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December 2010

The Year Not in Review

I thought about doing a year-end newsletter, like some proud Mama extolling the drab virtues of her children and grandchildren, but seeing as how we have neither children nor grandchildren, it would just be filled with the fluff and nonsense that constitutes my life – which would turn it into a sarcastic bit of bile that really isn’t quite appropriate for holiday newsletter fare.

Some of my favorite things when I was a teenager were those end-of-the-year Best and Worst lists – especially the one compiled by ‘Entertainment Weekly’. Back in the 90’s, there were sure to be a few notable Madonna references (I still remember the year of ‘Sex‘ and ‘Erotica‘ – 1992 – and the various year-end quips at that time.) For some reason, I grew out of my enjoyment of those time capsules, gradually focusing on what was to come rather than what had already happened, and now I find looking back more of a hindrance than a proper way to live. However, there are some years that deserve a moment of hindsight, and this is one of them.

While every year has its ups and downs, there is just one thing for which I will remember 2010: this was the year Andy and I got married. Everything else was just gravy and frosting, preferably separated out by a few hours of digestion.

Ten years ago it wasn’t legal for us to get married in any state – now there are at least a few, and I’m hopeful all will follow through eventually. The day will come – it is inevitable – and I’m proud to be one of the first to forge the way. We did not do it out of a sense of activism or obligation – we did it purely out of love. The greatest acts of any life are those manifested by the noble notion of love.

There are mysteries to every marriage, safety and comfort too, and the journey of any couple is its own unique love story. As we embark on the dawn of our second decade together, we’ll be pulling open the curtain on a bit of our daily lives, and you’ll be invited to join us. Here Come the Grooms.

As for Andy’s take on the year, there will be platform enough for him to make it known, as some of you have already seen, and everyone is about to find out… Get ready for a whole new year.

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The Madonna Timeline: Song #22 – ‘Thief of Hearts’ ~ Fall 1992

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Bitch!

This is one of the most unintentionally hilarious songs Madonna has ever written! In keeping with that theme, I’m going to go very liberally on the exclamation points because I find them as unintentionally funny as this song! From 1992’s ‘Erotica’ album, ‘Thief of Hearts’ is a catty bitch-fight which finds Madonna going after the woman who’s going after her man.

You’re a thief of hearts, and now you have to pay!
How many licks does it take?
You’re a thief of hearts, and now you have to pay!
Which leg do you want me to break?

Ha – Ha – Hilarious! My friend Ann and I cracked up over that last line every time we heard it. I mean, which leg do you want me to break? Oh Madonna “that’s rich!” To this day, I laugh a little whenever that line is sung, mostly because of Ann.

Here she comes, Little Suzie Ho-maker,
Thinks she’ll get respect if she screws him!

I am dying! I can still picture Ann and I laughing in Amsterdam High School, thumbing through Madonna’s riotous ‘Vanity Fair’ photos (the spread should have been titled ‘Boobs & Booty!’ not ‘Hot Madonna!’) It was a minor vacation from that cacophonous crest of adolescence, and abandoning oneself to the hokey hook-filled dance-filler of ‘Thief of Hearts’ was one way to make it through the misery.

You’ll do it, you’ll take it,
You’ll screw it, you’ll fake it,
Undo it, you’ll break it!
You’re over, you can’t take it!
{Repeat!}

Genius – simply mad genius! At a time when high school angst threatened daily to overwhelm, when the madness of hormones overflowed, there was Madonna, admonishing, “Someone please arrest her, she’s a thief of hearts! No one ever takes what’s mine!”

Bitch!

Saucy little minx, no? And as overly-dramatic as any other high school kid, which is why we could relate so well. Back then we spoke in song lyrics, and beats were our currency. We swam naked in the pool of pop music! Our heads bobbed to and fro like corks on the river of aural candy!

You’re a thief of hearts, and now you have to pay!
How many licks does it take?
You’re a thief of hearts, and now you have to pay!
Which leg do you want me to break?

Yeeowwww! Take me, break me, make me a man! Work it, perk it, freakin’ berserk it! Shake your booty to the ground and peek-a-boo-too! We will return to our regularly-scheduled sanity, such as it is, immediately following this post.

Stop bitch!

{Glass shatters}

Now sit your ass down!!!

Song #22: ‘Thief of Hearts’ – Fall 1992

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Ryan Reynolds, Butt Naked

Because it’s Monday, and we need a little Christmas.

Plus, he’s single now, and even though I’m not, some people are. This butt’s for them.

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The Madonna Timeline: Song #21 – ‘She’s Not Me’ ~ Summer 2008

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

She started dressing like me and talking like me
It freaked me out,
She started calling you up in the middle of the night
What’s that all about?

The iPod has shuffled along to the saucy and slightly scornful ‘She’s Not Me’, from 2008’s ‘Hard Candy’ album. On its surface, the song is a taunting tale of a person betrayed, but I liked Madonna’s blunt intro to it on the Sticky & Sweet Tour: “Hey ladies, did you ever have a best friend who wanted to do everything that you did, including fuck your boyfriend?”

In Madonna’s case, such wariness of wanna-bes is understandable, but this is the first instance (that I recall) where she actually puts those lines of would-be Madonnas to shame in a song.

She started dying her hair and wearing the same perfume as me,
She started reading my books, and stealing my looks and lingerie…

Someone once asked if I was scared of people copying what I did, or taking photos I posted, or something like that – and when I first started this blog (way back in 2003) I did initially feel a little territorial, but that soon dissipated.

No one else can do what I do. Just like no one else can do what you do. Even if we try to do the exact same thing, it will always be different in some way.

I may not be the most skilled writer, or the greatest photographer, or the best blogger, but there is something that I bring to everything that I do that no one else can bring – it is singularly mine, and mine alone. It is the essence that we all have, that is solely ours, that is ingrained indelibly in all our interactions with the world, in every step we take and every impression we make.

She’s not me,
She doesn’t have my name,
She’ll never have what I have,
It won’t be the same.

It’s somewhat reassuring to think that even someone as definitively strong as Madonna has those moments of doubt, when it’s necessary to remind herself that “It won’t be the same.” Wimps and wanna-be’s need not apply!

As for the song itself, it’s one of the stronger confections off ‘Hard Candy’, and I love how such seemingly simple lyrics can convey multiple meanings and readings. In this case, it’s a double entendre of proclaiming that no other woman will ever be ‘Madonna’, but also that Madonna herself is not the woman that most of us think she is  – ‘She’s not me’ could be her refusal to own up to her public image or perception. Given her treatment of the song in the Sticky & Sweet Tour, which finds her harassing and dismissing various versions of her former selves (Material Girl, Slutty Virgin, Open Your Heart Peepshow Vixen, Express Yourself Glamazon), it’s a powerful indictment of the personae we have come to assume as her own.

Never let you forget…
Song #21: ‘She’s Not Me’ – Summer 2008
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Twisted Sleighride

I can’t quite remember why we were taken there. My parents were not, and are not, big party people. Most of the parties they’ve thrown over the years have been at my nudging/insistence, but when they do go out they always seem to have a good time. So for whatever reason, we were brought along for an afternoon of holiday hayrides and the warmth of a log-home lodge out in the countryside, courtesy of my parents’ friends.

The home was indeed a bit of a drive (and in the mind of a child distance should be multiplied times five), but at the end of the driveway there was the house, and a little ways ahead was the road heading into the forest, where horses waited to carry the sleigh.

We went inside first, I think. It was decorated for Christmas, and there was hot chocolate with marshmallows on hand – though this may have been in my imagination. Snow was lightly falling – not unlike it is at the very moment I write this – the pretty kind of snowfall – slowly and delicately and just enough for a dusting on the ground, enough to make things pretty again.

Various friends of the family were there – I actually think Suzie may have been there, but for some reason our paths didn’t cross much that day. My brother was with me, but I also don’t recall much interaction with him. It was as if I were on my own at this gathering. How strange that a child should be left so alone.

At some point I was herded outside to take one of the obligatory sleighride/hayrides, through the forest – into the woods. I was reluctant, because I don’t think my parents were coming along for the ride, or if they were they were sitting up front while I was in the back. Or maybe Dad hadn’t even come along for the party and it was just Mom. I only know I didn’t like it, and as the horses took off, the immense evergreens that marked the opening to the path closed off the house behind us, and the light went dimmer.

It was later afternoon, and getting dark anyway. Beneath the boughs overhead it was darker still, and the horses themselves seemed apprehensive, slowing a bit as we rounded bends and went further into the forest. The others laughed, gripping their cups of hot chocolate or hot toddies, while in the back my little body jostled along with the rest of them, eyes wide and waiting for some winter specter of the forest to appear and snatch one of us away.

I was terrified that I would fall off and there would be no way for me to catch up to the horses or find my way back to the house. My mind raced with worry, desperately conjuring what-if scenarios, madly searching my pockets with mental wishes for breadcrumbs or other trail-indicators. And through it all, everyone else laughed and talked, oblivious to all the danger.

I was in no mood for joking, though I tried to smile along with some of the adults. I was not comfortable there, I don’t know why. Today the thought of such a ride thrills me; I would give anything to go back and traverse the pine-laden forest, drawn by horses and dusted by falling snow, but not then, not that day, not when I was a kid. A sensitive child is quick to ruin, easily destroyed, and it’s almost impossible to prevent. This must bring its own form of madness to the parents, and I know that now. I think I knew that then, but what can you expect a kid to do? Close his eyes, whimper, pray, and hope that it’s all a nightmare… and then the ride was over and we were all still intact. The house was lit brightly as we returned, the sky had darkened considerably, but the snow glowed a deep blue as it does on some evenings.

Back inside the kids scattered, making our way upstairs to a loft that looked out over the main floor. It must have been the family room, strewn as it was with toys, a comfortable couch, some chairs, and various chests and storage shelves. I don’t know why it was so dark, but a lone light with a deep amber shade was all that illuminated the expanse.

We played as the monotonous hum of the adults drifted up from below, but it was hard to see. My brother and I discovered a chest that had a gas mask in it. The acrid smell of rubber stayed on our hands as we threw the mask back and forth, both scared and excited at the strange object. When we’d had enough, it went back into the chest, where I kept my eye on it for the rest of the evening, sure it was enchanted with some sort of evil magic, certain it would rise of its own will and smother one of us children in the dark.

Soon we were called downstairs to leave, and after bundling up in our winter coats and boots, we were back in the car and departing the strange party. I don’t think I ever told anyone what I felt that day – and what could have been said anyway? When a child marches into awareness, someone is always scared, someone is always hurt, and someone is always in the dark.

 

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Hey Mr. DJ, Put A Christmas Record On

{This is one of my favorite Christmas memories – and one of my first memories of anything really, so I’m not sure if it all actually happened, or if parts of it were a dream, or if I made the whole thing up. Regardless, that’s not important, as the main sentiment is intact – and if happiness is a delusion then let me be happily deluded, at least concerning Christmas.}

The walls of our family room are warmly paneled in a honey-hued wood. It is Christmas Eve circa 1979-1980, and my Mom, Dad, Gram, and baby brother are assembled and watching something on television. I am preoccupied with my Gram – it is enough just sitting on her lap and having her over for the holidays – I need nothing else. I remember snuggling down beneath a blanket and feeling like it must be the coziest place in the world, while waiting anxiously for Santa to arrive. I believed then.

Suddenly my Mom got up and started getting ready to go out, sliding on a winter coat and grabbing her purse and keys. She wouldn’t tell us where she was going, just that she needed to get something. Eventually I stopped asking questions and we played around for a while until she returned.

The garage opened and the car pulled in. Mom came through the door with a bag from Toys ‘R’ Us that contained a record player. I didn’t know how she had done it – the nearest Toys ‘R’ Us was many miles away (it was probably the first lesson in distance I ever learned). She had gone all that way for us – on Christmas Eve of all days – and I’ve never forgotten that.

I don’t know if she herself had forgotten to buy the player and realized she had gifted us a bunch of Christmas records, or if it just came into her head that night, but on that Christmas Eve we magically had music – and the songs of the season filled the room. From that moment onward I fell instantly in love with music of all kinds, and wore out the record player with songs from Sesame Street, the Magic Garden, and the Muppets. (My taste has evolved slightly since that time, but I still dig ‘The Rainbow Connection’.)

My concerns about Santa diminished as I sat there surrounded by family, listening to Christmas music, and knowing then and there that I would never be as happy again.

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The Madonna Timeline: Song #20 – ‘To Have and Not to Hold’ – Earliest Spring 1998

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

To have, and not to hold,
So hot, yet so cold,
My heart is in your hand,
And yet you never stand close enough for me to have my way…

The thawing of that cruel and bitterly cold winter of 1998. The remnants of my Rochester ruins. The frozen wharf of a lonely Boston night. Biting winds, and the slow, gradual rebirth of the earth after the soul-rending slumber, a snow-covered sleep.

A masquerade party at the condo – the celebratory act of getting-over-it – and the lingering pangs of hurt, the sorry aftermath and sad spilled drinks of forgotten guests. A crumpled costume, all wrinkled wreckage – such fabulous flotsam and jetsam, glittering and gay in the night, sorrowful and woe-ridden in the morning.

To look, but not to keep,
To laugh – not to weep,
Your eyes, they go right through,
And yet you never do anything to make me want to stay…

The elusive, seductive pull of being told the object of your affection does not adore you back. Whispered longings, secrets never said, the killing ticking of a clock in the middle of the night, when no one is around, when the rest of the world has gone to sleep with its lovers, when the silence is crushing, and the loneliness all that is embraceable. Long gray slivers of moonlight across the floor, and a flickering candle beyond the door.

Like a moth to the flame,
Only I am to blame…
What can I do?
I go straight to you…
I’ve been told,
You’re to have not to hold…

You walk alone in the night, beneath the burgeoning buds of cherry trees, into the most romantic time of the year. You sleep alone in the dark, unafraid because you have no choice, and still you want, you yearn, you hope. There is so much to be shared.

To look, but not to see,
To kiss, but never be the object of your desire,
I’m walking on a wire and there’s no one at all to break my fall…

And then you think you find someone, and they stay with you for a while, the breeze blowing through the curtains in the night, and everything might be okay for a while, but things are strange, and the night turns cold, and you realize in your heart of hearts that it is only for a while.

Don’t break my heart…
Only I am to blame…

Song #20: ‘To Have and Not to Hold’ – Earliest Spring 1998
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My Favorite Christmas Decoration

No, it’s not a miniature disco ball (even if they are my signature baby shower gift). Nor is it a heavily-plumaged bird of paradise. It doesn’t sparkle or glow, flutter in the slightest breeze, or move of its own accord. There is no electricity or batteries needed, and no assembly is required.

It is the simple mouse house seen here, worn and torn after three decades of attic storage. Made of an old bark-covered log, hollowed out in certain sections (where the mice are supposed to live), it is a rather sorry piece of my childhood, but for precisely that reason it is my favorite. A segment of the roof is missing, as are a few of the decorations (as evidenced by the glue that once held their bases).

Back when I was kid, this piece completely enraptured me, capturing my imagination and igniting thoughts of cozy, fire-crackling scenes of cuddly forest animals, huddled together in their trees, safe from the winter snow. It was a vision of comfort, along with the connotation of safety and warmth, and, above all else, it was a vision of family. I longed for a house filled with such warmth. Sometimes it was, sometimes it wasn’t, but the mouse house was never-changing. A small wire tree or disproportionate kitten figurine might break off, but the core – raw, splintered, and unfinished – remained intact throughout the years.

To this day, gazing at that decoration makes me feel a little happier, a little warmer, and a little closer to the elusive holiday spirit of the season.

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The Day of the Holiday Party

This year marks the tenth holiday party that Andy and I are giving. There is no theme (mostly because I was too lazy), and no new outfit (I’m planning on wearing what I wore at that very first party back in 2000 – though I’ll need a new pair of jeans because the originals no longer fit. I’d insert a parenthetical frown here if I used such nonsense.) At this point, our parties run on autopilot, and there are very few surprises left. Give the guests a warm house, plenty of booze, and something to nibble on – and boom, it’s done. Personally I like to throw on something a little more special than your average cocktail dress, but that’s optional. There’s nothing left to prove.

Of course, I had thrown parties long before I knew Andy, and I still fondly recall a few insane events at the Boston condo, where 50 people were somehow crammed into two rooms, hanging out in the closet, pouring onto the fire escape, and making enough noise to warrant regular visits from the police (who were always nice about it, joking that I must not have remembered to include the neighbors who had complained).

Those parties were raw, wild affairs – filled with cocktails, but light on food – in fact, if people wanted to eat I usually asked one of the guests to whip something up (thank you to Simon for some amazing stuffed mushrooms). And yes, I consider jello shots a form of solid food.

They were mostly casual events, if hyped-up to high heaven as not-to-be-missed milestones. Mainly, I just liked to see people having a good time. As host, I learned early on that it would be impossible to have any real meaningful conversations with anyone at these parties, which killed me at first, but once I let that go it became a simple night of frivolity and fun, light on the serious talk and heavy on the laughter.

Guests often take their cue from the host (though if that were really the case then I wonder where all the passed-out people were at The Arabian Night Party of 2002…) so if the host is having fun the guests will usually follow.

My one secret to throwing a party is Rosalind Russell. In the hours leading up to the event, I try to do something to calm my nerves and remind myself that it’s just a party. I don’t have the means or desire to get a spa treatment or massage, so I substitute a showing of ‘Auntie Mame’. If the opening party scene doesn’t put you in the mood for a good time, nothing will. Remember, life’s a banquet and most poor suckers are starving to death!

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The Madonna Timeline: Song #19 – ‘Waltz for Eva & Che’ – December 1996

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Continuing the Evita theme of late, the iPod has chosen another selection from that famous Andrew Lloyd Webber musical and it’s a duet between Madonna and Antonio Banderas. God knows I love a waltz, and God knows I love Madonna, so this is one of my favorites from the album. The final flourishes of the instrumental portion towards the end are especially inspiring.

Though it came in the midst of a questionable time, this song doesn’t have any heartache attached to it – only a happy memory of my college graduation party, held December 23, 1996 at my parents’ home in Amsterdam, New York. I wore a tux with tails, and even a bow tie and cummerbund. A lone calla lily served as a boutonniere. Suzie went so far as to wear a dress that was almost sleeveless. It was a big night.

The house was decorated for the holidays, lights twinkling around every corner, and the whole evening seemed to sparkle. I had managed to finish a full semester early, completing my Brandeis journey sooner than expected. I wanted out – I wanted freedom – I wanted to see the world – I wanted to waltz. And starting in the next month, I embarked on just that, but that’s another suitcase in another hall, and another story for another iPod selection.

Better to win by admitting my sin
Than to lose with a halo…
Song #19: ‘Waltz for Eva & Che’ – December 1996
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Table For One

Since I’m hoping to make one more trip to Boston before Christmas, and Andy will likely not want to come, I’ll probably be eating dinner alone one night. When I mentioned this to one of my co-workers, she balked and was taken aback that I would actually go into a restaurant and eat by myself. I’m not talking about sitting at the bar or grabbing a quick meal in the food court – I mean a real, sit-down dinner with full table service, time to look over the menu, and however long it takes for the meal to be prepared.

In a way, I get her surprise, and once upon a time I shared in that disbelief. Why would anyone eat in a restaurant alone? Well, why wouldn’t they? Usually I’ll have a book or a folder of writing with which to occupy my time and attention, but I’ve gone in without armor and had a perfectly nice dinner all by my lonesome, listening surreptitiously to the conversation around me or watching how the wait-staff interacts with the customers and then reacts privately when they think they’re not being seen. There’s always something entertaining going on, and even if there’s not, there is a plate of food before you.

I suppose my habit of eating alone goes back to college, when all I wanted to do was get off campus and go into the city (and not hang out with college kids). That’s also when I started going to the movies alone – a habit that continues to this day. (Not surprisingly, the movies I want to see don’t always intersect with the movies Andy wants to see, so I have no choice in the matter. And if I really want to see a movie, I don’t need it to be a social event, so I don’t tend to invite friends.) Again, I see nothing wrong with it, and rarely feel self-conscious.

That said, it is easier to melt into the crowd at the movies than at a restaurant, and there are certain restaurants where I would not dare to eat by myself. For instance, I won’t do it in a fancy or formal place where everyone’s arrival is noted and judged – and I do try to go earlier in the evening to avoid a big crowd.

Of course, it’s easier to eat alone when you know you have someone waiting for you at home, so I’m not going to pretend that doesn’t matter. It’s a choice in that respect. My real admiration is for those who eat alone because they’ve reached the point where they’re okay being alone. Society frowns on the singles of a certain age, judging those who dare to enjoy a decent meal on their own, and the stigma attached to solo diners is something I will always fight against.

For me, it’s a reassertion of my independence. It reminds me of a time before Andy, and while I don’t necessarily want to go back to a time without Andy, it’s nice to know that I can still go out by myself and be all right being alone. There is power in that, and it led to a belief in myself that enables me to get through the weaker moments.

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The Sadomasochism of Sixth Grade

We were all at the sixth grade dance – our very first dance at McNulty – and the girls were on one side of the room and the boys were on the other. We had split into such factions in about the fourth grade, and while my heart (and humor) were with the girls, my allegiance (and feigned loyalty) was bound to the boys.

The dance was painstakingly dull. Nothing was happening. A pathetic bowl of soda punch sat on a colorful paper tablecloth. Some stale, soggy chips went untouched in a bowl. Most of us boys stood with our arms folded, daring the girls to approach us. I don’t remember if any did, or if any of us said no, or what happened. There were no memorable embarassments, no life-altering snubs, and nothing of particular note. I only remembered the walk home.

His name was Craig. Well, that’s not his real name, but it will do for these purposes. Craig and I had been friends for a while, though he was from a completely different way of life. He wasn’t in the “gifted and talented” program that half of my class was in (what a wretched and unfairly exclusive group that was monikered). He didn’t wear nice clothes. He sometimes smelled of his parents’ cigarettes. But while rough around the edges, he didn’t mind my, well, attitude.

I did not like like him – he was a friend and no more. I did not have a crush on him, not in the least (and I had had crushes on boys by that time). I felt a certain tenderness toward him, and all that he didn’t have. We were friends – and that is all. I say this now to preemptively strike any notions of anything romantic between us. Craig was, and to my knowledge remains, completely heterosexual.

After the dance drew to its excruciating close, Craig and I walked a few blocks together. Beside us the land dropped off where a steep hill led down to the four diamonds. While the baseball fields below were level and meticulously mowed, this hill was wild and unruly with knee-high grass and a few shrubs that threatened to turn into trees. Craig and I playfully started pushing each other closer and closer to the edge of the hill, and as boys at play tend to do, we escalated into a friendly competition to see who could hang onto the upper ground for the next block or so.

Craig was about a foot taller than me (everyone was), and at least fifty pounds heavier, but I was scrappy, and though by rights I should have been down for the count, I managed to gain the top of the hill more than either of us expected. But that wasn’t my goal. My thrill was in being slung back down the hill, scrambling against someone more physically powerful than me, and meeting that force with defeat – and relishing it.

Beyond the sexual, beyond the sadomasochistic – somehow I felt that I deserved to be punished. And somehow I think part of me liked it. The martyrs, the downtrodden and the put-upon – is there not something exquisite about them and their plight? It goes deeper than simple gluttony for punishment, penetrating further into the recesses of the psyche than simple sadomasochistic pleasure.

Every time he threw me back down the hill a part of me thrilled in the brutality of it, in the raw act of aggression – all the while knowing that Craig would never really hurt me. It was play. What went through my head was the furthest from his, I’m sure, and that only added a secretive element of subterfuge to the game. All the time he thought he was the dominating force, I plundered his power for my own amusement and excitement.  I sought out the role of submissive, knowing full well that Craig never stood a chance at matching my wits or outsmarting me if it came down to it.

For that day though, it was enough just to have him fling me through the air, push me down on the ground, feel the force of his strength and the pull of gravity have their way with my little body. I knew it wasn’t the same enjoyment that other boys got out of wrestling or playing, and I knew enough to keep that to myself. I also knew that one day I would seek out excitement in other forms, far more terrifying and dangerous than a hillside tussle, and this quaint little game, for which I made Craig feel great guilt over his power, with feigned injuries, heavy breathing, and willfully injured pride – was but the beginning of a boy’s strange entry into adolescence.

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The Madonna Timeline: Song #18 – ‘Supernatural’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I wake up with your fragrance and it’s all over me
What cologne do you wear?

The ipod has chosen its first B-side Madonna song in the form of ‘Supernatural’. Thematically, this is more of a Halloween song than a Christmas ditty, but since it arrived in December of 1991, it has the holiday connotation, whether fitting or not. I ordered it from some overseas mail-order company (it was actually a 3 inch CD – the cutest little thing, really.) As the B-side to ‘Cherish’, it actually was released a year or so prior to when I got around to receiving it.

At this point in my life I was more concerned with fish and Madonna than romance, so the supernatural love story alluded to in the lyrics didn’t impress me much.

You transcendentally imposed yourself upon my bed,
You know you didn’t say very much…

Around this time I had also ordered a batch of live rock, so this song brings me back to the saltwater fish tank that housed a Heniochus and a lionfish, along with three (then two, then none) damsels. It was as exciting and pathetic as it sounds, with much of my world revolving around a closed-off bedroom, Madonna music, and an unruly head of hair that hadn’t discovered the proper products yet.

You’re not demanding for a man, that’s really quite rare
You’re not the least bit obsessed with your hair
You’re not upset when I come home later than ten
For a ghost you’re a very good friend.

I felt estranged from my whole family, isolated and powerless, scared and lonely, and my only outlet was in letters and mix tapes to Suzie, who was spending a year abroad in Denmark. She was one of my only lifelines – she and my friend Ann. Without them, I don’t know what I would have done. The world was closing in around me, and it was a world in which I played no real part. I longed for something else, somewhere that I belonged – another world perhaps – but ‘Supernatural’ was not cutting it for inspiration.

I had such high hopes for this ‘Like A Prayer’ out-take, and it was the first time I realized that some things are better left on the cutting room floor. Not that this song doesn’t have its own Halloween charm, I just couldn’t get into it at the time. It took a few more questionable B-sides before I would truly get it into my head that not every Madonna song is a keeper (‘Goodbye to Innocence’ anyone?)

A ghost baby? 
Song #18: ‘Supernatural’ –December 1991
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Our Boston Home

In the fall of 1995 I was living on-campus at Brandeis, but working about 35 hours a week in downtown Boston. I made the suggestion to my parents that they get a place in the city. I tried to paint it as a real estate investment, not really expecting them to show much interest, but they gave the go-ahead to start looking, and within a day I had procured a real estate agent.

He would show me three South End condos in the next few days – this was in the time just before prices in that area went prohibitively through the roof – and most were in the $130,000 – $180,000 range. (Insane, I know – but somewhat predictable: I knew that where the gays went the market value was sure to rise.)

The first place we looked at was on Clarendon, right across the street from his office, in the heart of the South End. A brick wall in the kitchen lent it a cozy feel, as did a lone bouquet of dried flowers hanging on the wall. How long had it hung there, fading as the sun moved over its brittle leaves?

It was a small place, but on that brilliant Fall day the sun lit up the expanse, a moment of October clarity in between gray showers. The key to a successful real estate agent is seduction – and our agent was quite adept at that. (Yes, I had a small, okay, big, crush on him. But that’s another story for another time.)

The second place was the largest of the lot – a labyrinth of rooms really, right near Washington Park – and while spacious, it was almost too much – so easy would it be to get lost in these rooms. And though it’s prime space now, at the time it seemed a bit of a trek to the nearest T stop, plus there hadn’t been the businesses and restaurants that currently inhabit the area. Still, there’s a big appeal for that kind of space in a city – and I did contemplate whether a long walk might be worth an extra room or two. But the three things you’re supposed to look for in a place kept ringing in my ear: location, location, location.

The very last stop was on Braddock Park, looking out onto the Southwest Corridor, and we saw it after dusk had fallen. The lights of Copley glowed in the distance, the spires of the Hancock Building and the Marriott reaching into the night firmament. Seeing a place for the first time at night is often deceptive. The building adjacent had a pad lock and chain on its front door, and looked slightly dilapidated, but the bones looked strong. A first impression after sundown also doesn’t give a good indication of light, even with the promise of a floor-through with double bay windows.

We walked up one flight of stairs to the second floor and went into the condo. The ceilings soared, and the floor was a warm shade of amber. The hardwood, just the slightest worse for wear, could easily be redone. A marble fireplace commanded the central focal point, while a pitiful gray leather sofa from Miami circa 1988 sagged to its right. In the front of the room was the first bay window, and a kitchen. A small counter separated the space. A wooden wet bar lined the wall leading into the bedroom, the original gaslight fixtures still in place. It certainly had a bit of Boston charm. The bedroom was in the back of the layout, and had its own bay window. It was next to the bathroom, which had an accent wall of clay-colored brick and a dark-tiled floor.

While I liked what I saw that night, it had to be seen during the day, and my parents had to see it as well. After walking down the steps of the building to the street, I took leave of the real estate agent and made my way through the Southwest Corridor Park and into Copley Square. It was a short walk, and if location was our prime consideration, there was no contest. A new home was in the making…

A month later we closed on the Braddock Park condo. I had finished my finals at Brandeis and there were just a few days of work before I went home for winter break. I stayed at the condo during that time – alone in Boston at last, and thrilled at every turn. Winter had almost arrived, but the new place was warm, if empty and unfurnished. A small table lamp set on the floor, and a thin, limp cot from home (without even a box spring) constituted the bedroom, and my sleeping arrangements.

The only bit of technological entertainment was a clock radio that I didn’t even bother to turn on. That quiet and stillness was what I needed, and I would look back on those first few days with wonder at all the material luxuries I didn’t have, and the peace that I did. It was the most uncluttered time of my life, literally and figuratively.

In the morning I awoke to sunlight streaming into the kitchen and front room. There were no chairs to sit on, but I didn’t mind standing at the counter as I ate my breakfast. Bagels and orange juice were the only two edible items in the kitchen. I didn’t even have butter or cream cheese. Instead, I’d tear off chunks of spongy goodness from Finagle-a-Bagel and take swigs of orange juice straight from the carton. A dozen bagels would see me through those first few days, with supplemental meals out. The city was on my doorstep if I needed anything else.

That pocket of time, in which a world of possibility unfurled unfettered before me, had more of an impact than any number of seemingly-grander events. I learned that, if need be, I could exist quietly and contentedly on very little. Granted, coming after a few years of the less-than-desirable lodgings at Brandeis this wasn’t saying much, but it was more of an emotional state of well-being, and the actual maturation of a young man just beginning to make his way in the world.

Even without a television or a computer or a cel phone, I was not bored for a moment. It was exciting enough just walking around my new neighborhood, planning and envisioning where some furniture might go, or reading by the lone light on the bedroom floor. A few items of clothing hung in the closet (I did have to go to work after all) but even my wardrobe was almost non-existent and I didn’t mind. The in-between time that now gets filled with FaceBook or gas-station stops was then spent in silence and solitude – and, in its own way, meditation. In that quiet, empty space with white walls and wooden floors, and a couple of bay windows, it was enough to stop and think.

Sometimes it still is, and when I find myself troubled or discontent or simply yearning for something more, I return to Boston, most often alone, and find that peace again. The furnishings are a little better, the parking is a little worse, but the memory of those first few days there lingers, along with that wondrous world of possibility, still out there, still waiting to be explored.

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What Happens in the Men’s Room

The photo below illustrates a no-talking-zone. There is nothing so important that it can’t wait until I am finished peeing to discuss. I don’t even want to say “Hello” when I’m standing at the urinal. And yet the number of guys who think it’s appropriate and perfectly fine to talk to me while we’re peeing is insane. Whatever happened to simple urinal etiquette?

This has nothing to do with being pee-shy. I could pee on you if I had to go badly enough (and I know for a fact that I’ve peed for photos more than I care to recall). But I still don’t want to talk when it’s all coming out. It just feels wrong.

It’s the same feeling of minor discomfort I get when there is a row of ten urinals and someone comes in and stands at the one right next to me. Is this necessary? There will always be guys who are curious out of desire or who like to show off (and that’s a different level of discomfort entirely) – I’m not talking about them. I mean the ones who are there only to pee, and feel the need to stand next to you, talk your ear off while you both have a dick in your hand, and act as if it’s no big deal at all.

I like to observe what I thought was an unsaid rule in restroom etiquette: leave an empty urinal between you if at all possible. More than one and you run the risk of having people question your manhood, but when you go to the closest urinal and start yapping about dinner at your mother-in-law’s, no one is having a good time.

At my workplace there is no way around this, as there are only two urinals right next to each other. In this instance, silence is the only way to go, but not everyone goes that way. In fact, it’s not unusual for guys to be shouting over the stalls, urinal to urinal, and out into the hallway to keep the talk going, and it’s just insane.

The only way I can think of to combat this (because silence and dirty looks clearly aren’t working) is going to be to talk back. And trust me, the kind of talk I do with a dick in my hand is not what you want to hear when you’re going on about the game last night.

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