Category Archives: General

Winter in My Childhood Backyard (Accompanied by Barbra Streisand)

A coupe of years ago, while I was working on the Bardo: A Dream Surreal project, I spent the night at my childhood home. My parents were away for the weekend – this was before the twins arrived and they still got away for weekends. The day was cold, and I stopped by my brother’s house to say hello and get sundaes from Fariello’s. When I returned to the house, it was already dark. I shot a few photos for the project – a candelabra was involved, throwing flickering shadows down the hallway and up the stairs. Had I not grown up in the house, I would have been rather frightened by being there alone. As it was, I knew it well, but there is still something scary about being in a house all alone on a cold night in January.

I turned on the television. ‘The Way We Were’ was just starting. Now, gay men of a certain age please turn away, I’ve never been a big Barbra Streisand fan. I’m just not. Yes, she can sing, yes, she can act, yes, she can direct. I’m simply not impressed by much of it. That said, many people have told me that I just need to sit through one of her movies to witness the magic. While I could admit a certain fondness for ‘Funny Girl’ (mostly because of the costumes and that train case), that’s where my time with Ms. Streisand ended.

Yet on this lonely night, when the cold threatened to drive me under the covers and into the darkness, I threw myself onto my parents’ bed and watched the story starring Ms. Streisand and a very youthful Robert Redford unfold. Circumstances and surroundings conspired to put me in the perfect mood for this movie, and I must confess to being moved by it, and some of the music. It took me out of the darkness and into another world, the way only the best movies manage to do. I forgot about any fear in my heart, or anything lurking in the rest of the dark house, and I followed these two characters as they made their way to California and back.

I went to bed comforted, and content. Snow fell during the night, muffling the house from any outside noise. I awoke and shoveled the driveway quickly, then went back to my own home.

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Lip Syncing For Her Life

Do I care that Beyonce lip-synced the National Anthem at the Presidential Inauguration? Not really. I do somewhat mind that I was duped, as I proclaimed my love prematurely on Twitter, saying that I was a new fan based on that performance – but in the end I’m relieved because now I can go back to not being a fan, which is always where I’ve stood regarding Ms. Knowles. (Or is it Ms. Z?) Anyway, I can’t pass too much judgment, as I recall some killer performances being lip-synced in service of production – but that didn’t seem to be the case here where understatement and honesty were the marks of the scene. We’ll see what Beyonce does for her own Super Bowl performance. She’s got a tough act to follow, and I don’t envy anyone having to fill those heels.

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After A Decade, Indulgence

One of the traits that has brought me closest to sanity is my ability to rarely indulge in looking back and re-examining things that have happened in the past. This year, however, after a decade of this website, I’ve allowed a little more of it. It turns out that looking back a year ago is much more interesting than looking back at last week. You can do the same (even if I haven’t quite updated all the past posts just yet – there are simply too many) by scrolling down to the bottom of this page and looking under the ‘Archives’ button, which will drop down and allow you to select one lucky month from the past… For this post, I’m digging back exactly one year ago – to January 2012:

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Spotlight on The Circus Project

When kids are different, you just know. You can tell ~ adults can tell. And the quiet kids were never, well, you know, they just don’t fit in. And if you don’t fit in at the beginning, you never really fit in, ever, do you? ~ The Circus Project

As we continue to bask in the glory of a decade of this website (a.k.a. contemplate how wretchedly old we’ve become), today’s Project spotlight shines on the work that was released in April of 2008 ~ The Circus Project. Like any parent, I’m not supposed to have favorites, but if I did The Circus Project would be one of them. It weaves a loose narrative of a lost young man taking up with a traveling circus for a season among photographs that hint at what a life like that might be. More important was the underlying theme of what it means to be an outsider, and what it feels like to never belong.

He grew up quietly, secretly… smartly. Never betraying his hand, never indicating a weakness ~ he had to, he had no choice. What does that do to a person? What does that do to a boy? It’s never cut and dry, never black and white. His shading was… not gray, not dim so much… I hesitate to say darker… his was… quicksilver. It couldn’t be bound by color or description – it defied everything. Yes, that’s what it was – defiance. And he would bleed for it. I think we’ll all bleed for it.

He liked being a part of us, but he enjoyed being alone too. I’ve seen a few solitary circus types, and they’re… different, even for circus folk. You join the circus to be a part of something, when you don’t fit in anywhere else. Loners don’t last long here.

There was one way to escape from the circus. You had to become the ring-leader, the master-of-cermeonies, and you had to chart your own course and destiny. It was that or die.

There’s a cardinal rule, red as sin and diabolically inviolable: there can only be one ring leader.
And they always end up being resented for it…

~ The Circus Project ~

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Movies of Winter

One of the few consolations for getting through an upstate New York winter (particularly if you don’t ski) is finding solace in the fact that fellow winter-weatherers are going through the same thing. My friend JoAnn usually makes it up to visit at some point in January or February – and her visit acts as a bit of an oasis in the frigid expanse of this most dismal season. We don’t go out much – just a trip to Faddegon’s for the greenhouse, and maybe the Fresh Market for dinner supplies – and the rest of the time we stay cozy and warm in the house, sipping cocktails in the candlelight or watching a movie snuggled in the heavy plush blankets in the cellar. Here are a few of my favorite winter movies to watch on such nights, when the winds whip around the house, and the ice and snow threaten the air:

Beautiful Girls - Set in the snowy winter and based on one man’s return to his hometown for a high school reunion, this ensemble piece makes the most of its winter setting, with some ice skating and ice fishing scenes, and an enchanting turn by a young Natalie Portman.

Nobody’s Fool – Paul Newman stars in this upstate New York tale of an aging construction guy, whose lackluster life is mirrored by its wintry surroundings and cheerless snowy nights.

Boys on the Side – This road trip with Whoopi Goldberg, Drew Barrymore, and Mary-Louise Parker starts off in a Northeast winter, when the girls begin their journey wrapped in coats and dowdy winter hats, but finishes in the sun and warmth of the Southwest. That’s the kind of road trip that inhabits my winter dreams.

Why Did I Get Married – While one of the weaker movies here, the snowy backdrop of a winter weekend get-away lends it a cozy feel, and watching Tyler Perry act all butch is always an awkward exercise in pained entertainment. Janet Jackson is here, and she doesn’t embarrass herself too badly, but it’s Tasha Smith as Angela who steals the show.

Winter has a weird way of bringing people together – either in shared commiseration or joint revelry in the face of all the depression. The movies above exemplify that feeling for me, in the way the characters relate to one another, finding solace in each other’s company – because we’re all in this wretchedness together.
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A Key Without A Lock

It sat in the midst of all that chaos – a single ancient key, probably not even fitted to any of the doors currently in place, but retained, as so much of our useless baggage is, “just in case.” A sad-looking thing – items that have lost their purpose or become obsolete are always sad to me – it still holds onto its form, an obstinate refusal to change or morph into something else. Maybe it will be left for those next in line, or maybe it will be thrown out. Some things serve their purpose, and, having done so, depart with grace and no further ado. Maybe someone will hang onto it, carrying it with them as they move somewhere new. It is possible to imbue something with meaning where none really exists. We are, after all, living in a material world. But that’s another story, one that has already been written, and one that will be written all over again. One day, beyond the scope of what most of us can imagine, this key will cease to exist.

Every once in a while I’ll have these thoughts. I’ll question everything I thought I knew, like I did in one of the first courses I ever took at college – an Introduction to Astronomy – when the professor presented us with galaxy upon galaxy, endlessly advancing, and I’ll feel so small and insignificant I momentarily fail to see the point of one more minute. But the moment passes, as does the minute, and then another, and my pondering is replaced by the mundane, the habitual, the continued ebb and flow of life, and I can forget the big questions once again, lulled by a false, yet honest, sense of reality.

Do not ask me what it’s all about. Do not force me into a philosophical conversation about what it all means. Do not even reference this post. I’ll laugh it off. I’ll joke it away. I’ll distill it into the mad ramblings of a moon-fed lunatic. We are all fools. Stay on the inside of the joke.

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The Thaw

As forecast and felt in the previous week, we have our first official thaw of the season. The air is thick with fog, water vapor rolls off the snow banks, and the tree limbs of the cherry dangle water droplets like Christmas lights – each orb taking in the muted light and dispersing it in more focused brightness. I don’t dare step into it, for fear of taking in a breath of Spring that is far too far away. Sometimes it’s best not to taste it, so unbearable would the return to our regular winter weather be.

Yesterday the birds were taking turns at the bird bath. A cardinal splashed around in it first, chased away by a pair of bullying bluejays. A woodpecker swayed on the tallest stalks of the sturdy fountain grass, and a squirrel slinked along the backyard fence. Even though it’s winter, the world is still alive, the pulse still beats beneath the melting snow.

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Viewing Whip Lash, And A Breakneck Golden Globe Dress Rundown

From a marathon of Martha Stewart cooking lessons and a pair of Sunday Football games, to the Golden Globes and a detour to ‘Downton Abbey’, this afternoon/evening of viewing selections has my head spinning. Here are my first-look quick-takes on the dresses of the Golden Globes (I may or may not update these as the evening progresses):

  • Zooey Deschanel – Your fingernails are the biggest joke, the dress a close second.
  • Katherine McPhee – Katherine McSlutty.
  • Claire Danes – Classically gorgeous in Versace – that’s how you do red.
  • Amy Adams – You forgot to do one side of your hair. Not sure which one.
  • Ne-Ne Leakes – Nay-Nay.
  • Julianne Hough – My favorite of the evening. (I like it over-the-top, even the punky hair.)
  • Jodie Foster – So much for bucking badly-dressed-lesbian stereotypes (assuming you’re a lesbian – not sure what you were saying exactly). PS – I will never like navy. Especially beaded navy. What is the point of beaded navy?
  • Olivia Munn – Take that turquoise bead craft basket off this instant.
  • Lucy Liu – Why the ratty side pony, and a dress cut from my mother’s curtains? Why oh why oh why?
  • Jessica Chastain – I love you, and it kills me that your hair was styled like that and your dress so ill-fitting.
  • Jennifer Lawrence – What in the hell is that dress doing to your breasts, and why would you let that happen?
  • Taylor Swift – I actually don’t hate the dress. But I still hate you.
  • Julianne Moore – In Tom Ford. I love him too much to say anything now.
  • Halle Berry – A rare mis-step – wretched and raggedy.
  • Eva Longoria – I think I just saw your labia through that slit.
  • Giuliana Rancic – Love this – elegant, delicate, and a severely chic neck-line.
  • Nicole Kidman – Love you, love McQueen, but this fell short of expectations.
  • Sienna Miller – Lose the bib. Oh wait, that’s your top.
  • Adele – I think you’re gorgeous, but that dress is totally disguising it.
  • Kate Hudson – Sorry, Morticia, those garish golden accents have got to go.
  • The President of the Hollywood Foreign Press – Thank God you were funny. Because your accessories were too.
  • Salma Hayek – You took out one of those Golden Globe kids with either the front or the back, didn’t you?
  • Jessica Alba – I don’t know how it stayed up, but the color and the mermaid tale of the dress were perfection.
  • Bill Clinton – What the fuck are you doing here?
  • Jennifer Garner – That’s a pretty color for a garbage bag.
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Classic Shot Series ~ Sepia Rope

Continuing our month-year-long celebration of a decade of www.ALANILAGAN.com, this is one of the “Classic Shot Series“, taken some eight or nine years ago. Someone on FaceBook (whose profile pic was some cat or flower) challenged me to what made these photos “classic”. I thought of a number of responses, but in the end it came down to this: because I said so. And screw anyone who’s going to critique my pictures when they don’t even display one of their own for their profile.

This set was also shot for ‘The Divine Diva Tour: A Fairy’s Tale’, intended for the build-up to the finale, which takes a darker turn. The notion of a picnic basket lends a fairy-tale aspect to the scene, but the rope inside gives it a decidedly different feel. Both menacing and threatening, there is also a comedic element that is exemplified by the sunglasses and the shoes – dangerously high platforms that, in person, removed any real danger to the persona on hand.

Tie me up, tie me down…

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A Poetic Preamble for 13

Thirteen Ways of Looking At A Blackbird
By Wallace Stevens

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII
The river is moving.
The blackbird must be flying.

XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

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Family is Family

This clip has been making the YouTube/FaceBook rounds for a couple of days, and until today I ignored it. Assuming it was some Susan Boyle type performance where this kid starts off shaky then turns into some wild Josh-Groban-wanna-be song stylist, I really couldn’t be bothered. Well, I have never been so wrong to dismiss something sight unseen. Take a look and tell me you didn’t tear up.

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Bird in a Bush

A cardinal sits in the bare branches of a mock-orange bush outside our dining room window. It is unlikely that he is searching for peace – no, he is probably searching for seeds, or somewhere safe to sleep for the night. It is a different perspective, and a welcome one. The search for peace is a luxury when there are so many other vital components of survival that require seeking. Through the eyes of a cardinal, I am reminded of this. In the quick questioning tilt of his head before he flits away, I am faced with that challenge. All that seemed important suddenly vanishes in the crimson flash that is now gone.

The memory of his vivid plumage stays with me, like a smudge of red ink on my finger. It is a comfort in the barren expanse of Winter, a welcome stain of berry juice from a summer day culled from the past. I can hear the splashing of the pool, feel the beating of the sun – or is it the crashing of waves from the future, and the tickle of sand on my feet?

Outside, the night approaches. A January thaw has been predicted. The banks of snow will rise into the fog. Hold onto your hearts.

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The Press Release a Decade in the Making

It’s been quite some time since FaceBook forced us to write about ourselves in the third person, and I’ve missed it. There’s something very analytical about that, vain and vapid too, so it suits just about every part of me. In honor of that, and the ten-year anniversary of this site, I present to you the official Press Release on the decade which came before:

FOR IMMEDIATE RELEASE

Ten years ago Alan Ilagan invited the world to the virtual party of www.ALANILAGAN.com, and since that time the revelry has raged every day.  From writer to photographer, poser to pantomime, gallery manager to exhibitionist, and husband to Uncle, he’s tried on a lot of hats over the years, every one photographed, chronicled, and archived on this very site. Revealing a lot while revealing very little is the hat trick at which he is most adept, and beneath every revelation he has made is another tantalizing veil, a hint at ever more to come. 

This is where his talent for combining the written word and the visual image comes into clear focus. This is where he gets to experiment, explore and play ~ unabashedly showing off no matter the risks or mistakes that might result. It’s a sight to be seen, a voyeuristic and clandestine adventure, one in which the sharing of a journey has become an art form unto itself.

Somewhere along the ensuing decade, the site became about more than Mr. Ilagan himself. It was a mirror of all sorts of things ~ celebrity, art, music, beauty, pop culture, gay rights, marriage equality, family, love, and friendship ~ not only in the way he saw the world, but in the way we saw the world. It was no longer about Alan as the sole attraction, but more of a community cocktail party. He’d make the drinks, but he wanted you to be a part of it. An integral part of it. In fact, the reason for it. Like the parties he’s thrown, it’s become less about the host and more about the guests. While it feels like an exclusive event, one never gets the notion that they are anything but included in the festivities. Sometimes the gathering is elegant, sometimes it’s raunchy, and sometimes it’s too much for words – but it’s always engaging, it’s often enjoyable, and everyone is always welcome.

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If I Could Melt Your Heart

Never one to wish for frozen temperatures, or a cold and cruel Winter, I do fear a thaw coming at this time of the year. A thaw is a dangerous thing. A thaw messes with the mind. I still recall a thaw that came in January of 1995. Walking in the melting snow, lost amid the fog and the feelings, I remember the yearning of my heart, the misdirected obsessions, the unrequited love – or the closest I could come to love at the time – and, swirling as it did in the mild water vapor, the fog of the snow banks matched the fog of the mind.

In my ‘Whimsy’ Project of the time, I sought out creative expression, hoping for some ease or relief, but finding only a mash and jumble of words and products ~ losing my way amid the fluff, getting carried away by the airy confections, anything to distract from the truth. The fog has that effect on the heart and the head. I wished for someone to appear on one of those nights, and maybe someone did. I knew who he was, but I didn’t know where he had come from, or if I had conjured him ~ whether he was real, whether his kiss had warmed or cooled my lips, or if the night had been so wet I had only to open my mouth and the whole universe left it moist from a thousand kisses. The coldest kindness can feel like the warmest embrace when the rest of the world is so frigid. Therein lies the risk of a thaw. Like the otherwise-perennial plants lost to the heaving that comes from such weather extremes, the heart can be irreparably broken when given sudden careless warmth in the midst of a barren tundra. The flowers that bloom there do not last very long, and are so small they are seldom even seen.

So save the brief reprieve and give me the real Winter. Batter me with the wilds of wind, the sharp sting of snow – pelt me with your ice and sleet and frozen shards on tips of lashing limbs – just do not tease with the promise implicit in a thaw. That promise is too far off. We’ve had our Fall. Let us have our Winter. There is no other way to get to Spring.

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An Asset to the Abbey

“A family must never be a topic of conversation.” ~ The Dowager Countess, ‘Downton Abbey’

A more fitting quote could not have been conjured as I sit here on a Sunday night watching the Season Premiere of ‘Downton Abbey’. Following a day – well, a month – of family issues, I was on the verge of purging all that’s been going on, and writing it all out here, but they aren’t my issues at stake, and not my place to speak of them. Sometimes it’s good to have a reminder from a Dowager. Sometimes I’m too blunt, too coarse, for my own good. For the good of others too… perhaps more-so.

And so I find relief and escape in the fading aristocracy of a family, and world, very much removed from my own. A soap opera with British manners, and Dame Maggie Smith – I’ve missed this. It’s so much nicer when the intrigue and the drama is made-up – even if what goes on there mirrors what is happening here. Properties come under peril, histories come under scrutiny – the language of a family is rife with particular dialects, subtle nuances, tricky traps, emotional minefields, and hidden pockets of hurt. You can change almost everything about your life today – your friends, your lovers, your husbands, your wives – but you cannot change your family. A lot may have shifted in the world since the time of ‘Downtown Abbey’, but that much remains the same.

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