Such a Beautiful Life

Shades of pink and lilac swirl in layers of tulle and lace, the sheer refinery playing beautiful tricks on the eyes. A cloud of color billows about and behind – maybe it’s the dress, maybe it’s the perfume, maybe it’s the illusion of pink. A portal to the past reveals itself in every bubble – it’s the bubble of self-awareness, the bubble of knowledge, the bubble of realizing that maybe you’ve been wrong.

There’s that beautiful girl with a beautiful life
Such a beautiful life built on lies

‘Cause all that’s required to live in a dream
Is endlessly closing your eyes

She spins such beautiful stories to sing her to sleep
Full of magic and glory and love
She’s the girl in the bubble, the bright shiny bubble
Blissfully floating above

Ah, but the truth has a way of seeping on in
Beneath the surface and sheen
And blind as you try to be
Eventually, it’s hard to unsee what you’ve seen

Galinda’s transformation in the ‘Wicked’ movies is shrouded outwardly in pink fabulosity, shimmering with ethereal beauty and sparkling wands, but doesn’t fully take hold until she dons a black cape, muddy boots, and rides out in the night to help her friend. By then it’s too late, and sometimes life is about accepting the way that your choices have played out, making the best of circumstances that were never quite what you wanted or expected. It’s never too late to change, to become something better than you are today, even if nothing else changes. You can be different. You can be better.

And so that beautiful girl
With a beautiful life
Has a question that haunts her som?how
If she comes down from the sky
Giv?s the real world a try
Who in the world is she now?

Does it feel a little frivolous in a world on the seeming edge of nuclear war? Perhaps, but think of the burnt bagel theory: if the worst thing in your day is that your bagel was a little burned, that can feel catastrophic. Not saying it’s right, just saying that comparison works in myriad ways. Usually it’s the thief of joy; sometimes it can be helpful. We want so badly to make sense and order of the world, especially when it makes us feel yucky, or we feel like we have failed. Revelations and transformations are difficult, especially when they start to change lifelong archetypes and beliefs.

And though so much of her wishes that she could float on
And the beautiful lies never stop
For the girl in the bubble, the pink shiny bubble
It’s time for her bubble to pop

For the popular girl, high in the bubble
Isn’t it high time for her bubble to pop?

Music lends itself to spring moments, and this song touches on beauty, one of the themes of this lilac season. Here is our growing, and increasingly eclectic, playlist:

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Lilacs in the Rain

This was supposed to be the morning post, but the music and the sentiments were too moody to stand up to the morning light. Certain music must be heard only when the sun has gone to bed, the way certain flowers only emit their perfume late into the evening like an angel’s trumpet. Perhaps they’re afraid of the cold, brisk, bracing frost that still troubles the mornings. Lilacs are hardier than that, forged before the winter even begins to wreak its havoc. Spring blooms have to be stronger than those of summer.

I see lilacs in the rain,

And you are with me again,

When April sprinkles her dreams in my heart

When we parted in the lane,

The skies were tearful with rain,

The scent of lilacs remained in my heart.

Andy mentioned the angel’s trumpet in passing a little while ago, and maybe this is the year we bring them back – the first year is really just the planning – their show usually happens after overwintering for a year or two, when they can develop roots and trunks and soar like small trees, dangling their sweetly-lemon-scented blooms in the nights of summer.

Two other arms around you now,

Some other love has found you now!

But when love forgets to smile,

My darling, once in a while,

Remember April and lilacs in the rain!

For now, the lilacs will have to do, and they stand on their own perfume-wise. I’ve been afraid to examine our lilac trees to see how many buds might be present – there’s nothing other to be done whether they are full or scant, and lately I’ve been focusing on what is real, what is present, what is at hand – a method of mindfulness that fills the head-space when overthinking runs the risk of overtaking.

The previous sentence dangles there without a proper ending. It began in such busy fashion and then just petered out. Playing with words is merely an excuse for disguising something deeper, something more vulnerable and telling. Lilacs evoke such sentiments – they have me spilling secrets of the heart’s desires, and the heart’s hurts. That’s why this post would have never stood up to the unforgiving light of day; there wouldn’t be enough shadow to shield…

When we parted in the lane,

The skies were tearful with rain,

The scent of lilacs remained in my heart.

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Breast of Red

Signifier of spring, the robin is a perennial totem of hope. One usually builds a nest near the house, sometimes in a most inconvenient place that occasionally needs to be taken down before it goes up (if they’re too close to a door or entryway, they would not allow us by once the eggs get laid). The last few years we’ve reached a reasonable compromise – they’ve taken to the Wolf’s eye dogwood tree, the climbing hydrangea’s arbor, or somewhere in the Thuja wall. We are still less of a threat than the hawks or crows, which have heartbreakingly raided nests in the past.

The circle of life often feels most perilous in the spring, when everything is still tender and raw.

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How Beautiful the Days

A record of a lesser-known musical titled ‘The Most Happy Fella’ by Frank Loesser peeked out at me from a bin at a downtown Albany thrift store. A lovely-enough introduction to an operatic excursion, the few song excerpts I found online illuminated why it never made much of a lasting splash, but there is beauty in this song, and the atmosphere provided by the Percy Faith treatment fits in well with this beautiful lilac spring we’ve conjured to gain some traction out of this recent hazy winter.

Without words, the music creates atmosphere over distinctive scenes or plot points – evoking a feeling, a sense of something, a hint of emotion – and the rest you can fill in from your own earned experience. What does it sound like? Where does it place you? It is possible to believe you’ve had an experience just by hearing certain songs, even if you’ve never quite had it. Music does that, even in the most trifling song, if you let it, if you give it the space to live.

Spring begins its song softly, rising from the winter, not so much a phoenix as a brand new bird never before seen. It’s a different experience sometimes, as if happening for the very first time.

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Damage Control

When I look back at my life, it’s mostly been just a bunch of damage control. That was going to be a quick ‘Tiny Threads‘ entry, but it’s such a profoundly humorous statement it deserves its own blog post. So here we are, and here it is. Making something out of nothing – words to paper, paper to laptop, laptop to blog, blog to you. A small chain of events that brings me from the cafe in which this is being written to whatever device you find yourself skimming and soon skipping due to this unimpressive tedium.

Damage control.

It’s what I have to so often do when my mouth runs away with too much truth, when my words cut a little too deeply, when the good-natured ribbing hits differently depending on the recipient’s day.

Daily damage control.

Because I don’t want to lose all my friends?

Just kidding – anyone getting tongue-lashed by me deserves it. You know what you did.

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The Madonna Timeline #181: ‘Pretender’ ~ 1985

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

He’s a pretender, he knows just what to say
He’s a pretender, you meet him every day
He’s a pretender, that fish that got away
he’s a pretender, why’d I fall in love?

Pure 80’s synth pop prettiness, ‘Pretender’ is a relic that doesn’t completely stand the test of time, but we all seem to be in an 80’s celebration, and it’s good to have a reminder that not every Madonna song is going to be everlasting. This one still has its charms, and it brings me indelibly back to the days of 1985, when we rose around in a station wagon and the ‘Like A Virgin‘ album sang of things we’d never known at the ripe age of ten.

It was so strange, the way he held my hand
I wanted more than just a one night stand
He had a way of making me believe
that he was mine and that he’d never leave.
I know that I should take my friend’s advice
Cause if it happens once, you know it happens twice
If there’s chance then I know I’ve got to try
I’ll make him dance with me, I’ll make him tell me why.

The betrayal of the protagonist of ‘Pretender’ was very much one of those things, but Madonna sang with such forlorn bitterness and convincing hurt that I felt I already knew that brutal sting. Maybe it was a presentiment of rocky romances to come? Maybe just a shared love of the dramatic? Or maybe just a hooky pop tune of the 80’s, with a bombastic bridge crafted as deftly as anything Taylor Swift has ever erected.

I’m not afraid to fall a hundred times
And I’ll believe in all your silly lies
I’d like to think that I could change your mind
Don’t say that I am blind, I know all about your kind.

When I was all of ten years old, I thankfully had no idea what a song like ‘Pretender’ might be about – my romantic trials and tribulations wouldn’t start wrecking me for another decadeAnd maybe it does stand up to the test of time – betrayal still being very much a part of the mess we call humanity.

SONG: #181: ‘Pretender’ – 1985

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An Easter Monday Blog Recap

We’ve had a number of Easter Monday recaps over the years:

And I don’t even know if Easter Monday is a thing. I just like the sound of it – so without further ado, here’s our weekly blog recap.

First date fizzle, as seen from the cafe culture vantage point.

My favorite basil.

Harry Styles finally goes full-frontal.

Eat a pita! Or a platter! Aren’t you hungry for a pita, or a platter, at Burger King now?

Misadventures in the local library.

Do you like music?

Pam Bondi wins the next F.A.F.O. Award.

A Yemeni cafe comes to a Latham strip mall.

Let’s not do this again.

Michael Breyette: In Memoriam.

Crocus Locus.

Easter bunny trauma bonding.

I may miss this Lenten tradition the most.

My sweaty underwear, possibly for sale.

Dazzlers of the Day included Hunter Schafer, Justin Teodoro, and Jesse Welles. Who should the next Dazzler be? Tell!

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A Sweaty Underwear Post

Landscape spring cleaning has ensued, so I’m going to have sweaty underwear for a while.

Social media momentum depends on such clickbait.

Surely there is a market for my used underwear, no? Inflation is killing us, gas prices are killing us, this economy is killing us – thanks to fuckwad Trump. Once upon a time I could have garnered a semi-decent living from this sort of thing, but OnlyFans arrived in my lifetime twenty-five years too late. Used underwear shots are about all I can muster these days, and it’s more than anyone wants to see, but I don’t care. This is life. This is reality. This is the here and now.

Yard clean-up has always been a meditative exercise for me. It brings me back outside, where the only sounds are distant lawnmowers, birdsong, and the occasional clawing of squirrel nails on our wooden fence. For well over a decade, I had the same game-plan for the clean-up – start in the side yard and make my way slowly around the perimeter from the side yard to the backyard. This year I’m moving from section to section to keep things interesting, jumping across the yard to remove the debris around the Lenten rose first, then the fern stand beneath the dogwood where our Narcissus are showing buds finally. I’ve pruned the lace-leaf Japanese maple by the pool filter so Andy can access that easier, and I’ll hit the front yard hydrangeas next.

Also new these past few years is a slower rate of this whole process. Previously I’d tried to bang it all out in a single weekend, but the body is not what it used to be, and protecting my back and winter-rested/unexercised muscles by taking my time is a welcome change.

From sweaty underwear to geriatric diatribe – I love the rollercoaster way this blog ebbs and flows.

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Easter Bunny Trauma Bonding

The Easter Bunny and I have been trauma-bonded since that fateful photo shoot in the former Mohawk Mall, in which I was held against my will on a terrifying bunny’s lap. Of course you will get that shot below, because it’s everybody’s favorite fucking picture of me, people being gratuitously thrilled whenever I’m in peril or in uncomfortable situations. Maybe that’s why nothing fazes me anymore – you’ve all worn it out of me over the years.

Since no one was going to even bother protecting me from my fears, I was forced to face them head on, from the moment they paraded me into the dim lair of this Easter Bunny from hell to all the other hellish events I fought against over the years. And don’t tell me you didn’t know I was terrified – it’s on fucking film! (See below – that’s not a happy or calm kid.)

Alas, a little Easter Bunny trauma bonding only served to fortify me for future battles, and they would prove to be far more frightening than a purple-tulle-collared bunny.

Happy Easter everybody!

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Crocus Locus

This simple crocus has always felt rather magical in the way that it just sort of pops up without advance notice and blooms, often earlier than I’m able to get out into the yard for spring cleaning. This year I almost missed it, but Andy took to opening the pool in record time when we had pair of days above freezing, and I ventured out to find it in full flower, bravely sending up its floral signal even before its foliage fully unstrapped itself. 

Out of a hundred corms that I planted one fine fall, this lone crocus is the only one that survived the hungry greed of rodents in the area, somehow managing to escape their voracious hoarding habits. They often get the last laugh, as some years we’ll find the blooms felled by their nibbling before I even get a chance to grab a pic. If they weren’t so cute we’d probably shoot them. 

This particular crocus is in a more hospitable section of the yard, as it has managed to come up earlier than our Lenten rose, which is usually one of the first to bloom. This year it is well behind, thanks to all the snow and cold we’ve had. I haven’t even gotten around to begin the yard clean-up which will help to show it off better, and with rain forecast for the foreseeable future, that may take a while. 

For once, I’m in no rush. Things will get done as they get done, and if they don’t the garden will still find its way.

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In Memoriam: Michael Breyette

NOTE: Michael Breyette was an artist who left behind a powerful visual legacy, a legion of fanatically-devoted appreciators of his art, and a world in dire need of his particular beauty – the images of hope, of lust, of summer, of love – and always, even after his departing, of life.
It’s been a few months since we lost him, and I finally decided to post a letter I wrote to him after his death – my own way of grieving and hoping to heal, and trying to convey to his husband, and the world, how much he is missed. Artists may live on in their artwork, and there is some solid bit of solace in that, but when you know the artist, when you adore the person, that doesn’t diminish the great pain of missing them. 

Dear Michael – 
Once again I find myself writing to a friend who left this world too early, and once again I feel at a loss of how best to say something that meets the sorrowful moment at hand. Despite a couple of decades of correspondence, I’d only ever met you once – at a gallery show in Provincetown. In person you were just as kind and friendly as your messages – a happy and increasingly rare circumstance of a favorite artist living up to the image and idea of a favorite artist. You were one of the first artists to immortalize me, seeing some bit of beauty in the raw assemblage of bones and flesh that once comprised my physical being. It came at a point in time when I wasn’t sure who I was – and you saw something that was somehow worthy of your artistic pursuit.

I’ve always fancied myself an artistic spirit, but never a great artist. You saw beauty in my words, and suddenly I could begin to see beauty in what I created. The fact that an artist I’d so admired might share a similar appreciation of beauty in me did more for my ravaged self-esteem than just about anything else. 
Your talent didn’t always seem wholly of this world. It was fantasy and hope and the embodiment of carnal desire. It was both pure and naughty – a celebration of sex, eroticism and lust. Above all else, it was the expression of beauty and love – and beauty would always be your gift to the world. It remains your lasting, immortal legacy – the physical creation of a body of work that makes living in our world so worthwhile – which is why your sudden absence is so keenly felt by all whom you touched. 

Whenever I needed a jolt of inspiration, whenever I wanted a reminder that there was passion and artistically-brilliant execution in motion, and whenever I just needed some reassurance when times felt dark or sad, a visit to your website and a perusal of your work was all I needed to right myself. 

It wasn’t talent alone that drew me to your creations, it was the heart of the man behind them. Only one who truly loved others would ever be able to so magnificently render fellow human beings in such a splendid manner. That became evident in our correspondence and shared admiration. When you asked me to write a foreword to your book ‘Summer Moved On’, it was an honor, a privilege, and a humble gift that would never quite do your exquisite work justice.

In that work, and in so much subsequent work that would come in the years that followed, your spirit and love for life would shine through. It was a thrill to watch as you gained rightful recognition and success in such a harsh and competitive industry. Throughout it all, you retained your uncompromising vision – portraying us in unabashed scenes of love and beauty and idealism. You put the best versions of ourselves forward, committing them to paper and canvass for all time, in scenes that inspired, moved, intimated, teased, celebrated, and lived in the way that the best artwork does. You did it so well, and with such remarkable consistency, that perhaps we took your gifts for granted, the way humans tend to do when the greatest artists live among us. I hope you knew how much your work mattered, how much it resonated and touched so many of us lucky enough to view it. I hope you understood how much you meant to me, and to so many people who had the honor of being in your presence or the presence of your work. In so many ways, you remain the living sentiment that beauty never dies, that art always matters, and that good people remain in our hearts even after they are gone. 

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