue Pub – a local haunt less keen on style and more concerned with cheap, strong drinks. We sat at the bar and I met a few of his friends. At one point his hand rested on my knee – a sign of affection or camaraderie, I wouldn’t ever know – and though I usually cringed at being touched, with him it was all right, it was endearing, and it made me feel like I might be loved. Such a simple gesture, I don’t know how I could allow myself to believe it was so fraught with import, but there you have it. My state of mind. His casual carelessness. Our mutual desire.

Now there’s no point in placing the blame,
And you should know I suffer the same,
If I lose you, my heart will be broken…

I followed him back to his place, a rather lengthy drive through the cold winter darkness. In the dim light of a night that was suddenly filled with falling snow, we kissed and undressed. Shades of silver and gray swam among wrinkled sheets. It was warm next to him, and it was one of the only times I fell asleep without unease next to a man. What followed would do that to me. Not through any act of deliberate cruelty on his part, but in the absence of returned love – the debilitating draining that inevitably befalls unreturned affection.

In the early morning light, a layer of white snow covered the waking world. He got up to take the dogs out. I asked, jokingly, if he was going to wipe the snow off my car. He grinned before closing the door behind him. I dressed quickly in the dark chill of that morning, my body knowing even then that I needed to leave. When he returned, he asked me to stay, but I couldn’t tell if he meant it. Outside, I made the discovery that he had brushed the snow off my car.

For the rest of my stay I will call him daily, to see if he wants to meet up. He will hedge, say yes, then cancel at the last minute. I will sit, showered and dressed, in Gina’s apartment, for the next two nights – even extending my trip with the hope that he would be able to make it, and then when I absolutely had to return to work I made the solitary drive home.

Love is a bird, she needs to fly,
Let all the hurt inside of you die,
You’re broken when your heart’s not open…

Once back in Boston, I had a few phone conversations with him in which he explained that he would have liked to see me, but he just couldn’t schedule it with his busy work week. I understood, and mentioned I would be back in Rochester in a few weeks, so perhaps we could meet then. He agreed, and like a fool I believed, and returned – by bus to Amsterdam, then with my parents’ car to Rochester.

It’s strange, and a little embarrassing, to look back at my actions then, but whenever a sense of shame sneaks over me, I remind myself that I didn’t know any better. I didn’t understand that there were romantic rules of attraction, and to go against these rules meant certain ruin. If I liked someone, I let them know it. I didn’t wait three days to call, or act unavailable. If I was smitten, I didn’t hide it, and if I wanted to see someone, well, I drove six hours to see them.

Like most of the men in my life, I loved him – or thought I loved him – more than he would ever love me. As I get older, it sounds sillier and sillier for someone to say, but at that moment, in that time of my life, it was anything but silly.

On my second, third… fourth trip there, he didn’t even bother to return my calls. I sat in the car and cried, wrenching tears from a writhing shell of a body. In a rare moment of desperation, I called my Mom and simply told her that things weren’t going well. I didn’t give specifics, I just needed to hear her voice.

It was winter, and Madonna was gearing up to release her ‘Ray of Light’ album, leading off with the single ‘Frozen’. The snow fell around me as I returned to my parents’ home, and I shoveled the driveway to keep from going crazy. Walking off into the backyard forest one night, I laid down on the frozen ground, letting the snowflakes tickle and melt upon my face. On a still winter’s night, you can hear them fall – tiny pings and rustling crystals – and if you wait long enough you can join in their frozen mass. I did not wait that night.

If I could melt your heart…
We’d never be apart…
Give yourself to me…
You hold the key.

There would be more tears, and more pain, and more feelings of doubt and insecurity, and always the wondering as to my own worth. I could gain the attention and enthrallment of any number of people – yet the ones I loved the most couldn’t be bothered to love me back. It would be the conundrum that informs my life to this day.

You only see what your eyes want to see,
How can life be what you want it to be?
You’re frozen when your heart’s not open…

As for the song itself, ‘Frozen’ marked Madonna’s masterful move into electronica, by way of Morocco. With its sweepingly majestic Middle Eastern strings and barren drum programming, it melded an icy chill with desert heat – exemplified by a Goth-like video shot in the desert night. The first time I heard it was on one of those obsessive trips to Rochester. Sitting in Gina’s sad little apartment waiting for him to call, I watched as the video came on MTV – and in the tradition of ‘Like A Prayer’, the first time I heard it I didn’t like it immediately. Soon enough, it was one of my favorites – the crux of yearning and learning, obsession and lonely resignation.

If I could melt your heart…
Song #14: ‘Frozen’ ~ Winter 1998
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Declaration of Frightened Independence

Up until the last year or so, I’ve never much minded the fact that Andy and I won’t have any children, adopted or otherwise. It’s not a secret that I’ve never been a big fan of the babies and kids, though with the recent addition of a niece and nephew that stance has certainly softened (and I’m still waiting for my brother to take me up on my earnest offer to babysit). At this point, most of my friends have had kids – and Suzie is already due for another one (in April). And again, none of it really bothers me.

First off, Andy and I are in no financial position to support a child. Second, neither of us has a lifestyle that is particularly suited for raising children – I would not do well being housebound for too long. Third, the adoption process for a gay couple is, from all that I’ve heard, a serious and sometimes difficult commitment that can take years to go through. And finally (and most importantly) I don’t know if I would want to bring a child into this world – or at least be responsible for a child in this world.

As I said before, it’s never bothered me. And if Andy really wanted a baby, I’d be willing to go through all of it, and probably end up being a pretty decent Dad too. (You don’t get to see my sensitive side, so you have a skewed view.) But the reality is, children are likely not in our future.

I haven’t thought about it much until recently. There will come a time when Andy and I will be old, and the only people we would have to take care of us will be each other. It’s hopefully a long way off, but it will happen no matter what. And being that Andy is a number of years older than me, it’s probably going to be me alone for at least a few years. Completely alone.

It’s a prospect that never really scared me until now, and in all honesty I can usually put it from my mind, but when the holidays creep around I am reminded that most people will have someone to look after them as they age. This is just one more thing that Andy and I will have to do on our own. And sometimes… it’s a little daunting.

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Xmas Gift List

No, not mine, believe it or not (I haven’t had time to get it laminated just yet). Right now I’m actually thinking of other people, and though I say the exact same thing every year to no different denouement, this time I’m doing my shopping early and mostly online so I can just relax and enjoy the season. I swear.

Being that we’re all in the poor house these days, I’ve decided to make a few gifts, much like I did as a kid, minus the sloppy execution and visible glue. I still remember one of the simplest, and most fun, gifts I ever made my Mom (though I doubt she does). It was one of those classic lined notebooks with the black mottled covers - completely non-descript on the outside (a travesty I would never forgive today, I don’t care how old anyone is) – and I was determined to fill it with little essays.

I started writing in it in November – and each day I wrote a  few sentences on a random topic (three-bean-salad, trees, yarn) like our third grade English teacher was having us do (the three-bean-salad was her topic of the day – I didn’t even know what it was so I faked hating it). Yes, this was the kind of crazy fun kid I was – getting off on a third-grade English assignment and turning it into a gift idea for my Mom.

For some strange reason, I hid the book under her bed so she wouldn’t find it. (?!?!) I figured it would be the last place she would look for a present from me – and I guess there’s a strange sort of logic to that, because to my knowledge she never did find it (or, and this is much more likely, she found it and simply didn’t say anything). I think I managed to fill about a quarter of the book with ramblings-on about coffee, colors, flowers, keys, and anything that drifted into the insane quagmire of my third-grade head, and by Christmas morning it was wrapped and under the tree.

While I don’t clearly recall her reaction to such a gift (I’m sure it was dutifully grateful, and I was probably too excited with my own gifts to notice (is that the stuffed unicorn I’ve been begging for?!) but I distinctly recall making the book for her, and hoping she would like it. This year, I’ll be doing the same thing (but don’t worry Mom, it’s not a book).

The bottom line is that this year the gifts are hand-made, so don’t expect much (even though my gluing skills have advanced markedly since the third grade.)

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The Madonna Timeline: Song #13 – ‘Forbidden Love’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Once upon a time there was a boy and there was a girl…

Am I the only one who remembers that Madonna had a song called ‘Forbidden Love’ on her 1994 album Bedtime Stories that predates this ‘Forbidden Love’ from her Confessions on a Dance Floor album over ten years later? Regardless of the recycling, the iPod has chosen this ‘Forbidden Love’, and though I have no clear-cut memories of this particular bit of passable-filler, it’s always functioned adequately as a segue into ‘Jump’.

The title is probably the most exciting part of the song, though Madonna does no in-depth follow-through for her gay fans, playing it Romeo-and-Juliet straight. As for the music, this is one of the slower songs from the non-stop action of the Confessions album, reminiscent of some Scissor Sisters work of the same time. Madonna performed the tune admirably on Madonna’s Confessions Tour (right after she climbed down from her mirror-ball cross), but I’m guessing we’ll never hear it again.

Just one kiss, just one touch, just one look, just one love…
Song #13: ‘Forbidden Love’ – 2006
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The Madonna Timeline: Song #12 – ‘Over and Over’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

It doesn’t matter who you are,
It’s what you do that takes you far…

Funny that the iPod should choose ‘Over and Over’ at this time – one of my favorite bloggers, Amanda Talar, recently posted a FaceBook memory of Kids Incorporated – which I recall mostly for the fact that Martika sang this very song on the show.

My other memory of the song came a few years later, when Madonna released her non-stop dance remix collection, ‘You Can Dance’, in 1987. God, those synth drum machines sound so 80’s…  where are my neon day-glo leg-warmers? I won’t even mention the elaborate dance routines I worked out to this song’s seven-minute-plus dub version. (Have I embarrassed myself enough? Hey, it was the 80’s, and we all made a lot of mistakes back then.)

As an eleven-year-old boy, the lyrics meant less to me than the catchy hook and beats, but a bit of the sentiment must have gotten through, because as fragile and superficial as some would make me out to be, I’m pretty resilient – and I do get up again, over and over. Determination, ambition, hard work, inspiration, blood, sweat, and tears – I love that this song refuses to give up.

And here’s that exercise-inducing dub version – all seven-plus-minutes of it:

I’m not afraid to say I hear a different beat…
Song #12: ‘Over and Over’ – 1985/1987
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The Madonna Timeline: Song #11 – ‘Justify My Love’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I wanna kiss you in Paris,
I wanna hold your hand in Rome,
I wanna make love on a train… cross-country…

 

This came out in December of 1990, and as I was not yet a superfan, I don’t remember much about when the big brouhaha went down. The MTV ban, the Nightline premiere and interview, and video’s commercial release – missed it all. To be honest, I never much liked the song (where exactly is the song?) It seems more of a simple recitation of mildly erotic lyrics set to a mediocre percolating beat, with nary a glimpse of melody. I like songs that have a bit more substance to them.

Of course, ‘Justify’ was all about the video, and it remains a not-that-naughty bit of soft-porn, S&M-tinged pop art that looks rather quaint today. (And features the timelessly hot piece of ass known as Tony Ward, for which the term bubble-butt seems perfectly made.)

(Surely this post deserves a bit of the butt of the man who caught Madonna’s eye – an eye that sometimes favors body over face. It’s nice to see that Mr. Ward still fills out his briefs like nobody’s business.)

I do think the remixes of this song (one of the first times William Orbit worked on her stuff, I believe) are superior to the source material – and the one version I came to enjoy was her performance of the song on The Girlie Show Tour in 1993. (And only the end, when the actual singing began.)

Some have pointed to ‘Justify My Love’ as the seed that resulted in the Sex/Erotica debacle, and that may be true. Personally, I don’t care how sexy you get as long as you have a catchy tune to put it over – for me, ‘Justify’ wasn’t it.

Poor is the man whose pleasures depend on the permission of another.

Song #11: ‘Justify My Love’ – December 1990

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The Madonna Timeline: Song #10 – ‘Sky Fits Heaven’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Traveling down this road,
Watching the signs as I go,
I think I’ll follow the sun,
Isn’t everyone just traveling down their own road,
Watching the signs as they go,
I think I’ll follow my heart…

Finally! This is the first Madonna song that the iPod has chosen from her Ray of Light album – my favorite, and in many opinions the best, record she’s ever made. ‘Sky Fits Heaven’ is one of its stellar tracks – for the wondrous traveling images, and the metaphysical musings she proffers.

I can’t say that there is a definitive memory I have of listening to this song (though the whole Ray of Light time period was an emotional one) it’s a welcome reminder that we’re all on this journey, and it is the journey that matters.

This is also a great driving song if you have a long way to go – shifting (some might say jarring) changes in tone, time signature, and style keep it always interesting, while the glorious soaring chorus makes you feel like you’re taking flight, that anything is possible, and the road you’re on is the only road you’ll ever need.

Madonna gave a rousing aerial performance of this song on the Drowned World Tour in 2001 (see below) – where she flew around the stage in the kick-ass Geisha portion of the show. Yes, actual flying – because she can.

It’s a very good place to start.
Song #10: ‘Sky Fits Heaven’ – Spring 1998
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The Madonna Timeline: Song #9 – ‘Promise To Try’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Keep your head held high, Ride like the wind,
Never look behind, Life isn’t fair,
That’s what you said, so I try not to care…

Before the specific memories of this song are expounded upon, a brief history of my relationship with Madonna – as fan and admirer – must be written first. The iPod has shuffled to ‘Promise To Try’, from 1989’s ‘Like A Prayer album. It was a non-single, and to be completely honest, I must have skipped quickly past ‘Promise’ when I first heard the album. See, I wasn’t always the superfan I am today. In fact, the cassettes of ‘Like A Virgin‘ and ‘True Blue both originally belonged to my brother. It’s true – I was more of a singles guy back then, and while Madonna is quite possibly the greatest singles artist there was and ever will be, I didn’t bother with her albums much. It’s strange to think of that – and it makes little sense, because hers were the only albums I ever learned inside and out, loving each song, filler or not. So when ‘Like A Prayer’ was released, it was the first full album of hers that I bought myself. And on first listen, I didn’t like it. Not only did I not like it, I was actually offended (scared) when I heard ‘Act of Contrition’. The whispered prayer opening, the blast of electric guitar, and the closing bit of blasphemy – it was all too much for this Catholic altar boy to take, and I thought for sure that God would punish me for even listening to it. Now here’s the bit that makes me sound a little crazy – even for me: so scared was I that God would not be happy with me even having the cassette in my house, I took it outside to the backyard, found a large rock, and was about to smash it to pieces. I lifted the rock over my head, ready to bring it down on the sad little cassette tape, but stopped. I cannot say why, or what prevented me from going through with it.

Maybe it was the memory of innocently dancing around the bedroom to her songs, or maybe I thought there was something holy in that tape itself, but I went back inside and pushed the tape to the very back of my desk drawer, and to the back of my mind.

A couple of hits later (‘Express Yourself’, ‘Vogue’) and I was ready to forgive, so when I heard her Blonde Ambition Tour was being broadcast on HBO, I asked my brother’s friend to record it for me. And it happened all over again – the performance of ‘Like A Prayer’ was just too much, and Catholic guilt and fear rushed to my head. I quickly taped over it.

{Moment of silence}

(Father, forgive me for I have sinned, it has been an eternity since my last confession, and this is my sin: I taped over my recording of Madonna’s only Blonde Ambition broadcast.)

Again, time passed, and a few hits later (I loved ‘I’m Breathless’ cause it was basically a Madonna showtunes album) I was back on board, but I didn’t become a superfan until I heard ‘Promise to Try’ in ‘Truth or Dare. To show you that I wasn’t a proper fan just yet, I had no idea what the song was, or where it might be found. (I actually asked for the ‘Truth or Dare soundtrack at one record store.)

And then one night in the Fall of 1991, when insomnia was having its way with me again and adolescent angst was threatening to end my very existence, I thought maybe… just maybe… that song is here somewhere. I found the ‘Like A Prayer’ album and put it into my walkman (yes, walkman – it seems so long ago). I fast-forwarded through ‘Express Yourself’ (okay, I probably listened to some of it) – but I definitely fast-forwarded through ‘Love Song’, and almost all the way to the end of ‘Til Death Do Us Part‘, though I listened to its fade-out, and all of a sudden the piano chords that I knew so well from repeated rentals of ‘Truth or Dare’ rang out, in their entirety and without Madonna’s gravesite voice-over, and I was hearing the plaintive words of a little girl who missed her long-lost mother. In an instant I was a superfan – whose love and passion for all things Madonna would not waver for the next two-plus decades.

Back then, ‘Promise to Try’ became the theme for that lonely Autumn. Suzie had gone away to Denmark, and on every mix tape I made her (and there were many) I included this song at some point. I remember listening to it on my walkman as I raked piles of brown oak leaves in the forest behind our house. The air was bitter, the sky was gray, and I didn’t even want to be – but I listened to Madonna, and there was solace in her longing, hope in her loneliness, and inspiration in her strength.

A somewhat-comical side-note on this song: one of the lines almost made it as my yearbook quote, but wiser heads fortunately prevailed and I did not use one. (Though looking back at the Guns ‘N Roses and Tesla quotes of the time, mine would have held up far better.)

I fought to be so strong,
I guess you knew I was afraid,
You’d go away too…
Song #9: ‘Promise to Try’ – Fall 1991 
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A Walk in the Woods

Believe it or not, there was a time when my John Fluevog-clad feet liked nothing better than to walk in the woods. As a kid, my favorite past-time was to disappear in the wooded area behind our house and travel the forested banks that ran all the way down Northampton Avenue.

As a kid, I was wedded to the forest, and all natural things. Plants and animals, streams and seas, flowers and fossils – they each thrilled me – and while my gaze could be captured by a fancy feather or glittering bead, my heart belonged to what was in my own backyard.

Somewhere along the way, I lost touch of that connection, though threads of it saw me through – gardening, potted plants, a tank of tropical fish – and every once in a while, a glimpse of the sublime. A stream running through the County of Kerry in the Irish countryside ~ a damp, gray afternoon of spotting waterfowl through the fog of Big Sur ~ or a simple walk through the fern-blanketed forests hidden in my hometown.

These photos were taken on a recent trip to Amsterdam, NY to visit my parents. There is a park behind an old elementary school that has trails leading down to a small stream. I used to explore these woods when my brother had baseball practice in the field next to them. (Though I don’t remember all these invasive horsetail plants taking over the watery basin.)

I got turned around only once, for a brief time, though I never felt truly lost, and if I had to I could simply follow the way from which I had come and re-trace steps – instead, I forged ahead and rejoined another trail that led me back to where I began. (The only real danger here would be running into the golf course that borders these woods, i.e. no danger at all.)

Sometimes the simple running of a stream is enough to calm the spirit. I need to remember that more often.

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The Madonna Timeline: Song #8 – ‘Cherish’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

This is one of my favorite Madonna song memories because it captures a specific period of time when the world was just opening up to me. The year was 1989, and I had just turned fourteen when Madonna released the third single from ‘Like A Prayer’ – ‘Cherish’. To be honest, it wasn’t nearly my favorite song from the album, and the video (though brilliant in hindsight, and the first foray of Herb Ritts into the medium) seemed rather ho-hum, especially after the inflammatory riot of ‘Like A Prayer’ and the S&M-tinged sexiness of ‘Express Yourself’.

To see Madonna frolicking on the beach with a child and some mermen? Tame, if not outright dull. But like all good things, it would grow on me, from the girl-group harmonies of the song to the simple, slow-mo beauty of the video. And what was taking place in my young life at the time was simple, but memorable.

So tired of broken hearts and losing at this game
Before I start this dance, I’ll take a chance
In telling you I want more than just romance…

My Mom took me, my Gram, and my brother up to Maine for a last vacation before school started. We went to the beach, but it was already too cold to go in. We stopped at some of the Kittery outlets, and I remember getting a navy cable-knit sweater for fall. (I was still in my preppy mode but just beginning to break free.) ‘Cherish’ played on the radio, and to this day it’s one of the few Madonna songs that my brother actually liked a bit more than me. At the time, there was something too soft-focus about it – I preferred my pop songs to have a bit more power to them. But like all slow-burners, this one forged its way into my memory.

You are my destiny,
I can’t let go, Baby can’t you see,
Cupid please take your aim at me…

It was the start of my first year of high-school, and I had to attend practices with the Amsterdam Marching Rams. It was ridiculous, insane, and practically dangerous to march with an oboe, but I adamantly refused to learn another instrument, so I strapped a clarinet lyre to the bottom bell and proceeded to practice choking myself with a double reed.

After my eighth grade shenanigans, I wasn’t sure if anyone would even talk to me (that was the year I happily stepped into the villain’s role, so dull and boring was Wilbur H. Lynch Middle School for me). Now, the girls I hurt the most were the only ones I wanted to talk to – and somehow I worked my way, through wit and humor, back into their good graces again.

All the while, ‘Cherish’ bubbled over the radio, and on MTV, but never from my own CD player because I wasn’t obsessed with Madonna right then.

I can’t hide my need for two hearts that bleed with burning love,
That’s the way it’s got to be.
Romeo and Juliet, they never felt this way I bet,
So don’t underestimate my point of view…

I hadn’t lost my heart to any boys yet – in fact, I was still holding out hope that I’d find a girl and settle down with a wife and a home, and a family. I found men attractive (as I had since I was a little boy) but I put those feelings into the recesses of my heart, willing myself to focus on the girls instead, even though it seemed that I was destined to remain in the friendship circle, with no hope of romance.

Cherish is the word I use to remind me of your love…

To be honest, it didn’t bother me much at the time. Somehow I knew I was only meant to be friends with women – that I was better at being friends with women – and it was a safe and comforting thought. (Oddly enough, the drama and trauma I witnessed in many messy boy-meets-girl scenarios seemed more upsetting and depressing than anything I was going through – one of the strange bonuses of flying under the radar as an unknown-even-to-myself gay kid.) And still the chords and yearning chorus of ‘Cherish’ strummed in my head – a wistful unfulfilled longing for something, for someone.

Cherish – give me faith,
Give me joy, my boy,
I will always cherish you…

As September bled into October, ‘Cherish’ peaked on the airwaves, an autumnal call to romance that subliminally fueled the innocence of my adolescence. It was a song that held onto summer, despite all the pushes and pulls of a new school, and a new school year, and the slow awakening of a boy who, despite all direction, was headed on a journey all his own.

Song #8: Cherish ~ October 1989
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