Preamble to FireWater, A Long-Lost Project

Bitterness
By Rumi

In my hallucination
I saw my Beloved’s flower garden
In my vertigo
In my dizziness
In my drunken haze
Whirling and dancing like a spinning wheel

I saw myself as the source of existence
I was there in the beginning
And I was the Spirit of Love
Now I am sober
There is only the hangover
And the memory of love
And only the sorrow
I yearn for happiness
I ask for help
I want mercy

And my Love says
“Look at me and hear me
Because I am here just with that”

I am your moon and your moonlight too
I am your flower garden and your water too
I have come all this way eager for you
Without shoes or shawl

I want you to laugh
To kill all your worries
To love you
To nourish you

Oh sweet bitterness
I will soothe you and heal you
I will bring you roses
I too have been covered with thorns

“Drinking is an emotional thing. It joggles you out of the standardism of everyday life, out of everything being the same. It yanks you out of your body and your mind and throws you against the wall. I have the feeling that drinking is a form of suicide where you’re allowed to return to life and begin all over the next day. It’s like killing yourself, and then you’re reborn. I guess I’ve lived about ten or fifteen thousand lives now.” ~ Charles Bukowski

“I drink to make other people more interesting.” ~ Ernest Hemingway

“It’s a great advantage not to drink among hard drinking people.” ~ F. Scott Fitzgerald

“After the first glass, you see things as you wish they were. After the second, you see things as they are not. Finally, you see things as they really are, and that is the most horrible thing in the world.” ~ Oscar Wilde

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Dazzler of the Day: Jamie Lee Curtis

Taking the easy way out would be granting this Dazzler of the Day to Jamie Lee Curtis simply because it’s Halloween season and there’s a new Halloween movie out. That would also deny the remarkable power and talent that Curtis has exemplified these past few decades. (I’ve been smitten since her scene-stealing romp in ‘True Lies’.) But even that falls by the wayside when I think of the real reason she is so dazzling: she knows who she is, failings and all, and she simply doesn’t give a fuck anymore. That is the greatest inspiration for any of us still scared to genuinely confront who we are at any given time – and it’s dazzling and mesmerizing and worthy of all the accolades that are coming to her. 

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Rekindling a Long-Lost Project

“My days of pleasing men are over. You know, I’ve said how I used to sit in bars and learn how to drink cause they wanted me to drink with them and all that. It’s the end. I’m not going to do anything anymore for anybody… As far as being pleasing to men, well, yeah, I would try and cook up nice costumes…” ~ Little Edie Beale, ‘Grey Gardens’

Thirteen years ago – which was 2009 for anyone who wants to be horrified by the passage of time – I completed a project entitled ‘FireWater’ which never saw the dark light of the internet. A printed copy was shown to a very few select friends, but for the most part this long-lost project went silently into the dim recesses of the forgotten, particularly when compared to the bombast and hype surrounding others (see ‘PVRTD‘ and ‘The Delusional Grandeur Tour‘). 

Designed as an elemental companion piece to 2007’s ‘StoneLight‘, ‘FireWater’ was my exploration of cocktails and drinking, and was intended to be a very dramatic and dark look at the possibility of becoming an alcoholic. It was more of a character study, something I would explore in works like ‘The Circus Project‘, ‘A Night at the Hotel Chelsea‘ and ‘Bardo: The Dream Surreal‘. Rather than a straightforward autobiographical narrative (something early projects relied upon), the story of ‘FireWater’, while based on actual events, was more of a what-if scenario, deliberately playing up the danger and risks of someone teetering on the edge of control. 

2009 was around the time when I was just barely beginning to figure out the way to artistic expression without actively being a direct participant as a subject. That was not a journey that could be completed in a single project or small span of time – that would take years. One of the main reasons ‘FireWater’ was not released then was that I understood, all too well, that putting it out there would only fuel the fire of misunderstanding and mistaken beliefs on my own drinking. In other words, the world would assume I was an alcoholic.

Not to say that I’m not… and not to say that I am… but that’s a discussion for another time. For now, let’s note that I have not had a drink in almost three years, nor have I wanted one, and that has been one of the easier choices I’ve made in my life. Which brings us to another reason why I’m releasing ‘FireWater’ at this moment: like so many other things I’ve recently made a certain peace with lately, this can no longer hurt me. And what others make of my journey has never been within my control anyway. When you reach a certain place of security and self-knowledge, those things fall away. 

Entire truth be told, the main reason I didn’t release ‘FireWater’ back then was that I was scared. I knew that it was entirely possible that I was headed toward becoming a problematic drinker, and that was something I wasn’t ready to face or address. For the first time, a project was hitting too close to home, and it felt too immediate to safely post for all the world to see. Some things are better worked through on one’s own time and in one’s own safe-space. I’ve given enough of my soul to the world, laid bare too much and too often. One of my infallible instincts is self-preservation, and it always kicks in when I’m right on the verge of doing something too destructive. It came through then, and so the project was shelved, literally, until I dusted it off a few weeks ago and realized it was time to put it out there.

This week, the online premiere of 2009’s ‘FireWater’ takes place – and this post will act as a placemark and disclaimer, particularly for those who have come to expect mocktails and non-alcoholic mindfulness in these parts. As a creative project, this is not an authentic description of my life, nor should it be seen as an endorsement of heavy drinking. It does describe a certain time period, and certain events, but it is also largely exaggerated, the way many of my projects have been, to play up the exciting or dangerous aspects of what is otherwise a mundane and un-noteworthy existence. The role of an artist is sometimes to make the mundane into something exciting, even if that means accentuating the darker parts of life, and pretending that things are more perilous than they may actually be. ‘FireWater’ was originally a hint at that darkness – and while much of it still stands up to the years that ensued, it is now also a hint of the artistic process, and what role the artist plays in the action. 

As mentioned previously, I have’t had an alcoholic drink in almost three years. Alcohol is no longer a part of my life in the way it once was, and being thirteen years removed from this project is more than a safe distance so as not to get burned by it in any way. That said, there are whispers and glimpses of danger here – warnings and forebodings that I see in retrospect, and that makes it all the more compelling. Our journey back to such a place begins in a few days. If you think you can handle it, please join us for the ride. 

“There are other ways to kill yourself, I really do think, than swigging down that rotten stuff…” ~ Little Edie Beale, ‘Grey Gardens’

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The Elusive Amber Absolute by Tom Ford

Not many fragrances live up to their over-the-top billing and extreme descriptors, but ‘Amber Absolute’ from Tom Ford’s Private Blends more than fulfills its accompanying literature. It carries even more mystery and magnificence since it’s been discontinued for years, and later versions are reportedly nowhere near as potent as its original incarnation. An early blog attempt at capturing its magic fell flat for me, and I never properly honored such an exquisite scent, so I’m trying again here. 

This is considered by many to be the greatest Tom Ford Private Blend, and it is definitely the most gorgeously dark and decadent scent in my cologne cabinet, surpassing even the intoxicating ‘Tuscan Leather‘ and ‘Portrait of a Lady‘. It was re-released as part of a Reserve Collection, but I’ve been told it’s not as good, so I’ve been using my original as sparingly as possible to make it last. The re-releases tend to be slightly watered-down, while the price has gone insanely up. 

October is usually when my bottle gets its turn off the shelf, cozily cuddling up to the chilly nights. When fireside chats demand sweaters and boots, this is a scent that can hold its own with the burning embers and smoky air. No other cologne can combat such a combination as well as ‘Amber Absolute’. 

There is amber and musk at its animalistic heart, while a smoky shroud of incense lends a spiritual mystery that almost balances the primal beast lurking within the bottle. Almost… because that dirty, flirty, anything-but-religious fervor cannot be contained or balanced by incense or hints of vanilla. Despite their valiant efforts to sweetly tamp down the fiery tongues of fragrance unleashed with each spritz, this is one monster that refuses to be tamed. It’s like fucking around with fire – sooner or later someone gets hurt – and what a lovely way to burn.

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Dazzler of the Day: Lauren Ford

Back when I was managing the Romaine Brooks Gallery at the Capital Pride Center, I met a young volunteer named Lauren Ford who had just started working at the center. She would join us for the 1st Friday art events and we would share stories. A few weeks ago, I was attending the inaugural LGBTQ+ Convening by the Governor’s office, and Lauren was one of the presenters at the session I was in. It was a happy moment seeing someone I met so many years ago doing so well, and I’m honored to name her as the Dazzler of the Day. Here’s a bit more about her:

Lauren Ford is a Licensed Master Social Worker and the External Contracts Training Manager for the Sydney Albert Training and Research Institute (SATRI) within Northern Rivers Family of Services. As a Training Manager, Lauren coordinates, designs, and delivers professional development and continuing education curriculum for nonprofits, schools, healthcare organizations, and government agencies. Lauren pairs her background in psychotherapy and case management with her training in adult learning theory and curriculum design to build interactive courses that reflect evidence-based mental health approaches and techniques. With over a decade of experience as a mental health professional, Lauren has developed a wide and dynamic skillset through experiences working with local community centers, large nonprofits and statewide advocacy organizations. Her areas of expertise include trauma-informed care and resiliency building, verbal de-escalation, affirming care for LGBTQ people and families, and public welfare policy.

Lauren earned both her bachelor’s and master’s degrees in Social Work at the University at Albany. In 2012, Lauren joined the Big Brother’s Big Sister’s program and has enjoyed a 10 year long friendship with her “little brother.” She was a 2014 fellow with the Capital District chapter of the New Leaders Council and went on to serve on the chapter’s board in roles such as Selections and Alumni Chair for 6 years. Since 2018, she has also served as a mentor for the Emerging Nonprofit Leadership Accelerator (ENLA) program through the Institute of Nonprofit Leadership Development at the University at Albany. Currently, Lauren lives in the city of Albany with her partner and enjoys going to the movies – especially super hero and horror films, exploring museums and nature, and volunteering as a cake baker for “Jazzy Sun Birthday’s” a program that supports children and families experiencing homelessness served by St. Catherine’s Center for Children.

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A Recap Fit for a New Jacket

Behold the humble recap, repository of the past, and too often ignored or crafted hastily because of it. As someone who doesn’t like to indulge in nostalgia all that often, I find fall returns me to the past more than perhaps any other season. This year, I am allowing myself a few looks back, and honoring the process of acknowledging what came before. That bleeds into this recap, for which I’m donning a new jacket in honor of that sort of honoring. To truly bury the demons of the past, we must fully face them. Whenever I’ve done that, I usually find they’re not really demons at all – just the faded remnants of memory and circumstance, assembled into something far more sinister in my imagined memory palace. Let’s look over the past week, then lay it to rest. Coming later this week, the online premiere of a long-forgotten project from 2009… and it’s going to be on fire…

Do not place faith in false idols, sunny though they may seem

A planned fall weekend with my friend Kira took a tragic turn

Amid the fall, some things were fresh as a summer daisy

These dog’s balls were something to be seen

With a chill in the air, it was high time for tea season, and this tea is hot.

A last letter to the first man who ever kissed me.

The smell of sex in the 90’s

A rainy moment ripe for meditation

The morning glory of love.

Andy preserved these jars of summer jewels to see us through the fall and winter.

Dazzlers of the Day included Dan Reynolds, Nick Jonas, Florence Pugh, Kenneth M. WalshMichael Breyette, and Rufus Wainwright.

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Jars of Summer Jewels

It’s been a number of years since Andy went on a canning spree, and just as he returned to the apple pie a couple of weeks ago, so too has he returned to a family tradition that brings back memories of his loved ones. 

Canning is not a quick and easy process, and it’s far too involved for me to attempt. For Andy, it was a part of his childhood, and as he bustled about the kitchen I stayed out of his way, happily watching this season’s first showing of ‘Clue’ in the family room. 

As he carefully preserved a big box of summer’s ripest tomatoes, I realized that he was putting summer away into each jar. As the fall ripens into winter, we will have little bites of summer jewels in our pasta sauces and soups, carrying on his history, and warming our home. 

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Dazzler of the Day: Rufus Wainwright

Rufus Wainwright blew the beautiful proverbial roof off the Troy Savings Bank Music Hall last night, and while the performance alone would have been enough to earn this Dazzler of the Day, decades of a spectacular career are proof that he’s been dazzling us all along. Accompanying himself alternately on piano and guitar, Wainwright was somehow able to go from the most delicate ballad (‘Poses’ and Hallelujah’) to the most rollicking anthem (‘Pretty Afternoon’) along with some operatic grandeur thrown in for good measure (yes, he’s written a couple of operas). He explained how during his Robe Recitals and Quarantunes sessions (which, judging from audience reaction, seemed to have earned him a bunch of new fans) he found a way to take even his most bombastic and grandiose songs and perform them in a smaller but no less magnificent manner. That one man alone could make such a glorious ruckus is truly a testament to his talent and power.

The set list spanned most of his career, and returned to several classic favorites such as ‘Beauty Mark’ and ‘Cigarettes and Chocolate Milk’ – the latter taking on a world-weary wisdom and resignation, particularly in the way he solemnly drew out its ending. A majestically dark ‘Early Morning Madness’ was another highlight, as was a haunting encore of ‘Going to a Town’ which gains more resonance and meaning with each troubling, passing day.

With banter that was typically witty and sparkling (he had an encounter with the current King of England that sounded like a hilarious doozy) Wainwright remained the consummate show-man, able to enthrall with each musical story. It was an evening where one of America’s greatest living artists was at the top of his game, performing such pretty things in such a pretty place, and reminding us all of the power an artist, and a remarkable human being, can wield in our crazy world.

{Check out his website here for upcoming tour dates.}

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The [Morning] Glory of Love

Mornings are cool and wet now, often hazy with fog and dew. Any day now there will be a frost on the blades of grass. If it’s hard enough they will buckle and crumple. Fall gives its glory and takes it away overnight. Until that happens, though, the garden will throw out a few morning glory flowers, even if it’s overcast, and on those days they may last a little longer. 

This morning’s post is not about the flowers however, it’s about the unheralded leaves. These heart-shaped beauties go unnoticed or unremarked upon because the glory has always honored the blooms. Yet look at what we’ve been missing – leaves that are perfectly-shaped hearts – little valentines in mottled green, delicately lining the vines like some love-festooned garland. Seeing the garden in a new way, and discovering unnoticed bits of magic now that the bombast of summer has gone away, is a practice of the garden that never grows old or tiresome. It elicits a child-like wonder in me, and when you still have the capacity to be astounded all over again at the ripe age of 47, then there’s still hope for you, in a literal sense. Hope is there… for you… in the cool foggy mist of a morning when love appears tangled in a pretty vine. 

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A Rainy Moment Ripe For Meditation

With some fiery soul-searching going on here this fall, a recent rainstorm provided the perfect window for an afternoon meditation, and a literal and metaphorical cool-down for this site, and everything going on in the world, and in my mind. 

It had been a surprisingly-sunny and warmer-than-expected day. When I went out to get the mail, it was muggy and almost hot – a deceptive throwback to summer weather, the kind of day that sometimes deels like a bonus, even if we are not quite at the point where we need it. In fact, the mugginess was a little too much, and after a few days of decidedly-fall-like weather, it felt like we were being jerked backward just as we were getting our autumn bearings. That’s when the rain began. 

Big drops, heavy and loud, began smacking the pavement and the roof. They landed in wide circles on the sidewalk out front, shimmering on the driveway as they increased in speed and quantity. Immediately, there was a shift in air – it was cooler and the sky grew darker. Fall was insisting on being present here, even if it meant kicking summer back with a thunderous clap. For once, I didn’t mind the rain. 

The skies opened up fully, and a downpour raced down the roof and into the sudden pools of water beside the house. Opening up a window in the living room, I sat down to do my afternoon meditation to the sounds and scent of this rainstorm. 

Fall is welcome here. 

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Dazzler of the Day: Michael Breyette (One More Time)

Only the very exceptional artists and creators manage to be named Dazzler of the Day twice in one year (see his first crowning here), but as we are gearing up for the holiday season, I look to Michael Breyette to provide beauty and whimsy and the entertaining scenarios that make the holidays ho-ho-hot. He often makes a seasonal splash with his work, and this year’s Hallowe’en work is no exception (entitled Dr. Strangeglove, you must see it for yourself here). 

His website is a glorious repository for his work, and it offers behind-the-scenes explanations of his art and its progress – a fascinating peek into the life of a working artist. Too many people, artists especially, don’t get appreciated or honored as much as they deserve in their lifetime – may this little Dazzler go some way toward recognizing the beauty and wonder that Breyette consistently gives to the world. 

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The Smell of Sex in the 90’s: Cheese Please Louise

My sexual awakening happened in the 1990’s, just as Calvin Klein’s ‘One’ unisex cologne was taking off everywhere, and his androgynous black and white ad campaigns with Kate Moss and Mark Wahlberg were all the rage. Marky Mark never did much for me; my attention was grasped by this male model’s non-gaze and prone pose for Davidoff’s ‘Zino’ cologne, so much so that I bought it blindly, without trying it on, and it was a bum decision that I have regretted ever since. (Kids, don’t try this at home, despite what this post says.)

Davidoff was responsible for ‘Cool Water’ which, being the good burgeoning gay boy I was in the 90’s, was a staple for my earliest fragrance forays, right next to Curve by Liz Claiborne. I think you can still find both at your local CVS or Walgreen’s. I shamefully digress… but that was the ghastly initiation into cologne that most of us had at the time. (Tom Ford wasn’t even the Creative Director at Gucci then.)

When I got the bottle of Zino back to my dorm room, and discovered its less-than-desirable odor, I decided not to waste it and instead put it to work as part of my own little ‘Sex’ project, directly inspired by Madonna. More on that, and her, later this fall when we properly pay homage to her ‘Erotica’ period and its 30th anniversary this October. Back then, it was all new, as was this Nick Scotti song on which she sang back-up. It was originally written for her, but she gave it to him and only appears as a backing vocalist. Somehow, even that small contribution gives it the Madonna magic that was in full effect in the early 90’s

I put this song on a mix tape I made for that ‘Sex’ project, because in the early 90’s that’s what we were still doing. A playlist was an unfathomable idea way back then, and we were limited to the 90 minutes of a double-sided cassette tape. That was more than enough time to aurally get off, and this song kicked off such an aural extravaganza as my friends opened their mail to xeroxed images of me in and out of my Calvins. Baby steps for a budding project-maker. 

While I’d like to say that I did it all for a driving creative desire to flesh out the fantasies running through my mind, that is only partially true. A significant impetus for why I did it all, and perhaps why I still do it, was to make sure that my friends – the people who meant the most to me during those treacherous high school years I almost didn’t survive – would not forget me. If I assigned myself with things that they would see or experience – such as Madonna, or a cologne ad and fragrance that would take the mainstream media by storm – then maybe they would remember me. A childish, futile effort, to be sure, but one that I took up with all the fanfare and hoopla of a proper pop culture lightning strike. 

As for Zino by Davidoff, it only ever got to be the signature fragrance of that ‘Sex’ project release, scenting the writing and photos I sent out to my friends during the month of October in the year of our Lord 1993.  

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Dazzler of the Day: Kenneth M. Walsh

Blogging is a lost art, particularly those blogs that post every day (ahem). Kenneth M. Walsh has been maintaining his magical website ‘Kenneth in the (212)’ since 2005, and it’s one of my daily visits because he offers the perfect alchemy of 80’s nostalgia and appreciation coupled with gratuitous eye-candy and other arresting sights. His memoir, ‘Wasn’t Tomorrow Wonderful?’ is an engaging and poignant work of art – check it out here. He earns his first Dazzler of the Day for continuing to be a pretty piece of the increasingly-insufferable online world. 

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A Last Letter to the First Man Who Ever Kissed Me

Dear Tom – 

I don’t think I’ve ever written out your name here. I don’t think I’ve even written you a letter. You were always just the first man who ever kissed me, the first man I ever dated, and the first man who tried to break my heart. I didn’t give you a name because I didn’t want to give you anything. Yet in that very act of attempting to silence you, and everything that you were, I began to realize it granted you more power and sway than you deserved. Without a name, you were this omnipotent force – unbeatable, unattainable and unassailable – when all along you’ve only ever been a man. 

Now that I’m well past the age you were when our lives intersected in that tumultuous fall in Boston, I can see you a little better, and I think I understand you a little more. Though it’s been almost thirty years, in some ways I feel closer to our moments together, because they make more sense to me now in a way they couldn’t back then. It has softened my stance toward what we experienced, without in any way exonerating you. 

I remember the September day we met. It’s embedded in a memory palace like the piano music here. It’s been fading and decaying over the years, from lack of use and occupants, as well as from the physical degradation of my brain. But it’s there, as prevalent and potent as any other formative memory. Beneath the dark gaze of Trinity Church in Copley Square, we passed each other in the dappled light of a Boston afternoon. We both turned around in the way that gay men did before cel phones or social media, at a time when losing sight of someone who instantly tugged at your heart could mean losing everything. And so we held on, both of us, playing some game you already knew so well, a game that I didn’t know at all, though that twinkle in your blue eyes was a signal I still somehow knew things that neither of us were ready to admit. 

When you invited me to walk back to your place, we both understood that I would accept, even if our understanding differed slightly. I could never speak for you, and I won’t make a guess as to what you wanted at that moment. For me, I wanted to experience something. I wanted life to open up like a novel and start my adventures in the world. I wanted to quiet the hunger, indulge in the desire, and be open to whatever might ravenously ravage me, and I wanted to be left like I was ripped inside out. Not that I’d ever tell you that. Not that I even knew enough to put that into words. I was a nineteen year old guy, barely a man, who wanted all of life to chew me up, spit me out, and swallow me all over again. I was insatiable, and would be that way for years. It was something my friends would never quite understand, and, more problematically, something that would frighten away any would-be-paramours, of which you were one of the first. 

To be so nakedly insatiable was to be dangerously vulnerable to the ways of that world I wanted so badly to taste, even if I could never fully fathom its poisonous risks. My heart wanted to bite into the apple, even as my head worried over what might result. A tug-of-war that waged battle for most of my life – and you weren’t even the first casualty. 

In the same way that we burn wishes and letters that we want only to write but never deliver, I’ve spent the last couple of decades trying to burn down our short, shared past. Not the mechanics of it, not the experience of it, and not the differing ways we might view it, but everything that has since ensued – all the drama and hurt and pain I’ve allowed myself to feel because of you. Because for the most part it wasn’t because of you. You were just the one in the way. It would have happened to anyone else who so engagingly bumped into me on that September day, and though anyone else would likely have been much better for me, we don’t always have a strong say in what the universe deals us. Back then, I certainly didn’t feel like I had a say, or a voice, despite all histrionic actions to the contrary. 

Could you have behaved better, been a more helpful guide to someone who so clearly needed it? I think so… I believe so… but I don’t know for sure. The whispers of your own secret world were darker than what I could have imagined at such a young age – and I had a vividly dark imagination. There was also some sadistic attraction to danger and depravity that thrilled my younger self, a need to brush up against someone or something that might at any minute annihilate me. So enamored was I of self-destruction that to put it into the hands of another was merely a self-serving quest. I sensed something in you that would, or could, ruin me, and in my impetuous haste to reach that space, I allowed you to wreak the havoc that you likely never meant to wreak. If you hurt me, I can’t say I didn’t want to be hurt. 

I write this letter to you now, Tom – a first and last letter all in one – to absolve and forgive, not just you, but myself too. We were both innocent in many ways, but both culpable as well. I understand that you didn’t mean to be deliberately cruel, and that is something I cannot say for myself. Even if my machinations were false, the end result was the same, and for my cutting edge, I take full responsibility. A pre-emptive strike to stave off certain heartbreak… and perhaps I protected myself too well.

These sorts of letters are supposed to offer some closure, a sense of finality and acknowledgment that ultimately frees the heart and head to move on with genuine forgiveness or resolution. If that no longer feels possible, if there’s no realistic manner of acceptance I can muster, then at the very least I no longer feel conflicted or angry about you. Initially I wanted only to burn this all down, to set these feelings and memories and everything that happened between us on fire, and let it rage like an inferno. You would have deserved that once upon a time. Looking back on what we were, and knowing the things I know today, I can’t say you deserve it now.

You were an alcoholic fighting to stay sober, and when you failed I didn’t know how to get out of your way. You were an actor supporting yourself as a restaurant server, perhaps sensing that your path in life was narrowing as you approached the age of 40. You were a man living alone in the city of Boston, in a tiny apartment near Beacon Hill, struggling to keep your life together, struggling to stay afloat, struggling like we all have to struggle at the wicked and wretched things that the world throws in our path. I was nineteen and had the whole world ahead of me. How could I have possibly understood you?

Years after that fall, I would find myself searching for your face when I was in Boston. It didn’t happen all the time, and as the years passed I found myself doing it less and less to the point where I can’t remember the last time I looked for you – it was long before Andy. I used to want to meet you again, to show you how well I survived what I once perceived as your callous thoughtlessness, to show you what you threw away. Time, and humility, gradually erased those thoughts. The one weekend that brought me back to the place where you used to work turned out to have nothing to do with you, and a few years later I realized it wasn’t you at all who haunted some of my Boston visits – it was only me. 

And so I am setting the torch down. There will be other fires I need to start this fall, but none of them concern you. For you, and for this one last time, I light a candle. It’s for that September day when we met, when two men came together beneath a beautiful blue sky, and walked along the Charles River. There was beauty in that simple act, and the gentle, tentative motion of two people beginning to make the space for love, of carving out the possibility for it. Even if that’s not the way it turned out, I can honor it. More importantly, I finally and genuinely realize it cannot hurt me anymore. I hope you have found your peace somewhere too, that you have found your happiness, and that you can still marvel at the world you never wanted to teach me about, but wound up doing so in spite of yourself. 

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High Time for Tea Season

I don’t think I’ve had a cup of hot tea since April. Once spring breaks, I set the tea kettle to the side and don’t pick it up again until, well, now. That means I’ve been waiting patiently since my birthday to use this attractive tea cup that Suzie brought back from a trip to Denmark. This morning, with a fall chill in the air, and no socks on my bare feet, I switched from the iced summer smoothies to a cup of hot matcha. It was time. 

Far more than mere sustenance, a cup of tea is a ritual. Carefully executed with a calm and patient countenance, it can become an exercise in mindfulness. A lovely way to enter the day, it primes the body and the brain for whatever may come. As we claw our way through these last few days of Mercury in retrograde motion, a peaceful start to the day may make all the difference. 

Please feel free to pause in your day for a cup of tea, or just a moment of mindfulness. It’s all going so fast, and it’s going to keep going unless we all slow things down. 

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