Unpacking, Undressing

“For I am – or I was – one of those people who pride themselves on their willpower, on their ability to make a decision and carry it through. This virtue, like most virtues, is ambiguity itself. People who believe that they are strong-willed and the masters of their destiny can only continue to believe this by becoming specialists in self-deception. Their decisions are not really decisions at all – a real decision makes one humble, one knows that it is at the mercy of more things than can be named – but elaborate systems of evasion, of illusion, designed to make themselves and the world appear to be what they and the world are not.” ~ James Baldwin, Giovanni’s Room

“What happened was that, all unconscious of what this ennui meant, I wearied of the motion, wearied of the joyless seas of alcohol, wearied of the blunt, bluff, hearty, and totally meaningless friendships, wearied of wandering through the forests of desperate women, wearied of the work, which fed me only in the most brutally literal sense. Perhaps, as we say in America, I wanted to find myself. This is an interesting phrase, not current as far as I know in the language of any other people, which certainly does not mean what it says but betrays a nagging suspicion that something has been misplaced. I think now that if I had had any intimation that the self I was going to find would turn out to be only the same self from which I had spent so much time in flight, I would have stayed at home. But, again, I think I knew, at the very bottom of my heart, exactly what I was doing…” ~ James Baldwin, Giovanni’s Room

“He made me think of home – perhaps home is not a place but simply an irrevocable condition.” ~ James Baldwin, Giovanni’s Room

 

Continue reading ...

A Room in Boston, In Underwear

The scarcity of narrative forces the viewer to fill-in-the-blanks. Like a Choose-Your-Own-Adventure story (which I always hated – why make the reader write the book? And which ending is the definitive ending? What really happened??) in its infuriatingly obtuse and abstract construct, it offers hints and nudges, but no real directive. If you’re looking for answers here, you will come away disappointed. The essence of tease and release, the game at its most obstinate and inane. I would feel worse about it were there not other demons with which to duel. Confined by the frames and threatened ever by the cropping, it is a claustrophobic place to reside. It is, by my own design, a trap. A cage with the illusion of freedom, and plumage that grows more faded with the passing of time. This story is yours. Write it as you would have it written. Or better yet, listen to the words of James Baldwin:

“Now, from this night, from this coming morning, no matter how many beds I find myself in between now and my final bed, I shall never be able to have any more of those boyish, zestful affairs – which are, really, when one thinks of it, a kind of higher, or, anyway, more pretentious masturbation. People are too various to be treated so lightly. I am too various to be trusted.”

“Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.”

“Confusion is a luxury which only the very, very young can possibly afford and you are not that young anymore.”

“He looked at me and I saw in his face again something which I have fleetingly seen there during these hours: under his beauty and his bravado, terror, and a terrible desire to please; dreadfully, dreadfully moving, and it made me want, in anguish, to reach out and comfort him.”

Continue reading ...

A Pocket of Solitude While Awaiting A New Bed

Waiting for a furniture delivery is, strangely enough, one of my favorite things to do. It sounds odd, as waiting is, for most people, an annoyance. In the same way I enjoy waiting around an airport, or waiting for the arrival of an old friend, I find comfort in the anticipation, in the hours before. It’s also the only way to get me to stay put for any duration of time, and unlike, say, my brother, I don’t have a problem with sitting still. For our recent bed delivery to Boston, I was given a window from 12 to 4 PM on a Friday afternoon. I arrived by eleven, stripped the bed, did some dusting, and was ready by 11:07, well before the first possible moment they might even arrive. But no matter, as there was half a book left to read, two stories to finish writing, and a new television with a DVD player on which to watch movies (I could not, nor did I care to, figure out how to connect the cable). My only regret was that it was a sunny, gorgeous day outside (which I would miss for the rest of the weekend) but at the time it seemed like it would go on and on, and I simply enjoyed the sun inside the condo, like a cat on a sun-drenched carpet.

I made myself an egg sandwich, and put on a pot of tea ~ Spicy Ginger. I measured some of the walls in the bathroom for new mirrors. There are always improvements to be made, but we are much further along than we were when I allowed my parents to take over the bulk of decorating (sorry, Mom). It will soon be time to paint the bedroom and replace the dated blinds, but for now this will suffice. I toyed with the idea of turning on some music, and half-heartedly flipped through a few radio stations, but soon shut it off. The quiet of solitude is a luxury I’m not often afforded. I wanted to enjoy this.

At noon, I laid down on the couch, returning to where I left off in ‘The Marriage Plot’ by Jeffrey Eugenides. The previous week of running around caught up with me quickly, and after only a few more pages I slipped into a nap, which only lasted about twenty minutes. It would be too good to be true to have them deliver this early in the allotted time-frame, but I still hoped, pacing the floor and periodically looking down the street for a delivery truck. The next three hours passed in much the same unremarkable manner, the sun slowly shifting through the bedroom window, lengthening along the hardwood floor.

Around 3:30 PM, the call arrived that they were down the street and bringing the bed in. I opened the front door and welcomed the two delivery men. (Any fantasy of hot, sexy, sweaty delivery men marching up to my bedroom was promptly destroyed by the reality of the situation, most notably the smell of the two guys, who certainly had the ‘sweaty’ part covered, but that was about it.) After some hesitation, they managed to maneuver the queen bed up the flight of stairs and around the tricky corner, and removed the old one (minus the frame – does anyone need a full frame? It seems to be welded into one piece, otherwise I’d have dissembled it and brought it home.) It was tough, unenviable work, and I gave them each a $20 bill for their troubles, particularly since I didn’t lift a finger to help (the smell was honestly just too much).

By 4:00 they had finished up. I made the bed, which filled the space perfectly, expanding to encompass the tufted head-board at last. I allowed myself one brief moment on it, wanting to save the big event until the evening. I was due to have dinner with my friend Alissa, so I poured myself a high-ball while savoring the silence.

Continue reading ...

A Song for Travel

In the midnight hour of my last night in Boston – a night I was never intending to spend in that fine city – a song is played, and it’s the perfect song portending travel. It is a song from my childhood (I was raised on Peter, Paul, and Mary – and they would be the first band whose concerts I would attend, thanks to my Mom.) It’s ‘Leaving on a Jet Plane’, the meaning, scope, and emotion of which I could not access as a kid, so it didn’t become a favorite until many years later, when I was old enough to appreciate, to know, to understand. Part of me wishes I didn’t like it so well, that I didn’t know so much, but there’s no way to unlearn heartache. Besides, the beauty of this song more than makes up for it.

All my bags are packed I’m ready to go
I’m standin’ here outside your door
I hate to wake you up to say goodbye
But the dawn is breakin’ it’s early morn
The taxi’s waitin’ he’s blowin’ his horn
Already I’m so lonesome I could cry…
So kiss me and smile for me
Tell me that you’ll wait for me
Hold me like you’ll never let me go
Cause I’m leavin’ on a jet plane
Don’t know when I’ll be back again
Oh babe, I hate to go…

Most people, myself included, don’t enjoy saying good-bye. Mine are usually curt and quick, and it’s one of the only times when I’m truly glad to give a hug. You never know. You just never know… I try not to look back, I hate the good-bye wave, and if I could get away without saying anything and seeming rude, I would attempt it. Why prolong the sadness?

There’s so many times I’ve let you down
So many times I’ve played around
I tell you now, they don’t mean a thing
Every place I go, I’ll think of you
Every song I sing, I’ll sing for you
When I come back, I’ll wear your wedding ring
So kiss me and smile for me
Tell me that you’ll wait for me
Hold me like you’ll never let me go
Cause I’m leavin’ on a jet plane
Don’t know when I’ll be back again
Oh babe, I hate to go…

Oddly enough, I don’t recall this song playing a part whenever I left a paramour. It only resonated with friends and family, the people who have remained in my life through the years, and in leaving them I left the ones who knew me best, who knew me at all, and perhaps that’s why it was always sadder.

Now the time has come to leave you
One more time let me kiss you
Close your eyes I’ll be on my way
Dream about the days to come
When I won’t have to leave alone
About the time, I won’t have to say
So kiss me and smile for me
Tell me that you’ll wait for me
Hold me like you’ll never let me go
Cause I’m leavin’ on a jet plane
Don’t know when I’ll be back again
Oh baby, I hate to go…
Cause I’m leavin’ on a jet plane
Don’t know when I’ll be back again
Oh babe, I hate to go.

 

Continue reading ...

Tom Ford, Naked (With Tan Lines)

Andy was kind enough to give me the gift of fragrance for Valentine’s Day, and I narrowed my selection down to two of Tom Ford‘s Private Blend scents: Ombre de Hyacinth and Oud Wood. This past weekend in Boston I made the final decision, and chose the Oud Wood, filling in the seasonal fragrance gap I’ve had in Mr. Ford’s line.

Here are the Private Blends I currently have, and when I like to wear them, more or less:

  • Arabian Night ~ September
  • Amber Absolute ~ October
  • Japon Noir ~ November
  • Santal Blush ~ December/Holidays
  • Oud Wood ~ February/March
  • Neroli Portofino ~ May/June/July
  • Lavender Palm ~ July/August

Obviously there is bound to be some overlapping, and these are not strict guidelines, just general ones, as my cologne choices tend to be dictated by weather and season more than name. Additionally, the beauty of the Private Blends is that many are designed to work well in combination with each other, and it is the only cologne line that I’ve found in which this is true. (I’ve never mixed or matched anything else because it gets overpowering – which is sometimes the over-the-top point of Mr. Ford.)

Continue reading ...

Night & Departure

We’ll go back step by step for this latest trip to Boston, beginning with this morning’s departure, as seen below, and the night before, as seen above. You can’t hear the wind that was whipping about in the background here, nor see the curtains billowing from said wind. It was a cold night, but I managed to keep warm.

One of the nice things of staying alone in the condo (or unsettling for those unsettled by silence) is the quiet afforded there. It’s a quiet that can be created almost anywhere, if you know how to silence the distractions. I leave the television and stereo off, and listen to the creaking of the floor, the chiming of a lamp shade pull, the rushing of the wind. A whole other world opens up when you start listening to the quiet.

In the magical time when the sky turns that deep blue at both the beginning and the end of the night, there is a moment of transition ~ the moment of the turn ~ when I look back and ahead. It’s the same sort of thing that happens at the start and finish of a weekend away.

Continue reading ...

A 21st Century Renaissance Man

A bit of the Artist has to die with everything we create.
A bit of the Artist is always sacrificed.
There is no way around this.
And what is left behind?
If we’re smart we have carved out a place of loved ones and family that provides a foundation for our flights of artistic fancy, a haven and a home in which we can find shelter and relief from the maelstroms we occasionally conjure.

The tenth anniversary celebration of this website continues, with a spotlight on the 2010 ProjectA 21st Century Renaissance: The Resurrection Tour‘. The delusional flights of fancy that constitute this penultimate tour of mine (the next one, in 2015, will be my last) found fruition in this collection of photographs and writing. The plot, what there was of it, loosely used a renaissance and blending of the arts, religion, and science (I even did up a Periodic Table of Emotions). It was inspired by the elements, the earth, and the spirit, and I very much wanted the feel to be epic – in the expansive depths of the ocean, the limitless rise of the sky, the impenetrable plane of the bedrock. It was a re-connection to nature in many ways, both subtle and extreme, and I’ve always found my greatest inspiration in the sea, the flowers, and the light. Accents of religion dot the landscape as well ~ the stained-glass windows of churches, the collection of crucifixes, the parchment background and the floating cherubs of the title pages.

This was mostly a visual endeavor, with the power and potency of the proceedings coming directly from the photography. There really is no plot, no narrative drive of something like ‘The Circus Project‘, and no single-note theme like ‘StoneLight‘. Instead, it’s a rather eclectic mix of images, some jarring, some soft, some just right.

Continue reading ...

What is Happening in his Head?

Go to the mirror, boy…
Go to the mirror boy!

Listening to you…
Gazing at you…
Following you…

 

Continue reading ...

The Imminence of Bed

If all goes according to delayed schedule and changed plan, the new bed should have been delivered to Boston as of this writing. Whether or not this actually comes to fruition, I’ll be there, sleeping on an old bed or a new one, but glad to be in Boston no matter what.

Continue reading ...

The Madonna Timeline: Song #87 ~ ‘Beautiful Killer’ – Spring 2012

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.} 

Dark eyes on a dangerous face you are a beautiful killer
We pass by the same old place you are a (beautiful killer)
You don’t have a life, you have blood on your hands
You can sleep at night and I don’t understand
I don’t know much about you are a wanted man…

Driving along a Massachusetts highway, the dirty piles of sand and salt at the end of winter lining the barren road, I turn the bonus tracks of MDNA up a little bit louder. Sometimes good music needs to be racked up a few notches to get the best effect. I’m speeding along to pick up a friend. There is business that needs to be finished. Plans to be finalized. A job to complete. And this one I cannot do alone.

You can call my name and I’ll be around
Maybe I’ll let you shoot me down
Cause you’re a beautiful killer, with a beautiful face
A beautiful killer and you won’t leave a trace

Black leather gloves grip the steering wheel. Aviators shade the eyes. A bag sits in the passenger seat – a bag that I will carefully move when I pick her up. The contents are precious, maybe only to me, but that’s the most kind of precious there is, for any of us. She’ll understand. She’ll know. She’ll go along with what needs to be done.

Do you know the reasons why you are a beautiful killer?
Hurt yourself but you never die, you are a beautiful killer…
I like your silhouette when you stand on the streets
Like a samurai you can handle the heat
Makes me wanna pray for a haunted man…

You can call my name and I’ll be around
Maybe I’ll let you shoot me down
Cause you’re a beautiful killer with a beautiful face
A beautiful killer and you won’t leave a trace
Can’t really talk with a gun in my mouth
Maybe that’s what you’ve been dreaming about
Cause you’re a beautiful killer with beautiful eyes
A beautiful killer and I love your disguise…

I turn off the highway, drive through a quaint-enough town, and find her street. I’m a little early. The text arrives that she is almost there. I wait in front of her house. There is time to go through the bag one last time. Everything is in order. I zip it up and place it in the back seat. The sun is beginning to go down, slivers of an almost-crimson last gasp of daylight splinter through the windshield. Beauty can be broken glass framed in blood, but I’m wearing gloves, and I’m not afraid.

You changed the past
Good guys always finish last
What happens now?
I need to know how the story goes
Are we together?
I love you forever…

Another text. She is near. Soon she will round the corner. She’ll take the kids inside, and then she’ll open the car door, and we will be off. In killer boots and tight black pants, short-cropped hair and nothing to lose, she’ll swing her bag into the back-seat next to mine. Back on the highway, the city just ahead of us, we will finalize the last steps we need to take.The steady strumming of an electric guitar pushes us along. Buildings rise out of the sudden darkness. A mini string battle comes after the bridge, the song breaking up for a moment before the beat comes back in, hand claps offering some seemingly harmless relief, but we know better. We know there is always something more to come, something more dangerous, more sinister. I grip the steering wheel tighter as we reach the site of the rendezvous.

You can call my name and I’ll be around
Maybe I’ll let you shoot me down
Cause you’re a beautiful killer with a beautiful face
A beautiful killer and you won’t leave a trace…

We unload the car quickly in the cloak of night, furtively hurrying up unlit staircases, depositing supplies, then locking the doors behind us as we park a few blocks away. There is time for one last dinner- just the two of us – before our work begins. We relax a little, even laughing a bit. Scoping out the restaurant, our agreement goes unsaid. A shot of tequila, then the salty rim of a margarita. A sangria for the lady. Nothing too strong to dull the senses, just something to take the edge off the anticipation.

Can’t really talk with a gun in my mouth
Maybe that’s what you’ve been dreaming about
Cause you’re a beautiful killer with beautiful eyes
A beautiful killer and I love your disguise…

We are in the city to prepare for a friend’s 40th birthday. It will be held at the condo the next day. The supplies – the bag – all filled with party preparations. The restaurant – a test for a possible post-party gathering. The partner-in-crime – my friend Kira, who is helping me throw the party. The song – ‘Beautiful Killer’ – the one that was playing as I made my way to her home to pick her up. The party – a killer success.

You’re a beautiful killer, but you’ll never be Alain Delon. 

Song #87: ‘Beautiful Killer’ – Spring 2012
Continue reading ...

A New Cologne for the Restlessness of Winter

After being spoiled by Tom Ford and his decadent Private Blends fragrance collection, I find it very difficult to find a new cologne. But the winter doldrums could only be kicked by a new scent, so I made my way to Sephora to see what had come in since the holidays. Someone had recommended the new Bulgari, and though most recommendations that come from social media are met with enthusiasm then disappointment, this one was a resounding good choice. So well did it wear, in fact, that I ended up taking a bottle of it home. It’s the perfect transition fragrance from February to March – light enough to draw in the first faint breath of Spring, and crisp enough to match the chill that has not quite gone.

Continue reading ...

Happy Fucking Valentine’s Day

It’s a tradition of mine to read a little – okay, a lot – of Dorothy Parker on Valentine’s Day. It grounds me, and reminds me of all those Valentine’s Days spent without a Goddamn Valentine – but in a healthy, independent, if slightly-bitter, way. And even though I’ve had a Valentine for the last dozen years, I still read a bit of Ms. Parker on this Hallmark holiday because it never hurts to be reminded from whence we came. Besides, this one goes out to all my single friends, and there’s absolutely nothing wrong with being single. Nobody knew that better than Ms. Parker, in her own way.

A Portrait

Because my love is quick to come and go-
A little here, and then a little there-
What use are any words of mine to swear
My heart is stubborn, and my spirit slow
Of weathering the drip and drive of woe?
What is my oath, when you have but to bare
My little, easy loves; and I can dare
Only to shrug, and answer, “They are so”?

You do not know how heavy a heart it is
That hangs about my neck- a clumsy stone
Cut with a birth, a death, a bridal-day.
Each time I love, I find it still my own,
Who take it, now to that lad, now to this,
Seeking to give the wretched thing away.

~ Dorothy Parker

 
Ballade at Thirty-five

This, no song of an ingenue,
This, no ballad of innocence;
This, the rhyme of a lady who
Followed ever her natural bents.
This, a solo of sapience,
This, a chantey of sophistry,
This, the sum of experiments, —
I loved them until they loved me.

Decked in garments of sable hue,
Daubed with ashes of myriad Lents,
Wearing shower bouquets of rue,
Walk I ever in penitence.
Oft I roam, as my heart repents,
Through God’s acre of memory,
Marking stones, in my reverence,
“I loved them until they loved me.”

Pictures pass me in long review,–
Marching columns of dead events.
I was tender, and, often, true;
Ever a prey to coincidence.
Always knew I the consequence;
Always saw what the end would be.
We’re as Nature has made us — hence
I loved them until they loved me.

~ Dorothy Parker

 

Chant For Dark Hours

Some men, some men
Cannot pass a
Book shop.
(Lady, make your mind up, and wait your life away.)

Some men, some men
Cannot pass a
Crap game.
(He said he’d come at moonrise, and here’s another day!)

Some men, some men
Cannot pass a
Bar-room.
(Wait about, and hang about, and that’s the way it goes.)

Some men, some men
Cannot pass a
Woman.
(Heaven never send me another one of those!)

Some men, some men
Cannot pass a
Golf course.
(Read a book, and sew a seam, and slumber if you can.)

Some men, some men
Cannot pass a
Haberdasher’s.
(All your life you wait around for some damn man!)

~ Dorothy Parker

 

Distance

Were you to cross the world, my dear,
To work or love or fight,
I could be calm and wistful here,
And close my eyes at night.

It were a sweet and gallant pain
To be a sea apart;
But, oh, to have you down the lane
Is bitter to my heart.

~ Dorothy Parker

 

Inscription for the Ceiling of a Bedroom

Daily dawns another day;
I must up, to make my way.
Though I dress and drink and eat,
Move my fingers and my feet,
Learn a little, here and there,
Weep and laugh and sweat and swear,
Hear a song, or watch a stage,
Leave some words upon a page,
Claim a foe, or hail a friend-
Bed awaits me at the end.

Though I go in pride and strength,
I’ll come back to bed at length.
Though I walk in blinded woe,
Back to bed I’m bound to go.
High my heart, or bowed my head,
All my days but lead to bed.
Up, and out, and on; and then
Ever back to bed again,
Summer, Winter, Spring, and Fall-
I’m a fool to rise at all!

~ Dorothy Parker

Continue reading ...

A.K.A. My Husband

Happy V-Day to my lover and sweet-talking star-fucker Andy – cause I’m a star, and he’s the Big Dipper.

Continue reading ...

A Robe by Louis Vuitton

The title of the post says it all, and had me almost inappropriately excited when these images came out over the internet. This is a Chapman Brothers’ print for a robe from the Louis Vuitton Men’s Show for Fall-Winter 2013-2014. Designed by Kim Jones, and inspired by a trip to the Himalayas, the collection features the Chapman artwork on robes, jackets, pants, scarves, and… wait for it… matching bags. I’m not big on matchy-matchy, but there are times when it’s called for. I’m also not big on dropping a couple grand for a robe or a bag, but again, there are times when it’s called for. In reality, I don’t need these – and would never use up a birthday gift for such an extravagance (unlike the color-bleed LV coat that I passed up a few years ago to my eternal regret). These are just fun to look at, and I’m all for anything that makes it socially permissible to wear a robe to a formal function. Not that I’ve ever needed permission.

The more I look at that bag, though, the more I think that there are sacrifices to be made for such a piece of art.

Continue reading ...

2:13

If you are afraid of loneliness, do not marry. ~ Anton Chekhov

It began and ended in the kitchen. The worn yellow walls, the grease-splattered metal, the bumpy linoleum floor ~ they were the backdrop to a marriage. Though the bedroom had seen things more intimate, and the den had witnessed the casual hours of camaraderie, the kitchen was where their marriage had lived and breathed, and the kitchen alone knew their secrets.

The faucet had kept time to the years. After fixing and replacing it regularly, they realized that the drip would never stop. The pressure always built up. They had decided to live with it, alternating methods of dealing with its incessant beating. A coffee cup or glass was the best solution ~ the water dripped and silently joined its own.

She held a silver spoon, idly torturing a teabag in her stained cup. It was past midnight. A small plate of crumbs sat forlornly at his place, and the thought of him eating alone at the table saddened and repelled her. The argument started over these crumbs, led to a surly exchange about finances, and ended up in a desperate screaming match resounding the regrets and losses of the last twenty years of their lives. It was the same argument they’d always had, only the ending was different. He stopped, shook his head a little, and walked quietly upstairs. No final shout, no slammed door, but not quite a defeat. Maybe there was nothing left to say.

She slumped in the kitchen chair. This is what she did after most arguments. He would retreat upstairs to the bedroom to sleep it off; she would busy herself in the kitchen. The dishes had been washed and dried and put away, and the counter had been wiped down; only his plate was left in front of the empty chair. She would leave that for him.

A single fluorescent bulb buzzed faintly above the sink, throwing off a steadily wavering stream of white light. Snow was falling steadily outside. Tree limbs drooped in the dim distance, barely discernible behind the swirling curtain of ice crystals.

Footfalls traveled above her. He was still awake.

Had they reached, then, an impasse? Was this finally it? After everything, all the years ~ the false barrenness, the sudden happy unexpected joy of their children – not one, but two – the slow drought of their passion, the insidious hazards of their comfort ~ had it come to an end?

They were poised on the precipice of a horror so great that both recoiled at the full notion of it. Fleeting thoughts of living alone again, brief daydreams of dividing up possessions, and the heavy prospect of starting over again conspired to keep down any serious rifts. Who could get worked up enough to be bothered? When they did travel down those corridors of possibility, and the complete scenarios of how it might happen played out in their heads, it always seemed a waste to go through with it. Somehow the idea that it could all end was enough to keep it together.

And then there were the children. They were older now, but still. How to explain the years of reasons, and the reassurance that it wasn’t all bad, it wasn’t all a lie? It was just too much.

She had almost left him one day, for no other reason than it felt like the moment, but that too had passed, and when his car pulled into the driveway and she still sat at the kitchen table in her nightgown it no longer mattered.

For some time it seemed that they were on the threshold of hating each other. Every petty argument and silly fight looked to be the last. Threats were made, ultimatums thrown, and nothing ever fully resolved. They had reached points of quiet desperation, and each had entertained thoughts of the other’s passing. Nothing murderous or calculated or anything more than fleeting, but they had been there ~ a vague vista of freedom or sorrow and a worry that it might be lonely but not unbearable.

During the pregnancies, and for some years thereafter, he had been the one to take over some of the housework. He cooked and cleaned, did the laundry and the dishes, even easing up on his work hours when his time at home was proving more valuable. As the kids got older, and she felt herself less necessary – is there a colder realization? – she almost gave it all up, before getting lost in a job, in the garden, in the maddening drudge of living.

She started doing the dishes again, and other small chores around the house – little tasks that he had picked up when she was the one at work. She suddenly refused his food and his cooking, as if to say, “I lived before you, and I will live after you’ve gone.” A trifling of a stance, but it grounded her, reminding her that she could, if need be, be all right alone. She did it to remind herself that she was still there. Even after all the years of co-mingled sustenance, she would still be able to do it on her own.

She started taking care of things again, doing her own dishes, washing her own clothes, in the simple way she had learned, in the simple way she had done it before they married. It wasn’t much, but it was survival. In its first stages it was always survival.

The notion of a break rocked her less than she thought it would, less than it had when she was younger and more hopeful. A strange, matter-of-fact resignation dulled the first drops of pain, even as she knew this would be a deeper cut, a more resonant hurt.

They were still friends, and certainly they loved each other, and were perhaps still in love with each other. Both knew it was a choice. There was always a choice. Knowing this made it easier, if a little sadder. The thoughts of freedom, of possibility, even with all the responsibilities, were what they lived on, and though both questioned whether or not it was enough, they always came to the conclusion that, for now, it was.

“This is how it would be if the world didn’t rock them too much” – the paraphrased words of a forgotten novel suddenly surfaced. Would they welcome then the sudden appearance of death if it were to come?

Years ago, when the kids were still little, she realized she would have to give up her dream of a traveling companion. Even before they came, she could tell he didn’t like leaving the house. It never bothered her – she enjoyed traveling alone. All these years later though, the distant and vague ache of regret crept into consciousness, growing clearer and more pronounced as the days passed.

Though she seemed to be returning to herself as the children grew up, it was just one bit of being busy being replaced by another. She let things go in other ways, focusing on her job, on her life outside of the house. The gardens, once her pride and province, sat beneath the snowy cover, neglected and overgrown for years. At first the change had been subtle, and he trusted that she had a game-plan in mind for the landscaping. In truth, she had simply let it run wild, allowing it to grow up as it wished, mustering a few half-hearted attempts at pruning throughout the year. She was loathe to admit that in the darkest, truest part of her heart, she had done much the same with her children once they were out of the house.

At first the change had been subtle, almost imperceptible – one day a patch of unruly, unwanted seedlings from an over-zealous cup plant had taken hold, establishing its tuberous roots in a prominent and not entirely unwelcome location. She let it happen, watching the land take itself where it wanted to go. Nature herself was seeing to the pruning, ancient pine trees high in the sky cracked and swayed perilously with the heaviness, dangling their burden over the northern end of the house. The gardens lost their manicured neatness, delicate perennials giving way to the strong and stalwart, the less exciting hardiness of weed trees. The early plantings she had made in the first few years had grown and matured, and what once seemed an impossible-to-fill space was now overgrown and crowded, swallowing the house, wrapping its tendrils and applying its suckers like the tiny sprig of Boston ivy she had started in one dim corner and now overran the entire backyard exterior. It sometimes felt like it would take the whole house down.

On this winter night, she remained at the kitchen table, listening to the pine trees moaning overhead. His footsteps had stopped just before the creaking of the bed. Now there was the muffled crack of the pines, and an occasional light crash of limbs falling from the sky. The faucet sounded its metronomic cadence, the deadening march of wasted time, or a wasted life. The sly and subtle maneuverings required to make a marriage work were the very machinations that wore away the very frivolous notions that made love such a joy.

It would always be like this. She would get up the next morning as she had so many times, start the coffee, shower, and begin again. She would remind herself how lucky she was, and tamp down the unfair greediness of wanting more. He would notice the change, and gratefully accept the return to form, not realizing that he had played any part in it. She could never forgive him for that, but her own apology for her own hatred was in not saying anything.

He came back downstairs. Lifting the crumb-dusted plate, he brought it to the kitchen sink and ran a stream of water over it. The noise filled the room. There was still life here, in this room. He sat down opposite her, raising the eyes she first loved about him.

“Let’s not decide this tonight.”

She rose and went over to him, bending down and kissing him on the forehead. She pushed her chair under the table and left. He watched her go, listening to the faint familiar creaking of the stairs and the steady dripping of the kitchen faucet. The wet plate sat in the sink, another thing that could wait until tomorrow.

———————————————————————————————————-

{See also 1:13}

Continue reading ...