Following an epic two-decade dancing career, John Lam has proven that life after retirement is often more rich than anything that came before it. Case in point is his establishment of Lam Dance Works, a non-profit dance company which is presenting its spring 2026 production ‘Forward’ at Emerson Paramount in Boston this May. Lam earns this Dazzler of the Day for his storied career and an adamant refusal to look anywhere other than forward.
Not in the literal sense – I still know my name, I still know (mostly) my history, I still know what I do in the world – I mean in the sense of forgetting my own worth and value, misplacing them at various points this past month, or perhaps year. The usual doubt and disbelief in myself that can’t be conquered as simply as one would think for someone with my perceived bravado.
Spring doesn’t always aid in building such self-belief, and as the screws tighten on winter’s coffin, the expectation of elation is sometimes only the set-up and starting point for disappointment. So it is that I seek stillness and quiet, sanctuary and respite in a world seemingly bereft of such things.
On lunch, I walk up to the church where I used to go when Dad was dying. It wasn’t a moment of sadness, more of reflection, and oddly enough, comfort. The Easter celebrations had been over for a while – a collection of dead Easter lilies sat sadly in the entryway – no scent or fragrance emitting from the dessiccated blooms, but the foliage was still green. I hoped someone would plant them in a garden and give them a chance to come back next spring. Unlikely, but while they stood in the hall I reserved hope.
Long ago disillusioned by the machinations and patriarchal shadiness of the church, I understood that this wasn’t about religion – this was about a peace and spiritual grace that had nothing to necessarily do with God or saints – one hard look at the human condition in the world should give God-pause to anyone with half a functioning brain. On this day, I looked around at the beauty that man had crafted – in the church, in the way the Easter lilies had been cultivated into bloom, in the overall atmosphere that had been erected in the purpose of peace and contemplation and congregation. I also acknowledged the space for mystery – something unseen or unknown to the human mind, something sacred and religious in a different way. I allowed room for doubt, room for forgiveness, room to weep out of frustration and madness in being unable to be more than just human.
The past few weeks have found my sleep patterns wildly deviant from how they normally play out. I’ve been getting to bed earlier, out of sheer exhaustion, then dropping off quickly, only to awaken at 1 or 2 in the morning, when I remain restlessly awake and heart aflutter for another hour or so. Maybe it’s just old age arriving somewhat prematurely. We get less sleep as we get older, or so I’ve been told. More waking time to do more waking things, I suppose.
To combat the sleepless moments, I’ve been revisiting a favorite book, ‘The God in Flight’ by Laura Argiri. May this excerpt send us off to sleep tonight…
“…And solitude and loneliness are forms of torture, and they also yield some wisdom. I’ll give you what they gave me. The first thing is that there is nothing in the world more important than knowing and loving someone else well. And the second is, know your own nature, accept it, and let no one and nothing alienate you from it. You have as much right to it as anyone else has to theirs.”
Remember when we met We acted like two fools We were so glad So glad to have found it
That love is like a star, it’s gone We just see it shining It’s traveled very far, I’ll Keep a leftover light burning So you can keep looking up Isn’t that worth holding on?
You know I’d always been alone ‘Til you taught me To live for somebody
That love is like a star It’s gone, we just see it shining ‘Cause it’s traveled very far, I’ll Keep a leftover light burning So you can keep looking up I am yours
A girl once accepted my marriage proposal in grade school. She was the first one to love me in any romantic sense – at least as romantic as a grade schooler could be – and I didn’t quite know what to do with it. We went on a date at the local candy shop, sharing sundaes at the counter while I kept a furtive eye on the door to make sure no classmates could see us. She’d share her pizza with me at lunch, and I felt guilty about it, wondering if she would give me everything in all the days that followed, no matter if she was hungry herself. If you’ve been lucky enough to have been loved in such a way during your formative years, you take that with you for the rest of your life, but you will always wonder if you’ll ever be worthy of it.
No matter that love’s gone We just see it shining We’ve traveled very far, I’ll Keep a leftover light burning So you can keep looking up Isn’t that worth holding on?
April runs out of time this week, and perhaps that’s best for a month that was such a wild rollercoaster of weather, a riotous ride of emotional and astrological mayhem. As we careen to the end of such a month, this blog has a few more tricks and treats up its sleeve before the glorious entry of May. For now, the weekly blog recap of all that just happened, where you want it or not…
“If a Virgo in your life seems unhinged, honestly they’re not. They just realized they’ve been doing everybody else’s job this whole time and quit without notice.”
While the wine no longer moves me, the perfume of the lilac holds me in sway. Entranced by its potent beauty, I swoon beneath the influence of its exquisite fragrance and delicate shading. Embodiment of spring, emblem of hope, and enticer of all who seek beauty in this world, the lilac is muse and temptress – promiser of delights, sage of inspiration.
Enrapt by the charms of the season, I fall deeper under its enchanting pull every day. As more buds swell and explode – with flower and leaf and root – I’m reminded of the sensual delights that the warmer days will soon bring. Is it terribly wrong to lazily lap up the indulgence of the sun when for so long it’s been absent?
A rebirth of sorts feels in the stirring, and I’m happily powerless of letting it wash over and baptize me anew. A second coming at the tail-end of middle-age, perhaps, and the lilacs have only just begun to tell their perfumed stories…
Movie-makers are being advised to repeat key plot points at various points in their movies because audiences can’t sit through a fucking movie without being distracted by their phones. My niece and nephew do this all the time – they will periodically check their phone if we are watching a movie at home or in the theater, as if their CEO is breathing down their neck waiting for an update on something. They’re only sixteen, so it looks like the next generation is already gone when it comes to any sort of attention span.
Part of it probably stems from the ten-second window within which people now expect to be grabbed or wowed or impressed enough to retain any sort of allegiance. Part of it might stem from the quick-paced way Tik Tok and social media works – and the way that podcasts and videos offer the option of double or triple speed playback. I’ve never taken part of that because my brain isn’t wired that way. It would seem to suck out all the enjoyment of something – if you are engrossed in a podcast or video, if you’re interested in the topic and loving what they are saying, why would you want to rush through it? It might allow for you to ingest more, but ingesting something is decidedly and crucially different than digesting something. Quantity rarely bests quality – our rush to take in more and more and more doesn’t help in deeper understanding.
That also feeds into the epidemic disaster that is FOMO, currently derailing all sorts of meaningful moments because people are so obsessed with what they might be missing – an overload of possibility, and an inability to make a decision and stick to it without wondering if something better is happening; what a horrid way to go through life.
But I’m old now, and honest enough to acknowledge that this could just be the ramblings of age, the way it’s been through centuries. I don’t entirely buy that – it feels different, and teachers I’ve talked to indicate that there is very much a marked difference in how long a student can focus now than just a decade ago. That’s a little too dismaying to think on for any length of time, and for a Sunday morning I’ve left enough dour words for the final gasp of the weekend.
“If I had a flower for every time I thought of you…I could walk through my garden forever.”
– Alfred Tennyson
The garden in spring might be the most romantic garden of all the year. Maybe it’s the freshness, the relief from winter, or the temporal nature of so many spring flowers. Ephemeral delights, not meant to last, not designed to withstand more than a few hot days.
His latest book, ‘The Castle of Stories’ is due to be released in the coming days, joining the pantheon of work he’s already written – ‘One Love’, ‘The Secret Life of Albert Entwistle’, ‘Becoming Ted’ and ‘The Madonna of Bolton’. If that wasn’t enough, Matt Cain also co-founded a new LGBTQ+ independent publisher, Pansy, which solidifies his crowning as Dazzler of the Day. A stacked resume of published writing from years of freelance work, in addition to years of support and volunteer endeavors for the LGBTQ+ community, cement his status as Dazzler. Check out his website here for more of his brilliance.
Gazing directly into the eye of the phone camera, I pause for the cajillionth selfie of my life. Worn weary by decades of self-examination, the self finds new ways of renewing and reviewing its existence if we allow it room to grow. Humans get rootbound too, and so many of us are afraid of potting up (people often being averse to great change, particularly in their accustomed environments). I’ve usually welcomed the opportunity to grow and expand, to take the shoes and confining belt off at the end of the day, to spill messily into the next stage of life when we don’t know quite exactly where we’re headed. It’s taken me years to reach this state of relative ease, and countless days of meditation and practice to start being even slightly ok with it, but I’m much more accepting of this imperfect mess of life – a mess we should learn to love, especially with all our mistakes and missteps.
There’s a certain freedom in being so open and honest about where we are and what we are feeling, especially when it’s an acknowledgment that things are less than perfect, that we have failed in some areas, that we didn’t rise to our best at a certain moment. That’s sometimes the key to moving forward – not getting hung up on the messiness of life. For so much of my existence I’ve wanted to avoid, prevent, or clean it up, when all that time getting into the muck might have been the best way of moving through the muck.
Music has always made the people come together, and when certain songwriters access love and loss, pain and jubilation, and sadness and longing that aligns in lovely form with haunting melodies and vocals, it’s the synergy that moves my heart perhaps more than any other art form. No one does that better than Mitski, whose thoughtful and introspective lyrics match the delicate and moving sounds of her songs. She earns this Dazzler of the Day, because her music speaks of spring, of hope, of what happens when humans find each other, no matter how they end up. Check out her website here for upcoming performances.
Cherry blossoms, caught mid-way through their dressing process, have paused in their show, refusing to be coaxed out in such cold, windy weather. Their reluctance is matched by their companion foliage – the leaves also remaining tightly bound, coiled into themselves in the face of such inhospitable iciness. Everything and everyone is hesitant to appear without the promise of the sun – but there is never such a promise, only the hope… a fervid, intense, passionate hope that spring leans closer to summer than winter, even if we are not quite there yet.
Oh joy’s arise The sun has come again to hold you Sailing out the doldrums of the whole week The polyphonic prairies here, it’s all around you It’s all around you, out here
And if the whole world is crashing down Fall through space out of mind with me Where the emptiness we leave behind on warm air rising Blows all the shadows far away
Once the shadows depart, and the sun lets the sap start running again, a pair of ants will meet in the branches of a cherry tree. Maybe they’ve come from separate worlds, miles apart, finding each other compatible in a sea of millions where no other ant ever stood out. Maybe they’ve been nearby the whole time, simply unaware and unhappily alone without the other. A pair of ants is a wonder – an empire of ants is a metaphor. The human condition longs mostly for connection.
The falling alcohol empire, is here to hold you Rolling out and haunted ’til it sleeps
Little memories, marching on Your little feet, working the machine Will it spin, will it soar My little dream, working the machine
Soon like a wave that pass will fall And closing in on you they’re going on
A pair of ants in a world that seems hellbent on stepping on them finds themselves in a precarious position. Two against the masses, two against the world. So many odds stacked against them, so many obstacles standing in their way. Happiness is too often a thing of delicate fragility – take it when you can, before it blows away. Hold tight to each other, see yourselves through the night.
Little memories Your little feet, working the machine Will it spin, will it soar My little dream, working the machine
Soon like a wave that pass will fall And closing in on you they’re going on