Category Archives: General

The Madonna Timeline: Song #25 ~ ‘Love Makes the World Go Round’ – 1986/1987

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Make love not war we say, it’s easy to recite,
But it don’t mean a damn unless you’re gonna fight;
But not with guns and knives, we’ve got to save the lives,
Of every boy and girl that grows up in this world.

Here’s a little secret that I may or not have shared in the 25 Madonna songs that have been chronicled thus far on this Timeline: my brother is the person who actually brought the ‘True Blue’ album into our home. It was 1986, and I found it in his room. It was a cassette tape – remember them? – and I have no idea why he purchased it, except it was the 80’s, and back then our tastes occasionally overlapped. Obviously I listened to it much more than he ever did, and ‘True Blue’ was the first album I loved, listened to, and learned from start to finish. (Prior to this I was a singles guy, selectively limited to the pop hits of the radio and never taking the time to investigate or buy (or afford) an entire album. My musical library consisted of 45s if I liked a song enough and could figure out the artist.) This was way before the Internet, way before I had any reliable form of transportation, way before my awakening to the pop world, if you will. My main source of music was taping it off the radio, commercials and tattered intros and exits all intact. And somehow ‘True Blue’ forged its way into my world – crisp, clean, and complete, without the panicked tune-in-tune-out static of a recorded radio broadcast.

There’s hunger everywhere, we’ve got to take a stand,
Reach out for someone’s hand, Love makes the world go round.
It’s easy to forget if you don’t hear the sound
Of pain and prejudice, Love makes the world go round.

It was the 80’s – the big, bad, flashy, trashy, oh-so-modern, angular 80’s. I did my best to fashion my room into the bright neon glow of the new store on ‘The Facts of Life’ (after Mrs. Garrett moved out and Cloris Leachman moved in, with a few guest appearances by George Clooney). Swatch and Benetton ads were taped over the wallpaper, a blinking stop light stood in the corner, and a few gimmicky plastic items (including a neat ‘rolling wave’ piece of moving pop art – no, it literally moved) were rather garishly assembled. I was attracted to anything “modern” and in the 80’s that meant a lot of cheap trash. Novelty stores were where I found much of my inspiration, and the Top Ten at Ten of Fly 92.3 kept me attuned to the warblings of Samantha Fox, the Bangles, and Madonna.

They think that love’s a lie, but we can teach them how to try,
Love means to understand, reach out for someone’s hand.
Cause everything you do comes back in time to you,
We have to change our fate before it gets too late.

The song is, let’s admit it, a trifling of a silly thing, with somewhat banal lyrics, a totally programmed 80’s track, and just a bit of processed Latin flavor left over from ‘La Isla Bonita’. (I think I recall one writer dismissing it as a “feed-the-world fiesta.”) I didn’t care, nor could I tell at the time that it wasn’t a lasting bit of pop music. I was just happy to dance around the bedroom, choreographing elaborate routines and envisioning how my classmates might one day marvel at my dancing ability. I pictured either a talent show, or a benefit, that had me center stage, and a few of my favorite friends would be in supporting dance roles. The boy(s) on whom I had a crush would somehow be a part of it, teased but ultimately embraced with a knowing wink, as if we had a shared secret that the audience would never know, but somehow still thrill to.

Don’t judge a man ˜til you’ve been standing in his shoes,
You know that we’re all so quick to look away,
Cause it’s the easy thing to do,
You know that what I say is true.

In reality, I would be too scared to ever dance on stage. The boy I crushed on would find me mean and intolerable, completely missing the ‘girl-teases-boy-she-likes-most’ game, probably because I wasn’t a girl. And all the while Madonna kept on singing, imploring us to, “Make love, not war,” and reiterating that “Love makes the world go round.” The twenty-something soul I felt I had as an eleven-year-old boy wanted to believe this – did, in fact, believe it – and held onto the hope as the march into adolescence commenced.

Song #25: ‘Love Makes the World Go Round’ ~ 1986/1987
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Days of Snow

It arrived with slight fanfare and the usual winter storm warnings. A predicted eight to fourteen inches, granting us something in-between, meeting expectations, and wreaking only slight havoc with the Friday night traffic.

It was light, fluffy stuff, and without any wind it fell softly and quietly – the kind of snowfall that gives snow a good name. Like clumps of cotton, it clung to the trees and plied itself upon every surface. Above, it nestles in the crooks of a dogwood tree, a blank white canvass against which next Spring’s buds offer a stark contrast of tightly coiled black arrows pointing upward.

A patch of pesky weeds dangles white powder puffs before a weathered wooden fence. This is the magic of snow, the enchantment of winter, and it exerts a subtle, solemn solace.

The windless day left the snow suspended on branches and power lines and fences – the bleak gray and brown landscape of January suddenly and instantly transformed overnight. A blanket is a most apt term, wrapping the world as it does in a gauzy cocoon.

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The Madonna Timeline: Song #24 ~ ‘Shanti/Ashtangi’ – Summer 1998

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

What can one say about this bit of sung Sanskrit from 1998’s brilliant ‘Ray of Light’ album? Personally, not much. And yet… and yet. There is something about this song that I’ve always liked. No idea what is going on lyrically, but I forced myself to learn the words and sing along (which is a nifty car-ride trick to impress, or in my case underwhelm, any friends in trapped earshot).

Vunde gurunam caranaravinde
Sandarsita svatma sukhavabodhe
Nihsreyase jangalikayamane
Sansara halahala moha santyai
Hala, hala
Ahahu purusakaram sankha cakrasi
Ahahu purusakaram sankha cakrasi
Dharinam dharinam sahasra sirasam
Dharinam dharinam sahasra sirasam
Vande

It’s a bit of chanting to ease the soul, and for a number of years whenever I felt stressed or scared (I distinctly remember repeating the mantra silently to myself while riding up in the elevator to my first state job) it offered a small piece of peace, or at least a welcome distraction to whatever I happened to be dreading.

Om shanti, Om shanti
Shanti, shanti
Shantay Om
Om shanti, Om shanti
Shanti, shanti
Shanti Om…

But what does it all mean? It’s been a while since I’ve brushed up on my Sanskrit (and by ‘while’ I mean forever), so here’s how it supposedly translates, by way of the internet:

I worship the gurus’ lotus feet
Awakening the happiness of the self revealed
Beyond comparison, working like the jungle physician
To pacify loss of consciousness from the poison of existence
In the form of a man up to the shoulders
Holding a conch, discus and sword
Thousand headed, white
I bow respectfully
Peace

I don’t know about you, but the only thing I got out of that was ‘Peace’. No matter, the music and the Sanskrit combine for a mystical experience, the beat and melody make for an irresistible combination of hooks and bait, and the whole thing is better than it has any right to be.

I’ve always thought that Madonna should make a world music album. This seemed like it might mark the jumping off point for that, until I heard its descendant, ‘Cyberraga’, a B-side from the ‘Music’ sessions. Maybe one song in Sanskrit per career is enough.

Om shanti, Om shanti
Shanti, shanti
Shanti Om
Song #24: ‘Shanti/Ashtangi’ – Summer 1998
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So? Sew A Button

I spy a bracelet made of buttons of red and green, even though Christmas burnt, flared, and faded weeks ago. It is wound around the wrist of a lady at the table next to me. I can only hope it is a gift from child or grandchild or someone else’s altogether. On the same hand are two chunky rings in gold, both of which hold large dark stones, while on the other hand are a couple of twists of intertwining silver rings. I’m not usually a fan of silver and gold worn together. These rings seem to weigh her hands down as she struggles with her flourishes.

A collection of bracelets runs further up along her arm, beside the buttons. There is a string of putty colored stones, buffed and polished so they shine, and multiple bands of gold that must be a part of her, a part of who this woman is, and I wonder if she ever takes them off. How could she? Who has that kind of luxury? Excessive accessorizing takes money and time, and this sort of display is an investment of one or the other – sometimes both but more often not. I would doubt it in this case.

On the radio, the Beatles’ ‘Something’ comes on. She is talking animatedly and intently to the man who is sharing a lunch-time with her. He is younger, has a face full of hair, glasses, and an unfortunate pair of khakis that have ridden so far up they might be mistaken for man-pri’s. She seems to be filling the role of guide or teacher, asking him questions and occasionally jotting something down on a tablet of rainbow-colored paper. Though I am a sucker for decent stationary, I find certain designs on lined notebook paper far too precious, in the worst possible way. A background of rainbows is one such bit of preciousness.

The lazy drum rolls of the song, and its unmistakable guitar intro, are part of my musical lexicon, formed on rides with Mom as she tuned in to the easy-listening station (95.5 back then – is it still around?) before my brother and I had developed words to request otherwise. Still, the Beatles are nothing to sneeze at, so some good did get through.

You’re asking me will my love grow?
I don’t know, I don’t know…
Stick around and it may show,
But I don’t know, I don’t know.

On my table a pair of scarves, two for the cold, sits beneath a pair of gloves. I wait there, biding my time, lapping up the scraps of other writers, better writers, and honing what limited skills I may or may not possess. I leave the lady and her lunch co-hort there, grateful for the distraction and rumination to fill a lunch hour, sad for her little collection of jewelry, and hopeful that she is happy in her life – too few of us can claim that.

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The Madonna Timeline: Song #23 ~ ‘Til Death Do Us Part’ – Fall 1991

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

This is, luckily, one of those Madonna songs I have no real personal connection to, but it’s one of my favorites for her riveting musical portrayal of a marriage gone way off the mark. Written at the time that her relationship with husband Sean Penn was hitting the skids, this may be one of her most brutally honest, and jarringly unsentimental, songs.

You need so much, but not from me,
Turn your back in my hour of need,
Something’s wrong but you pretend you don’t see.
I think I interrupt your life,
When you laugh it cuts me just like a knife,
I’m not your friend, I’m just your little wife.

Powerful, gripping, profoundly sad, and all the while the beat is relentless, driving and pushing towards an inevitably tragic conclusion. Madonna said Sean Penn actually loved the song, embracing such unflinching, if unflattering, honesty. A brief glimpse into the madness of a marriage winding down, ‘Til Death Do Us Part’ offers hints of the personal terror of a destructive relationship. Whether it’s exactly Sean and Madonna may never be known to anyone other than the two of them.

Our luck is running out of time,
You’re not in love with me anymore,
I wish that it would change, but it won’t, if you don’t,
Our luck is running out of time,
You’re not in love with me anymore,
I wish that it would change, but it won’t,
Cause you don’t love me no more.

In honesty there is sometimes forgiveness, and maybe this was Madonna’s first step to letting go. It is certainly one of her finest artistic moments, and a highlight of the classic ‘Like A Prayer’ album. I think it’s the next set of lines that is the most heartbreaking:

The bruises they will fade away,
You hit so hard with the things you say,
I will not stay to watch your hate as it grows.
You’re not in love with someone else,
You don’t even love yourself,
Still I wish you’d ask me not to go.

I rediscovered the song in the Fall of 1991, following the ‘Truth or Dare’ splash that reignited my Madonna passion that subsists to this day. In that dark Fall, this had a bitter resignation to which my soul responded, finding some bit of a heroine in the rush of music, the downward spiral, fighting valiantly in a losing battle – the kind of battle that ends with no winner, that only serves to destroy.

He takes a drink, she goes inside,
He starts to scream, the vases fly,
He wishes that she wouldn’t cry,
He’s not in love with her anymore.
He makes demands, she draws the line,
He starts the fight, she starts the lie,
But what is truth when something dies?
He’s not in love with her anymore.
She’s had enough, she says the end,
But she’ll come back, she knows it then,
A chance to start it all again,
‘Til Death Do Us Part.
Song #23: ‘Til Death Do Us Part’ – Fall 1991
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Little Bits of Beauty

How is it that some scarves are such works of art while others serve no more than utilitarian function? Why, if it doesn’t alter the purpose of the object, can’t we make all things beautiful?

This is the time of the year when I seek solace in beauty. This is when I make trips to Boston to visit the Isabella Stewart Gardner museum, when I seek out the verdant canopy of humid greenhouses, dreaming of undulating palm fronds in great rooms, lacy tree ferns and their husky, fibrous trunks.

This is when I inhabit my visions of a garden room, surrounded by panes of glass, basking in bright, airy winter glory, stealing sanctuary from the coldest winds, laughing off the falling snow. Lemon trees stand in aged earthenware, grown not for their fruit but their flowers. The echoes of ancient civilizations linger in crumbling pottery, wiry pedestals, and the same sky-path of the sun.

Such dreams of beauty are but that. There is scant consolation in the fading straps of an amaryllis or the smoky skeins of yarn mounded in an antique wicker basket. Yet this is what we are given, this is what we must endure, and the winter has not even begun to rage.

 

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Where David Beckham Disrobes & Madonna Still Sings

One of the best aspects of a personal website, at least of those that I frequent, is the fact that you never quite know what you’re going to get. Because our blogs are so personal, and the human instrument so variable, it is unlikely to feature the same exact post twice. If anything, that is the underlying impetus of much of my life – it’s the reason why boredom and stagnation are my number one enemy. Things can get awfully dull when there is no room for growth or evolution or change or improvement. I will never understand those people so blind and set in their ways that they cannot open themselves up to new ideas, new ways of looking at the world, new experiences, and new hopes and dreams.

This website is what I often wish I was at my very best – and sometimes very worst, because in order to live up to the dizzying heights we ascribe to, it is necessary to wallow from time to time in the very muck from which we wish to rise. It’s contrast, the nice word for inconsistency and human frailty.

And so, as the year begins, the 8th year of www.ALANILAGAN.com (which roughly translates to 80 if we convert blog years to human years), I look to bring you more of the things that interest me, from David Beckham in his underwear to Ben Cohen in his, from Madonna in and out of her underwear to Shirley Horn alive again only in her extensive catalogue, from the safety and warmth of my marriage to the recalled journey of a young man mostly alone.

There will be travels and adventures at home and in lands far away, tales both remembered and yet to be lived, and always there will be the spring and the summer to come. It will be a journey of family lost and gained, loved and recalled and never forgotten, of friendships that have lasted through the decades, and new ones forged along the way. People will come and go, certain friends fade, certain friends renew, but ever and anon the love endures, the loyalty burns, and a laugh lingers forever.

So too will there be art – words to read, photography to see, music to hear, theater to experience, movies to watch – and somewhere in between is the art of this blog – and every blog – for there is indeed an art to sharing what we share with the world. In some ways it is the most accessible form of art – open to all, open to any, and relatively free from constrictions. It is still an art in its infancy, rife with failure and experimentation as it finds its own way. There is something raw and unfettered about it, and therein lies its potent of-the-moment glory. Perhaps its might is in its very temporal nature – both immediate and forever. Once put out there it is just as likely to be lost as it is to be forever embedded in someone’s files and spread and saved a billion times over. Who can foretell the lasting scope of this technology?

That’s where I’m headed – and you are invited to come along. No blog exists on its own. It took about eight years for me to realize that, proof that no one is too old or too stubborn to learn, no matter how much they think they know.

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The Year Not in Review

I thought about doing a year-end newsletter, like some proud Mama extolling the drab virtues of her children and grandchildren, but seeing as how we have neither children nor grandchildren, it would just be filled with the fluff and nonsense that constitutes my life – which would turn it into a sarcastic bit of bile that really isn’t quite appropriate for holiday newsletter fare.

Some of my favorite things when I was a teenager were those end-of-the-year Best and Worst lists – especially the one compiled by ‘Entertainment Weekly’. Back in the 90’s, there were sure to be a few notable Madonna references (I still remember the year of ‘Sex‘ and ‘Erotica‘ – 1992 – and the various year-end quips at that time.) For some reason, I grew out of my enjoyment of those time capsules, gradually focusing on what was to come rather than what had already happened, and now I find looking back more of a hindrance than a proper way to live. However, there are some years that deserve a moment of hindsight, and this is one of them.

While every year has its ups and downs, there is just one thing for which I will remember 2010: this was the year Andy and I got married. Everything else was just gravy and frosting, preferably separated out by a few hours of digestion.

Ten years ago it wasn’t legal for us to get married in any state – now there are at least a few, and I’m hopeful all will follow through eventually. The day will come – it is inevitable – and I’m proud to be one of the first to forge the way. We did not do it out of a sense of activism or obligation – we did it purely out of love. The greatest acts of any life are those manifested by the noble notion of love.

There are mysteries to every marriage, safety and comfort too, and the journey of any couple is its own unique love story. As we embark on the dawn of our second decade together, we’ll be pulling open the curtain on a bit of our daily lives, and you’ll be invited to join us. Here Come the Grooms.

As for Andy’s take on the year, there will be platform enough for him to make it known, as some of you have already seen, and everyone is about to find out… Get ready for a whole new year.

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The Madonna Timeline: Song #22 – ‘Thief of Hearts’ ~ Fall 1992

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Bitch!

This is one of the most unintentionally hilarious songs Madonna has ever written! In keeping with that theme, I’m going to go very liberally on the exclamation points because I find them as unintentionally funny as this song! From 1992’s ‘Erotica’ album, ‘Thief of Hearts’ is a catty bitch-fight which finds Madonna going after the woman who’s going after her man.

You’re a thief of hearts, and now you have to pay!
How many licks does it take?
You’re a thief of hearts, and now you have to pay!
Which leg do you want me to break?

Ha – Ha – Hilarious! My friend Ann and I cracked up over that last line every time we heard it. I mean, which leg do you want me to break? Oh Madonna “that’s rich!” To this day, I laugh a little whenever that line is sung, mostly because of Ann.

Here she comes, Little Suzie Ho-maker,
Thinks she’ll get respect if she screws him!

I am dying! I can still picture Ann and I laughing in Amsterdam High School, thumbing through Madonna’s riotous ‘Vanity Fair’ photos (the spread should have been titled ‘Boobs & Booty!’ not ‘Hot Madonna!’) It was a minor vacation from that cacophonous crest of adolescence, and abandoning oneself to the hokey hook-filled dance-filler of ‘Thief of Hearts’ was one way to make it through the misery.

You’ll do it, you’ll take it,
You’ll screw it, you’ll fake it,
Undo it, you’ll break it!
You’re over, you can’t take it!
{Repeat!}

Genius – simply mad genius! At a time when high school angst threatened daily to overwhelm, when the madness of hormones overflowed, there was Madonna, admonishing, “Someone please arrest her, she’s a thief of hearts! No one ever takes what’s mine!”

Bitch!

Saucy little minx, no? And as overly-dramatic as any other high school kid, which is why we could relate so well. Back then we spoke in song lyrics, and beats were our currency. We swam naked in the pool of pop music! Our heads bobbed to and fro like corks on the river of aural candy!

You’re a thief of hearts, and now you have to pay!
How many licks does it take?
You’re a thief of hearts, and now you have to pay!
Which leg do you want me to break?

Yeeowwww! Take me, break me, make me a man! Work it, perk it, freakin’ berserk it! Shake your booty to the ground and peek-a-boo-too! We will return to our regularly-scheduled sanity, such as it is, immediately following this post.

Stop bitch!

{Glass shatters}

Now sit your ass down!!!

Song #22: ‘Thief of Hearts’ – Fall 1992

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The Madonna Timeline: Song #21 – ‘She’s Not Me’ ~ Summer 2008

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

She started dressing like me and talking like me
It freaked me out,
She started calling you up in the middle of the night
What’s that all about?

The iPod has shuffled along to the saucy and slightly scornful ‘She’s Not Me’, from 2008’s ‘Hard Candy’ album. On its surface, the song is a taunting tale of a person betrayed, but I liked Madonna’s blunt intro to it on the Sticky & Sweet Tour: “Hey ladies, did you ever have a best friend who wanted to do everything that you did, including fuck your boyfriend?”

In Madonna’s case, such wariness of wanna-bes is understandable, but this is the first instance (that I recall) where she actually puts those lines of would-be Madonnas to shame in a song.

She started dying her hair and wearing the same perfume as me,
She started reading my books, and stealing my looks and lingerie…

Someone once asked if I was scared of people copying what I did, or taking photos I posted, or something like that – and when I first started this blog (way back in 2003) I did initially feel a little territorial, but that soon dissipated.

No one else can do what I do. Just like no one else can do what you do. Even if we try to do the exact same thing, it will always be different in some way.

I may not be the most skilled writer, or the greatest photographer, or the best blogger, but there is something that I bring to everything that I do that no one else can bring – it is singularly mine, and mine alone. It is the essence that we all have, that is solely ours, that is ingrained indelibly in all our interactions with the world, in every step we take and every impression we make.

She’s not me,
She doesn’t have my name,
She’ll never have what I have,
It won’t be the same.

It’s somewhat reassuring to think that even someone as definitively strong as Madonna has those moments of doubt, when it’s necessary to remind herself that “It won’t be the same.” Wimps and wanna-be’s need not apply!

As for the song itself, it’s one of the stronger confections off ‘Hard Candy’, and I love how such seemingly simple lyrics can convey multiple meanings and readings. In this case, it’s a double entendre of proclaiming that no other woman will ever be ‘Madonna’, but also that Madonna herself is not the woman that most of us think she is  – ‘She’s not me’ could be her refusal to own up to her public image or perception. Given her treatment of the song in the Sticky & Sweet Tour, which finds her harassing and dismissing various versions of her former selves (Material Girl, Slutty Virgin, Open Your Heart Peepshow Vixen, Express Yourself Glamazon), it’s a powerful indictment of the personae we have come to assume as her own.

Never let you forget…
Song #21: ‘She’s Not Me’ – Summer 2008
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Twisted Sleighride

I can’t quite remember why we were taken there. My parents were not, and are not, big party people. Most of the parties they’ve thrown over the years have been at my nudging/insistence, but when they do go out they always seem to have a good time. So for whatever reason, we were brought along for an afternoon of holiday hayrides and the warmth of a log-home lodge out in the countryside, courtesy of my parents’ friends.

The home was indeed a bit of a drive (and in the mind of a child distance should be multiplied times five), but at the end of the driveway there was the house, and a little ways ahead was the road heading into the forest, where horses waited to carry the sleigh.

We went inside first, I think. It was decorated for Christmas, and there was hot chocolate with marshmallows on hand – though this may have been in my imagination. Snow was lightly falling – not unlike it is at the very moment I write this – the pretty kind of snowfall – slowly and delicately and just enough for a dusting on the ground, enough to make things pretty again.

Various friends of the family were there – I actually think Suzie may have been there, but for some reason our paths didn’t cross much that day. My brother was with me, but I also don’t recall much interaction with him. It was as if I were on my own at this gathering. How strange that a child should be left so alone.

At some point I was herded outside to take one of the obligatory sleighride/hayrides, through the forest – into the woods. I was reluctant, because I don’t think my parents were coming along for the ride, or if they were they were sitting up front while I was in the back. Or maybe Dad hadn’t even come along for the party and it was just Mom. I only know I didn’t like it, and as the horses took off, the immense evergreens that marked the opening to the path closed off the house behind us, and the light went dimmer.

It was later afternoon, and getting dark anyway. Beneath the boughs overhead it was darker still, and the horses themselves seemed apprehensive, slowing a bit as we rounded bends and went further into the forest. The others laughed, gripping their cups of hot chocolate or hot toddies, while in the back my little body jostled along with the rest of them, eyes wide and waiting for some winter specter of the forest to appear and snatch one of us away.

I was terrified that I would fall off and there would be no way for me to catch up to the horses or find my way back to the house. My mind raced with worry, desperately conjuring what-if scenarios, madly searching my pockets with mental wishes for breadcrumbs or other trail-indicators. And through it all, everyone else laughed and talked, oblivious to all the danger.

I was in no mood for joking, though I tried to smile along with some of the adults. I was not comfortable there, I don’t know why. Today the thought of such a ride thrills me; I would give anything to go back and traverse the pine-laden forest, drawn by horses and dusted by falling snow, but not then, not that day, not when I was a kid. A sensitive child is quick to ruin, easily destroyed, and it’s almost impossible to prevent. This must bring its own form of madness to the parents, and I know that now. I think I knew that then, but what can you expect a kid to do? Close his eyes, whimper, pray, and hope that it’s all a nightmare… and then the ride was over and we were all still intact. The house was lit brightly as we returned, the sky had darkened considerably, but the snow glowed a deep blue as it does on some evenings.

Back inside the kids scattered, making our way upstairs to a loft that looked out over the main floor. It must have been the family room, strewn as it was with toys, a comfortable couch, some chairs, and various chests and storage shelves. I don’t know why it was so dark, but a lone light with a deep amber shade was all that illuminated the expanse.

We played as the monotonous hum of the adults drifted up from below, but it was hard to see. My brother and I discovered a chest that had a gas mask in it. The acrid smell of rubber stayed on our hands as we threw the mask back and forth, both scared and excited at the strange object. When we’d had enough, it went back into the chest, where I kept my eye on it for the rest of the evening, sure it was enchanted with some sort of evil magic, certain it would rise of its own will and smother one of us children in the dark.

Soon we were called downstairs to leave, and after bundling up in our winter coats and boots, we were back in the car and departing the strange party. I don’t think I ever told anyone what I felt that day – and what could have been said anyway? When a child marches into awareness, someone is always scared, someone is always hurt, and someone is always in the dark.

 

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The Madonna Timeline: Song #20 – ‘To Have and Not to Hold’ – Earliest Spring 1998

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

To have, and not to hold,
So hot, yet so cold,
My heart is in your hand,
And yet you never stand close enough for me to have my way…

The thawing of that cruel and bitterly cold winter of 1998. The remnants of my Rochester ruins. The frozen wharf of a lonely Boston night. Biting winds, and the slow, gradual rebirth of the earth after the soul-rending slumber, a snow-covered sleep.

A masquerade party at the condo – the celebratory act of getting-over-it – and the lingering pangs of hurt, the sorry aftermath and sad spilled drinks of forgotten guests. A crumpled costume, all wrinkled wreckage – such fabulous flotsam and jetsam, glittering and gay in the night, sorrowful and woe-ridden in the morning.

To look, but not to keep,
To laugh – not to weep,
Your eyes, they go right through,
And yet you never do anything to make me want to stay…

The elusive, seductive pull of being told the object of your affection does not adore you back. Whispered longings, secrets never said, the killing ticking of a clock in the middle of the night, when no one is around, when the rest of the world has gone to sleep with its lovers, when the silence is crushing, and the loneliness all that is embraceable. Long gray slivers of moonlight across the floor, and a flickering candle beyond the door.

Like a moth to the flame,
Only I am to blame…
What can I do?
I go straight to you…
I’ve been told,
You’re to have not to hold…

You walk alone in the night, beneath the burgeoning buds of cherry trees, into the most romantic time of the year. You sleep alone in the dark, unafraid because you have no choice, and still you want, you yearn, you hope. There is so much to be shared.

To look, but not to see,
To kiss, but never be the object of your desire,
I’m walking on a wire and there’s no one at all to break my fall…

And then you think you find someone, and they stay with you for a while, the breeze blowing through the curtains in the night, and everything might be okay for a while, but things are strange, and the night turns cold, and you realize in your heart of hearts that it is only for a while.

Don’t break my heart…
Only I am to blame…

Song #20: ‘To Have and Not to Hold’ – Earliest Spring 1998
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My Favorite Christmas Decoration

No, it’s not a miniature disco ball (even if they are my signature baby shower gift). Nor is it a heavily-plumaged bird of paradise. It doesn’t sparkle or glow, flutter in the slightest breeze, or move of its own accord. There is no electricity or batteries needed, and no assembly is required.

It is the simple mouse house seen here, worn and torn after three decades of attic storage. Made of an old bark-covered log, hollowed out in certain sections (where the mice are supposed to live), it is a rather sorry piece of my childhood, but for precisely that reason it is my favorite. A segment of the roof is missing, as are a few of the decorations (as evidenced by the glue that once held their bases).

Back when I was kid, this piece completely enraptured me, capturing my imagination and igniting thoughts of cozy, fire-crackling scenes of cuddly forest animals, huddled together in their trees, safe from the winter snow. It was a vision of comfort, along with the connotation of safety and warmth, and, above all else, it was a vision of family. I longed for a house filled with such warmth. Sometimes it was, sometimes it wasn’t, but the mouse house was never-changing. A small wire tree or disproportionate kitten figurine might break off, but the core – raw, splintered, and unfinished – remained intact throughout the years.

To this day, gazing at that decoration makes me feel a little happier, a little warmer, and a little closer to the elusive holiday spirit of the season.

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The Day of the Holiday Party

This year marks the tenth holiday party that Andy and I are giving. There is no theme (mostly because I was too lazy), and no new outfit (I’m planning on wearing what I wore at that very first party back in 2000 – though I’ll need a new pair of jeans because the originals no longer fit. I’d insert a parenthetical frown here if I used such nonsense.) At this point, our parties run on autopilot, and there are very few surprises left. Give the guests a warm house, plenty of booze, and something to nibble on – and boom, it’s done. Personally I like to throw on something a little more special than your average cocktail dress, but that’s optional. There’s nothing left to prove.

Of course, I had thrown parties long before I knew Andy, and I still fondly recall a few insane events at the Boston condo, where 50 people were somehow crammed into two rooms, hanging out in the closet, pouring onto the fire escape, and making enough noise to warrant regular visits from the police (who were always nice about it, joking that I must not have remembered to include the neighbors who had complained).

Those parties were raw, wild affairs – filled with cocktails, but light on food – in fact, if people wanted to eat I usually asked one of the guests to whip something up (thank you to Simon for some amazing stuffed mushrooms). And yes, I consider jello shots a form of solid food.

They were mostly casual events, if hyped-up to high heaven as not-to-be-missed milestones. Mainly, I just liked to see people having a good time. As host, I learned early on that it would be impossible to have any real meaningful conversations with anyone at these parties, which killed me at first, but once I let that go it became a simple night of frivolity and fun, light on the serious talk and heavy on the laughter.

Guests often take their cue from the host (though if that were really the case then I wonder where all the passed-out people were at The Arabian Night Party of 2002…) so if the host is having fun the guests will usually follow.

My one secret to throwing a party is Rosalind Russell. In the hours leading up to the event, I try to do something to calm my nerves and remind myself that it’s just a party. I don’t have the means or desire to get a spa treatment or massage, so I substitute a showing of ‘Auntie Mame’. If the opening party scene doesn’t put you in the mood for a good time, nothing will. Remember, life’s a banquet and most poor suckers are starving to death!

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The Madonna Timeline: Song #19 – ‘Waltz for Eva & Che’ – December 1996

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Continuing the Evita theme of late, the iPod has chosen another selection from that famous Andrew Lloyd Webber musical and it’s a duet between Madonna and Antonio Banderas. God knows I love a waltz, and God knows I love Madonna, so this is one of my favorites from the album. The final flourishes of the instrumental portion towards the end are especially inspiring.

Though it came in the midst of a questionable time, this song doesn’t have any heartache attached to it – only a happy memory of my college graduation party, held December 23, 1996 at my parents’ home in Amsterdam, New York. I wore a tux with tails, and even a bow tie and cummerbund. A lone calla lily served as a boutonniere. Suzie went so far as to wear a dress that was almost sleeveless. It was a big night.

The house was decorated for the holidays, lights twinkling around every corner, and the whole evening seemed to sparkle. I had managed to finish a full semester early, completing my Brandeis journey sooner than expected. I wanted out – I wanted freedom – I wanted to see the world – I wanted to waltz. And starting in the next month, I embarked on just that, but that’s another suitcase in another hall, and another story for another iPod selection.

Better to win by admitting my sin
Than to lose with a halo…
Song #19: ‘Waltz for Eva & Che’ – December 1996
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