Category Archives: Boston

Life & Death in the Public Garden

Last weekend I made a quick trip to Boston for my friend JoAnn’s Fall Party (more on that later…) As per usual, I found myself back in the Boston Public Garden where the following murder scene had only recently taken place. A squirrel, face down in the grass, had died – or, more likely, been killed. Nearby, other squirrels chattered and ran about excitedly, agitated and bothered for reasons obvious and less so.
A few moments later, I saw why. At the edge of the pond, a badelynge of ducks squawked and broke ranks with a disruptive splash, and from the midst of them a hawk swooped through, almost gripping a squirrel in its talons before alighting on a nearby branch. Here, then, was the Fall Hawk – I’d been waiting since the start of summer to see some sort of closure from its predecessors in upstate New York. It sat menacingly above me, preening itself and keeping its keen eyes focused on all the activity below.
I looked around for the squirrel that got away, and at the others that now sent out warning clucks of danger, not that there would be anything I could do if the hawk were to spot one of these rascally creatures and zoom in on it. I’d always thought of the Boston Public Garden as one of the safer spots for a city animal to live. It seems it’s just as precarious as any other.
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Waiting for My First Job

Sitting by the elevator on the upper floor of the Limited/Express/Structure building in Fanueil Hall in the Fall of 1995, I listened to ‘Waiting in Vain’ by Annie Lennox. To this day, I cannot listen to it without thinking rather fondly of that time in my life, when I got my first official job on my own. For that moment, on the leather chair by the elevator, Ms. Lennox was wailing about waiting, as I sat waiting for my final interview of the day.

I’d spent the entire morning, and the first part of the afternoon, traipsing through Quincy Market and the tourist traps, so desperately did I love Boston and want something to do with it. I came to the epicenter of tourist life, because despite its cheesy trappings, there was something old-school and comforting about the area where my Mom had first taken me and my brother so many years ago. I stopped in at every bull market and store front, inquiring whether anyone was hiring, scoping out places where I thought I might fit in (there were none), and filling out applications on all sides of the cobblestone walks. It felt hopeless. No one was interested, no one was hiring, and no one was impressed with my backpack. (There, you see, I wasn’t always what I am today.)

As I neared the very end of my path, which was right where I started, the stand-alone multi-floored building that housed the Limited and Express and Bath and Body works, and what was then Structure, stood blankly but forbiddingly to my left. I looked up at it, shrugged, and gave it my last bit of effort.

For some strange reason, the idea of working in a clothing store had never crossed my mind. I was looking for a quieter gift shop of some sort, where I could lazily lounge around selling bits of Boston to hapless tourists. Yet suddenly the universe sent me up to one of the top floors, where the elevator opened to a cove of men’s sweaters, displayed pristinely on a black table before me. I stepped out into the rather empty store, where music played and display lights sparkled. Lifted up from the ground, I felt safely removed from the city – in the same way I’ve always felt when looking out from the window of any high-rise in Boston. A sudden, small sanctuary ~ a respite from the unfruitful day. I asked one of the workers if they might be hiring. He told me to wait while he got a manager.

This is when I sat down and listened to Annie Lennox. I shifted in my seat as she sang about waiting in vain for love. Around the corner, a woman came walking toward me. I felt tired and bedraggled, at the end of my tether, and ridiculous with a college kid’s back-pack strapped to my shoulder, but she shook my hand, introduced herself as Barrie, and took me into the back office. We sat down and she had me fill out an application, then asked me some questions. Was this an interview then? I had no idea. It was my first lesson that very few things in life would ever be explicitly spelled out, particularly when it came to jobs. There was a code language involved, more ‘How-would-you-feel-about’ or ‘Might-you-be-interested’ than ‘Do-you-want-the-job-because-we-want-to-hire-you?’ So much obtuse carefulness made my head spin, but I was too tired to care, and I figured nothing would come of this anyway, so I just recited the most honest answers I could, my mind already on the commute back to the dorm.

“Why do you want to work here?” she asked as one of the final questions.

I paused, mentally running through the stock answers of building a better fashion world, helping others in their quest for sartorial improvement, or my simple dream of working in Boston – the one I’d had since I was a child. But none of them seemed to impress, so I blurted out the most basic truth that came to mind:

“Because I like to shop, and I’m good at it.”

I laughed as I heard myself say it out loud. She stopped me.

“No, that’s great,” she reassured me. “The best workers we have are the ones who love to shop, who know the merchandise, and who know how to talk to people about clothes.” I stopped laughing. For perhaps the first time in my life, the notion that I might actually be great at something truly astounded me. I’d been good at a great many things, but great at none of them. Here, for the first time, without any help from parents or friends, in a store and a city where nobody yet knew me, someone – a stranger no less – saw something of value in what I might do. I will always remember and be thankful to Barrie for that – she gave me my first chance to see something that no one else had seen, even myself.

In a month, I would become their number one performer, opening up more credit cards than anyone else, racking in the highest ADS (average sale amount), and getting the most shifts of anyone other than management (about 35 hours a week – which I didn’t realize at the time was practically a full-time job) – all the while going to Brandeis full-time. My days, and most of the nights, were full – with commuting, working, and school – and I look back at that schedule then and wondered how I did it. At the time, I didn’t even notice. I loved it, I was good at it, and, for the first time, I felt like I belonged.

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Light Caught in a Doorknob

My favorite place to be in the early afternoon is our bedroom in Boston, when the sun is slanting through the blinds and filling the room with light. Granted, I am not there as often as I’d like, and perhaps that is the reason for its pull. This weekend, my heart will heed that call.

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Is This Even Legal?

(I was holding off on writing about this when it looked like Ticketmaster and the TD Garden might make right for what they did, but it appears they aren’t going to do that, so here’s the story of our piss-poor ticket experience.)
When I ordered the tickets from Ticketmaster for the Madonna show at Boston’s TD Garden, the only ones left were with a side view. I’d had side views before – so long as no obstruction was noted, they were always fine. In fact, they were usually good for getting behind-the-scenes views you don’t normally get, which for an uber-fan like me is always cool. Even though they looked like they were somewhat behind the stage, rather than to the side, I still figured we’d get a good enough vantage point. Of course, it can’t hurt to ask, so when we got to the TD Garden, I went to a ticket counter and asked if there was a possibility of an upgrade. I was told no, but that our seats should be fine, as even the side views were pretty good. Emboldened by this encouragement, I relaxed a little, until we found our seats and realized we could not see any of the main stage. I mean – none of it. An enormous bank of lights was set right in front of our section. This wasn’t just a side view – this was a blatantly obstructed view – and none of it was noted on the tickets at the time of sale, or at any point thereafter, or I never would have purchased them. ($380 for two tickets happens to be a lot for me, even if it is Madonna.)
I tracked down an usher and said that our view was completely blocked, asking if there was anywhere else we could be seated, and she dismissed me saying that there were no other options as the show was sold out. She did not mention the option of talking to a manager or checking if there were any other spots in the building to afford a better view. At this point there were a number of disgruntled patrons, as our entire section could clearly not see anything. I hoped against hope that maybe, just maybe, this bank of lights would rise once the show began, and all would be well with the world – after all, how could they sell tickets that had such a blocked view with no mention or notation of it? At the very least, it was misleading, if not completely misrepresentative of what we were paying for.
Of course, those lights did not move. And those big side screens for the people in the way back? They were directly above our heads, so we didn’t even get to watch them. I was lucky enough to have an idea of what was going on (based on far too many YouTube sneak peeks), but Andy hadn’t a clue what was going on, and the show was effectively ruined for him (and would have been for me too if I didn’t have the luxury of seeing her again in New York later). My question is how could Ticketmaster and the TD Garden sell seats like this without any indication of the obstructed view? I thought that such things had to be clearly spelled out, otherwise a refund would be granted. At any rate, I’ll be looking into whether similar incidents have happened at the TD Garden and with Ticketmaster – I know I’m just one small insignificant voice in their ticket monopoly, but if we keep up enough of a battle, we may see some changes. And hopefully no one will have to miss a Madonna show ever again.
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A Brugmansia Grows in Boston

On my last trip to Boston, I passed by this church, and as pretty as it was, I was more transfixed by the two Brugmansia plants potted at its entrance. More commonly known as Angels’ trumpets, these are tropical plants that don’t survive the cold New England winters, but can be brought into a warm garage or unheated basement for the winter months, then brought back out to create the amazing show that is seen here. I once kept a couple of these, in enormous pots, that grew to be about seven feet tall. When they bloomed in summer, their fragrance filled the night – the variety I had gave off a heavy lily-like lemon scent that pervaded the entire backyard. It was especially nice for late-night swims, when the perfume seemed to cling to the water’s surface. I got lazy one year and left them outside in the winter (those pots, and the attendant tree-like trunks that they eventually develop, were not easy to move up and down stairs) so we no longer have any, but I’m tempted to try them again. It takes a year or two to develop them into the tall specimens you see in this photo, but it’s a wait that’s worth it.

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Make A Wish & Blow

These are the ashen remnants of my Fall wishes, lying on our Boston windowsill, waiting for the wind to whip them away. On the first day of each season, in a tradition that Andy taught me when we first met over a dozen years ago, we make a list of our hopes and wishes for the season ahead, then burn them as an offering to the universe. It is a ritual I have come to love, if only to remind us of the passing of time, the demarcation of the days, the way the hours wait for no one. My wishes, oddly enough, are not for material possessions as one might assume – there are no Prada bags that make the list, no Tom Ford Private Blends inked out upon the page. They are far more basic and, again at odds with what the world thinks of me, far more selfless. In those wishes hides the truth, and by burning them I keep it safe.

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The Fall of Night

In the terror that accompanies the start of Fall, before you’re ready to give in to the darkness, before the leaves get torn from the trees, before the final warmth of the earth departs for the Winter, there are nights that offer respite. Dusk can still be blue, and the moon can still light the clouds.

 A couple of good friends and a bottle of Jameson. On nights like this, there is nothing to do but embrace the new season. Summer has been spent. It’s time to move on. The pool days have come to a close.

And so we retreat to the city. The best time of the year to be in the city is the Fall. Spring carries its own enchantment, but when the gardens are going to bed, the city sends out its strongest clarion. We would be foolish not to heed it.

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Brotherly Bonding in Boston

The last time I recall being on a trip with my brother was in 1996, at our cousin’s wedding in San Diego, CA. That fateful journey was recounted in a Madonna Timeline here, so I won’t rehash what’s been written. This past weekend, we went to Boston together, and it was a welcome reminder of fun family times, and a reconnection with my only brother.

We reminisced over a soundtrack of 80’s tunes ~ ‘Eye of the Tiger’, ‘Who’s Johnny’, ‘We Built This City’, ‘Forever Your Girl’ – and talked about the movies that meant the most to us ~ ‘The Goonies’, ‘Adventures in Babysitting’, and ‘Star Wars’. We spoke of sleep-overs and tree forts and Huey Lewis and the News. As the goldenrod bloomed along the roadside, and the first leaves started turning their warmer shades of rust and red, the kickoff weekend of Fall glowed brilliantly on the horizon.

My brother and I are about as different as two brothers could possibly be, but that has never hindered our enjoyment of each other, and it’s strange that we don’t hang out more. Life has a habit of getting in the way, and we’re both busy guys with lots to do, but every once in a while it’s good to reconnect and get away. I don’t think we realized how much we needed it.

The picture above stands on our fireplace mantle in Boston. It was actually taken on that San Diego wedding trip all those many years ago. As we settled in for the weekend, I looked at it and remembered. It was the night I came out to my brother. It was the night we had our first adult conversation. In many ways, it was the night we grew up. Now, all these years later, I am struck by how much, and how little, we have changed.

It’s impossible to plan the best weekends of our lives. They just happen – unplanned, unmoored, unintentionally – and that’s part of their charm. If you’re lucky, like I was this weekend, you realize it as it’s unfolding, and you cherish each moment, savoring each bit of company. You can always measure how good it was by the sadness that the Sunday morning of departure brings. With heavy hearts, we trudged back to the car for the ride home, content only with the solace in not having to make the trip alone.

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The Fall I Fell for Shirley

If there’s one album that signifies the start of fall to me, it’s ‘Here’s to Life’ by Shirley Horn. It’s not that there are any specifically fall-themed songs, no ‘Flaming September’, ‘When October Goes’, or ‘November Rain’ but on a personal level it brings back the fall I first went to Brandeis, and Boston. I still remember the evening I purchased that CD. I’d walked around the city before winding up at the end of Newbury Street. I passed through the revolving door of Tower Records (in the space that is now a thoroughly-depressing Best Buy) and rode the escalator up to the second floor. Back then there was no iTunes or online music purchasing, so the music store was still vital. I’d peruse the CD singles section for hours, finding old forgotten Madonna singles, or discovering new ones. (That sense of surprise and discovery is one of the things I regret most about the arrival of the Internet.)

On this particular night, I passed a stand of new music, and one of the titles being displayed – Shirley Horn’s ‘Here’s to Life’ – was getting all the accolades. A woman with some fierce, black, opera-length gloves sat gazing out from the cover, and the praise being promoted on the sticker was grand. Today we don’t have to buy music without listening to it first – at that time a new CD was a crap shoot, but something impelled me to take a chance and buy it, sound unheard.

The opening strings, and the gentle way she had with the vocals, instantly set my mind at ease when I settled into my tiny dorm bed later that night. A few cold-braving crickets chirped outside the window, which was open just a crack for the insufferable radiator that had only one temperature setting: “Hell.” My roommate was gone (as he was most of that year – for this reason alone I loved him), and I laid awake listening to the sounds of other students coming in from their revelries, and the string-laden jazzy nuances of Ms. Horn. A long-distance girlfriend, and much confusion, crossed my thoughts as ‘Where Do You Start?’ began – and the thought of having to start all over again first reared its nausea-inducing head. The music somehow made the pain exquisite – could this be what a work of art does, could this be why it might be so revered?

One day there’ll be a song or something in the air again
To catch me by surprise and you’ll be there again
A moment in what might have been…

In the solitude of that time, I learned how to be alone with myself, and all right with that. As much as I would fall for passing men, as infatuated and obsessed as I would sometimes become, I would always remember how to be alone if I had to be. And I would have to be, many times, and many nights. I remember the leaves of Harvard Square, swirling around my feet as I stood at the newsstand, browsing the magazines, hoping not to be called out for reading instead of buying them. The cafe across the street, where couples bundled up tightly in coats and hats, sat studying and reading, content simply to be in each other’s company, was as enticing as it was forbidden. I longed for the simplicity of that, the easy way people had with one another. I wondered if I would ever find it.

Over the wisdom of Ms. Horn’s occasionally raspy voice, the years of love and pain unfolded behind us. It would always be like this. I was old enough to understand, but too young to believe. I still thought there was a master key to all of it, a font of knowledge from which I had only to sip to find out the truth, the answer, the point. No one wants to realize that all the chasing and figuring out was for something that was in you all along – if I had been Dorothy I would have clocked Glinda for that almost-deadly exercise in futility.

And though I don’t know where
And don’t know when
I’ll find myself in love again
I promise there will always be
A little place no one will see
A tiny part deep in my heart
That stays in love with you.
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Charlie’s

A venerable Boston institution, Charlie’s is a restaurant located literally around the corner from our place, yet we only seem to get there for special treats (the day of a Madonna concert, for example). It is a classic, old-school-style diner, where patrons sit at the counter (my preference) or with other patrons at the small smattering of tables set up. There is something comforting about a diner – with its griddle smoking and spattering just a few feet away, the easy casual camaraderie that overcomes all who enter, and the promise of good old-fashioned greasy grub.

This has not gone unnoticed by many in Boston, including a number of celebrities and politicians, whose photos line the walls, and who keep coming back for the (pretty) low prices that have remained remarkably consistent over the years. There’s also the tight-knit group that runs the place – friendly and amiable to all, if no-nonsense when it comes to serving up food and turning over tables. Personally I like that approach in a diner. This is not the place for fancy frills and excess – and God knows I create enough of that in the rest of my life.

Comfort and consistency don’t get all the credit they deserve. Luckily there are a few places still holding onto the tried and true.
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Blo Me

This none-too-subtly-monikered business is on the corner of the street where our condo is in Boston. I dig the color, I dig the name, I only wish there was something for me in it. I haven’t blow-dried my hair since the 80s.

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A Massage for Your Saturday Afternoon

If you’re like me, you don’t like to be touched. I enjoy a hefty amount of personal space about me at all times, and if the rumors about Anna Wintour’s elevator preferences are true, well, I’m on board with her 100%. (We won’t get into the atrocities to which I’m subjected on the office elevator every day – but there are far too many crocs, pleated pants, and synthetic windbreakers for any one person to deal with, but I digress…) Back to touching me – I usually don’t like it. Particularly when I’m sober, which happens more than you’d think, especially during any given day. However, when I had my first massage a few months ago, I became an instant convert. It’s one of the only times when I don’t mind another person’s hands on me, especially if they’ve been well trained.

And someone must have trained the staff at étant quite well, because when I decided to indulge myself with a massage to celebrate the Madonna show in Boston, it was a divine moment. The magic hands of Mike eased out all the kinks of a hunched-over office posture and a sore, unaccustomed-to-working-out back that flares up at the first sign of stress.  

It was transformative, and the whole experience, from the helpful receptionist to the soothing interior, left a tired and worn-out traveler rejuvenated and refreshed. If you’re looking to treat yourself, this is one great way to do it.

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