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Last Friday…

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That’s me, on the steps of our Boston condo, on the morning of my 37th birthday. As much as I love a good party, I’ve never been one to do it up on my birthday, preferring smaller and more intimate celebrations – and nothing is more intimate than me and Andy. So what did I do on the anniversary of my birth? I got a new shower curtain at Marshall’s, scrubbed the bathtub on my hands and knees, washed a new set of bed sheets, and made up the bed. When someone else does it the rest of the year, it’s almost a treat, and certainly a special event.

Andy got me the last bottle of Tom Ford’s ‘Amber Absolute’ at Saks – I was about to get a different fragrance, and actually had it bagged and purchased, but upon hearing that it was indeed discontinued we made the last-minute change. It will be the perfect choice for the Fall. We spent a little afternoon siesta at the condo, where I read a bit and lounged before heading out for a birthday dinner and show.

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A Birthday Weekend Begins

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Andy and I arrived in Boston last Thursday to kick off my birthday weekend. The weather was glorious, and would stay that way until we returned to upstate New York. On that first day, we entered in easy fashion, starting with cocktails at Bond at the Langham Hotel.

Dinner was loosely planned for the North End, where we did some exploring on the day before the Feast of Santa Lucia.

The North End is where religion, history, beauty, faith, and good food come together in magical fashion. It seemed a good moment to say a little prayer.

We ventured off the main drag of Hanover Street and walked a bit further, settling on La Famiglia Giorgio’s, which provided  standard, if unremarkable, Italian fare. In the North End I was hoping for something a bit more flavorful, but the family-style format gave us leftovers for the next day or two.

Luckily, the night was still young, and we headed closer to home in the South End, in the form of our wedding hotel – the Taj.

At that late hour, we had the place mostly to ourselves, taking a table that overlooked the Public Garden.

The lights of the Prudential Building are different than I remember – and it’s only been a month since I was last here, but it’s possible I simply never noticed. Regardless, they added a bit of pizzazz to the night skyline (even with a Hood blimp floating about).

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The Madonna Timeline: Song #26 – ‘Music’ – September 2000

 {Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Hey Mr. DJ, put a record on,
I wanna dance with my baby…

In a vocoder-enhanced robotic voice of the future, the opening salvo of ‘Music’ found Madonna entering the new millennium ready to boogie-woogie. This song reminds me of my husband. Fun, funky, and instantly-classic. It came out just after I met him, and as such will always hold a special place in my heart.

It was September of 2000. I was traveling between Boston and Albany as Andy and I figured out what we were becoming. On a weekend alone, I heard this song on the radio for the first time. I sat there in the condo, ear up against the speaker, stunned and enraptured and slightly underwhelmed as I am the first time I hear any new Madonna song (it’s a good omen – see ‘Frozen’ and ‘Like A Prayer’). This was both a throw-back to her earliest R&B-dance roots, and an unflinching look to the future thanks to the computerized blips and stuttering booms of Mirwais. It was just before Internet leaks took over, and it was still possible to remain in the dark as to what a song sounded like until it premiered on the radio, and somehow I caught it at just the right moment. By the end of it, I was even dancing a little.

Do you like to Boogie Woogie?
Do you like my acid-rock?

Oh I more than liked it, I loved it. And I more than liked Andy. It was a time of celebration, a time of gleeful abandon, of giving it up to the beat, to the music, and to the prospect of loving and being loved.

And when the music starts, I never wanna stop,
It’s gonna drive me crazy…
Music…

Simple. Powerful. To the point. It was Madonna bringing it like only she could, staking another musical milestone with a memory that would burn brightly as one of the happiest in my life. As Summer ripened into Fall, and Andy and I felt our way into our relationship, Madonna was the soundtrack that formed the backdrop to all of the fun.

Music makes the people come together – yeah,
Music makes the bourgeoisie and a rebel…

That September marked our first trip together. We drove up to Ogunquit, Maine where Andy knew a few people, and it felt like we were a world away from everything else. In this fantastical place there was a beautiful ocean shore, a breathtaking seaside walk, a jewel-box of restaurants, and a couple of bars and dance clubs to fill the nights with adventure.

Don’t think of yesterday and I don’t look at the clock
I like to boogie-woogie.
It’s like riding on the wind and it never goes away
Touches everything I’m in, got to have it every day.

Andy’s friend Al ran MaineStreet at the time, and, while still relatively new, it had already established itself as a go-to spot for the good-time crowd. As the bar began to fill, and the lights flashed, the throbbing dance beat built to the first of many crescendos. Soon the dance floor was moving with the collective break-neck motions of the music-mad masses. It was then when I felt, more than heard, the opening strains of the Calderone Anthem Mix. Victor Calderone has a way with crafting a killer Madonna remix, steadily building and adding to his creation until it gives glorious way to the thundering pinnacle of its climax, and there it dangles for a delicious moment before its precipitous drop and heady whoosh to a racing conclusion.

I’ve got a bad-gay admission to make: I don’t go out to dance clubs a lot. I never have. I usually prefer the quiet atmosphere of a bar to the techno-deadened bass attack of a club any day. But once in a while I’ll have a night out when a club is exactly what I’m looking for, and if there’s a Madonna song on (as there more than likely will be) it makes it all the better, as if I’m meant to be exactly there, at that moment.

It’s happened a few times – a Calderone remix of ‘Frozen’ in the chilly Rochester winter, a transcendent bit of ‘Isaac’ and the exhilarating rush of ‘Vogue’ reborn in Chelsea, and Tracy Young’s whirling take on ‘Don’t Tell Me’ on a rare Saturday at Waterworks. This time it was ‘Music’ in Ogunquit, with a new boyfriend by my side, a new club in the midst of establishing itself, and a new Madonna album on the horizon. For that one moment, all was right with the world.

Music makes the people come together – yeah,
Music makes the bourgeoisie and a rebel…

On a technical side-note, ‘Music’ marked Madonna’s 12th Number One hit on the Billboard charts (and her last one, thus far). The album also debuted at #1 – her first number one album since 1989 (she’s been luckier in that of late, as every one of her studio albums since Music has managed to hit the top spot for at least a week – American Life, Confessions on a Dance Floor, and Hard Candy).

While spottier than its predecessor of perfection (the magnificent and yet-to-be-topped Ray of Light), Music was a more-fun companion-piece. I made my customary pilgrimage to Tower Records on Newbury Street (I think it was still Tower Records at that point – if not, then Virgin) for the midnight release, and got a free poster because I bought the Limited Edition special CD. The poster featured Madonna in high-cowgirl mode, a style that at first seemed jarring (she did once proclaim that she would never date a guy who wore cowboy boots) but ended up working better than even she probably anticipated. (Picture a smattering of pink cowboy hats at her ‘Drowned World Tour’ stops.)

As for the video, directed by Jonas Akerlund, Madonna also went back to old-school MTV fun, with a cheeky bit by Sacha Baron Cohen as Ali G, girl support from Niki Haris and Debi Mazar, and a requisite animated sequence that found a cartoon Madonna super-heroine in a Metropolis-like world with buildings and signs featuring the names of past hits. At that stage in her career, she could already look back with a wink, confident that the release of a new Madonna album was still a momentous event.

There have been a number of memorable live performances of ‘Music’ – most notably its limo-centric free-for-all at the Grammy Awards, an incredible Live 8 version, and the finale to the Drowned World Tour. But I think it was her mash-up of ‘Music’ and ‘Disco Inferno’ from the ‘Confessions Tour’ that holds status as my favorite performance of the song:

Do you like to Boogie Woogie?
Song #26: ‘Music’– September 2000
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The Madonna Timeline: Song #17 – ‘Don’t Cry For Me Argentina’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Her voice has never sounded better. Even in the bustling pre-Thanksgiving buzz of Logan Airport, I can hear her clearly over the headphones of my portable CD player (this was 1996). I am about to board a flight to San Diego, my emotional state is shaky at best, but when Madonna is singing one of the most famous Andrew Lloyd Webber show tunes of all time, ‘Don’t Cry For Me Argentina’, I pause to listen. There are storms moving in from the West, but the flight is departing on time. A heavy coat is slung over my arm, and I wish I could leave it in the cold of a Boston November. But I’m getting ahead of myself. The iPod has chosen ‘Don’t Cry For Me Argentina’ as the next selection, and while I was hoping we might get an Evita song at this time of the year, I suddenly feel ill-equipped to fully convey the sad connotations that this song evokes.

It won’t be easy,
You’ll think it strange,
When I try to explain how I feel
That I still need your love after all that I’ve done…

The Fall of 1996 found me living in Boston, and commuting to Waltham for my last semester at Brandeis. I had fallen for a classmate in my Literary Criticism course, and for a brief moment he seemed smitten with me. We shared a love of musicals, the cute guy at the Boston Chipyard, and my impeccable sense of style. We also shared a couple of late-night talks on the telephone, some pleasantly random encounters on campus, and a slight fear of our Literary Criticism professor.

I won’t go into other details here (that’s the ‘You Must Love Me’ story, and the iPod hasn’t shuffled that way yet), but after a few weeks of flirting, one flat semi-date, and a risky letter laying it all on the line, he was not as enthralled with me as I was with him. And as my pathology has historically shown, it’s the ones who want nothing to do with me that I seem to love the most.

I had to let it happen,
I had to change…

And so, long story short, he broke my heart, in the kindest possible way, but a broken heart is a broken heart and there’s nothing much to be done about it. That November the Evita soundtrack was released. It was Madonna in an Andrew Lloyd Webber musical – a gay man’s dream – but while the rest of the Madonna-mad homos celebrated, I tried to heal.

Back in those days, I lived a very organized and regimented life. Chalk it up to my Virgo birth sign, or my parents’ rigid structure – the point was, I had my school life and job and creative outlets strictly planned out, and there was little to no time for an emotional breakdown or messy feelings to muck up the flow. But I had read somewhere that Madonna claimed she allowed herself one day to get over a bad break-up, so the Tuesday that the Evita soundtrack came out I designated as that get-over-it day.

Luckily, I did not have classes on Tuesday, so I slept in and putzed around the condo a bit. The day was dim and overcast, but there was no rain. I walked over to Tower Records (again, this was 1996, and it still stood on the corner of Newbury then) and bought the soundtrack.

I vividly recall the press Madonna was getting at the time, especially the one-two knock-out punch of Vanity Fair and Vogue. She was poignant, vulnerable, and poised on the brink of her first comeback following the Sex years. She’d had her first child – a daughter named Lourdes – and she was healing her lifelong hurt of a lost mother and a number of lost loves. In my dismal state I could somehow relate, and suddenly I wanted to be anywhere but where I was.

So I chose freedom,
Running around, trying everything new,
But nothing impressed me at all,
I never expected it to…

The next weekend my cousin’s wedding was taking place in San Diego. It was both exactly what I needed, and the last thing I wanted. A wedding is a wretched place to get over a broken heart, but at our darkest moments most of us turn to family – the people who have no choice but to love us. Or so we hope.

The truth is I never left you,
All through my wild days,
My mad existence…
I kept my promise,
Don’t keep your distance.

In Logan Airport, I took off my winter coat and waited for the plane to board. In my ears I listened to Madonna sing that epic song. Midway across the country, flying over all those square states, a storm appeared to the left of the plane – lightning and thick clouds swirled, and in the dark of night I almost dared God to take all of us down – I was that far gone.

Up in the sky, I felt removed from everything. The seat next to me was empty (are there ever any empty seats anymore?) so I could lie down and nap, and the flight attendants didn’t mind. While the night progressed, I was moving West and turning back time. What could be found in those three hours I was momentarily gaining? Would there be wisdom there, and would that soothe the ache?

Landing in San Diego was a healing moment of its own – the balmy humidity was a salve on the raw coldness I brought from Boston. I hopped in a courtesy van and arrived at the hotel where my family was already going about their wedding business. All except my brother would not be told of my state of mind. I wasn’t even out yet, and the accompanying loneliness and sadness weighed secretly upon me.

I tried to distract myself with the sunniness of San Diego, and the silliness of fashion, finding a tiger-print coat and a maroon ostrich boa in a vintage shop. I asked my brother to take a photo of me walking in a park, head down and countenance downtrodden, and it would become that year’s somber Christmas card. Through it all, I couldn’t shake the feeling of being unloved, and while my head (and my own brother) was telling me that this person was not worth the trouble, my heart would not be quieted – the heart wants what it wants.

At the wedding I talked and laughed with family. There were compliments on my outfits – there would always be compliments on my outfits – and if I had nothing else, I could still look good. I wondered then, if that’s all I had to offer. My lost suitor had been captivated by my clothes – in fact our first conversations revolved around clothing. How could such a superficial thing even compare to what I was feeling on the inside? And what do you do when you’ve built up such a pretty façade, but all anyone wants to do is look?

Such silly ruminations, and such a silly boy I was for feeling so devastated. Perhaps it’s even silly to speak of such things now. Yet these are the things that shaped me into the man I am today, and in so many ways those faults have not been perfectly patched. They run deep, and they run wide, and no matter how far I think I can go, they’re always with me.

And as for fortune and as for fame,
I never invited them in,
Though it seemed to the world
They were all I desired.
They are illusions,
They’re not the solutions
They promised to be
The answer was here all the time,
I love you
And hope you love me…

I didn’t cry for Argentina. I didn’t cry for Madonna and her newborn child and first shot at movie star credibility. I didn’t even cry for the boy who never sat next to me in class again.  I cried for that fact that love would never be easy for me, and that as good as I was at dressing up and making the ladies laugh, I could never be good at love.

In one of the magazine articles of the time, Madonna was talking about how she gained the coveted title role of the movie, and she said something that I grasped as hopeful for my goal of attaining a guy:

I thought of a line from The Alchemist that goes something like, ‘If you want something bad enough the whole earth conspires to help you get it.’”

That’s not true in matters of love, and I think Madonna knows that too.

Have I said too much?
There’s nothing more I can think of to say to you…
But all you have to do is look at me
To know that every word is true.

Song #17: ‘Don’t Cry For Me Argentina’ – November/December 1996

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The Madonna Timeline: Song #6

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

 

Finally, the iPod has reached the magnificent Like A Prayer album, albeit it with one of its weaker songs. “Keep It Together” was the last single from the 1989 album, and I have one distinct Boston memory of it. We were in the city staying at the Copley Marriott or the Westin – I can’t remember which (back then they blended into one, and were actually affordable). I was old enough to go off on my own, as was my brother, so we had gone our separate ways.

It was near the end of winter, and just starting to get warmer. I found myself in the Downtown Crossing/Chinatown area as dusk settled, and it was starting to get dark. There were a few brief moments of panic, when I got a bit turned around, and for a barely-teenaged kid that can seem harrowing, but I held it together and kept walking, sure I’d find something familiar, and soon enough I did.

Back on the T, I arrived at Copley and went into the Mall, all brightly lit and warm. At the time, there was a card/gift shop where the back of Louis Vuitton now extends. I went in there, browsed the novelties, and “Keep It Together” came on over the radio, filling the store with Madonna. It was the perfect end to the day.

 

Madonna went on to perform the song as the encore/finale to her Blonde Ambition Tour (which also closed Truth or Dare) in a Cabaret-inspired bondage-costumed extravaganza (as outfitted by the great Jean Paul Gaultier).

 

I’m tired of sharing all the hand me downs,
To get attention I must always be the clown,
I wanna be different, I wanna be on my own…

Song #5: Keep It Together – Winter 1990

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The First Time I Kissed A Man – Post Script

For the first few years after our brief time together, I did look for him whenever I was in Boston. Not blatant stalking or hunting him down – I knew where he lived and where he worked, so it would have been easy enough to find him. I’m talking generally, if I was on the T or walking around Copley.

Once, I thought I saw him – the man had a head of grayish white hair, so the malicious, vengeful, spiteful part of me was hoping it was him. I quickened my pace and approached, almost calling out his name, but as I reached him I saw that I had been mistaken. That was the last time I remember looking for him, and it was over twelve years ago. Today he’d be about 50 years old.

These days I only think about him in the Fall, if at all, and not with much anger – only a small bit of sadness, tinged with pity. Even that gets harder to muster as the years pass, and I am not sorry for it.

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The First Time I Kissed A Man

If you’ve only kissed girls all your life, the first time you kiss a man is a shock. A rough shock. Literally. My face feels like it’s being shredded by some ridiculous grade of sandpaper. He holds my head in his hands, and this will not be the only way he hurts me. For now, though, it is completely what I want.

In the afternoon light of September, in an apartment on the steep incline of some side street in Beacon Hill, I am sharing my first kiss with a man. The year is 1994 and it’s the start of my sophomore year at Brandeis University. The room is small, and comprises both the bedroom area and the kitchen. A bathroom is outside off the hall.

The sheets on the bed are white, or the lightest of gray, and he doesn’t seem to have many worldly possessions. I’ve always envied that sparse sort of set-up, and those not bound by attachments or material goods. Even in a few short weeks I manage to accumulate things, my closet over-stuffed and scarce of empty hangers. Here, just a small collection of plates and kitchen utensils dries in a wire dish rack. A lone towel hangs on the doorknob. By the window a cluster of books stands on a table.

He excuses himself to take a quick shower, and I am shocked at his simple, instant trust of me, having only met a few hours before this. Already jaded before I’ve even been hurt – or maybe there’s some sort of hurt that I can’t even remember anymore, a phantom pain from not feeling loved or protected – and my suspicion lies hidden like a dagger, hidden but always present, ever-ready to strike, to slash, to slay.

He returns wearing only a white towel, and in that white light of the bed my summer-tanned body lays atop of his, the cool bright sheets blocking the slight breeze from the half-cracked window. I wonder what the other people on the street are doing in their apartments on this afternoon.

My face and lips feel raw after sliding against his stubble. It tickles and stings and troubles in a dangerous, intoxicating way. He admires me like no one has ever done before, but I’m still uncomfortable as he watches me pull my pants on. It seems odd to just leave, but he mentioned something about his shift, and it’s even stranger to think of staying, so I depart after leaving my phone number.

I step out of the stale smell of the old Brownstone row, and back on the street I look up to his window. He is there smiling and waving. I wave back and walk down to the bottom of Hancock Street. Across the way is the site of a former Holiday Inn that my mother once stayed in with me and my brother. We saw E.T. in the movie theater there that no longer exists. Part of me still feels like that little boy, but as I board the train I catch my reflection, and, aside from the backpack, it is the visage of a young man.

How to explain the heady giddiness of my heart in those early days of Fall? Every phone call with him carried me further away from the campus, away from the silly dorm antics, the childish college pranks. I wanted no part of that carefree fun, looking down on my fellow school-mates and disconnecting from that world irrevocably, in a way that risked future regret and silly behavior long past the point when it should have been out of my system. I was far too serious for my own good, thinking I was setting up my life for happiness at some time far in the future, putting off a good time in the moment and mistakenly eyeing what was to come, what was always ahead. I gave it away for him, as I would do for countless others, but in the beautiful light of that flaming September there was nothing else I could have done.

Somewhere there is an old 35-mm photograph of me, taken while I was on the phone with him, showing a rare unguarded moment where the camera was set up just as he called, the sun was setting, and my face betrayed not happiness, but worry. High in Usen Castle, in our semi-circular dorm room on the top floor, I sat on the bed talking to him. He was squeezing in a conversation just before his shift started at the hotel restaurant, from a pay phone no less, back when there were still pay phones around. He must care, I thought.

Every place he moved through held meaning for me. Across the street from the fancy hotel at which he worked was a park. An unlikely oasis in the midst of downtown Boston, it was quiet there, and workers in business suits and sneakers sat on benches reading books. I spent a lot of time in that park. Even when we weren’t meeting, I sat there, reading or writing or just watching the few people who meandered along its walkways.

Sometimes we did meet, for dessert or dinner, and there was a night when we kissed in the shadows of the Southwest Corridor, before the condo was even a glimmer in my eye.

In his apartment, we spent most of the time in bed. The flickering light from a tiny television glowed on the stark white walls. Night air drifted in from the window, along with some muffled shouts and street noise. I asked him how you could tell if you were truly in love with someone. He told me he once heard it said that if you were really in love with someone, you could envision spending the rest of your life in a tent with them and be perfectly content, never wanting for anything more, and never wanting to leave.

Sometimes I tell people that I could envision the two of us doing just that – other times I express doubt that anyone could be happy in such a situation. I never tell it the same way twice because I still don’t know how I feel about it. How could someone who was capable of being so hurtful possibly know anything about love? I trusted in his years of experience, putting a blind faith in simple human decency, only I never let him know. In my silence was acquiescence and the assumed aloofness that would destroy so many chances. I did not know that then – sometimes I don’t know it now.

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You know when you’re not supposed to be with someone. It starts with a pang so small you’re not really sure that the doubt is real, but as the days and weeks pass, the pang becomes a full-fledged throbbing, and every moment you’re with them threatens to suffocate with its worry. When it happens for the first few times, you do not yet have the sensitivity to feel it coming, nor fully experience the hurt it leaves. At least for me, this was the case. I liken it to the first time you’re really hung over. You swallow and swallow as the saliva mounts in your mouth, and you know you don’t feel right but you still don’t know how not right, so you trudge along to work or school and from sheer ignorance or refusal, you do not stop to vomit and end it all quickly.

When his calls stopped and the lingering light and warmth of Fall gave way to the harsh chill of October and November, I didn’t know enough to feel the pain of having such affection withdrawn. I also didn’t know how to cling or hang onto someone, to emotionally obsess and hold onto something that was already dead. This may have been what saved me – my ignorance of how to feel that pain, how to access that hurt. It would be the last time I didn’t know.

My parents invite me along for a weekend in Chatham, MA and I gratefully accept. In the air is the misbegotten notion that he might miss me, when my absence would only bring relief at the most, if it registered at all.

The weekend is gray and cold. There is no going back to any hope of Indian summer throwback days – we are too far gone. The first thing I do as my parents settle into the room is to walk to the forlorn, empty beach. It is dark and windy, and the town and beach are deserted. Wind whips wildly around in a savage attack, sparing no bit of shelter or respite. I pull my coat closer around me. In the sky is the promise of an imminent storm, but I don’t care. Dark clouds threaten, the cruel wind stings, and as I arrive at the beach, the sand and salt water shoot poisoned pin-pricks into any exposed skin.

Part of me wants to walk into the ocean, numb myself with its cold, be helplessly drawn out with the undertow, and let come what may. What else could a thinking person want on such a dismal, gray day, in such a dismal, sad world? Of course I don’t, deliberately walking up and down the shore instead, dodging the tide and peering behind at footprints that will come to nothing.

 

To this day, I can point out which bench I was sitting on when we first spoke. I want to pretend it doesn’t have that power, that it no longer matters, but the memory won’t let me. In Copley Square, before the rising spires of Trinity Church, there are just a few benches that face each other. I pass them first, and then pass him. His eyes, sparkling and blue, glitter in the September sun, and I can’t do anything but stare into them. And so I turn around and settle on one of those benches, pulling out the book I’m reading, The House of Mirth by Edith Wharton.

I was not meant to be in Boston today. I was supposed to be at a school newspaper meeting at Brandeis, but halfway through it I knew I would never like being told what I had to write. I snuck out as they were touring their make-shift office space and got on the commuter rail to the city.

It is a beautiful September day – a little on the warm side but when faced with what is to come, quite welcome. For some reason the city seems quieter, and despite the recent influx of college kids,  less crowded. Maybe it’s because I can only focus on him.

I read the same page about three times before I acknowledge him sitting on the bench before me, and he is the one who speaks first. It would always be the other guy who speaks first because I will always be too afraid.

He asks if I want to walk with him, and I nod. We turn toward the river. I had never been this way before, and if there’s one thing that makes an indelible impression and memory, it’s discovering some new part of a city you thought you always knew. We must have meandered along the Esplanade, past the Hatch Shell, in the dappled light of the changing trees. I remember the walk, but it is dim and vague, and the only thing I could focus on at the time was him. We are going back to his place, and while I had never done anything like this before, somehow I knew what to do, what I had to do.

At the tender age of nineteen, how could I have been so sure? This was before the ubiquity of the Internet, before ‘Will & Grace’, before Ellen. No one had ever told me it was okay. He was no exception. He told me nothing. To all my questions, he gave out no answers, at one point snapping viciously that he didn’t want anything to do with “this education crap”. That no one had helped him to come out, and he was not about to help anyone else figure it out. But all this had yet to come.

There is no use recounting in detail how our weeks together passed. He was callous and cruel in ways that cut me deeper since it was my first time, and because of that it would take years to thaw the icy boundaries I erected to deal with it.The bigger person I sometimes try to be wants to absolve him of his guilt, but I can’t forgive him for how he treated me.

I am now almost the same age he was when he met me, and I still can’t fathom treating another person like that. At first I thought I might, when I reached this age, but it’s not an age issue. My introduction to the gay world was a cold, cutting, every-man-for-himself attitude that should never have been. There were other atrocities too, darker things that I will never put into words, but I’ve written enough about him already, and it’s not fair to post just one side of the affair – God knows I’ve never been an angel. For now, I am done, and the story ends here.

I wish I could say that it didn’t affect me, and that I was mature and knowledgeable enough to chalk it up to an isolated individual, but I can’t. Even if was just one bad seed, it happened to be the seed I tasted. You can’t get rid of that so easily, no matter how intellectually you understand it shouldn’t matter.

 

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The Night I Met My Husband

Ten summers ago I was living in Boston, in between jobs, and visiting my parents’ home in Amsterdam to enjoy their pool and central AC. It had been a summer of healing and restoration, having finally shirked off the residual bitterness of a painful winter break-up.

That summer had also been a rainy one, and on a Sunday evening, after playing cards with the girls, I made my way to Lark Street. The rain had let up, and the evening had turned into a beautiful one.

I would go out for one cocktail, completely alone, sit at the bar, and be all right with being alone. There was nothing left to prove.

I walked into Oh Bar wearing an old pair of Structure jeans and a T-shirt. The place was practically deserted on this particular Sunday night, and I was glad for that. Sitting at the bar, I ordered a screwdriver and smiled at the sunny glass of orange before me. For all that had happened, I was all right. Without any job prospects before me (aside from a quick temp assignment at the Boston Phoenix), without any real direction of where I was headed, I still felt good about things, and the expansive future of what-might-come spread out before me.

A trio of guys came into the bar and sat down at a table behind me. I turned around briefly, but meeting men was not why I went out that night, so I went back to my drink and solitude. When I finished, I was about to leave when one of the guys, who said his name was Patrick, introduced himself and invited me over to their table. I hesitated, then agreed. There were worse things than talking and meeting a few new people.

The cutest of the pack sat across from me, and I thought he was so handsome that he would be completely out of my league. He said his name was Andy. I looked into his eyes and saw what my life might be, and though it was the last thing I was looking for, the idea of love peeked out of my heart. I dared to hope that he was seeing the same thing.

We stared into one another for hours, talking until we were the last two people there. I didn’t want the morning to come. We’ve been together ever since, and today we celebrate our tenth anniversary.

Happy Anniversary Andy – I love you. Here’s to us!

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Summer Memories: Has to Be Madonna

{You can play the song, but please ignore the cheesy slide show.}

The official start of summer is upon us, and though it’s been many years since I had summers off, I still get a thrill when the season arrives. There are many summer memories I could share, but most fall flat in the retelling because they don’t so much encapsulate an extraordinary event or interesting happening as much as they evoke the feelings I had at the time.

I remember the summer of 1998 quite distinctly, though I wasn’t working full-time. Staying with my parents was the easy way out of a hot city summer in Boston. I think it was during the last few weeks of my retail stint at Structure, and I was in and out of the Malls constantly. The sterile white-washed brightness of Crossgates, so cool despite its roof of windows, offered respite from the heat, and though I spent many moments walking in its endless hallway with countless other shoppers, I often felt alone and isolated.

Madonna’s ‘Ray of Light’ single had just dropped and I picked up the CD-maxi with the B-side ‘Has to Be’. It was from her ‘Ray of Light’ sessions, ambient and moody, and perfect for the purgatorial summer doldrums that were about to set in.

Outside, the car was an oven. I opened the windows and cranked the AC before stepping back out into the sunshine. A wave of heat escaped, rising above the steaming roof. Tearing off the plastic wrapper, I pulled the CD out and examined the artwork. A bright multi-pointed star spun around its axis, the same minimalist fare on an aqua background that signaled the ‘Ray of Light’ release.

In the CD player, Madonna’s voice intoned, “Breathe in, breathe out… I say a little prayer.” A dirge-like plaintive delivery with the cool, watery, electronic vibe provided by William Orbit, the song was rightfully a B-side, but like most of her throwaway work, there were a few glimmers of brilliance.

 

I know there’s someone out there
Waiting for me,
There must be someone out there
There just has to be…

 

I should be glad that I’m alive,
It could have been much worse.
I might have never loved at all,
And never known what I am worth

 

In the heat of the afternoon, summer left me feeling haunted, and restless. I went back to Boston, walking the steamy streets at night and waiting for love to reveal itself.

 

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