The Contortionist

A door to a memory corridor has opened. Allowing in just a little light, it is enough to navigate the first few feet of space, the first few memories. Dusty and musty, with cobwebs to tickle the ears, the place is dim, but if I concentrate enough and focus, I can find my way along the darkened hall, reaching portals to more distinct memory planes. Excavating such passages is sometimes dangerous work ~ there is something to be said for leaving things in the past. How does the saying go? When you dig up the past, all you get is dirty

Twisted all my limbs for you
Two of them in knots and two of them in loops
Ribbons tied around like a noose
Wonder if I’ll ever get it loose

I don’t wanna bruise for you
Holding back my words until my face is blue
I don’t really care about your crew
You can tell ’em what you wanted to

Sometimes one needs to get down in the dirt, to play with the past so as to make sense of present predicaments. This is the year for nostalgia too, as we celebrate milestone birthdays and anniversaries, including the 30th anniversary of when I found the Boston condo and convinced my parents to invest in it (which turned into the most lucrative investment of their lives). Fall brings Boston back to mind, and with it countless memories of decades ago, when living there alone made a warrior out of me. 

Bones are crushing, bones are crushing (pushin’ me)
Bodies touching, bodies touching (lovin’ me)
Blood is pumping, blood is pumping (pullin’ me)
Feeling nothing, feeling nothing (fuckin’ me)
Bones are crushing, bones are crushing (crushin’ me)
Bodies touching, bodies touching (touchin’ me)

Being a single gay guy in Boston in the 90’s was very different from what it must be like today. There were no social media or online hookup apps, so connecting with other gay men on the prowl was a game of hunting and gathering, with the high-stakes pay-off of not having to spend a night on your own. Back then the only way we had to connect was to pick up on a knowing glance, a look held just a little longer than normal, a smile and the crinkle of a kind pair of eyes. A dance of desire would ensue, usually ending up in someone’s apartment, an awkward introduction and quick dismissal of roommates, and the frantic frenzy of a desperate act of sex in the search for love. I wish I’d known then that sometimes the chase and the sexual act were a means and an end all of their own. 

I’m done, I’m done, done doin’ back bends, I break and I snap
It’s no fun, no fun, pushed myself into a box while you held
Out a gun, I’m done, ooh-ah, ha-ha, ha, ha, ha-ah
I’m done, I’m done, oh-ah, ha-ha, ha, ha, ha-ah

Twisting all my bones like screws
Stretching my self-worth, just like you usually do
Caught you like the cold or a flu
Praying that I’ll someday be immune

Got me like a bad tattoo (ooh-ooh-ooh)
Always under skin, even when it gets removed (ooh)
Never get a chance to undo (ooh-ooh-ooh)
Positions that you forced my way into (ooh)

On rare occasions I did understand this, and on those evenings I could let down my persistent guard, give in to the sheer abandon of the night, and indulge in a primal release that would rival the tentative steps to love I was usually so careful to make. The body would give in to its pleasure, sensations falling around us like the petals of a peony that let go all at once ~ a cascade of orgiastic ecstasy, sending ripples deeper and deeper into the night. Come the morning, the only danger was in risking an emotional connection by sharing something raw and tender, something easily prevented by a hasty exit and utterances of empty promise

Bones are crushing, bones are crushing (pushin’ me)
Bodies touching, bodies touching (lovin’ me)
Blood is pumping, blood is pumping (pullin’ me)
Feeling nothing, feeling nothing (fuckin’ me)
Bones are crushing, bones are crushing (crushin’ me)
Bodies touching, bodies touching (touchin’ me)

More often I was alone then, it being against my nature to be forward enough to invite anyone over with any regularity. I’d twist my internal justifications around in my head, contorting my feelings into something manageable, and almost convincing myself that it didn’t matter. There was a difference between being alone and being lonely, and I determined and insisted that I was only indulging in the former. To admit loneliness would have been to admit defeat. Ever the contortionist, even then, the mind led the body, and the body followed – undefeated.

I’m done, I’m done, done doin’ back bends, I break and I snap
It’s no fun, no fun, pushed myself into a box while you held out
A gun, I’m done, ooh-ah, ha-ha, ha, ha, ha-ah
I’m done, I’m done, ooh-ah, ha-ha, ha, ha, ha-ah

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Ben Cohen Saves the World

There was talk that he might not do a calendar this year, but Ben Cohen rallied and realized the world needed this more than ever. Teaming up with longtime collaborator Leo Holden of Snooty Fox Images, the Ben Cohen calendar is once again available for viewing pleasure throughout all of 2026. It usually sells out with a few weeks, so head on over to the Ben Cohen website here to order yours before they’re gone.

See also these Ben Cohen Calendar posts from the post:

Ben Cohen Calendar 2025

Ben Cohen Calendar 2024

Ben Cohen Calendar 2023

Ben Cohen Calendar 2021

Ben Cohen Calendar 2020

Ben Cohen Calendar 2019

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Mr. Oud Makes a Musical Selection

He remained, right up until the end, somehow unknowable. Even with all of his eventual revelations, all the written secrets, published and unpublished, even with all of his pictures and photo shoots, his relentless self-promotion and sustained social media presence, he stayed such a secret. 

He told you repeatedly you didn’t know him.

You don’t know him.

Mr. Oud wanted to be known, just not in that way.

You give your hand to me and then you say, “Hello”
And I can hardly speak, my heart is beating so
And anyone can tell, you think you know me well
Well, you don’t know me (No, you don’t know me)
No, you don’t know the one who dreams of you at night
And longs to kiss your lips and longs to hold you tight
Oh, I’m just a friend, that’s all I’ve ever been
‘Cause you don’t know me (No, you don’t know me)

Oh, I never knew the art of making love
Though my heart aches with love for you
Afraid and shy, I let my chance go by
A chance that you might love me too (Love me too)

He maintains a murky state of suspension, some colloidal haze that surrounded his every movement, and even his absence, as if a fragrant fog would descend upon every mention of his name, every story whispered or shared in his wake. 

You give your hand to me and then you say, “Goodbye”
I watch you walk away beside the lucky guy
Oh, to never, never know the one who loved you so
Well, you don’t know me

Mr. Oud sits languidly in a little lobby bar where this song plays in the background. It is the end of summer, or the end of winter, because all the seasons are one in a little lobby bar. Mr. Oud is a man of all seasons, defying weather as much as he defies augury, then he remembers he knows nothing of Shakespeare. The song plays him off, though you don’t notice until it is over and he is gone again.

Oh, I never knew the art of making love
Though my heart aches with love for you

Afraid and shy, I let my chance go by
A chance that you might love me too (Love me too)
Oh, you give your hand to me and then you say, “Goodbye”
I watch you walk away beside the lucky guy
Oh, you never, never know the one who loved you so
Well, you don’t know me

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Squirrel in the Sky

Our squirrels and birds and chipmunks have been feasting on the bountiful dogwood fruit harvest this year, and by feasting I mean going bonkers and cuckoo for the pretty red fruits dangling in the sky. The squirrels especially have become contortionists and acrobats in order to secure their mealy meals, balancing on precious perches and somehow never falling or losing their footing (pawing?) – they are little circus performers and whenever Andy and I catch their act we pause in our day to watch for a bit.

This is crunch time for these creatures – saving up for what is typically a long and lean winter. While it’s a circus act for the eyes, it’s life or death for them: the dangerous life of a squirrel, where if the flying danger from an airborne hawk doesn’t get you, an extended winter without access to sustenance might. Fall casts a deceptively comfortable spell if you lose your focus.

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#TinyThreads: An Insignificant Series

All I wanted to do was play Block Blast and the ads are attacking me like I’m some dried up old prune.

Is no place in this world safe anymore? I thought this was a game for the children…

#TinyThreads

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A Cornucopia Shirt

Betsy said this shirt looked like a cornucopia – a comment that was semi-supposed to roast me, but which I took as a compliment. This is very much a fall shirt, and if you get ‘cornucopia’ from it, so much the better. (Coming from a lady decked out in navy head to toe 24/7/365, I’m cool with her take, and I embrace the pre-Thanksgiving hint.) Corny horns!

Our musical selection of the morning plays up our Autumn of Oud theme, with a relaxing vibe that sets this warm Saturday into pleasant motion.

Like a cornucopia, this post is a collection of a little of everything – the typical categories of this site through the years: fragrance and music and seasonal sparkle. (And for those seeking something more superficially gratuitous, there are Tom Daley and Speedo categories as well.)

Happy Saturdaying!

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Mr. Oud Makes Mysterious Motions

Oceans away, a man of mystery has shifted shape and time. Backed by rocks cut by the sea and buffed by the wind, a black cloak swirls about him, obscuring form and figure, while a wispy hood of dark gray hair simultaneously frames and conceals his face. Is this the mysterious Mr. Oud, so recently introduced and still so out of focus? The wind is too strong to discern his tell-tale fragrance and namesake

He appears as if walking on water, but we know it better to be desert, and the mirrored surface is some combination of heat and optical illusion ~ a sleight of sight Mr. Oud would very much enjoy. Or so we would assume; assumptions are all we have when it comes to the mystery of Mr. Oud. While every person is their own mystery, some insist on revealing far more of themselves than was ever asked. (Ahem.) Mr. Oud was never forthcoming that way, and perhaps thatís why we follow him a little more closely. What fun is there in chasing after what has already been thrown in your face? Gazing upon a pair of pasties will always be more scintillating than gazing upon a pair of nipples. Gypsy Rose Lee understood this, and so should you. 

Mr. Oud is above such crude analogies, and his black cloak has billowed into a beige trench coat lined with Burberry plaid, his hair suddenly swept into a manicured coif, and his surroundings a sea of concrete sidewalks backed by buildings that soar out of sight. Mr. Oud is on the move. 

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#TinyThreads: An Insignificant Series

After decades of ordering at Starbucks, one thing has become clear: the decaf Americano is always forgotten.

#TinyThreads

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Where Was This Song When I Needed It?

Certain songs arrive later in life than we would like have liked, long after the fact and the situations where they might have helped with some resonant emotional advice, or some carved out nook of musical catharsis or healing.

See ‘Madness‘.

See ‘Bad Guy‘.

See ‘The Lake‘.

See ‘How Bad Do You Want Me?

See ‘All Too Well‘.

See ‘Breathe Me‘.

See ‘The Lake‘ again.

See ‘The Night‘.

See ‘Fall In Love With Me‘.

And now this beautiful gem, ‘You’re Here That’s The Thing’ – which I really needed several decades ago, when my heart would stir at the turn of every cute guy come every autumn…

… Catch the rain
Even on a sunny day
I swear I’m not excusing, I’ll cross my heart to prove it
But she seems tired ’cause we’ve been through this

These days part of me years for that stomach of butterflies again, that state of fevered bliss and catastrophe, when you’re not sure if you want to cry or vomit or laugh; the rollercoaster of emotional mayhem was a ride I always took, even if there was a line. Inhabiting those spaces from a safe vantage point is an interesting exercise in regaining one’s idea of youth.

… And I know you said that we’re not a thing
But you’re here, that’s the thing
And I’m not trying to give you a ring
Well, maybe on the phone if you let it sing
You’re overcomplicating everything

… When the lights go down, don’t say I didn’t warn ya
I don’t think that’s legal in the state of California

This song feels more innocent and lovely than the questionable shit I pulled in those heady days. Thinking back to my younger and more foolish moments (though some would argue less and have a fair point) I wonder if hearing this would have calmed or quelled my racing heart. In all likelihood, it would have only added fuel to the desire fire, giving my over-stimulated brain some scrap of hope that should have never been there in the first place.

… I’ve got you wrapped around my finger like a piece of ribbon
You just won’t admit it that you’re smitten
Hold on a minute, please, won’t you listen?
‘Cause I’m not sure… if you’re into me like I’m into you

… I said a lot of stupid things in the winter
Once the ice got thinner
But somehow, we managed through the fall
So I guess it’s not that bad at all

Like the little white daisies pictured here – not daisies at all but asters, and I’m not even sure of the difference and distinction – I’m keeping life as light as possible. Like this song – it could be saying a lot, it could be saying everything – or it could just be something to fill the background of your Instagram reel with a vibe and an atmosphere – no more, and possibly even less.

… That we’re not a thing
But you’re here, that’s the thing
And I’m not trying to give you a ring
Well, maybe on the phone if you let it sing
You’re overcomplicating everything

… When the lights go down, don’t say I didn’t warn ya
I don’t think that’s legal in the state of California

Never let it be said that there is an issue I cannot overcomplicate, overthink, overanalyze, or over-anything – my head knows no rest, my brain knows no way to stop. Meditation has helped, as has therapy, and great strides have indeed been made, but I’m just at the start of those journeys, even if it’s been years. The great undoing has only just begun.

… I’m going away
Did I forget to mention how long I’d stay?
Is that a question for another day?
But while we’re away

… And I know you said that we’re not a thing
But you’re here, that’s the thing
And I’m not trying to give you a ring
Well, maybe on the phone if you let it sing
You’re overcomplicating everything

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Wisdom Found in Peanuts

Our weather has been super-fine this fall, but rain is undoubtedly on the way, as is an entire winter, so this is a reminder to get out and enjoy while it’s nice, and prepare to enjoy when it’s not. So much of our happiness is about perspective, and being able to shift that is one of the key components to a happy life.

Snoopy always has the best ideas. Happy Friday Eve!

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‘Myrrhe Mystere’ by Tom Ford

The spooky season calls for something smoky and incense-like, and while our fall oud theme is befitting, this offering from Tom Ford’s Private Blends is an underrated gem for that sort of vibe. Originally I got a small bottle of this because I was only going to use it for a Stevie Nicks concert, but it has become a fall favorite in its own right for its pungent feel and seasonal magic.

The notes of myrrhe, vanilla, sandalwood and musk, tempered by some leather and jasmine, make it sound like a sweeter concoction than it is ~ I find it magnificently darker than how that reads on paper. There’s something resinous and smoky at work, and it carries a deeper patina than ‘Ebene Fume’, to which it has been favorably compared. (I’m a big ‘Ebene Fume‘ fan so any similarity would be celebrated.)

This almost approaches the vaunted holiness of ‘Amber Absolute’ territory, but stops sadly short of that original’s hallowed performance ground. Still, to even approach such a grand vision is a feat in itself, and ‘Myrrhe Mystere’ is a lovely scent for keeping warm and cozy on these darkening days.

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Fear Not October the First

We’ve been here before – and there is some semblance of comfort in that. At least, it’s what I’m telling myself to get through this next month of fall. When I look back at the past decade of posts for all the October firsts that came before, it does feel similar. There’s usually a few dogwood fruit posts, a transition to colder weather, the last of the precious garden flowers in deeper shades from the more tender time of year – in all, the same shit, different year. Cases in point to follow…

2024 ~ October entry. And a bonus glimpse into three decades prior.

2023 ~ A fall ballgame.

2022 ~ The smell of sex in the 90’s. (And a bonus meditation because it’s not all salacious.)

2021 ~ A fall fragrance.

2020 ~ When October comes.

2019 ~ The other Octobers.

2018 ~ Captured in a recap.

2017 ~ A fall by Tom Ford.

2016 ~ A peek at the end.

2015 ~ True blue baby!

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A Gratuitous Robert Irwin Post

Shirtless dancing should be a new Olympic category, and Robert Irwin should get credit for inventing it. He’s been seen in these parts previously wearing even less, but this turn on ‘Dancing With The Stars’ should win him even more fans. See a bit more of him here.

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#TinyThreads: An Insignificant Series

Does anyone actually read the words of a text anymore, or do they just see letters, not formulate anything, and just respond with gibberish? Asking for a friend. All the friends. 

#TinyThreads

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